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  1. The operatic and the everyday in post-war Italian film melodrama
    Autor*in: Bayman, Louis
    Erschienen: 2014
    Verlag:  Edinburgh University Press, Edinburgh

    Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy, and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society. The book also considers the well-established topics of realism and arthouse auteurism, and re-thinks film history by investigating the presence of melodrama in neorealism and post-war modernism. It places film within its broader cultural context to trace the connections of canonical melodramatists like Visconti and Matarazzo to traditions of opera, the musical theatre of the sceneggiata, visual arts, and magazines. In so doing it seeks to capture the artistry and emotional experiences found within a truly popular form. Key Features * Connects less established areas of research such as popular neorealism to more well-known subjects such as domestic melodrama * Provides an analysis of cineopera or opera film * Helps to pioneer the area of popular Italian cinema * Contributes to both Italian Studies and Film Studies

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748656431
    Schlagworte: Film; Geschichte; Motion pictures / Italy / History; Melodrama in motion pictures; Melodrama, Italian; Kino; Ästhetik; Gesellschaft; Melodrama <Film>; Film
    Umfang: 1 online resource (xi, 224 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 08 Aug 2016)
  2. The operatic and the everyday in post-war Italian film melodrama
    Autor*in: Bayman, Louis
    Erschienen: [2014]; © 2014
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748656431; 074865643X; 1306892023; 9781306892025; 9780748656424; 0748656421
    Schlagworte: PERFORMING ARTS / Reference; Melodrama in motion pictures; Motion pictures; Melodrama, Italian; Film melodrama; Motion pictures / Italy; Realism in motion pictures; Film; Geschichte; Array; Kino; Melodrama <Film>; Gesellschaft; Film; Ästhetik
    Umfang: 1 online resource (xi, 224 pages), illustrations
    Bemerkung(en):

    Print version record

    This book deals with melodrama - the key cinematic form of post-war Italy. The commercial success and formal perfection of melodrama is central to the re-establishment of the post-war Italian film industry, ensuring cinema's position at the forefront of 20th century mass culture. Melodrama interacts with the well-documented genres of neorealist and art cinema are well documented but it is through melodrama that one can discover most about national culture in Italy at this time, understand film's relationship to popular habits and ideas, and draw the true history of cinema. It connects less established areas of research such as popular neorealism to more well-known subjects such as domestic melodrama. It provides an analysis of cineopera or opera film. It helps to pioneer the area of popular Italian cinema. It contributes to both Italian Studies and Film

    Title Page; Imprint; Contents; Figures; Preface; Introduction: Why melodrama?; Chapter 1; Chapter 2; Chapter 3; Conclusion; Filmography; Bibliography; Index
  3. The operatic and the everyday in post-war Italian film melodrama
    Autor*in: Bayman, Louis
    Erschienen: 2014
    Verlag:  Edinburgh University Press, Edinburgh

    Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular... mehr

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    Italian cinemas after the war were filled by audiences who had come to watch domestically-produced films of passion and pathos. These highly emotional and consciously theatrical melodramas posed moral questions with stylish flair, redefining popular ways of feeling about romance, family, gender, class, Catholicism, Italy, and feeling itself. The Operatic and the Everyday in Postwar Italian Film Melodrama argues for the centrality of melodrama to Italian culture. It uncovers a wealth of films rarely discussed before including family melodramas, the crime stories of neorealismo popolare and opera films, and provides interpretive frameworks that position them in wider debates on aesthetics and society. The book also considers the well-established topics of realism and arthouse auteurism, and re-thinks film history by investigating the presence of melodrama in neorealism and post-war modernism. It places film within its broader cultural context to trace the connections of canonical melodramatists like Visconti and Matarazzo to traditions of opera, the musical theatre of the sceneggiata, visual arts, and magazines. In so doing it seeks to capture the artistry and emotional experiences found within a truly popular form. Key Features * Connects less established areas of research such as popular neorealism to more well-known subjects such as domestic melodrama * Provides an analysis of cineopera or opera film * Helps to pioneer the area of popular Italian cinema * Contributes to both Italian Studies and Film Studies

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780748656431
    Schlagworte: Film; Geschichte; Motion pictures / Italy / History; Melodrama in motion pictures; Melodrama, Italian; Gesellschaft; Melodrama <Film>; Kino; Ästhetik; Film
    Umfang: 1 Online-Ressource (xi, 224 Seiten)
  4. The operatic and the everyday in postwar Italian film melodrama
    Autor*in: Bayman, Louis
    Erschienen: 2014
    Verlag:  Edinburgh Univ. Press, Edinburgh

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule für Fernsehen und Film, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780748656424
    Schlagworte: Film; Geschichte; Ästhetik; Kino; Melodrama <Film>; Gesellschaft; Film
    Weitere Schlagworte: Motion pictures / Italy / History / 20th century; Melodrama in motion pictures
    Umfang: XI, 224 S., Ill., 24 cm
    Bemerkung(en):

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