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  1. Bi to rinri no mujun
    Autor*in: Umehara, Takeshi
    Erschienen: 1983
    Verlag:  Shūeisha, Tōkyō

    Standort:
    Gemeinsame Fachbibliothek Asien / Japanologie
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Japanisch
    Medientyp: Buch (Monographie)
    Schriftenreihe: Umehara Takeshi chosakushū ; 19
    Schlagworte: Arts, Modern; Arts, Modern - 20th century - Addresses, essays, lectures; Arts, Japanese; Arts, Modern - 20th century - Japan - Addresses, essays, lectures; Arts, Japanese - 1868- - Addresses, essays, lectures; Umehara, Takeshi, 1925- - Addresses, essays, lectures
    Weitere Schlagworte: Umehara, Takeshi <1925->; Kunst; Kunstgeschichte und -theorie; Ästhetik
    Umfang: 670 p., [6] p. or plates, ill. (some col.), 20 cm
  2. Shōkei no chi, Burutānyu
    Mone, Gōgan, Kuroda Seiki ra ga mita ikyō = La Bretagne : source d'inspiration : regards de peintres français et japonais
    Beteiligt: Hakamata, Hiroyo (HerausgeberIn)
    Erschienen: [2023]; © 2023
    Verlag:  TBSテレビ, 東京

    "This exhibition focuses on the many painters who were beguiled by Brittany during the latter half of the nineteenth and the early twentieth centuries. With works that focus on Brittany's landscapes, customs, and history, what each artist sought and... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This exhibition focuses on the many painters who were beguiled by Brittany during the latter half of the nineteenth and the early twentieth centuries. With works that focus on Brittany's landscapes, customs, and history, what each artist sought and discerned in this 'foreign realm' is explored. In addition to featuring Western artists, primarily French, the exhibition for the first time brings to light works by Japanese-born painters who traveled to France during Japan's late Meiji to Taisho periods and found their way to Brittany. With around thirty Japanese museums and private collections and two overseas museums making works available on loan, the exhibition assembles 160 or so pieces encompassing paintings, drawings, prints, and posters, literary works, guidebooks, picture postcards sent by artists, and even the trunks they used to carry their possessions when traveling to Brittany."--Preface

     
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Hakamata, Hiroyo (HerausgeberIn)
    Sprache: Japanisch; Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9784906908271; 4906908276
    Schlagworte: Painting, French; Painting, French; Painting, Japanese; Painting, Japanese; Modernism (Art); Modernism (Art); Arts, Modern; Modernism (Art); Modernism (Art); Modernisme (Art); Modernisme (Art) - France; Arts - 19e siècle - Expositions; Peinture française - 19e siècle - Expositions; Peinture française - 20e siècle - Expositions; Peinture japonaise - 20e siècle - Expositions; Modernisme (Art) - Expositions; Modernisme (Art) - France - Expositions; Modernism (Art); 展覧会カタログ; 絵画; 絵画
    Umfang: 272 Seiten, 挿図, 28 cm
    Bemerkung(en):

    展覧会カタログ

    会期・会場: 2023年3月18日-6月11日:国立西洋美術館

    主催: 国立西洋美術館, TBS, 読売新聞社

    出品作品リストおよび主要作品解説: p192-226

    主要参考文献: p227-234
  3. Shōkei no chi, Burutānyu
    Mone, Gōgan, Kuroda Seiki ra ga mita ikyō = La Bretagne : source d'inspiration : regards de peintres français et japonais
    Beteiligt: Hakamata, Hiroyo (Herausgeber)
    Erschienen: [2023]; © 2023
    Verlag:  TBS, Tokyo

    "This exhibition focuses on the many painters who were beguiled by Brittany during the latter half of the nineteenth and the early twentieth centuries. With works that focus on Brittany's landscapes, customs, and history, what each artist sought and... mehr

    Standort:
    Städel Museum, Bibliothek
    Signatur:
    XA/TOKI7/2023
    Fernleihe:
    keine Fernleihe

     

    "This exhibition focuses on the many painters who were beguiled by Brittany during the latter half of the nineteenth and the early twentieth centuries. With works that focus on Brittany's landscapes, customs, and history, what each artist sought and discerned in this 'foreign realm' is explored. In addition to featuring Western artists, primarily French, the exhibition for the first time brings to light works by Japanese-born painters who traveled to France during Japan's late Meiji to Taisho periods and found their way to Brittany. With around thirty Japanese museums and private collections and two overseas museums making works available on loan, the exhibition assembles 160 or so pieces encompassing paintings, drawings, prints, and posters, literary works, guidebooks, picture postcards sent by artists, and even the trunks they used to carry their possessions when traveling to Brittany."--Preface

     
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    Hinweise zum Inhalt
  4. Gendai geijutsu no kūkan
    Erschienen: 1981
    Verlag:  Bijutsu Shuppansha, Tōkyō

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Japanisch
    Medientyp: Buch (Monographie)
    Schriftenreihe: Nakai Masakazu zenshū ; dai 3-kan
    Schlagworte: Ästhetik; Aesthetics; Aesthetics - Addresses, essays, lectures; Space (Art); Space (Art) - Addresses, essays, lectures; Arts, Modern; Arts, Modern - 20th century - Addresses, essays, lectures
    Weitere Schlagworte: Bigaku
    Umfang: 354 p., 19 cm
    Bemerkung(en):

    Editor of series: Nakai Masakazu ; Kuno Osamu hen. - Shinsōban

    Bigaku nyūmon. Haru no kontinyuitī. Butsuriteki shūdanteki seikaku. Kontinyuitī no ronrisei. Eiga jihyō. Gendai bigaku no kiki to eiga riron. Katto no bunpō. Eiga to kikan. Eiga no motsu bunpō. Ikiteiru kūkan-Eiga kūkanron e no jokyoku. Shikisai eiga no shinario kajō no ishiki. Taishū no chie. Shikisai eiga no omoide. Kikaibi no kōzō. Bungaku no kōsei. Tantei shōsetsu no geijutsusei-Bunku no mekanizumu. Geijutsuteki kūkan-Engeki no kikō ni tsuite. Nihon no gendaigeki to wa. Kabe, utsusu, mirukoto no imi, kōdō no imi. Kōdō bijutsu ten o miru. Hitonigiri no dairiseki no suna. Kaisetsu Imamura Tahei, Tada Michitarō cho. Kaidai Kuno Osamu cho
  5. Shōkei no chi, Burutānyu
    Mone, Gōgan, Kuroda Seiki ra ga mita ikyō = La Bretagne : source d'inspiration : regards de peintres français et japonais
    Beteiligt: Hakamata, Hiroyo (HerausgeberIn)
    Erschienen: [2023]; © 2023
    Verlag:  TBSテレビ, 東京

    "This exhibition focuses on the many painters who were beguiled by Brittany during the latter half of the nineteenth and the early twentieth centuries. With works that focus on Brittany's landscapes, customs, and history, what each artist sought and... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    5 B 98166
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Herzog Anton Ulrich-Museum, Bibliothek
    Signatur:
    ZM/4 002 963
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Kunsthalle Bremen
    Signatur:
    Kat. Ausst. Tokio 2023
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatliche Kunstsammlungen Dresden, Kunstbibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2024 D 811
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsgalerie Stuttgart, Bibliothek
    Signatur:
    X Tokio 2023
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "This exhibition focuses on the many painters who were beguiled by Brittany during the latter half of the nineteenth and the early twentieth centuries. With works that focus on Brittany's landscapes, customs, and history, what each artist sought and discerned in this 'foreign realm' is explored. In addition to featuring Western artists, primarily French, the exhibition for the first time brings to light works by Japanese-born painters who traveled to France during Japan's late Meiji to Taisho periods and found their way to Brittany. With around thirty Japanese museums and private collections and two overseas museums making works available on loan, the exhibition assembles 160 or so pieces encompassing paintings, drawings, prints, and posters, literary works, guidebooks, picture postcards sent by artists, and even the trunks they used to carry their possessions when traveling to Brittany."--Preface

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Hakamata, Hiroyo (HerausgeberIn)
    Sprache: Japanisch; Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9784906908271; 4906908276
    Schlagworte: Painting, French; Painting, French; Painting, Japanese; Painting, Japanese; Modernism (Art); Modernism (Art); Arts, Modern; Modernism (Art); Modernism (Art); Modernisme (Art); Modernisme (Art) - France; Arts - 19e siècle - Expositions; Peinture française - 19e siècle - Expositions; Peinture française - 20e siècle - Expositions; Peinture japonaise - 20e siècle - Expositions; Modernisme (Art) - Expositions; Modernisme (Art) - France - Expositions; Modernism (Art); 展覧会カタログ; 絵画; 絵画
    Umfang: 272 Seiten, 挿図, 28 cm
    Bemerkung(en):

    展覧会カタログ

    会期・会場: 2023年3月18日-6月11日:国立西洋美術館

    主催: 国立西洋美術館, TBS, 読売新聞社

    出品作品リストおよび主要作品解説: p192-226

    主要参考文献: p227-234