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  1. Queer ventennio
    Italian fascism, homoerotic art, and the nonmodern in the modern
    Autor*in: Champagne, John
    Erschienen: [2019]
    Verlag:  Peter Lang, Oxford

    Queer unhistoricism -- Giovanni Comisso -- Filippo de Pisis -- Corrado Cagli -- "Quasi una conclusione" : on Saba's Ernesto. "Given fascist proscriptions against homosexuality, a surprising number of artists under Mussolini's regime were queer.... mehr

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Signatur:
    W 2019/5035
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

    Standort:
    Universitätsbibliothek Duisburg-Essen
    Signatur:
    FIZ1092
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Queer unhistoricism -- Giovanni Comisso -- Filippo de Pisis -- Corrado Cagli -- "Quasi una conclusione" : on Saba's Ernesto. "Given fascist proscriptions against homosexuality, a surprising number of artists under Mussolini's regime were queer. Exploring the contribution of Italy to our understanding of both the history of homosexuality and European modernism, this ground-breaking study analyses three queer modernists-writer Giovanni Comisso, painter and writer Filippo de Pisis, and painter Corrado Cagli. None self-identified as fascists; none, however, were consistent critics of the regime. All understood their own sexuality via the idea of the primitive - a discourse fascism also employed in its efforts to secure consent for the dictatorship. What happens when we return to these men and their work minus the assumption that our most urgent task is identifying their fascist tendencies or political quietism? Variously infantilized, pathologized, marginalized, and stigmatized, treated as both cause and effect of fascism, queer ventennio artists are an easy target, not brave or selfless or savvy enough to see their common struggle with fascism's other victims. Revisiting their works and lives with an eye toward neither rehabilitation nor condemnation allows us to ponder more carefully the relationship between art and politics, how homophobia has structured art criticism, the need to further bring queer perspectives to Italian cultural analysis, and how such men disrupt our sense of modern homo/heterosexual definition" (Klappentext)

     
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  2. Queer ventennio
    Italian fascism, homoerotic art, and the nonmodern in the modern
    Autor*in: Champagne, John
    Erschienen: [2019]
    Verlag:  Peter Lang, Oxford

    Queer unhistoricism -- Giovanni Comisso -- Filippo de Pisis -- Corrado Cagli -- "Quasi una conclusione" : on Saba's Ernesto "Given fascist proscriptions against homosexuality, a surprising number of artists under Mussolini's regime were queer.... mehr

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Duisburg-Essen
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Queer unhistoricism -- Giovanni Comisso -- Filippo de Pisis -- Corrado Cagli -- "Quasi una conclusione" : on Saba's Ernesto "Given fascist proscriptions against homosexuality, a surprising number of artists under Mussolini's regime were queer. Exploring the contribution of Italy to our understanding of both the history of homosexuality and European modernism, this ground-breaking study analyses three queer modernists-writer Giovanni Comisso, painter and writer Filippo de Pisis, and painter Corrado Cagli. None self-identified as fascists; none, however, were consistent critics of the regime. All understood their own sexuality via the idea of the primitive - a discourse fascism also employed in its efforts to secure consent for the dictatorship. What happens when we return to these men and their work minus the assumption that our most urgent task is identifying their fascist tendencies or political quietism? Variously infantilized, pathologized, marginalized, and stigmatized, treated as both cause and effect of fascism, queer ventennio artists are an easy target, not brave or selfless or savvy enough to see their common struggle with fascism's other victims. Revisiting their works and lives with an eye toward neither rehabilitation nor condemnation allows us to ponder more carefully the relationship between art and politics, how homophobia has structured art criticism, the need to further bring queer perspectives to Italian cultural analysis, and how such men disrupt our sense of modern homo/heterosexual definition" (Klappentext)

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781789972245
    Schriftenreihe: Italian modernities ; vol. 34
    Schlagworte: Fascism and art / Italy / History / 20th century; Gay erotic art / Italy / History / 20th century; Modernism (Aesthetics) / Italy
    Weitere Schlagworte: Comisso, Giovanni / 1895-1969 / Criticism and interpretation; De Pisis, Filippo / 1896-1956 / Criticism and interpretation; Cagli, Corrado / 1910-1976 / Criticism and interpretation
    Umfang: x, 303 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index