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  1. Film history for the anthropocene
    the ecological archive of German cinema
    Autor*in: Peabody, Seth
    Erschienen: 2023
    Verlag:  Camden House, Rochester, New York

    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between... mehr

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between landscape documentary and fiction film. Yet German film studies has been slow to adopt an environmental focus, concentrating (understandably) on its subject matter's political implications. This book reveals critical connections between German film, sociopolitical context, and environment, showing it to have been a creative catalyst for the social and ecological transformation of the Anthropocene. The book first considers the interplay between German film and environmental history in films and discourses of Heimat. Weimar-era films such as E. A. Dupont's Die Geierwally (1921), Carl Ludwig Achaz-Duisberg's Sprengbagger 1010 (1929), and Phil Jützi's Hunger in Waldenburg (1929) document and create a forum for discussing environmental change. The book then looks at film as a visual archive of and catalyst for infrastructure development, focusing on Metropolis (Fritz Lang, 1927), the mountain films of Arnold Fanck, and the Berlin films Stadt der Millionen (Adolf Trotz, 1925), Berlin: Die Sinfonie der Grossstadt (Walter Ruttmann, 1927), and Menschen am Sonntag (1930). Nazi-era and postwar films are also examined. By exploring German film history alongside environmental history and theory, this book provides a case study of the power of film within processes of environmental transformation"--

     
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  2. Spatial modernities
    geography, narrative, imaginaries
    Beteiligt: Riquet, Johannes (Hrsg.); Kollmann, Elizabeth (Hrsg.)
    Erschienen: 2018
    Verlag:  Routledge, Taylor & Francis Group, New York ; London

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
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    Quelle: Verbundkataloge
    Beteiligt: Riquet, Johannes (Hrsg.); Kollmann, Elizabeth (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781138304550
    RVK Klassifikation: EC 2410
    Schriftenreihe: Routledge interdisciplinary perspectives on literature ; 93
    Schlagworte: Kunst; Film; Raum <Motiv>; Raumdarstellung; Literatur; Geografie <Motiv>
    Weitere Schlagworte: Place (Philosophy) in literature; Space in literature; Geocriticism; Place (Philosophy) in motion pictures; Place (Philosophy) in art; Geographical perception in literature; Geocriticism; Geographical perception in literature; Place (Philosophy) in art; Place (Philosophy) in literature; Place (Philosophy) in motion pictures; Space in literature
    Umfang: xvi, 232 Seiten, Illustrationen
  3. Film history for the anthropocene
    the ecological archive of German cinema
    Autor*in: Peabody, Seth
    Erschienen: 2023
    Verlag:  Camden House, Rochester, New York

    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Europa-Universität Viadrina, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between landscape documentary and fiction film. Yet German film studies has been slow to adopt an environmental focus, concentrating (understandably) on its subject matter's political implications. This book reveals critical connections between German film, sociopolitical context, and environment, showing it to have been a creative catalyst for the social and ecological transformation of the Anthropocene. The book first considers the interplay between German film and environmental history in films and discourses of Heimat. Weimar-era films such as E. A. Dupont's Die Geierwally (1921), Carl Ludwig Achaz-Duisberg's Sprengbagger 1010 (1929), and Phil Jützi's Hunger in Waldenburg (1929) document and create a forum for discussing environmental change. The book then looks at film as a visual archive of and catalyst for infrastructure development, focusing on Metropolis (Fritz Lang, 1927), the mountain films of Arnold Fanck, and the Berlin films Stadt der Millionen (Adolf Trotz, 1925), Berlin: Die Sinfonie der Grossstadt (Walter Ruttmann, 1927), and Menschen am Sonntag (1930). Nazi-era and postwar films are also examined. By exploring German film history alongside environmental history and theory, this book provides a case study of the power of film within processes of environmental transformation"--

     
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  4. Cities, borders, and spaces in intercultural American literature and film
    Autor*in: Manzanas Calvo, Ana María; Benito Sánchez, Jesús
    Erschienen: 2011
    Verlag:  Routledge, New York, NY [u.a.]

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780415887212; 9781138849662
    RVK Klassifikation: AP 44982 ; HU 1691 ; HU 1776
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Routledge transnational perspectives on American literature ; 14
    Schlagworte: American literature; American literature; American literature; Cities and towns in literature; Space in literature; Place (Philosophy) in literature; Borderlands in literature; Cities and towns in motion pictures; Space in motion pictures; Place (Philosophy) in motion pictures; Borderlands in motion pictures; Raum <Motiv>; Film; Literatur; Stadt <Motiv>; Grenze <Motiv>
    Umfang: XII, 163 S.
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke
  5. Taking place
    location and the moving image
    Erschienen: 2011
    Verlag:  Univ. of Minnesota Press, Minneapolis [u.a.]

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780816665167; 9780816665174
    RVK Klassifikation: AP 50300
    Schlagworte: Film; Motion pictures; Place (Philosophy) in motion pictures; Space in motion pictures; Cities and towns in motion pictures; Motion picture locations; Drehort; Audiovisuelle Medien; Raum <Motiv>
    Umfang: XXIX, 376 S., Ill.
    Bemerkung(en):

    Includes bibligoraphical references and index
  6. Cities, borders, and spaces in intercultural American literature and film
    Autor*in: Manzanas Calvo, Ana María; Benito Sánchez, Jesús
    Erschienen: 2011
    Verlag:  Routledge, New York

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2011 A 13965
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    A 2011/7129
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signatur:
    ang 947.5 bord DF 5115
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0415887216; 9780415887212
    RVK Klassifikation: AP 44982
    Schriftenreihe: Routledge transnational perspectives on American literature ; 14
    Schlagworte: American literature; American literature; American literature; Cities and towns in literature; Space in literature; Place (Philosophy) in literature; Borderlands in literature; Cities and towns in motion pictures; Space in motion pictures; Place (Philosophy) in motion pictures; Borderlands in motion pictures
    Umfang: xii, 163 Seiten, 24 cm
    Bemerkung(en):

    Literaturverzeichnis: Seiten 149-158

    Introduction : lingering on Times Square -- Chiastic spaces: ports of entry, ports of exit -- The migrational city in Chuck Palahniuk's "Slumming" : a story by lady baglady, and Helena Viramontes's "The Cariboo Cafe" -- Unbound cities, concentric circles : Karen Tei Yamashita's Tropic of orange -- Borderlands : middle spaces, hybrid bodies -- The rhetoric of spatial cutting : borders, scars, open wounds -- Terminal thinking : border narratives, airport narratives, and the logic of detention -- Postscript conclusion : from The Great Wall to Babel.
  7. Film history for the Anthropocene
    the ecological archive of German cinema
    Autor*in: Peabody, Seth
    Erschienen: 2023
    Verlag:  Camden House, Rochester, New York ; Cambridge University Press, Cambridge, UK

    By exploring German film history with the tools of the Environmental Humanities, this book offers a case study of the power of film within processes of environmental transformation. mehr

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    Standort:
    Universität Frankfurt, Elektronische Ressourcen
    Signatur:
    /
    Fernleihe:
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    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    By exploring German film history with the tools of the Environmental Humanities, this book offers a case study of the power of film within processes of environmental transformation.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781805431459
    Schriftenreihe: Screen cultures : German film and the visual
    Schlagworte: Human ecology in motion pictures; Motion pictures; Place (Philosophy) in motion pictures; Heimatfilme; Ecocriticism
    Umfang: 1 Online-Ressource (viii, 199 pages)
  8. Taking place
    location and the moving image
    Beteiligt: Rhodes, John David; Gorfinkel, Elena
    Erschienen: 2011
    Verlag:  University of Minnesota Press, Minneapolis ; Oxford University Press, Oxford

    This study argues that the relation between geographical location and the moving image is fundamental and that place grounds our experience of film and media. The chapters analyse film, television, video, and installation art from diverse national... mehr

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    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    This study argues that the relation between geographical location and the moving image is fundamental and that place grounds our experience of film and media. The chapters analyse film, television, video, and installation art from diverse national and transnational contexts to rethink both the study of moving images and the theorisation of place. Through its attention to actual places, the book traces the tensions between the global and the local, the universal and the particular, that inhere in contemporary debates on global cinema, television, art, and media.

     
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    Quelle: Verbundkataloge
    Beteiligt: Rhodes, John David; Gorfinkel, Elena
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781452946207
    Weitere Identifier:
    Schlagworte: Film; Raum-Zeit <Motiv>; Motion pictures; Place (Philosophy) in motion pictures; Space in motion pictures; Cities and towns in motion pictures; Motion picture locations
    Umfang: 1 Online-Ressource (xxix, 376 p.), Ill.
    Bemerkung(en):

    Includes bibligoraphical references and index
  9. Cities, borders, and spaces in intercultural American literature and film
    Autor*in: Manzanas Calvo, Ana María; Benito Sánchez, Jesús
    Erschienen: 2011
    Verlag:  Routledge, New York, NY [u.a.]

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
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    Standort:
    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
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    Standort:
    Universitätsbibliothek Passau
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    Standort:
    Universitätsbibliothek Würzburg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780415887212; 9781138849662
    RVK Klassifikation: AP 44982 ; HU 1691 ; HU 1776
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Routledge transnational perspectives on American literature ; 14
    Schlagworte: American literature; American literature; American literature; Cities and towns in literature; Space in literature; Place (Philosophy) in literature; Borderlands in literature; Cities and towns in motion pictures; Space in motion pictures; Place (Philosophy) in motion pictures; Borderlands in motion pictures; Raum <Motiv>; Film; Literatur; Stadt <Motiv>; Grenze <Motiv>
    Umfang: XII, 163 S.
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke
  10. Spatiality and symbolic expression
    on the links between place and culture
    Beteiligt: Richardson, Bill (HerausgeberIn)
    Erschienen: July 2015
    Verlag:  Palgrave Macmillan, New York, NY

    "This book explores the links between concepts of space and place and some of the ways in which cultural expression occurs, focusing in particular on language, literature, translation, pedagogy, film, music, art and the use of iconic imagery in... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book explores the links between concepts of space and place and some of the ways in which cultural expression occurs, focusing in particular on language, literature, translation, pedagogy, film, music, art and the use of iconic imagery in nation-building projects. It presents a theoretical framework for such a discussion, and examines four key facets of that framework, relating each one to the above-mentioned modes of symbolic expression"-- "This is a study of the links between concepts of space and place and a variety of modes of cultural and symbolic expression"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Richardson, Bill (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781137502896
    RVK Klassifikation: EC 1879 ; EC 2410
    Auflage/Ausgabe: First edition
    Schriftenreihe: Geocriticism and spatial literary studies
    Schlagworte: Place (Philosophy) in literature; Geocriticism; Space perception; Symbolism; Space and time in language; Geographical perception in literature; Place (Philosophy) in motion pictures; Place (Philosophy) in art; Raum; Raumdarstellung; Raumwahrnehmung; Künste
    Umfang: X, 250 Seiten, Illustrationen
    Bemerkung(en):

    Literaturangaben
  11. Spatiality and symbolic expression
    on the links between place and culture
    Beteiligt: Richardson, Bill (Herausgeber)
    Erschienen: July 2015
    Verlag:  Palgrave Macmillan, New York, NY

    Standort:
    Universitätsbibliothek Duisburg-Essen
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Richardson, Bill (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781137502896
    RVK Klassifikation: EC 2410 ; EC 1879
    Auflage/Ausgabe: First edition
    Schriftenreihe: Geocriticism and spatial literary studies (GSLS)
    Schlagworte: Place (Philosophy) in literature; Geocriticism; Space perception; Symbolism; Space and time in language; Geographical perception in literature; Place (Philosophy) in motion pictures; Place (Philosophy) in art; ART / Criticism & Theory; LITERARY CRITICISM / General; LITERARY CRITICISM / Semiotics & Theory; LITERARY CRITICISM / Books & Reading
    Umfang: x, 250 pages, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index
  12. Spatial modernities
    geography, narrative, imaginaries
    Beteiligt: Riquet, Johannes (HerausgeberIn); Kollmann, Elizabeth (HerausgeberIn)
    Erschienen: 2018
    Verlag:  Routledge, New York

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 54444
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Riquet, Johannes (HerausgeberIn); Kollmann, Elizabeth (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781138304550
    RVK Klassifikation: EC 1879
    Schriftenreihe: Routledge interdisciplinary perspectives on literature
    Schlagworte: Geocriticism; Geocriticism; Geographical perception in literature; Geographical perception in literature; Place (Philosophy) in art; Place (Philosophy) in art; Place (Philosophy) in literature; Place (Philosophy) in literature; Place (Philosophy) in motion pictures; Place (Philosophy) in motion pictures; Space in literature; Space in literature
    Umfang: xvi, 232 Seiten, illustrations (black and white), 23 cm
  13. Bigger than life
    the close-up and scale in the cinema
    Autor*in: Doane, Mary Ann
    Erschienen: 2021
    Verlag:  Duke University Press, Durham

    The delirium of a minimal unit -- The cinematic manufacture of scale, or historical vicissitudes of the close-up -- At face value -- Screens, female faces, and modernities -- The location of the image : projection, perspective, and scale -- The... mehr

    Standort:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Signatur:
    E
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Institute for Cultural Inquiry- Kulturlabor, Bibliothek
    Signatur:
    TR848 D63 2021
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 149912
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    KMW:KF:7000:Doa::2021
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Leipzig
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signatur:
    tea 804 DK 7157
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The delirium of a minimal unit -- The cinematic manufacture of scale, or historical vicissitudes of the close-up -- At face value -- Screens, female faces, and modernities -- The location of the image : projection, perspective, and scale -- The concept of immersion : mediated space, media space, and the location of the subject. "In Bigger Than Life Mary Ann Doane examines how the scalar operations of cinema, especially those of the close-up, disturb and reconfigure the spectator's sense of place, space, and orientation. Doane traces the history of scalar transformations from early cinema to the contemporary use of digital technology. In the early years of cinema, audiences regarded the monumental close-up, particularly of the face, as grotesque and often horrifying, even as it sought to expose a character's interiority through its magnification of detail and expression. Today, large-scale technologies such as IMAX and sound surround strive to dissolve the cinematic frame and invade the spectator's space, "immersing" them in image and sound. The notion of immersion, Doane contends, is symptomatic of a crisis of location in technologically mediated space and a reconceptualization of position, scale, and distance. In this way, cinematic scale and its modes of spatialization and despatialization have shaped the modern subject, interpolating them into the incessant expansion of commodification"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781478014485; 9781478013563
    RVK Klassifikation: AP 56100 ; AP 44400
    Schlagworte: Cinematography; Digital cinematography; Motion picture audiences; Space in motion pictures; Place (Philosophy) in motion pictures; Participatory theater; Performance arts / Film / History & Criticism; Social science / Gender Studies
    Umfang: xi, 356 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seiten 325-342
  14. Cities, borders, and spaces in intercultural American literature and film
    Autor*in: Manzanas Calvo, Ana Ma
    Erschienen: 2011
    Verlag:  Routledge,, New York

    1. Chiastic spaces : ports of entry, ports of exit -- 2. The migrational city in Chuck Palahniuk's 'Slumming : a story by lady baglady' and Helena Viramontes's 'The Cariboo Cafe' -- 3. Unbound cities, concentric circles : Karen Tei Yamashita's Tropic... mehr

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    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

     

    1. Chiastic spaces : ports of entry, ports of exit -- 2. The migrational city in Chuck Palahniuk's 'Slumming : a story by lady baglady' and Helena Viramontes's 'The Cariboo Cafe' -- 3. Unbound cities, concentric circles : Karen Tei Yamashita's Tropic of orange -- 4. Borderlands : middle spaces, hybrid bodies -- 5. The rhetoric of spatial cutting : borders, scars, open wounds -- 6. Terminal thinking : border narratives, airport narratives, and the logic of detention -- 7. Conclusion : from the Great Wall to Babel.

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Benito Sanchez, Jesus (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780203830802; 9781136824845; 9781136824883; 9781136824890
    Weitere Identifier:
    Schriftenreihe: Routledge transnational perspectives on American literature ; 14
    Schlagworte: American literature; American literature; American literature; Cities and towns in literature; Space in literature; Place (Philosophy) in literature; Borderlands in literature; Cities and towns in motion pictures; Space in motion pictures; Place (Philosophy) in motion pictures; Borderlands in motion pictures
    Umfang: 1 online resource (xii, 163 pages)
    Bemerkung(en):

    Includes bibliographical references (pages [149]-158) and index
  15. Dream state
    California in the movies
    Autor*in: LaSalle, Mick
    Erschienen: [2021]; © 2021
    Verlag:  Heyday, Berkeley

    "Longtime San Francisco Chronicle film critic Mick LaSalle's freewheeling journey through several dozen big-screen visions of California"-- mehr

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2021 A 7409
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Longtime San Francisco Chronicle film critic Mick LaSalle's freewheeling journey through several dozen big-screen visions of California"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781597145312
    RVK Klassifikation: AP 50300
    Schlagworte: Place (Philosophy) in motion pictures
    Umfang: 215 Seiten
    Bemerkung(en):

    Includes index
  16. Cities, Borders and Spaces in Intercultural American Literature and Film.
    Autor*in: Manzanas, Ana M
    Erschienen: 2011; ©2011
    Verlag:  Routledge, Florence

    This book examines the spatial morphologies represented in a wide range of contemporary ethnic American literary and cinematic works. Drawing from Henri Lefebvre's theorization of space as a living organism, Edward Soja's writings on the... mehr

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    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
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    This book examines the spatial morphologies represented in a wide range of contemporary ethnic American literary and cinematic works. Drawing from Henri Lefebvre's theorization of space as a living organism, Edward Soja's writings on the postmetropolis, Marc Augé's notion of the non-place, Manuel Castells' space of flows, and Michel de Certeau's theories of walking as a practice, the volume extends previous theorizations by examining how spatial uses, appropriations, strictures, ruptures, and reconfigurations function in literary texts and films that represent inhabitants of racial-ethnic borderlands and migrational U.S. cities. The authors argue for the necessity of an alternative poetics of place that makes room for those who move beyond the spaces of traditional visibility-displaced and homeless people, undocumented workers, hybrid and/or marginalized populations rendered invisible by the cultural elite, yet often disciplined by agents of surveillance. Building upon Doreen Massey's conceptualization of liminal space as a sphere in which narratives intersect, clash, or cooperate, this study recasts spatial paradigms to insert an array of emergent geographies of invisibility that the volume traverses via the analysis of works by Chuck Palahniuk, Helena Viramontes, Karen Tei Yamashita, Gloria Anzaldúa, Alejandro Morales, and Li-Young Lee, among others, and films such as Thomas McCarthy's The Visitor, Steven Spielberg's The Terminal, and Alejandro Gonzalez Iñárritu's Babel. Front Cover -- Cities, Borders, and Spaces in Intercultural American Literature and Film -- Routledge Transnational Perspectives on American Literature -- Copyright Page -- Dedication -- Contents -- Permissions -- Acknowledgments -- Introduction: Lingering on Times Square -- 1 Chiastic Spaces: Ports of Entry, Ports of Exit -- 2 The Migrational City in Chuck Palahniuk's "Slumming: A Story by Lady Baglady" and Helena Viramontes's "The Cariboo Café" -- 3 Unbound Cities, Concentric Circles: Karen Tei Yamashita's Tropic of Orange -- 4 Borderlands: Middle Spaces, Hybrid Bodies -- 5 The Rhetoric of Spatial Cutting: Borders, Scars, Open Wounds -- 6 Terminal Thinking: Border Narratives, Airport Narratives, and the Logic of Detention -- 7 Conclusion: From the Great Wall to Babel -- Notes -- Bibliography -- About the Authors -- Index.

     
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    Beteiligt: Benito Sanchez, Jesús (MitwirkendeR)
    Sprache: Englisch
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    Format: Online
    ISBN: 9780203830802
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Routledge Transnational Perspectives on American Literature Ser.
    Schlagworte: Place (Philosophy) in literature; Borderlands in literature; Cities and towns in motion pictures; Space in motion pictures; Place (Philosophy) in motion pictures; Borderlands in motion pictures; Space in literature; American literature; Cities and towns in literature; American literature; American literature; American literature ; 20th century ; History and criticism; American literature ; 21st century ; History and criticism; American literature ; Minority authors ; History and criticism; Borderlands in literature; Cities and towns in literature; Place (Philosophy) in literature; Space in literature; Electronic books
    Umfang: 1 online resource (177 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

    Front Cover; Routledge Transnational Perspectives on American Literature; Cities, Borders, and Spaces in Intercultural American Literature and Film; Copyright Page; Dedication; Contents; Permissions; Acknowledgments; Introduction:Lingering on Times Square; 1 Chiastic Spaces:Ports of Entry, Ports of Exit; 2 The Migrational City in Chuck Palahniuk's "Slumming: A Story by Lady Baglady" and Helena Viramontes's "The Cariboo Café"; 3 Unbound Cities, Concentric Circles: Karen Tei Yamashita's Tropic of Orange; 4 Borderlands:Middle Spaces, Hybrid Bodies

    5 The Rhetoric of Spatial Cutting: Borders, Scars, Open Wounds6 Terminal Thinking: Border Narratives, Airport Narratives, and the Logic of Detention; 7 Conclusion:From the Great Wall to Babel; Notes; Bibliography; About the Authors; Index
  17. Film history for the Anthropocene
    the ecological archive of German cinema
    Autor*in: Peabody, Seth
    Erschienen: 2023
    Verlag:  Camden House, Rochester, New York

    By exploring German film history with the tools of the Environmental Humanities, this book offers a case study of the power of film within processes of environmental transformation. "From its beginnings, some of German film's most prominent genres... mehr

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    By exploring German film history with the tools of the Environmental Humanities, this book offers a case study of the power of film within processes of environmental transformation. "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between landscape documentary and fiction film. Yet German film studies has been slow to adopt an environmental focus, concentrating (understandably) on its subject matter's political implications. This book reveals critical connections between German film, sociopolitical context, and environment, showing it to have been a creative catalyst for the social and ecological transformation of the Anthropocene. The book first considers the interplay between German film and environmental history in films and discourses of Heimat. Weimar-era films such as E. A. Dupont's Die Geierwally (1921), Carl Ludwig Achaz-Duisberg's Sprengbagger 1010 (1929), and Phil Jützi's Hunger in Waldenburg (1929) document and create a forum for discussing environmental change. The book then looks at film as a visual archive of and catalyst for infrastructure development, focusing on Metropolis (Fritz Lang, 1927), the mountain films of Arnold Fanck, and the Berlin films Stadt der Millionen (Adolf Trotz, 1925), Berlin: Die Sinfonie der Grossstadt (Walter Ruttmann, 1927), and Menschen am Sonntag (1930). Nazi-era and postwar films are also examined. By exploring German film history alongside environmental history and theory, this book provides a case study of the power of film within processes of environmental transformation"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781805431459; 9781640141612
    Schriftenreihe: Screen cultures : German film and the visual
    Schlagworte: Human ecology in motion pictures; Place (Philosophy) in motion pictures; Heimatfilme; Motion pictures; Ecocriticism
    Umfang: 1 online resource (viii, 199 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 21 Feb 2024)
  18. Film history for the anthropocene
    the ecological archive of German cinema
    Autor*in: Peabody, Seth
    Erschienen: 2023; ©2023
    Verlag:  Boydell & Brewer, Incorporated, Rochester

    By exploring German film history with the tools of the Environmental Humanities, this book offers a case study of the power of film within processes of environmental transformation. Intro -- Film History for the Anthropocene -- Screen Cultures:... mehr

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    By exploring German film history with the tools of the Environmental Humanities, this book offers a case study of the power of film within processes of environmental transformation. Intro -- Film History for the Anthropocene -- Screen Cultures: German Film and the Visual -- Film History for the Anthropocene -- Copyright -- Acknowledgments -- Introduction Filmic Worlds, Creativity, and Materiality, or: Welcome to the Anthropocene? -- PART I - Chapter 1 Companions and Combatants (or, Hugs, Fights, and Bites): Curating Multispecies Environments in Die Geierwally -- Chapter 2 From Industrial Heimat to Bavarian Heimatfilm: Sprengbagger 1010, Hunger in Waldenburg, and the Consolidation of a Genre -- PART II - Chapter 3 Infrastructure in the Anthropo(s)cene: Fritz Lang's Metropolis as Ecological Archive -- Chapter 4 Image, Environment, Infrastructure: The Social Ecologies of the Bergfilm -- Chapter 5 Greenwashing in Black and White: Berlin: Die Sinfonie der Großstadt, Die Stadt der Millionen, Menschen am Sonntag -- Epilogue Welcome Back: Reflexive Environments in Recent German Cinema -- Works Cited. "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between landscape documentary and fiction film. Yet German film studies has been slow to adopt an environmental focus, concentrating (understandably) on its subject matter's political implications. This book reveals critical connections between German film, sociopolitical context, and environment, showing it to have been a creative catalyst for the social and ecological transformation of the Anthropocene. The book first considers the interplay between German film and environmental history in films and discourses of Heimat. Weimar-era films such as E. A. Dupont's Die Geierwally (1921), Carl Ludwig Achaz-Duisberg's Sprengbagger 1010 (1929), and Phil Jützi's Hunger in Waldenburg (1929) document and create a forum for discussing environmental change. The book then looks at film as a visual archive of and catalyst for infrastructure development, focusing on Metropolis (Fritz Lang, 1927), the mountain films of Arnold Fanck, and the Berlin films Stadt der Millionen (Adolf Trotz, 1925), Berlin: Die Sinfonie der Grossstadt (Walter Ruttmann, 1927), and Menschen am Sonntag (1930). Nazi-era and postwar films are also examined. By exploring German film history alongside environmental history and theory, this book provides a case study of the power of film within processes of environmental transformation"--

     
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    ISBN: 9781805431466
    RVK Klassifikation: EC 1879
    Schriftenreihe: Screen Cultures: German Film and the Visual Series ; v.23
    Schlagworte: Place (Philosophy) in motion pictures; Heimatfilme; Motion pictures; Human ecology in motion pictures; Ecocriticism; Motion pictures-Germany-History
    Umfang: viii, 199 Seiten, Illustrationen
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    Description based on publisher supplied metadata and other sources
  19. Film history for the anthropocene
    the ecological archive of German cinema
    Autor*in: Peabody, Seth
    Erschienen: 2023
    Verlag:  Camden House, Rochester, New York

    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between... mehr

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    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between landscape documentary and fiction film. Yet German film studies has been slow to adopt an environmental focus, concentrating (understandably) on its subject matter's political implications. This book reveals critical connections between German film, sociopolitical context, and environment, showing it to have been a creative catalyst for the social and ecological transformation of the Anthropocene. The book first considers the interplay between German film and environmental history in films and discourses of Heimat. Weimar-era films such as E. A. Dupont's Die Geierwally (1921), Carl Ludwig Achaz-Duisberg's Sprengbagger 1010 (1929), and Phil Jützi's Hunger in Waldenburg (1929) document and create a forum for discussing environmental change. The book then looks at film as a visual archive of and catalyst for infrastructure development, focusing on Metropolis (Fritz Lang, 1927), the mountain films of Arnold Fanck, and the Berlin films Stadt der Millionen (Adolf Trotz, 1925), Berlin: Die Sinfonie der Grossstadt (Walter Ruttmann, 1927), and Menschen am Sonntag (1930). Nazi-era and postwar films are also examined. By exploring German film history alongside environmental history and theory, this book provides a case study of the power of film within processes of environmental transformation"--

     
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  20. Film history for the anthropocene
    the ecological archive of German cinema
    Autor*in: Peabody, Seth
    Erschienen: 2023
    Verlag:  Camden House, Rochester, New York

    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between... mehr

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    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between landscape documentary and fiction film. Yet German film studies has been slow to adopt an environmental focus, concentrating (understandably) on its subject matter's political implications. This book reveals critical connections between German film, sociopolitical context, and environment, showing it to have been a creative catalyst for the social and ecological transformation of the Anthropocene. The book first considers the interplay between German film and environmental history in films and discourses of Heimat. Weimar-era films such as E. A. Dupont's Die Geierwally (1921), Carl Ludwig Achaz-Duisberg's Sprengbagger 1010 (1929), and Phil Jützi's Hunger in Waldenburg (1929) document and create a forum for discussing environmental change. The book then looks at film as a visual archive of and catalyst for infrastructure development, focusing on Metropolis (Fritz Lang, 1927), the mountain films of Arnold Fanck, and the Berlin films Stadt der Millionen (Adolf Trotz, 1925), Berlin: Die Sinfonie der Grossstadt (Walter Ruttmann, 1927), and Menschen am Sonntag (1930). Nazi-era and postwar films are also examined. By exploring German film history alongside environmental history and theory, this book provides a case study of the power of film within processes of environmental transformation"--

     
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    ISBN: 9781640141612
    RVK Klassifikation: EC 1879
    Schriftenreihe: Screen cultures: German film and the visual
    Schlagworte: Human ecology in motion pictures; Place (Philosophy) in motion pictures; Heimatfilme; Motion pictures; Ecocriticism
    Umfang: viii, 199 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  21. Hotel modernity
    corporate space in literature and film
    Autor*in: Moore, Robbie
    Erschienen: 2021
    Verlag:  Edinburgh University Press Ltd, Edinburgh

    Hotel Modernity explores the impact of corporate space on the construction and texture of modern fiction and film. It centres the hotel and corporate space as key sites of modern experience and culture. Examining architectural and financial records,... mehr

     

    Hotel Modernity explores the impact of corporate space on the construction and texture of modern fiction and film. It centres the hotel and corporate space as key sites of modern experience and culture. Examining architectural and financial records, hotel trade journals, travel journalism, advertisements and cinematic and literary representations, it charts the rise of hotel culture from 1870 to 1939. From Henry James to Elizabeth Bowen and Charlie Chaplin, from the ecstatic Waldorf to the ephemeral Ritz, from upstate New York to the Italian Riviera, the book considers the effects of hotel space on bodies, selves and communities. --

     
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    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781474456654; 1474456650
    Schriftenreihe: Edinburgh critical studies in modernist culture
    Schlagworte: Hotels; Hotels; Hotels in literature; Hotels in motion pictures; Place (Philosophy) in literature; Place (Philosophy) in motion pictures; Space (Architecture) in literature; Civilization, Modern; Space (Architecture) in motion pictures; Hôtels - Aspect social - Histoire - 19e siècle; Hôtels - Aspect social - Histoire - 20e siècle; Hôtels dans la littérature; Hôtels au cinéma; Lieu (Philosophie) dans la littérature; Espace (Architecture) dans la littérature; Civilization, Modern; Hotels in literature; Hotels in motion pictures; Hotels - Social aspects; Place (Philosophy) in literature; Place (Philosophy) in motion pictures; Space (Architecture) in literature; Hotels - Social aspects - 19th century; Hotels - Social aspects - 20th century; Hotels in literature; Hotels in motion pictures; Place (Philosophy) in literature; Place (Philosophy) in motion pictures; Space (Architecture) in literature; Space (Architecture) in art; Civilization, Modern - 19th century; Civilization, Modern - 20th century; History
    Umfang: x, 221 pages, illustrations, 25 cm
    Bemerkung(en):

    Includes bibliographical references and index

    1. Lounging Bodies: The Lobby And Piazza -- 2. Stain Resistance: The Parlour And Reading-Room -- 3. `Ritz': The Roof Garden -- 4. Hotel Angst: The Corridor And Elevator -- 5. The Hotel Auteur: The Manager's Office.
  22. Film history for the anthropocene
    the ecological archive of German cinema
    Autor*in: Peabody, Seth
    Erschienen: 2023
    Verlag:  Camden House, Rochester, New York

    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between... mehr

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    "From its beginnings, some of German film's most prominent genres and directors have focused on the natural world and its transformations by humans. Heimat films, "city symphonies," mountain films, and rubble films all blend the boundary between landscape documentary and fiction film. Yet German film studies has been slow to adopt an environmental focus, concentrating (understandably) on its subject matter's political implications. This book reveals critical connections between German film, sociopolitical context, and environment, showing it to have been a creative catalyst for the social and ecological transformation of the Anthropocene. The book first considers the interplay between German film and environmental history in films and discourses of Heimat. Weimar-era films such as E. A. Dupont's Die Geierwally (1921), Carl Ludwig Achaz-Duisberg's Sprengbagger 1010 (1929), and Phil Jützi's Hunger in Waldenburg (1929) document and create a forum for discussing environmental change. The book then looks at film as a visual archive of and catalyst for infrastructure development, focusing on Metropolis (Fritz Lang, 1927), the mountain films of Arnold Fanck, and the Berlin films Stadt der Millionen (Adolf Trotz, 1925), Berlin: Die Sinfonie der Grossstadt (Walter Ruttmann, 1927), and Menschen am Sonntag (1930). Nazi-era and postwar films are also examined. By exploring German film history alongside environmental history and theory, this book provides a case study of the power of film within processes of environmental transformation"

     
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    ISBN: 9781805431459; 9781805431466
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    RVK Klassifikation: EC 1879
    Schriftenreihe: Screen cultures: German film and the visual
    Schlagworte: Human ecology in motion pictures; Place (Philosophy) in motion pictures; Heimatfilme; Motion pictures; Ecocriticism; PERFORMING ARTS / Film & Video / History & Criticism
    Umfang: 1 Online-Ressource (viii, 199 Seiten), Illustrationen
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    Includes bibliographical references and index
  23. Hotel Modernity
    Corporate Space in Literature and Film
    Autor*in: Moore, Robbie
    Erschienen: [2022]; ©2021
    Verlag:  Edinburgh University Press, Edinburgh

    A richly historicised account of the modern corporation and its spatial manifestations in Britain and AmericaCentres the hotel and corporate space as key sites of modern experience and cultureExamines architectural and financial records, hotel trade... mehr

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    A richly historicised account of the modern corporation and its spatial manifestations in Britain and AmericaCentres the hotel and corporate space as key sites of modern experience and cultureExamines architectural and financial records, hotel trade journals, travel journalism, advertisements, and cinematic and literary representations to offer a thorough historical account of the hotel from 1870 to 1939Makes suggestive and original connections between material culture and literary formHotel Modernity explores the impact of corporate space on the construction and texture of modern fiction and film. It centres the hotel and corporate space as key sites of modern experience and culture. Examining architectural and financial records, hotel trade journals, travel journalism, advertisements and cinematic and literary representations, it charts the rise of hotel culture from 1870 to 1939. From Henry James to Elizabeth Bowen and Charlie Chaplin, from the ecstatic Waldorf to the ephemeral Ritz, from upstate New York to the Italian Riviera, the book considers the effects of hotel space on bodies, selves and communities

     
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  24. Cities, borders, and spaces in intercultural American literature and film /
    Autor*in: Manzanas Calvo, Ana María,
    Erschienen: 2011.
    Verlag:  Routledge,, New York, NY [u.a.] :

    Standort:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Benito Sánchez, Jesús,
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 978-0-415-88721-2; 978-1-138-84966-2
    RVK Klassifikation: AP 44982 ; HU 1691 ; HU 1776
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Routledge transnational perspectives on American literature ; 14
    Schlagworte: American literature; American literature; American literature; Cities and towns in literature; Space in literature; Place (Philosophy) in literature; Borderlands in literature; Cities and towns in motion pictures; Space in motion pictures; Place (Philosophy) in motion pictures; Borderlands in motion pictures; Literatur.; Film.; Raum <Motiv>; Stadt <Motiv>; Grenze <Motiv>
    Umfang: XII, 163 S.
    Bemerkung(en):

    Hier auch später erschienene, unveränderte Nachdrucke
  25. Taking place :
    location and the moving image /
    Beteiligt: Rhodes, John David,
    Erschienen: 2011.
    Verlag:  Univ. of Minnesota Press,, Minneapolis [u.a.] :

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Rhodes, John David,
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 978-0-8166-6516-7; 978-0-8166-6517-4
    RVK Klassifikation: AP 50300
    Schlagworte: Film; Motion pictures; Place (Philosophy) in motion pictures; Space in motion pictures; Cities and towns in motion pictures; Motion picture locations; Audiovisuelle Medien.; Drehort.; Raum <Motiv>
    Umfang: XXIX, 376 S. :, Ill.
    Bemerkung(en):

    Includes bibligoraphical references and index