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  1. Screening gender in Shakespeare's comedies
    film and television adaptations in the twenty-first century
    Autor*in: Cieślak, Magdalena
    Erschienen: [2019]
    Verlag:  Lexington Books, Lanham

    Doing it "straight". Michael Radford's The merchant of Venice -- Kenneth Branagh's As you like it -- Julie Taymor's The tempest -- Joss Whedon's Much ado about nothing -- BBC's Shakespeare-told: retelling Shakespeare for political correctness. BBC's... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Doing it "straight". Michael Radford's The merchant of Venice -- Kenneth Branagh's As you like it -- Julie Taymor's The tempest -- Joss Whedon's Much ado about nothing -- BBC's Shakespeare-told: retelling Shakespeare for political correctness. BBC's Shakespeare-told Much ado about nothing, dir. Brian Percival -- BBC's Shakespeare-told The taming of the shrew, dir. David Richards -- BBC's Shakespeare-told A midsummer night's dream, dir. Ed Fraiman -- Conclusion: girl power or Will power? -- Epilogue: Bridget Jones's baby.

     
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781498563741
    RVK Klassifikation: HI 3370
    Schriftenreihe: Remakes, reboots, and adaptations
    Schlagworte: Sex role in motion pictures; Women in motion pictures; Sex role on television; Women on television; Film adaptations
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: ix, 279 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  2. Home is where the hurt is
    media depictions of wives and mothers
    Autor*in: Hosey, Sara
    Erschienen: [2019]
    Verlag:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "Despite years of propaganda attempting to convince us otherwise, popular media is beginning to catch on to the idea that the home is one of the most dangerous and difficult places for a woman to be. This book examines this emergent trend in popular... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Despite years of propaganda attempting to convince us otherwise, popular media is beginning to catch on to the idea that the home is one of the most dangerous and difficult places for a woman to be. This book examines this emergent trend in popular media, which increasingly takes on the realities of domestic violence, toxic home lives and the impossibility of "having it all." While many narratives still fall back on outmoded and limiting narratives about gender-the pursuit of romance, children, and a life dedicated to the domestic-this book makes the case that some texts introduce complexity and a challenge to the status quo, pointing us toward a feminist future in which women's voices and concerns are amplified and respected, both at home and in the world at large"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781476671987
    Schlagworte: Film; Frau <Motiv>; Fernsehen; Haushalt <Motiv>; Geschlechterrolle <Motiv>
    Weitere Schlagworte: Women on television; Mothers in motion pictures; Family violence / On television; Family violence in motion pictures; Women on television; Family violence on television; Family violence in motion pictures; Married people in motion pictures; Married people on television; Mothers in motion pictures; Mothers on television
    Umfang: viii, 224 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Housebound : horror begins at home -- At home in patriarchy : girly moms and worldly girls in Gilmore girls, Parenthood and Teen mom -- "Some kind of monster" : fraught motherhood in Twilight and The hunger games -- The real housewives of post-industrial USA : hysteria and toxic discourse -- "When did he stop treating you like a princess?" : domestic violence in Enough and Waitress -- "Little boys don't get to go around anymore hurting little girls" : evolving depictions of domestic violence -- "You're so epic" : matrophilia in indie films -- "No wrong way to make a family" : hope and home in Tully and The handmaid's tale -- "You're such a good mom" : Transparenthood, pain and privilege -- Conclusion: "Un poco mas doloroso" : Jane the virgin and the home as a little less painful
  3. The political theory of I love Lucy
    speed it up!
    Autor*in: Feldman, Leslie Dale
    Erschienen: [2019]
    Verlag:  Lexington Books, Lanham

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781498541541
    Schlagworte: Hausfrau <Motiv>; Connecticut <Motiv>; Kuba <Motiv>; Spiritualismus <Motiv>; Frauenbild
    Weitere Schlagworte: I love Lucy (Television program); I love Lucy (Television program); Women on television; Television programs / Political aspects / United States; Women on television; United States
    Umfang: xix, 163 pages, 24 cm
    Bemerkung(en):

    Introduction -- Lucy and the role of the housewife -- Lucy and social mobility -- Lucy and the community -- Cuba before the revolution -- Lucy and spiritualism -- Lucy and Feud: who am I? -- Lucy in Connecticut: the charm of the farm? -- Conclusion
  4. Screening gender in Shakespeare's comedies
    film and television adaptations in the twenty-first century
    Autor*in: Cieślak, Magdalena
    Erschienen: [2019]
    Verlag:  Lexington Books, Lanham

    Doing it "straight". Michael Radford's The merchant of Venice -- Kenneth Branagh's As you like it -- Julie Taymor's The tempest -- Joss Whedon's Much ado about nothing -- BBC's Shakespeare-told: retelling Shakespeare for political correctness. BBC's... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 100719
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    GE 2019/2765
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Doing it "straight". Michael Radford's The merchant of Venice -- Kenneth Branagh's As you like it -- Julie Taymor's The tempest -- Joss Whedon's Much ado about nothing -- BBC's Shakespeare-told: retelling Shakespeare for political correctness. BBC's Shakespeare-told Much ado about nothing, dir. Brian Percival -- BBC's Shakespeare-told The taming of the shrew, dir. David Richards -- BBC's Shakespeare-told A midsummer night's dream, dir. Ed Fraiman -- Conclusion: girl power or Will power? -- Epilogue: Bridget Jones's baby.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781498563741
    RVK Klassifikation: HI 3370
    Schriftenreihe: Remakes, reboots, and adaptations
    Schlagworte: Sex role in motion pictures; Women in motion pictures; Sex role on television; Women on television; Film adaptations
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: ix, 279 Seiten
    Bemerkung(en):

    Includes bibliographical references and index