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  1. The Japanese sense of beauty
    Autor*in: Takashina, Shūji
    Erschienen: March 2018
    Verlag:  Japan Publishing Industry Foundation for Culture, Tokyo

    "What makes Japanese art unique? In The Japanese Sense of Beauty, art critic and historian Takashina Shūji reflects on the aesthetic and philosophical sensibilities underlying Japanese art throughout its history, from the earliest calligraphy and... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Museum für Asiatische Kunst, Ostasiatische Kunstsammlung, Bibliothek
    Signatur:
    in Bearbeitung
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 22262
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2018 A 27529
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signatur:
    LO 89550 114
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    6: E-702.1/49
    Fernleihe:
    keine Fernleihe

    Standort:
    Centre for Asian and Transcultural Studies (CATS), Abteilung Ostasien
    Signatur:
    N7350.T35 N5413 2018
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "What makes Japanese art unique? In The Japanese Sense of Beauty, art critic and historian Takashina Shūji reflects on the aesthetic and philosophical sensibilities underlying Japanese art throughout its history, from the earliest calligraphy and painted screens to modern masters like Hishida Shunso and Yokoyama Taikan. Along the way, Takashina explores themes such as the relationship between subjective perspective and "flat" composition and the playful intermingling of word and image throughout the plastic arts of Japan. He also offers fresh critical perspectives on many individual artists, including Takeuchi Seihō, one of the first to fuse traditional techniques with Western realism, and Takahashi Yuichi, who combined a vivid mastery of texture with deceptively traditionalist compositions. Other essays in this wide-ranging collection touch on everything from the symbolism of Mount Fuji to the ancient music known as gagaku, showing how even the most disparate topics can shed new light on what is essential to Japanese culture. The Japanese Sense of Beauty is an important contribution to the study of aesthetics and cultural history, offering insights that will change the way you think about Japanese art." -- Publisher's description I. Word and image : the Japanese aesthetic consciousness -- The Kokin Wakashū and Japanese aesthetics -- The significance of Imperial Waka anthologies -- Cross the word-image border -- Sori : a plastic sensitivity -- European curve, Japanese Sori -- The plasticity of Hiragana -- Comparing Japanese and Western architecture -- What is a Torii? -- Closeness to nature in Japanese aesthetics -- The four seasons in Japanese painting -- Emoji, Moji-e, and play -- Word and image together -- Chriashigaki and Kaeshigaki -- The uniqueness of Chinese characters in Japan -- Word and image in handcraft design -- Fujiwara no Teika's aesthetics of rejection -- Ariwara no Narihira's "Eight Brides" -- Ono no Komachi's "Color of the Flowers" -- Word and image separated : text design in the West -- Word and image in comics -- Poems and pictures today -- II. Japanese beauty, Western beauty -- East meets West : forms of expression in Japanese and Western art -- The discovery of Japan's aesthetic consciousness -- The introduction of Western painting techniques to Japan -- Two forms of expression -- The aesthetics of omission and the close-up -- Contrasting principles -- Design in Japanese art -- The dawn of Japanese oil painting -- Sentiment and sensibility : beneath the surface of Wasei Yuga -- Japan and the West in the art of Takeuchi Seihō -- III. Roots of the Japanese aesthetic consciousness -- Word and image -- Chinese characters and the Japanese language -- The culture of name succession -- The aesthetics of the margin -- Postcards and place -- Gagaku without Gagaku -- Canonical beauty and situational beauty - Taikan and Fuji -- Whither Passing Spring? -- School songs and musical education -- Fukuzawa Yukichi, traditionalist -- Blossoms of devotion : Boshun, Buson, and the white plum -- Dragons, tigers, and museums -- Interpretation as transformation -- Interpretation as creative act -- Bridges and the Japanese -- The glittering vague -- Travel, east and west -- Tokyo Station and the culture of travel -- Robots and Japanese culture -- Mount Fuji as world cultural heritage

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Treyvaud, Matt (ÜbersetzerIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9784866580203; 4866580208
    RVK Klassifikation: LO 89550
    Auflage/Ausgabe: First English edition
    Schriftenreihe: Japan library
    Schlagworte: Aesthetics, Japanese; Arts, Japanese; Art, Japanese; Aesthetics, Japanese; Art, Japanese; Arts, Japanese
    Umfang: 16 Seiten farbige Abbildungen, 17-255 Seiten, Illustrationen (teilw. farbig), 22 cm
    Bemerkung(en):

    "Originally published in Japanese under the title of Nihonjin ni totte utsukushisa to wa nanika by Chikumashobo Ltd., in 2015" -- title page verso

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