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  1. The Rhetoric of Topics and Forms
    Beteiligt: Zocco, Gianna (Hrsg.)
    Erschienen: 2021
    Verlag:  De Gruyter, Berlin/Boston

    Although the question of prioritizing either the level of content or that of form has often been controversial, most contributions of this volume treat them as internally connected. They undertake analyses of motifs, metaphors, and topoi, and thereby... mehr

     

    Although the question of prioritizing either the level of content or that of form has often been controversial, most contributions of this volume treat them as internally connected. They undertake analyses of motifs, metaphors, and topoi, and thereby not only prove the relevance of rhetorical and thematic study, but also contribute to flourishing fields such as literary multilingualism, literature and emotions, and ecocriticism.

     

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    Quelle: OAPEN
    Beteiligt: Zocco, Gianna (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110642032; 9783110641486; 9783110641981
    Weitere Identifier:
    Schlagworte: Literature: history & criticism; Literary studies: general
    Weitere Schlagworte: Thematology; rhetorical figures; figurative language; literary form
    Umfang: 1 electronic resource (584 p.)
  2. Inceptions
    Literary Beginnings and Contingencies of Form
    Autor*in: Ohi, Kevin
    Erschienen: [2021]
    Verlag:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- Exordium -- PART I. POTENTIALITY AND GESTURE -- PART II. NOVELS AND THE BEGINNINGS OF CHARACTER -- PART III. OUR STONY ANCESTRY -- PART IV. SOLITUDE AND QUEER ORIGINS -- Acknowledgments -- Notes -- Index The beginning is... mehr

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    Frontmatter -- Contents -- Exordium -- PART I. POTENTIALITY AND GESTURE -- PART II. NOVELS AND THE BEGINNINGS OF CHARACTER -- PART III. OUR STONY ANCESTRY -- PART IV. SOLITUDE AND QUEER ORIGINS -- Acknowledgments -- Notes -- Index The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text’s vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the self-grounding quality of the literary work— its inability either to comprise its inception or to externalize it in an authorizing exteriority. In a different but related way, the fact that they must begin renders our lives and our desires opaque to us; what Freud called “latency” marks not only sexuality but human thought with a self-division shaped by asynchronicity.From Henry James’s New York Edition prefaces to George Eliot’s epigraphs, from Ovid’s play with meter to Charles Dickens’s thematizing of the ex nihilo emergence of character, from Wallace Stevens’s abstract consideration of poetic origins to James Baldwin’s, Carson McCullers’s, and Eudora Welty’s descriptions of queer childhood, writers repeatedly confront the problem of inception. Inception introduces a fundamental contingency into texts and psyches alike: in the beginning, all could have been otherwise.For Kevin Ohi, the act of inception, and the potential it embodies, enables us to see making and unmaking coincide within the mechanism of creation. In this sense, Inceptions traces an ethics of reading, the possibility of perceiving, in the ostensibly finished forms of lives and texts, the potentiality inherent in their having started forth

     

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  3. Symbolism 2020
    an international annual of critical aesthetics
    Erschienen: [2020]; © 2021
    Verlag:  De Gruyter, Berlin ; Boston

    This special anniversary volume of Symbolism explores the nexus between symbolic signification and the future from an interdisciplinary perspective. How, contributors ask, has the future been variously rendered in symbolic terms? How do symbols and... mehr

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    This special anniversary volume of Symbolism explores the nexus between symbolic signification and the future from an interdisciplinary perspective. How, contributors ask, has the future been variously rendered in symbolic terms? How do symbols and symbolic reference shape our ideas of the future? To what extent are symbols constitutive of futures, and to what extent do they restrain communication about what is possible and the imagination of fundamental change? Moreover, how have symbolic practices shaped not only artistic representations of the future, but also scientific attempts at forecasting and modelling it? What, then, is the relevance of symbolism for negotiations of the future in cultural and academic production? In essays ranging from literary and film studies to the philosophy of art and ecological modelling, the volume seeks to lay groundwork in theorizing and historicising 'symbols of the future' as much as 'the future of symbolism'

     

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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Ahrens, Rüdiger (Hrsg.); Kläger, Florian (Hrsg.); Stierstorfer, Klaus (Hrsg.); Tronicke, Marlena (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110716962; 9783110717051
    Weitere Identifier:
    Schriftenreihe: Symbolism ; 2020
    Schlagworte: Symbol; futures studies; literary form; symbolism; Zukunft; Ästhetik; Symbolismus
    Umfang: 1 Online-Ressource (VIII, 260 Seiten), Illustrationen
    Bemerkung(en):

    Special focus: symbols of the future/the future of symbolism

  4. Inceptions
    Literary Beginnings and Contingencies of Form
    Autor*in: Ohi, Kevin
    Erschienen: [2021]; ©2021
    Verlag:  Fordham University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text’s vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the... mehr

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    The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text’s vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the self-grounding quality of the literary work— its inability either to comprise its inception or to externalize it in an authorizing exteriority. In a different but related way, the fact that they must begin renders our lives and our desires opaque to us; what Freud called “latency” marks not only sexuality but human thought with a self-division shaped by asynchronicity.From Henry James’s New York Edition prefaces to George Eliot’s epigraphs, from Ovid’s play with meter to Charles Dickens’s thematizing of the ex nihilo emergence of character, from Wallace Stevens’s abstract consideration of poetic origins to James Baldwin’s, Carson McCullers’s, and Eudora Welty’s descriptions of queer childhood, writers repeatedly confront the problem of inception. Inception introduces a fundamental contingency into texts and psyches alike: in the beginning, all could have been otherwise.For Kevin Ohi, the act of inception, and the potential it embodies, enables us to see making and unmaking coincide within the mechanism of creation. In this sense, Inceptions traces an ethics of reading, the possibility of perceiving, in the ostensibly finished forms of lives and texts, the potentiality inherent in their having started forth.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823294657
    Weitere Identifier:
    Schlagworte: American literature; English literature; Openings (Rhetoric); LITERARY CRITICISM / Semiotics & Theory
    Weitere Schlagworte: Baldwin, James; Beginnings; Defoe, Daniel; Dickens, Charles; Eliot, George; Friedrich, Su; James, Henry; McCullers, Carson; Milton, John; Oppen, George; Ovid; Shakespeare, William; Stevens, Wallace; Welty, Eudora; Wordsworth, William; beginnings; birth; contingency; literary form; origins; potentiality
    Umfang: 1 Online-Ressource (336 p.)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Mai 2021)

  5. Inceptions
    Literary Beginnings and Contingencies of Form
    Autor*in: Ohi, Kevin
    Erschienen: [2021]
    Verlag:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- Exordium -- PART I. POTENTIALITY AND GESTURE -- PART II. NOVELS AND THE BEGINNINGS OF CHARACTER -- PART III. OUR STONY ANCESTRY -- PART IV. SOLITUDE AND QUEER ORIGINS -- Acknowledgments -- Notes -- Index The beginning is... mehr

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    Frontmatter -- Contents -- Exordium -- PART I. POTENTIALITY AND GESTURE -- PART II. NOVELS AND THE BEGINNINGS OF CHARACTER -- PART III. OUR STONY ANCESTRY -- PART IV. SOLITUDE AND QUEER ORIGINS -- Acknowledgments -- Notes -- Index The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text’s vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the self-grounding quality of the literary work— its inability either to comprise its inception or to externalize it in an authorizing exteriority. In a different but related way, the fact that they must begin renders our lives and our desires opaque to us; what Freud called “latency” marks not only sexuality but human thought with a self-division shaped by asynchronicity.From Henry James’s New York Edition prefaces to George Eliot’s epigraphs, from Ovid’s play with meter to Charles Dickens’s thematizing of the ex nihilo emergence of character, from Wallace Stevens’s abstract consideration of poetic origins to James Baldwin’s, Carson McCullers’s, and Eudora Welty’s descriptions of queer childhood, writers repeatedly confront the problem of inception. Inception introduces a fundamental contingency into texts and psyches alike: in the beginning, all could have been otherwise.For Kevin Ohi, the act of inception, and the potential it embodies, enables us to see making and unmaking coincide within the mechanism of creation. In this sense, Inceptions traces an ethics of reading, the possibility of perceiving, in the ostensibly finished forms of lives and texts, the potentiality inherent in their having started forth

     

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  6. Inceptions
    literary beginnings and contingencies of form
    Autor*in: Ohi, Kevin
    Erschienen: 2021; ©2021
    Verlag:  Fordham University Press, New York

    "The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text's vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the... mehr

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    "The beginning is both internal and external to the text it initiates, and that noncoincidence points to the text's vexed relation with its outside. Hence the nontrivial self-reflexivity of any textual beginning, which must bear witness to the self-grounding quality of the literary work- its inability either to comprise its inception or to externalize it in an authorizing exteriority. In a different but related way, the fact that they must begin renders our lives and our desires opaque to us; what Freud called "latency" marks not only sexuality but human thought with a self-division shaped by asynchronicity. From Henry James's New York Edition prefaces to George Eliot's epigraphs, from Ovid's play with meter to Charles Dickens's thematizing of the ex nihilo emergence of character, from Wallace Stevens's abstract consideration of poetic origins to James Baldwin's, Carson McCullers's, and Eudora Welty's descriptions of queer childhood, writers repeatedly confront the problem of inception. Inception introduces a fundamental contingency into texts and psyches alike: in the beginning, all could have been otherwise. For Kevin Ohi, the act of inception, and the potential it embodies, enables us to see making and unmaking coincide within the mechanism of creation. In this sense, Inceptions traces an ethics of reading, the possibility of perceiving, in the ostensibly finished forms of lives and texts, the potentiality inherent in their having started forth"--

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823294657; 082329465X; 9780823294640; 0823294641
    Auflage/Ausgabe: First edition
    Schlagworte: Openings (Rhetoric); American literature; English literature; Ouverture (Rhétorique); Littérature américaine - Histoire et critique - Théorie, etc; LITERARY CRITICISM - Semiotics & Theory; English literature - Theory, etc; Openings (Rhetoric); Criticism, interpretation, etc
    Weitere Schlagworte: Baldwin, James; Beginnings; Defoe, Daniel; Dickens, Charles; Eliot, George; Friedrich, Su; James, Henry; McCullers, Carson; Milton, John; Oppen, George; Ovid; Shakespeare, William; Stevens, Wallace; Welty, Eudora; Wordsworth, William; beginnings; birth; contingency; literary form; origins; potentiality
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index

    Exordium -- Potentiality and gesture. Revision, origin, and the courage of truth : Henry James's New York Edition prefaces -- "First love" : gesture and the emergence of desire in Eudora Welty -- Novels and the beginnings of character. Robinson Crusoe and the inception of speech -- The clock finger at nought : Daniel Deronda and the positing of perspective -- Proto-reading and the positing of character in Our mutual friend -- Our stony ancestry. Ovid and Orpheus -- Wallace Stevens and the temporalities of inception and embodiment -- Solitude and queer origins. "Epitaph, the idiom of man" : imaginings of the beginning -- Etiology, solitude, and queer incipience.