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  1. The uses of literature
    life in the socialist Chinese literary system
    Autor*in: Link, Eugene Perry
    Erschienen: 2000
    Verlag:  Princeton University Press, Princeton, N.J. [u.a.]

    Standort:
    Ruhr-Universität Bochum, Fakultät für Ostasienwissenschaften, Bibliothek
    Signatur:
    Bko 185
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Bonn, Institut für Orient- und Asienwissenschaften, Bibliothek
    Signatur:
    895.109358 L756 U84 2000
    Fernleihe:
    keine Fernleihe

    Standort:
    Gemeinsame Fachbibliothek Asien / China
    Signatur:
    CHIN/895.109-45
    Fernleihe:
    keine Fernleihe
    Standort:
    Gemeinsame Fachbibliothek Asien / China
    Signatur:
    CHIN/895.109-20
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Trier
    Signatur:
    HG/od25224
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0691001979; 0691001987
    Schlagworte: Chinese literature / 20th century / History and criticism; Socialism and literature / China; Literature and society / China; Chinesisch; Politik; Literatur; Gesellschaft
    Umfang: VI, 387 S., Illustrationen, 24 cm
    Bemerkung(en):

    Publisher description: Why do people in socialist China read and write literary works? Earlier studies in Western Sinology have approached Chinese texts from the socialist era as portraits of society, as keys to the tug-of-war of dissent, or, more recently, as pursuit of "pure art." The Uses of Literature looks broadly and empirically at these and many other "uses" of literature from the points of view of authors, editors, political authorities, and several kinds of readers. Perry Link, author of Evening Chats in Beijing, considers texts ranging from elite "misty" poetry to underground hand-copied volumes (shouchauben) and shows in concrete detail how people who were involved with literature sought to teach, learn, enjoy, explore, debate, lead, control, and resist. Using the late 1970s and early 1980s as an entree to the workings of China's "socialist literary system," the author shows how that system held sway from 1950 until around 1990, when an encroaching market economy gradually but fundamentally changed it. In addition to providing a definitive overview of how the socialist Chinese literary system worked, Link offers comparisons to the similar system in the Soviet Union. In the final chapter, the book seeks to explain how the word "good" was used and understood when applied to literary works in such systems. Combining aspects of cultural and literary studies, The Uses of Literature will reward anyone interested in the literature of modern China or how creativity is affected by a "socialist literary system."

    Bibliogr. S. [339]-368

    Inhalt: Acknowledgments -- A Note on Documentation -- Introduction (S. 3) -- Ch. 1. Historical Setting (S. 13) -- Warming, 1976-1979 (S. 15) -- Cooling, 1980-1983 (S. 22) -- Perspectives (S. 36) -- Ch. 2. The Mechanics of Literary Control (S. 56) -- A Spectrum of Newpoints (S. 56) -- What Was Controlled? (S. 59) -- The Literary Control System (S. 63) -- The Mechanics of Relaxation (S. 68) -- The Mechanics of Tightening (S. 81) -- Soviet Comparisons (S. 97) -- Ch. 3. Writers (S. 104) -- Tradition of Responsibility (S. 104) -- The Modern Crisis and the Idea of a "Path"(S. 106) -- Establishing National Guidelines (S. 108) -- Effects of the Anti-Rightist Campaign (S. 110) -- Maoist Utopianism in Command (S. 113) -- Kinds and Groups of Writers (S. 116) -- The Writers' Association (S. 118) -- Generational Differences (S. 122) -- Livelihood (S. 129) -- Dissent (S. 138) -- Purposes (S. 142) -- Ch. 4. Media and Market (S. 167) -- Distribution: Official and Public (S. 167) -- Distribution: Restricted, Semiofficial, and Unofficial (S. 183) -- Related Media: Stage, Film, Radio, and Television (S. 198) -- Ch. 5. Readers: The Popular Level (S. 210) -- Readership (Audience) Groups (S. 212) -- Popular Entertainment (S. 220) -- Ch. 6. Readers: Socially Engaged Level (S. 249) -- Intrusive Politics (S. 254) -- Special Privilege and Abuse of Power (S. 258) -- Pervasive Corruption (S. 260) -- Styles of Bureaucratism (S. 263) -- The Need for Rule of Law (S. 270) -- The Problem of Truth (S. 272) -- The Place of Romance (S. 278) -- Ch. 7. The Uses of Literature (S. 284) -- The Party and Its "Engineering" (S. 286) -- Problems with Engineering (S. 289) -- Retreat ftom Engineering (S. 294) -- Secondary Uses of Engineering (S. 296) -- The Variety of Other Uses (S. 300) -- Transcending "Uses" (S. 319) -- Use and Quality (S. 322) -- Select glossary of Chinese characters (S. 333) -- Bibliography of works cited in the notes(S. 339) -- INDEX (S. 369).
  2. <<The>> uses of literature
    life in the socialist Chinese literary system
    Autor*in: Link, Eugene Perry
    Erschienen: 2000
    Verlag:  Princeton University Press, Princeton, N.J. [u.a.]

    Standort:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Trier
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0691001979; 0691001987
    Schlagworte: Chinese literature / 20th century / History and criticism; Socialism and literature / China; Literature and society / China
    Umfang: VI, 387 S., Illustrationen, 24 cm
    Bemerkung(en):

    Publisher description: Why do people in socialist China read and write literary works? Earlier studies in Western Sinology have approached Chinese texts from the socialist era as portraits of society, as keys to the tug-of-war of dissent, or, more recently, as pursuit of "pure art." The Uses of Literature looks broadly and empirically at these and many other "uses" of literature from the points of view of authors, editors, political authorities, and several kinds of readers. Perry Link, author of Evening Chats in Beijing, considers texts ranging from elite "misty" poetry to underground hand-copied volumes (shouchauben) and shows in concrete detail how people who were involved with literature sought to teach, learn, enjoy, explore, debate, lead, control, and resist. Using the late 1970s and early 1980s as an entree to the workings of China's "socialist literary system," the author shows how that system held sway from 1950 until around 1990, when an encroaching market economy gradually but fundamentally changed it. In addition to providing a definitive overview of how the socialist Chinese literary system worked, Link offers comparisons to the similar system in the Soviet Union. In the final chapter, the book seeks to explain how the word "good" was used and understood when applied to literary works in such systems. Combining aspects of cultural and literary studies, The Uses of Literature will reward anyone interested in the literature of modern China or how creativity is affected by a "socialist literary system."

    Bibliogr. S. [339]-368

    Inhalt: Acknowledgments -- A Note on Documentation -- Introduction (S. 3) -- Ch. 1. Historical Setting (S. 13) -- Warming, 1976-1979 (S. 15) -- Cooling, 1980-1983 (S. 22) -- Perspectives (S. 36) -- Ch. 2. The Mechanics of Literary Control (S. 56) -- A Spectrum of Newpoints (S. 56) -- What Was Controlled? (S. 59) -- The Literary Control System (S. 63) -- The Mechanics of Relaxation (S. 68) -- The Mechanics of Tightening (S. 81) -- Soviet Comparisons (S. 97) -- Ch. 3. Writers (S. 104) -- Tradition of Responsibility (S. 104) -- The Modern Crisis and the Idea of a "Path"(S. 106) -- Establishing National Guidelines (S. 108) -- Effects of the Anti-Rightist Campaign (S. 110) -- Maoist Utopianism in Command (S. 113) -- Kinds and Groups of Writers (S. 116) -- The Writers' Association (S. 118) -- Generational Differences (S. 122) -- Livelihood (S. 129) -- Dissent (S. 138) -- Purposes (S. 142) -- Ch. 4. Media and Market (S. 167) -- Distribution: Official and Public (S. 167) -- Distribution: Restricted, Semiofficial, and Unofficial (S. 183) -- Related Media: Stage, Film, Radio, and Television (S. 198) -- Ch. 5. Readers: The Popular Level (S. 210) -- Readership (Audience) Groups (S. 212) -- Popular Entertainment (S. 220) -- Ch. 6. Readers: Socially Engaged Level (S. 249) -- Intrusive Politics (S. 254) -- Special Privilege and Abuse of Power (S. 258) -- Pervasive Corruption (S. 260) -- Styles of Bureaucratism (S. 263) -- The Need for Rule of Law (S. 270) -- The Problem of Truth (S. 272) -- The Place of Romance (S. 278) -- Ch. 7. The Uses of Literature (S. 284) -- The Party and Its "Engineering" (S. 286) -- Problems with Engineering (S. 289) -- Retreat ftom Engineering (S. 294) -- Secondary Uses of Engineering (S. 296) -- The Variety of Other Uses (S. 300) -- Transcending "Uses" (S. 319) -- Use and Quality (S. 322) -- Select glossary of Chinese characters (S. 333) -- Bibliography of works cited in the notes(S. 339) -- INDEX (S. 369)