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  1. Joost van den Vondel (1587-1679) : Dutch Playwright in the Golden Age
    Autor*in: Bloemendal, Jan; Korsten, Frans-Willem
    Erschienen: 2012
    Verlag:  Brill, Leiden-Boston

    Joost van den Vondel (1587-1679) was the most prolific poet and playwright of his age. During his long life, roughly coincinding with the Dutch Golden Age, he wrote over thirty tragedies. He was a famous figure in political and artistic circles of... mehr

     

    Joost van den Vondel (1587-1679) was the most prolific poet and playwright of his age. During his long life, roughly coincinding with the Dutch Golden Age, he wrote over thirty tragedies. He was a famous figure in political and artistic circles of Amsterdam, a contemporary and acquaintance of Grotius and Rembrandt, but in general well acquainted with Latin humanists, Dutch scholars, authors and Amsterdam burgomasters. He fuelled literary, religious and political debates. His tragedy 'Gysbreght van Aemstel', which was played on the occasion of the opening of the stone city theatre in 1638, was to become the most famous play in Dutch history, and can probably boast holding the record for the longest tradition of annual performance in Europe. In general, Vondel’s texts are literary works in the full sense of the word, complex and inexhasutive; attracting attention throughout the centuries.

    Contributors include: Eddy Grootes, Riet Schenkeveld-van der Dussen, Mieke B. Smits-Veldt, Marijke Spies, Judith Pollmann, Bettina Noak, Louis Peter Grijp, Guillaume van Gemert, Jürgen Pieters, Nina Geerdink, Madeleine Kasten, Marco Prandoni, Peter Eversmann, Mieke Bal, Maaike Bleeker, Bennett Carpenter, James A. Parente, Jr., Stefan van der Lecq, Jan Frans van Dijkhuizen, Helmer Helmers, Kristine Steenbergh, Yasco Horsman, Jeanne Gaakeer and Wiep van Bunge

     
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  2. Citizen Bacchae
    Women’s Ritual Practice in Ancient Greece
    Autor*in: Goff, Barbara
    Erschienen: [2004]; ©2005
    Verlag:  University of California Press, Berkeley, CA

    What activities did the women of ancient Greece perform in the sphere of ritual, and what were the meanings of such activities for them and their culture? By offering answers to these questions, this study aims to recover and reconstruct an important... mehr

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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Standort:
    Universitätsbibliothek Osnabrück
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    What activities did the women of ancient Greece perform in the sphere of ritual, and what were the meanings of such activities for them and their culture? By offering answers to these questions, this study aims to recover and reconstruct an important dimension of the lived experience of ancient Greek women. A comprehensive and sophisticated investigation of the ritual roles of women in ancient Greece, it draws on a wide range of evidence from across the Greek world, including literary and historical texts, inscriptions, and vase-paintings, to assemble a portrait of women as religious and cultural agents, despite the ideals of seclusion within the home and exclusion from public arenas that we know restricted their lives. As she builds a picture of the extent and diversity of women’s ritual activity, Barbara Goff shows that they were entrusted with some of the most important processes by which the community guaranteed its welfare. She examines the ways in which women’s ritual activity addressed issues of sexuality and civic participation, showing that ritual could offer women genuinely alternative roles and identities even while it worked to produce wives and mothers who functioned well in this male-dominated society. Moving to more speculative analysis, she discusses the possibility of a women’s subculture focused on ritual and investigates the significance of ritual in women’s poetry and vase-paintings that depict women. She also includes a substantial exploration of the representation of women as ritual agents in fifth-century Athenian drama

     
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  3. Hesiod's Ascra
    Autor*in: Edwards, Anthony T.
    Erschienen: [2004]; ©2005
    Verlag:  University of California Press, Berkeley, CA

    In Works and Days, one of the two long poems that have come down to us from Hesiod, the poet writes of farming, morality, and what seems to be a very nasty quarrel with his brother Perses over their inheritance. In this book, Anthony T. Edwards... mehr

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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Osnabrück
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    In Works and Days, one of the two long poems that have come down to us from Hesiod, the poet writes of farming, morality, and what seems to be a very nasty quarrel with his brother Perses over their inheritance. In this book, Anthony T. Edwards extracts from the poem a picture of the social structure of Ascra, the hamlet in northern Greece where Hesiod lived, most likely during the seventh century b.c.e. Drawing on the evidence of trade, food storage, reciprocity, and the agricultural regime as Hesiod describes them in Works and Days, Edwards reveals Ascra as an autonomous village, outside the control of a polis, less stratified and integrated internally than what we observe even in Homer. In light of this reading, theconflict between Hesiod and Perses emerges as a dispute about the inviolability of the community's external boundary and the degree of interobligation among those within the village. Hesiod's Ascra directly counters the accepted view of Works and Days, which has Hesiod describing a peasant society subordinated to the economic and political control of an outside elite. Through his deft analysis, Edwards suggests a new understanding of both Works and Days and the social and economic organization of Hesiod's time and place

     
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  4. Staged Narrative
    Poetics and the Messenger in Greek Tragedy
    Autor*in: Barrett, James
    Erschienen: [2002]; ©2003
    Verlag:  University of California Press, Berkeley, CA

    The messenger who reports important action that has occurred offstage is a familiar inhabitant of Greek tragedy. A messenger informs us about the death of Jocasta and the blinding of Oedipus, the madness of Heracles, the slaughter of Aigisthos, and... mehr

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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Standort:
    Universitätsbibliothek Osnabrück
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    The messenger who reports important action that has occurred offstage is a familiar inhabitant of Greek tragedy. A messenger informs us about the death of Jocasta and the blinding of Oedipus, the madness of Heracles, the slaughter of Aigisthos, and the death of Hippolytus, among other important events. Despite its prevalence, this conventional figure remains only little understood. Combining several critical approaches—narrative theory, genre study, and rhetorical analysis—this lucid study develops a synthetic view of the messenger of Greek tragedy, showing how this role illuminates some of the genre's most persistent concerns, especially those relating to language, knowledge, and the workings of tragic theater itself. James Barrett gives close readings of several plays including Aeschylus's Persians, Sophocles' Electra and Oedipus Tyrannus, and Euripides' Bacchae and Rhesos. He traces the literary ancestry of the tragic messenger, showing that the messenger's narrative constitutes an unexplored site of engagement with Homeric epic, and that the role illuminates fifth-century b.c. experimentation with modes of speech. Breaking new ground in the study of Athenian tragedy, Barrett deepens our understanding of many central texts and of a form of theater that highlights the fragility and limits of human knowledge, a theme explored by its use of the messenger

     
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  5. Interpreting a Classic
    Demosthenes and His Ancient Commentators
    Autor*in: Gibson, Craig A.
    Erschienen: [2002]; ©2003
    Verlag:  University of California Press, Berkeley, CA

    Demosthenes (384-322 b.c.) was an Athenian statesman and a widely read author whose life, times, and rhetorical abilities captivated the minds of generations. Sifting through the rubble of a mostly lost tradition of ancient scholarship, Craig A.... mehr

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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Standort:
    Universitätsbibliothek Osnabrück
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    Demosthenes (384-322 b.c.) was an Athenian statesman and a widely read author whose life, times, and rhetorical abilities captivated the minds of generations. Sifting through the rubble of a mostly lost tradition of ancient scholarship, Craig A. Gibson tells the story of how one group of ancient scholars helped their readers understand this man's writings. This book collects for the first time, translates, and offers explanatory notes on all the substantial fragments of ancient philological and historical commentaries on Demosthenes. Using these texts to illuminate an important aspect of Graeco-Roman antiquity that has hitherto been difficult to glimpse, Gibson gives a detailed portrait of a scholarly industry that touched generations of ancient readers from the first century b.c. to the fifth century and beyond.In this lucidly organized work, Gibson surveys the physical form of the commentaries, traces the history of how they were passed down, and explains their sources, interests, and readership. He also includes a complete collection of Greek texts, English translations, and detailed notes on the commentaries

     
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  6. Polyeideia
    The Iambi of Callimachus and the Archaic Iambic Tradition
    Autor*in: Acosta-Hughes, Benjamin
    Erschienen: [2002]; ©2003
    Verlag:  University of California Press, Berkeley, CA

    This book provides a new literary treatment of an often-overlooked collection of fragmentary poems from the third century B.C.E. Alexandrian poet Callimachus. Callimachus' Iambi form a collection of thirteen poems, which rework archaic Greek... mehr

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    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Standort:
    Universitätsbibliothek Osnabrück
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    This book provides a new literary treatment of an often-overlooked collection of fragmentary poems from the third century B.C.E. Alexandrian poet Callimachus. Callimachus' Iambi form a collection of thirteen poems, which rework archaic Greek iambography and look forward to Roman satire and other genres, especially to such collections as Horace's Epodes. The poems are especially significant as examples of cultural memory since they are composed both as an act of commemorating earlier poetry and as a manipulation of traditional features of iambic poetry to refashion the iambic genre. This book fills a significant gap by providing the first complete translation of several of these fragmentary poems in English, along with line-by-line commentary, notes, and literary analysis.The structure of the book is thematic, with chapters focusing on such topics as poetic voice, fable, ethical criticism, and statuary. Each chapter consists of an introduction, text and selected critical apparatus, translation, and comprehensive thematic discussion. Acosta-Hughes focuses especially on Callimachus' manipulation of traditional features of archaic iambic poetry such as persona loquens, ethical and critical message, and eristic dialogue. He also includes a detailed analysis of the Alexandrian poet's artistic relationship with the earlier iambic poets Archilochus and Hipponax.Polyeideia will interest not only readers of Greek and Hellenistic poetry but also readers of Roman satire and invective verse, as well as those intrigued by the processes of memorializing and fashioning poetic culture

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780520923683
    Weitere Identifier:
    Schriftenreihe: Hellenistic Culture and Society ; 35
    Schlagworte: Iambic poetry, Greek; LITERARY CRITICISM / Ancient & Classical
    Weitere Schlagworte: alexandria; archilochus; biography; callimachus; classicism; eristic dialogue; ethics; fable; folklore; fragmentary poems; greece; greek poetry; greek; hellenism; hipponax; iam; iambic genre; iambic poetry; iambic poets; invective verse; literary criticism; literature; myth; persona loquens; poetic form; poetic voice; poetry; satire; social commentary; third century
    Umfang: 1 Online-Ressource (366 p.)
  7. Homer the Theologian
    Neoplatonist Allegorical Reading and the Growth of the Epic Tradition
    Autor*in: Lamberton, Robert
    Erschienen: [1989]; ©1989
    Verlag:  University of California Press, Berkeley, CA

    Here is the first survey of the surviving evidence for the growth, development, and influence of the Neoplatonist allegorical reading of the Iliad and Odyssey. Professor Lamberton argues that this tradition of reading was to create new demands on... mehr

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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Fernleihe:
    keine Fernleihe

     

    Here is the first survey of the surviving evidence for the growth, development, and influence of the Neoplatonist allegorical reading of the Iliad and Odyssey. Professor Lamberton argues that this tradition of reading was to create new demands on subsequent epic and thereby alter permanently the nature of European epic. The Neoplatonist reading was to be decisive in the birth of allegorical epic in late antiquity and forms the background for the next major extension of the epic tradition found in Dante

     
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  8. The Poems of Exile
    Tristia and the Black Sea Letters
    Autor*in: Ovid
    Erschienen: [2005]; ©2005
    Verlag:  University of California Press, Berkeley, CA

    In the year A.D. 8, Emperor Augustus sentenced the elegant, brilliant, and sophisticated Roman poet Ovid to exile—permanently, as it turned out—at Tomis, modern Constantza, on the Romanian coast of the Black Sea. The real reason for the emperor's... mehr

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    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Osnabrück
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    keine Fernleihe

     

    In the year A.D. 8, Emperor Augustus sentenced the elegant, brilliant, and sophisticated Roman poet Ovid to exile—permanently, as it turned out—at Tomis, modern Constantza, on the Romanian coast of the Black Sea. The real reason for the emperor's action has never come to light, and all of Ovid's subsequent efforts to secure either a reprieve or, at the very least, a transfer to a less dangerous place of exile failed. Two millennia later, the agonized, witty, vivid, nostalgic, and often slyly malicious poems he wrote at Tomis remain as fresh as the day they were written, a testament for exiles everywhere, in all ages. The two books of the Poems of Exile, the Lamentations (Tristia) and the Black Sea Letters (Epistulae ex Ponto), chronicle Ovid's impressions of Tomis—its appalling winters, bleak terrain, and sporadic raids by barbarous nomads—as well as his aching memories and ongoing appeals to his friends and his patient wife to intercede on his behalf. While pretending to have lost his old literary skills and even to be forgetting his Latin, in the Poems of Exile Ovid in fact displays all his virtuoso poetic talent, now concentrated on one objective: ending the exile. But his rhetorical message falls on obdurately deaf ears, and his appeals slowly lose hope. A superb literary artist to the end, Ovid offers an authentic, unforgettable panorama of the death-in-life he endured at Tomis

     
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  9. Joost van den Vondel (1587-1679) :
    Dutch playwright in the golden age /
    Autor*in: Bloemendal, Jan
    Erschienen: 2012.
    Verlag:  Brill,, Leiden ;

    Joost van den Vondel (1587-1679) was the most prolific poet and playwright of his age. During his long life, roughly coinciding with the Dutch Golden Age, he wrote over thirty tragedies. He was a famous figure in political and artistic circles of... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Joost van den Vondel (1587-1679) was the most prolific poet and playwright of his age. During his long life, roughly coinciding with the Dutch Golden Age, he wrote over thirty tragedies. He was a famous figure in political and artistic circles of Amsterdam, a contemporary and acquaintance of Grotius and Rembrandt, and in general well acquainted with Latin humanists, Dutch scholars, authors and Amsterdam burgomasters. He fuelled literary, religious and political debates. His tragedy 'Gysbreght van Aemstel', which was played on the occasion of the opening of the stone city theatre in 1638, was to become the most famous play in Dutch history, and can probably boast holding the record for the longest tradition of annual performance in Europe. In general, Vondel’s texts are literary works in the full sense of the word, complex and inexhaustive; attracting attention throughout the centuries. Contributors include: Eddy Grootes, Riet Schenkeveld-van der Dussen, Mieke B. Smits-Veldt, Marijke Spies, Judith Pollmann, Bettina Noak, Louis Peter Grijp, Guillaume van Gemert, Jürgen Pieters, Nina Geerdink, Madeleine Kasten, Marco Prandoni, Peter Eversmann, Mieke Bal, Maaike Bleeker, Bennett Carpenter, James A. Parente, Jr., Stefan van der Lecq, Jan Frans van Dijkhuizen, Helmer Helmers, Kristine Steenbergh, Yasco Horsman, Jeanne Gaakeer, and Wiep van Bunge.

     
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    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Bloemendal, Jan.; Korsten, Frans-Willem,
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1-283-35683-X; 9786613356833; 90-04-21883-1
    Weitere Identifier:
    DOI: 10.1163/9789004218833
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Drama and theatre in early modern Europe, ; v. 1
    Schlagworte: c 1600 to c 1700; Theatre studies; History
    Weitere Schlagworte: Vondel, Joost van den, (1587-1679); amsterdam; reception; literary theory; dutch republic; classicism; renaissance studies; literary history; drama; baroque; theatricality; God; Hugo Grotius; Joost van den Vondel
    Umfang: 1 online resource (666 p.)
    Bemerkung(en):

    Description based upon print version of record.

    Includes bibliographical references and indexes.

    pt. 1. Vondel's life, works and times -- pt. 2. Approaches and dramas.
  10. Joost van den Vondel (1587-1679) :
    Dutch playwright in the golden age /
    Autor*in: Bloemendal, Jan
    Erschienen: 2012.
    Verlag:  Brill,, Leiden ;

    Joost van den Vondel (1587-1679) was the most prolific poet and playwright of his age. During his long life, roughly coinciding with the Dutch Golden Age, he wrote over thirty tragedies. He was a famous figure in political and artistic circles of... mehr

     

    Joost van den Vondel (1587-1679) was the most prolific poet and playwright of his age. During his long life, roughly coinciding with the Dutch Golden Age, he wrote over thirty tragedies. He was a famous figure in political and artistic circles of Amsterdam, a contemporary and acquaintance of Grotius and Rembrandt, and in general well acquainted with Latin humanists, Dutch scholars, authors and Amsterdam burgomasters. He fuelled literary, religious and political debates. His tragedy 'Gysbreght van Aemstel', which was played on the occasion of the opening of the stone city theatre in 1638, was to become the most famous play in Dutch history, and can probably boast holding the record for the longest tradition of annual performance in Europe. In general, Vondel’s texts are literary works in the full sense of the word, complex and inexhaustive; attracting attention throughout the centuries. Contributors include: Eddy Grootes, Riet Schenkeveld-van der Dussen, Mieke B. Smits-Veldt, Marijke Spies, Judith Pollmann, Bettina Noak, Louis Peter Grijp, Guillaume van Gemert, Jürgen Pieters, Nina Geerdink, Madeleine Kasten, Marco Prandoni, Peter Eversmann, Mieke Bal, Maaike Bleeker, Bennett Carpenter, James A. Parente, Jr., Stefan van der Lecq, Jan Frans van Dijkhuizen, Helmer Helmers, Kristine Steenbergh, Yasco Horsman, Jeanne Gaakeer, and Wiep van Bunge.

     
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    Quelle: Verbundkataloge
    Beteiligt: Bloemendal, Jan.; Korsten, Frans-Willem,
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1-283-35683-X; 9786613356833; 90-04-21883-1
    Weitere Identifier:
    DOI: 10.1163/9789004218833
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Drama and theatre in early modern Europe, ; v. 1
    Schlagworte: c 1600 to c 1700; Theatre studies; History
    Weitere Schlagworte: Vondel, Joost van den, (1587-1679); amsterdam; reception; literary theory; dutch republic; classicism; renaissance studies; literary history; drama; baroque; theatricality; God; Hugo Grotius; Joost van den Vondel
    Umfang: 1 online resource (666 p.)
    Bemerkung(en):

    Description based upon print version of record.

    Includes bibliographical references and indexes.

    pt. 1. Vondel's life, works and times -- pt. 2. Approaches and dramas.
  11. Classicism and Christianity in Late Antique Latin Poetry
    Autor*in: Hardie, Philip
    Erschienen: [2019]
    Verlag:  University of California Press, Berkeley, CA

    After centuries of near silence, Latin poetry underwent a renaissance in the late fourth and fifth centuries CE evidenced in the works of key figures such as Ausonius, Claudian, Prudentius, and Paulinus of Nola. This period of resurgence marked a... mehr

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signatur:
    ebook
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    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Standort:
    Universitätsbibliothek Osnabrück
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    Standort:
    Universität Potsdam, Universitätsbibliothek
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    After centuries of near silence, Latin poetry underwent a renaissance in the late fourth and fifth centuries CE evidenced in the works of key figures such as Ausonius, Claudian, Prudentius, and Paulinus of Nola. This period of resurgence marked a milestone in the reception of the classics of late Republican and early imperial poetry. In Classicism and Christianity in Late Antique Latin Poetry, Philip Hardie explores the ways in which poets writing on non-Christian and Christian subjects used the classical traditions of Latin poetry to construct their relationship with Rome’s imperial past and present, and with the by now not-so-new belief system of the state religion, Christianity. The book pays particular attention to the themes of concord and discord, the ";cosmic sense"; of late antiquity, novelty and renouatio, paradox and miracle, and allegory. It is also a contribution to the ongoing discussion of whether there is an identifiably late antique poetics and a late antique practice of intertextuality. Not since Michael Robert's classic The Jeweled Style has a single book had so much to teach about the enduring power of Latin poetry in late antiquity Frontmatter -- Contents -- Preface -- Introduction -- 1. Farewells and Returns: Ausonius and Paulinus of Nola -- 2. Virgilian Plots: Public Ideologies and Private Journeys -- 3. Cosmos: Classical and Christian Universes -- 4. Concord and Discord: Concordia Discors -- 5. Innovations of Late Antiquity: Novelty and Renouatio -- 6. Paradox, Mirabilia, Miracles -- 7. Allegory -- 8. Mosaics and Intertextuality -- References -- General Index -- Index Locorum

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780520968424
    Weitere Identifier:
    Schriftenreihe: Sather Classical Lectures ; 74
    Schlagworte: Christian poetry, Latin; Political poetry, Latin; RELIGION / Ancient
    Weitere Schlagworte: allegory; antique poetics; antiquity; ausonius; christian subjects; classical traditions; classicism; classics; claudian; concord; cosmic sense; discord; imperial past; imperial poetry; intertextuality; late republican; latin poetry; non christian; novelty; paradox and miracle; paulinus of nola; poets; prudentius; relationship; renaissance; renouatio; rome; state religion
    Umfang: 1 Online-Ressource (304 p)
    Bemerkung(en):

    restricted access online access with authorization star
  12. Radical as Reality
    Form and Freedom in American Poetry
    Autor*in: Campion, Peter
    Erschienen: [2019]; © 2019
    Verlag:  University of Chicago Press, Chicago

    What do American poets mean when they talk about freedom? How can form help us understand questions about what shapes we want to give our poetic lives, and how much power we have to choose those shapes? For that matter, what do we even mean by we? In... mehr

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    What do American poets mean when they talk about freedom? How can form help us understand questions about what shapes we want to give our poetic lives, and how much power we have to choose those shapes? For that matter, what do we even mean by we? In this collection of essays, Peter Campion gathers his thoughts on these questions and more to form an evolutionary history of the past century of American poetry. Through close readings of the great modernists, midcentury objectivists, late twentieth-century poets, his contemporaries, and more, Campion unearths an American poetic landscape that is subtler and more varied than most critics have allowed. He discovers commonalities among poets considered opposites, dramatizes how form and history are mutually entailing, and explores how the conventions of poetry, its inheritance, and its inventions sprang from the tensions of ordinary life. At its core, this is a book about poetic making, one that reveals how the best poets not only receive but understand and adapt what comes before them, reinterpreting the history of their art to create work that is, indeed, radical as reality

     
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    ISBN: 9780226663401
    Weitere Identifier:
    Schlagworte: African American poetry; American poetry; Modernism; classicism; democratic poetry; form; freedom; sincerity; war poetry; LITERARY CRITICISM / General; American poetry; Liberty in literature; Lyrik; Freiheit <Motiv>
    Umfang: 1 online resource (256 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Feb 2020)
  13. Complacency
    classics and its displacement in higher education
    Autor*in: Hamilton, John T.
    Erschienen: 2022
    Verlag:  The University of Chicago Press, Chicago ; London

    "This short book examines the history of complacency in Classics with implications for our contemporary moment. It responds to a published piece by the philosopher Simon Blackburn ["The Seven Deadly Sins of the Academy," Times Higher Education... mehr

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    "This short book examines the history of complacency in Classics with implications for our contemporary moment. It responds to a published piece by the philosopher Simon Blackburn ["The Seven Deadly Sins of the Academy," Times Higher Education (2009)] who presented "complacency" as a vice that impairs university study at its core. If today this sin is most discernible among scientists who feel that their rigorous training and verifiable results authorize them to assume omniscience in all areas of learning, this book points out that, from the nineteenth to early twentieth century, this presumption fell instead to Classicists. The subjects, philosophies, and literatures of ancient Greece and Rome were treated as the foundation of learning; everything else devolving from them. What, Hamilton wants to know, might this model of superiority derived from the golden age of the Classical Tradition share with the current hegemony of mathematics and the natural sciences? How can the qualitative methods of Classics relate to the quantitative methods of big data, statistical reasoning, and numerical abstraction, which currently characterize academic complacency? And how did the discipline of Classics lose its prominent standing in the university, yielding its position to more empirical modes of research? Finally, how does this particular strain of scholarly smugness inflect the personal, ethical, and political complacency we encounter today?"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780226818627; 9780226818634
    Schriftenreihe: Critical antiquities
    Schlagworte: Klassische Philologie; Bildung; Klassizismus
    Weitere Schlagworte: Classical philology; Classicism; Learning and scholarship; Philology, Classical; Philologie ancienne; Classicisme; Savoir et érudition; classicism; Classical philology; Classicism; Learning and scholarship
    Umfang: 123 Seiten, 23 cm
    Bemerkung(en):

    The wolf on the plain -- Sin in the academy -- Colonial planning -- Propositional surfaces -- Classical platforms -- Philology as ancilla facultatum -- Philological investigations -- Pleasingly flat -- Platea -- The war on complacency -- The golden age -- Institutions -- The humanities
  14. Shaping the Canons of Ancient Greek Historiography
    Imitation, Classicism, and Literary Criticism
    Autor*in: Matijašić, Ivan
    Erschienen: [2018]; ©2018
    Verlag:  De Gruyter, Berlin ; Boston

    The main focus of this book is the ancient formation and development of the canons of Greek historiography. It takes a fresh look on the modern debate on canonical literature and deals with Greek historiographical traditions in the works of ancient... mehr

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    The main focus of this book is the ancient formation and development of the canons of Greek historiography. It takes a fresh look on the modern debate on canonical literature and deals with Greek historiographical traditions in the works of ancient rhetors and literary critics. Writings on historiography by Cicero, Quintilian, and Dionysius of Halicarnassus are chiefly taken into account to explore the canons of Greek historians in Hellenistic and Roman Imperial Ages. Essential in canon-formation was the concept of classicism which took shape in the Age of Augustus, but whose earlier developments can be traced back to Isocrates, a model rhetor according to Dionysius at the end of the 1st century BC. The analysis explores also late-antique authors of school treatises and progymnasmata, a field where historiography had a pedagogical function. Previous studies on canonical literature have rarely considered historiography. This book examines not only the works of ancient historians and their legacy, but also the relationship between historiography, literary criticism, and the rhetorical tradition

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9783110476279
    Weitere Identifier:
    Schriftenreihe: Beiträge zur Altertumskunde ; 359
    Weitere Schlagworte: Historians / Greece; Ancient historiography; Geschichtsschreibung; Klassizismus; Rhetorik; canonical literature; classicism; literarischer Kanon; rhetorical treatises; LITERARY CRITICISM / Ancient & Classical
    Umfang: 1 online resource (306 p.)
    Bemerkung(en):

    Dissertation
  15. Classicism and Christianity in Late Antique Latin Poetry
    Autor*in: Hardie, Philip
    Erschienen: [2019]
    Verlag:  University of California Press, Berkeley, CA

    After centuries of near silence, Latin poetry underwent a renaissance in the late fourth and fifth centuries CE evidenced in the works of key figures such as Ausonius, Claudian, Prudentius, and Paulinus of Nola. This period of resurgence marked a... mehr

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    After centuries of near silence, Latin poetry underwent a renaissance in the late fourth and fifth centuries CE evidenced in the works of key figures such as Ausonius, Claudian, Prudentius, and Paulinus of Nola. This period of resurgence marked a milestone in the reception of the classics of late Republican and early imperial poetry. In Classicism and Christianity in Late Antique Latin Poetry, Philip Hardie explores the ways in which poets writing on non-Christian and Christian subjects used the classical traditions of Latin poetry to construct their relationship with Rome’s imperial past and present, and with the by now not-so-new belief system of the state religion, Christianity. The book pays particular attention to the themes of concord and discord, the ";cosmic sense"; of late antiquity, novelty and renouatio, paradox and miracle, and allegory. It is also a contribution to the ongoing discussion of whether there is an identifiably late antique poetics and a late antique practice of intertextuality. Not since Michael Robert's classic The Jeweled Style has a single book had so much to teach about the enduring power of Latin poetry in late antiquity Frontmatter -- Contents -- Preface -- Introduction -- 1. Farewells and Returns: Ausonius and Paulinus of Nola -- 2. Virgilian Plots: Public Ideologies and Private Journeys -- 3. Cosmos: Classical and Christian Universes -- 4. Concord and Discord: Concordia Discors -- 5. Innovations of Late Antiquity: Novelty and Renouatio -- 6. Paradox, Mirabilia, Miracles -- 7. Allegory -- 8. Mosaics and Intertextuality -- References -- General Index -- Index Locorum

     
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    Quelle: Verbundkataloge
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    Medientyp: Ebook
    Format: Online
    ISBN: 9780520968424
    Weitere Identifier:
    Schriftenreihe: Sather Classical Lectures ; 74
    Schlagworte: Christian poetry, Latin; Political poetry, Latin; RELIGION / Ancient
    Weitere Schlagworte: allegory; antique poetics; antiquity; ausonius; christian subjects; classical traditions; classicism; classics; claudian; concord; cosmic sense; discord; imperial past; imperial poetry; intertextuality; late republican; latin poetry; non christian; novelty; paradox and miracle; paulinus of nola; poets; prudentius; relationship; renaissance; renouatio; rome; state religion
    Umfang: 1 Online-Ressource (304 p)
    Bemerkung(en):

    restricted access online access with authorization star
  16. Shaping the Canons of Ancient Greek Historiography
    Imitation, Classicism, and Literary Criticism
    Autor*in: Matijašić, Ivan
    Erschienen: [2018]; ©2018
    Verlag:  De Gruyter, Berlin ; Boston

    The main focus of this book is the ancient formation and development of the canons of Greek historiography. It takes a fresh look on the modern debate on canonical literature and deals with Greek historiographical traditions in the works of ancient... mehr

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    The main focus of this book is the ancient formation and development of the canons of Greek historiography. It takes a fresh look on the modern debate on canonical literature and deals with Greek historiographical traditions in the works of ancient rhetors and literary critics. Writings on historiography by Cicero, Quintilian, and Dionysius of Halicarnassus are chiefly taken into account to explore the canons of Greek historians in Hellenistic and Roman Imperial Ages. Essential in canon-formation was the concept of classicism which took shape in the Age of Augustus, but whose earlier developments can be traced back to Isocrates, a model rhetor according to Dionysius at the end of the 1st century BC. The analysis explores also late-antique authors of school treatises and progymnasmata, a field where historiography had a pedagogical function. Previous studies on canonical literature have rarely considered historiography. This book examines not only the works of ancient historians and their legacy, but also the relationship between historiography, literary criticism, and the rhetorical tradition

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9783110476279
    Weitere Identifier:
    Schriftenreihe: Beiträge zur Altertumskunde ; 359
    Schlagworte: Historians / Greece; Ancient historiography; Geschichtsschreibung; Klassizismus; Rhetorik; canonical literature; classicism; literarischer Kanon; rhetorical treatises; LITERARY CRITICISM / Ancient & Classical
    Umfang: 1 online resource (306 p.)
    Bemerkung(en):

    Dissertation
  17. Catullan Provocations
    Lyric Poetry and the Drama of Position
    Autor*in: Fitzgerald, William
    Erschienen: [1995]; ©1995
    Verlag:  University of California Press, Berkeley, CA

    Restoring to Catullus a provocative power that familiarity has tended to dim, this book argues that Catullus challenges us to think about the nature of lyric in new ways. Fitzgerald shows how Catullus's poetry reflects the conditions of its own... mehr

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Restoring to Catullus a provocative power that familiarity has tended to dim, this book argues that Catullus challenges us to think about the nature of lyric in new ways. Fitzgerald shows how Catullus's poetry reflects the conditions of its own consumption as it explores the terms and possibilities of the poet's license. Reading the poetry in relation to the drama of position played out between poet, poem, and reader, the author produces a fresh interpretation of almost all of Catullus's oeuvre. Running through the book is an analysis of the ideological stakes behind the construction of the author Catullus in twentieth-century scholarship and of the agenda governing the interpreter's position in relation to Catullus

     
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  18. Joost van den Vondel (1587-1679) :
    Dutch playwright in the golden age /
    Autor*in: Bloemendal, Jan
    Erschienen: 2012.
    Verlag:  Brill,, Leiden ;

    Joost van den Vondel (1587-1679) was the most prolific poet and playwright of his age. During his long life, roughly coinciding with the Dutch Golden Age, he wrote over thirty tragedies. He was a famous figure in political and artistic circles of... mehr

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    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
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    Joost van den Vondel (1587-1679) was the most prolific poet and playwright of his age. During his long life, roughly coinciding with the Dutch Golden Age, he wrote over thirty tragedies. He was a famous figure in political and artistic circles of Amsterdam, a contemporary and acquaintance of Grotius and Rembrandt, and in general well acquainted with Latin humanists, Dutch scholars, authors and Amsterdam burgomasters. He fuelled literary, religious and political debates. His tragedy 'Gysbreght van Aemstel', which was played on the occasion of the opening of the stone city theatre in 1638, was to become the most famous play in Dutch history, and can probably boast holding the record for the longest tradition of annual performance in Europe. In general, Vondel’s texts are literary works in the full sense of the word, complex and inexhaustive; attracting attention throughout the centuries. Contributors include: Eddy Grootes, Riet Schenkeveld-van der Dussen, Mieke B. Smits-Veldt, Marijke Spies, Judith Pollmann, Bettina Noak, Louis Peter Grijp, Guillaume van Gemert, Jürgen Pieters, Nina Geerdink, Madeleine Kasten, Marco Prandoni, Peter Eversmann, Mieke Bal, Maaike Bleeker, Bennett Carpenter, James A. Parente, Jr., Stefan van der Lecq, Jan Frans van Dijkhuizen, Helmer Helmers, Kristine Steenbergh, Yasco Horsman, Jeanne Gaakeer, and Wiep van Bunge.

     
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    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Bloemendal, Jan.; Korsten, Frans-Willem,
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1-283-35683-X; 9786613356833; 90-04-21883-1
    Weitere Identifier:
    DOI: 10.1163/9789004218833
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Drama and theatre in early modern Europe, ; v. 1
    Schlagworte: c 1600 to c 1700; Theatre studies; History
    Weitere Schlagworte: Vondel, Joost van den, (1587-1679); amsterdam; reception; literary theory; dutch republic; classicism; renaissance studies; literary history; drama; baroque; theatricality; God; Hugo Grotius; Joost van den Vondel
    Umfang: 1 online resource (666 p.)
    Bemerkung(en):

    Description based upon print version of record.

    Includes bibliographical references and indexes.

    pt. 1. Vondel's life, works and times -- pt. 2. Approaches and dramas.
  19. Shaping the Canons of Ancient Greek Historiography
    Imitation, Classicism, and Literary Criticism
    Autor*in: Matijašić, Ivan
    Erschienen: 2018
    Verlag:  De Gruyter, Berlin/Boston

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  20. Shaping the canons of ancient Greek historiography
    imitation, classicism, and literary criticism
    Autor*in: Matijašić, Ivan
    Erschienen: 2018
    Verlag:  De Gruyter, Berlin

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