Letzte Suchanfragen
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Zeige Ergebnisse 1 bis 21 von 21.
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The Production of Lateness : Old Age and Creativity in Contemporary Narrative
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Il giovane Metastasio
= Der junge Metastasio -
Die Kunst im Gewandhaus
ein Gesamtkunstwerk aus Form, Farbe und Klang = The art at the Gewandhaus : a Gesamtkunstwerk of form, colour and sound -
The factotum of industry
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Utopische Visionen und visionäre Kunst: Beethovens "Geistiges Reich" Revisited
= Utopian visions and visionary art: Beethoven’s "Empire of the mind" - revisited -
Il giovana Metastasio
= Der junge Metastasio -
Utopische Visionen und visionäre Kunst: Beethovens "Geistiges Reich" revisited
= Utopian visions and visionary art: Beethoven’s "Empire of the mind" - revisited -
Utopische Visionen und visionäre Kunst: Beethovens "Geistiges Reich" Revisited
= Utopian visions and visionary art: Beethoven’s "Empire of the mind" - revisited -
Utopische Visionen und visionäre Kunst: Beethovens "Geistiges Reich" Revisited
= Utopian visions and visionary art: Beethoven’s "Empire of the mind" - revisited -
<<Il>> giovane Metastasio
= <<Der>> junge Metastasio -
Aesthetics and modernity from Schiller to the Frankfurt School
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The Production of Lateness
Old Age and Creativity in Contemporary Narrative -
<<Il>> giovana Metastasio
= <<Der>> junge Metastasio -
The Ideal
Beethoven and the French Revolution ; songs of liberty: sonatas op. 110/111/106 -
Utopische Visionen und visionäre Kunst: Beethovens "Geistiges Reich" Revisited :
= Utopian visions and visionary art: Beethoven’s "Empire of the mind" - revisited / -
Proust, Music, and Meaning
Theories and Practices of Listening in the Recherche -
Die Kunst im Gewandhaus
ein Gesamtkunstwerk aus Form, Farbe und Klang = The Art at the Gewandhaus : a Gesamtkunstwerk of form, colour and sound -
Il giovane Metastasio | Der junge Metastasio
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Aesthetics and Modernity from Schiller to the Frankfurt School
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Artistry and Cello Technique
Illustrated through Bernard Greenhouse's Interpretation of Beethoven's D Major Sonata for Cello and Piano, Op. 102 No. 2 -
Max Klinger's "Beethoven" (1902), Nietzsche's "Übermensch" and the anti-fascist poetics of T.S. Eliot's "Coriolan I Triumphal March" (1931)