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  1. The Chinese postmodern
    trauma and irony in Chinese avant-garde fiction
    Autor*in: Yang, Xiaobin
    Erschienen: 2002
    Verlag:  Univ. of Michigan Press, Ann Arbor

    Standort:
    Ruhr-Universität Bochum, Fakultät für Ostasienwissenschaften, Bibliothek
    Signatur:
    Bko 212
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Signatur:
    2003/1871
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

    Standort:
    Gemeinsame Fachbibliothek Asien / China
    Signatur:
    CHIN/895.135-281
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Trier
    Signatur:
    HG/od27063
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0472112414
    Schlagworte: Postmodernism (Literature) / China; Chinese fiction / 20th century / History and criticism; Experimental fiction; Literatur; Ironie; Chinesisch; Trauma; Postmoderne
    Umfang: IX, 286 S., Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 269-279) and index

    Publisher's description: The Chinese Postmodern is a pioneering study of contemporary Chinese avant-garde fiction from the perspective of cultural and literary postmodernity, historical trauma, and rhetorical irony. Showcasing the talents of such major writers as Can Xue, Ge Fei, Ma Yuan, Mo Yan, Xu Xiaohe, and Yu Hua, this volume focuses on the interplay between historical psychology and representational mode and between political discourse and literary rhetoric. Xiaobin Yang draws on a number of theories, psychoanalysis and deconstruction in particular, and incorporates them into the sociohistorical approach to illuminate the nuances of literary and cultural phenomena. Revealing the hidden connection between the deconstructive mode of writing and the post-traumatic historical experience, The Chinese Postmodern shows how avant-garde literature brings about a heterogeneous literary paradigm that defies the dominant, subject-centered one in twentieth-century China. Skillfully examining the problem of Chinese postmodernity against the background of culturo-political modernity in twentieth-century China, The Chinese Postmodern redefines Chinese modernity and postmodernity through textual analyses of canonical and avant-garde works. In addition to being a pioneering study of contemporary Chinese avant-garde fiction, this challenging work is also an attempt to delineate the changes of literary paradigms in modern Chinese literature. By way of characterizing avant-garde fiction, it provides a macroscopic picture of twentieth-century Chinese literature that registers the sociohistorical trends of intellectual and cultural (post-)modernity. In this regard, it is also a theorization of the intellectual history of modern China.

    Inhalt: Preface - Introduction: The Absolute and the Problematic in Twentieth-Century Chinese Narrative - 1. Modernity: The Historical Subject and the Representational Subject 2. The Modern Paradigm Destabilized and Displaced - Pt. I. Trauma, Nachträglichkeit, and the Unrepresentable: Conjuring up the Psychic/Historical Past: 3. Trauma and Historical Violence in Communist China - 4: Yu Hua: The Past Remembered or the Present Dismembered 5. Can Xue: Ever-Haunting Nightmares - Pt. II. Irony as Verbal Catachresis: Schizophrenia in the Master Discourse: 6. Irony and an Alternative Reading of Maoist Discourse 7. Xu Xiaohe: Laughter from Despair - 8. Can Xue: Discursive Dystopias - Pt. III. Irony as Structural Parody: Deconstructing the Grand Narrative: 9. Narratorial Parabasis and Mise-en-Abyme: Ma Yuan as a Model 10. Ge Fei: Indeterminate History and Memory 11. Yu Hua: Perplexed Narration and the Subject 12. Mo Yan's The Republic of Wine: An Extravaganza of Decadence - Postscript: Answering the Question: What Is the Postmodern/Post-Mao-Deng? Notes Glossary Bibliography - Index.
  2. <<The>> Chinese postmodern
    trauma and irony in Chinese avant-garde fiction
    Autor*in: Yang, Xiaobin
    Erschienen: 2002
    Verlag:  Univ. of Michigan Press, Ann Arbor

    Standort:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Trier
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0472112414
    Schlagworte: Postmodernism (Literature) / China; Chinese fiction / 20th century / History and criticism; Experimental fiction
    Umfang: IX, 286 S., Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 269-279) and index

    Publisher's description: The Chinese Postmodern is a pioneering study of contemporary Chinese avant-garde fiction from the perspective of cultural and literary postmodernity, historical trauma, and rhetorical irony. Showcasing the talents of such major writers as Can Xue, Ge Fei, Ma Yuan, Mo Yan, Xu Xiaohe, and Yu Hua, this volume focuses on the interplay between historical psychology and representational mode and between political discourse and literary rhetoric. Xiaobin Yang draws on a number of theories, psychoanalysis and deconstruction in particular, and incorporates them into the sociohistorical approach to illuminate the nuances of literary and cultural phenomena. Revealing the hidden connection between the deconstructive mode of writing and the post-traumatic historical experience, The Chinese Postmodern shows how avant-garde literature brings about a heterogeneous literary paradigm that defies the dominant, subject-centered one in twentieth-century China. Skillfully examining the problem of Chinese postmodernity against the background of culturo-political modernity in twentieth-century China, The Chinese Postmodern redefines Chinese modernity and postmodernity through textual analyses of canonical and avant-garde works. In addition to being a pioneering study of contemporary Chinese avant-garde fiction, this challenging work is also an attempt to delineate the changes of literary paradigms in modern Chinese literature. By way of characterizing avant-garde fiction, it provides a macroscopic picture of twentieth-century Chinese literature that registers the sociohistorical trends of intellectual and cultural (post-)modernity. In this regard, it is also a theorization of the intellectual history of modern China

    Inhalt: Preface - Introduction: The Absolute and the Problematic in Twentieth-Century Chinese Narrative - 1. Modernity: The Historical Subject and the Representational Subject 2. The Modern Paradigm Destabilized and Displaced - Pt. I. Trauma, Nachträglichkeit, and the Unrepresentable: Conjuring up the Psychic/Historical Past: 3. Trauma and Historical Violence in Communist China - 4: Yu Hua: The Past Remembered or the Present Dismembered 5. Can Xue: Ever-Haunting Nightmares - Pt. II. Irony as Verbal Catachresis: Schizophrenia in the Master Discourse: 6. Irony and an Alternative Reading of Maoist Discourse 7. Xu Xiaohe: Laughter from Despair - 8. Can Xue: Discursive Dystopias - Pt. III. Irony as Structural Parody: Deconstructing the Grand Narrative: 9. Narratorial Parabasis and Mise-en-Abyme: Ma Yuan as a Model 10. Ge Fei: Indeterminate History and Memory 11. Yu Hua: Perplexed Narration and the Subject 12. Mo Yan's The Republic of Wine: An Extravaganza of Decadence - Postscript: Answering the Question: What Is the Postmodern/Post-Mao-Deng? Notes Glossary Bibliography - Index