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  1. Postmodern plagiarisms
    cultural agenda and aesthetic strategies of appropriation in US-American literature (1970 - 2010)
    Autor*in: Horn, Mirjam
    Erschienen: 2015
    Verlag:  De Gruyter, Berlin [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9783110378955; 3110378957
    Weitere Identifier:
    9783110378955
    RVK Klassifikation: HU 1520 ; HU 1680 ; HU 1095
    Schriftenreihe: Buchreihe der Anglia ; 49
    Schlagworte: American literature; American literature; Plagiarism; Plagiarism; Imitation in literature
    Umfang: VI, 286 S., Ill.
    Bemerkung(en):

    Literaturverz. S. [248] - 282

    Zugl.: Gießen, Univ., Diss., 2012

    Introducing plagiarism beyond illegitimate plunder Framing plagiarism as a postmodern negotiation of authorship and text sovereignty -- Authorship and its nemeses: plagiarism as unoriginal practice -- The commodification of literature and the economic value of authorial attribution -- The extra-aesthetic notion of plagiarism: the case of literary theft -- Under siege: challenging textual integrity and individual authorship -- Writing beyond petty theft: critifiction, context, and neo-conceptual writing -- Everything can be said and must be said in any possible way: stealing away with critifiction and playgiarism -- Disowning meaning and male authority: feminist plagiarist context -- Neo-conceptual uncreative writing of the twenty-first century -- Plagiarism as writing practice in US postmodern literature -- Practicing theory with critifiction: Raymond Federman's Double or nothing (1971/1991) -- Context as dissident feminist writing: Kathy Acker's Empire of the senseless (1988) -- Neo-conceptual appropriative writing -- Uncreative writing as constrained transcription: Kenneth Goldsmith's Day (2003) -- Appropriating legal texts: Vanessa Place's Tragodía i: statement of facts (2010) -- Appropriate and erase: Yedda Morrison's Darkness (chapter 1) -- Conclusion: the present and future of strategic appropriation in the arts.
  2. "Speaking of dialect"
    translating Charles W. Chesnutt's "Conjure tales" into postmodern systems of signification
    Autor*in: Redling, Erik
    Erschienen: 2006
    Verlag:  Königshausen & Neumann, Würzburg

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 3826032268
    Weitere Identifier:
    9783826032264
    RVK Klassifikation: HT 4627 ; HU 1095
    Schriftenreihe: Text & Theorie ; 5
    Schlagworte: Chesnutt, Charles W <1858-1932>; African Americans; American fiction; Dialect literature, American
    Weitere Schlagworte: Chesnutt, Charles W <1858-1932>
    Umfang: 219 S., Ill., graph. Darst., 24 cm, 460 gr.
    Bemerkung(en):

    Zugl.: Augsburg, Univ., Diss., 2004
  3. "Foreign bodies"
    trauma, corporeality, and textuality in contemporary American culture
    Autor*in: Di Prete, Laura
    Erschienen: 2006
    Verlag:  Routledge, New York, NY [u.a.]

    The form of absence : writing trauma, writing the body -- The wound that wounds : trauma, subjectivity, and vision in the photography of Sally Mann -- Foreign bodies : traumatic latency and corporeality in Beloved -- Don Delillo's The body artist :... mehr

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    The form of absence : writing trauma, writing the body -- The wound that wounds : trauma, subjectivity, and vision in the photography of Sally Mann -- Foreign bodies : traumatic latency and corporeality in Beloved -- Don Delillo's The body artist : performing the body, narrating trauma -- Corporeal fantasies : trauma and the body in Dorothy Allison's Bastard out of Carolina.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0415975239; 9780415975230
    Weitere Identifier:
    9780415975230
    RVK Klassifikation: HN 1091 ; HU 1691 ; HU 1095
    Schriftenreihe: Literary criticism and cultural theory
    Schlagworte: American literature; Psychic trauma in literature; Psychoanalysis in literature; Suffering in literature; American literature; Psychic trauma in literature; Psychoanalysis in literature; Suffering in literature
    Umfang: X, 146 S, Ill, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  4. Seven Modes of Uncertainty
    Autor*in: Serpell, C. Namwali
    Erschienen: [2014]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674419674
    Weitere Identifier:
    RVK Klassifikation: EC 2120 ; HU 1095
    Schlagworte: Fiction / History and criticism; Literature / Aesthetics; Literatur; Ästhetik; Literatur, Rhetorik, Literaturwissenschaft; Literature and morals; Ethics in literature; Fiction; Moral <Motiv>; Ethik; Englisch; Roman; Literaturpsychologie
    Umfang: 1 Online-Ressource (408p.)
    Bemerkung(en):

    1 table

    Literature is rife with uncertainty. Literature is good for us. These two ideas about reading literature are often taken for granted. But what is the relationship between literature's capacity to unsettle, perplex, and bewilder us, and literature's ethical value?
  5. Narrative and Becoming
    Autor*in: Askin, Ridvan
    Erschienen: [2022]
    Verlag:  Edinburgh University Press, Edinburgh

    Frontmatter -- Contents -- Acknowledgements -- Abbreviations -- Introduction: Differential Narratology -- 1 Intensive Narration: Ana Castillo's The Mixquiahuala Letters -- 2 Narrating Sensation: Michael Ondaatje's The Collected Works of Billy the Kid... mehr

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    Universitätsbibliothek Braunschweig
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Universitätsbibliothek Osnabrück
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    Universitätsbibliothek der Eberhard Karls Universität
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    Frontmatter -- Contents -- Acknowledgements -- Abbreviations -- Introduction: Differential Narratology -- 1 Intensive Narration: Ana Castillo's The Mixquiahuala Letters -- 2 Narrating Sensation: Michael Ondaatje's The Collected Works of Billy the Kid -- 3 Sensational Realism: Colson Whitehead's The Intuitionist -- 4 Real Folds: Mark Z. Danielewski's House of Leaves -- Conclusion: From the Becoming of Narrative to the Narrativity of Becoming -- Works Cited -- Index Proposes a new Deleuzian model for understanding narrativeWhat is narrative? Ridvan Askin brings together aesthetics, contemporary North American fiction, Gilles Deleuze, narrative theory and the recent speculative turn to answer this question. Through this process, he develops a transcendental empiricist concept of narrative. Askin argues against the established consensus of narrative theory for an understanding of narrative as fundamentally nonhuman, unconscious and expressive. Close readings include:Ana Castillo, The Mixquiahuala Letters (1986)Michael Ondaatje, The Collected Works of Billy the Kid (1970)Colson Whitehead, The Intuitionist (1999)Mark Z. Danielewski, House of Leaves (2000)

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474414579
    Weitere Identifier:
    RVK Klassifikation: HU 1095
    Schriftenreihe: Array
    Schlagworte: American fiction; Canadian fiction; Literature; Narration (Rhetoric); Narration (Rhetoric); LITERARY CRITICISM / American / General
    Umfang: 1 Online-Ressource (224 p)
  6. Crisis style
    the aesthetics of repair
    Autor*in: Dango, Michael
    Erschienen: [2022]; © 2022
    Verlag:  Stanford University Press, Stanford, California

    Styles of repair -- Detox -- Filter -- Binge -- Ghost -- Afterword : on ambivalence and promiscuous archives. "In this expansive and provocative new work, Michael Dango theorizes how aesthetic style manages crisis--and why taking crisis seriously... mehr

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    Styles of repair -- Detox -- Filter -- Binge -- Ghost -- Afterword : on ambivalence and promiscuous archives. "In this expansive and provocative new work, Michael Dango theorizes how aesthetic style manages crisis--and why taking crisis seriously means taking aesthetics seriously. Detoxing, filtering, binging, and ghosting: these are four actions that have come to define how people deal with the stress of living in a world that seems in permanent crisis. As Dango argues, they can also be used to describe contemporary art and literature. Employing what he calls "promiscuous archives," Dango traverses media and re-shuffles literary and art historical genealogies to make his case. The book discusses social media filters alongside the minimalism of Donald Judd and La Monte Young and the television shows West Wing and True Detective. It reflects on the modernist cuisine of Ferran Adrià and the fashion design of Issey Miyake. And, it dissects writing by Jenifer Egan, David Foster Wallace, David Mitchell, and Zadie Smith. Unpacking how the styles of these works detox, filter, binge, or ghost their worlds, Crisis Style is at once a taxonomy of contemporary cultural production and a theorization of action in a world always in need of repair. Ultimately, Dango presents a compelling argument for why we need aesthetic theory to understand what we're doing in our world today"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781503615052; 9781503629554
    RVK Klassifikation: HU 1095
    Schriftenreihe: Post 45
    Schlagworte: Aesthetics, American; Aesthetics, American; Arts, American; Arts, American; Arts, Modern
    Umfang: x, 316 Seiten, Illustrationen
  7. Wanderwords
    language migration in American literature
    Autor*in: Lauret, Maria
    Erschienen: 2014
    Verlag:  Bloomsbury, New York, NY [u.a.]

    "Post-poststructuralism and psychoanalysis, and in an era of global migration in which English is the lingua franca but not necessarily the lingua aesthetica for migrants, readers and critics are more aware than ever that words and meanings wander,... mehr

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Standort:
    Universität Potsdam, Universitätsbibliothek
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    "Post-poststructuralism and psychoanalysis, and in an era of global migration in which English is the lingua franca but not necessarily the lingua aesthetica for migrants, readers and critics are more aware than ever that words and meanings wander, that writers cannot be taken at their word, and that the borders between literary forms (fiction, poetry, life-writing, essays) often do not hold. What happens, then, with writers who work in English but have more than one language at their disposal? Do their words wander from one language, one life, one self, one literary form to another; do the psychic and cultural worlds of their languages split apart or merge? Does their English betray the presence of another language, is that other language erased, or does it appear here and there, on special occasions with special meanings? What, in different forms of literature, is the aesthetic effect of such wandering, splitting, or merging? How do writers negotiate their representation of a multilingual world for a monolingual audience? Wanderwords brings together literary and cultural theory with areas of research that have a bearing on, but do not directly address, the problems of representation that creative writers face when the dilemma of what language to write in, and consequently what audience to write for, presents itself. The result is, of necessity, interdisciplinary, and involves socio- and psycholinguistics as well as psychoanalysis and neuroscience, history and theory of migration and ethnicity, and of course literary and cultural theory, specifically of life-writing"-- "How do (im)migrant writers negotiate their representation of a multilingual world for a monolingual audience? Does their English betray the presence of another language, is that other language erased, or does it appear here and there, on special occasions for special reasons? Do words and meanings wander from one language and one self to another? Do the psychic and cultural worlds of different languages split apart or merge? What is the aesthetic effect of such wandering, splitting, or merging? Usually described as "code-switches" by linguists, fragments of other languages have wandered into American literature in English from the beginning. Wanderwords asks what, in the memoirs, poems, essays, and fiction of a variety of twentieth and twenty first century writers, the function and meaning of such language migration might be. It shows what there is to be gained if we learn to read migrant writing with an eye, and an ear, for linguistic difference and it concludes that, freighted with the other-cultural meanings wrapped up in their different looks and sounds, wanderwords can perform wonders of poetic signification as well as cultural critique. Bringing together literary and cultural theory with linguistics as well as the theory and history of migration, and with psychoanalysis for its understanding of the multilingual unconscious, Wanderwords engages closely with the work of well-known and unheard-of writers such as Mary Antin and Eva Hoffman, Richard Rodriguez and Junot Di;az, Theresa Hak Kyung Cha and Bharati Mukherjee, Edward Bok and Truus van Bruinessen, Susana Chávez-Silverman and Gustavo Perez-Firmat, Pietro DiDonato and Don DeLillo. In so doing, a poetics of multilingualism unfolds that stretches well beyond translation into the lingual contact zone of English-with-other-languages that is American literature, belatedly re-connecting with the world."-- Machine generated contents note: -- 1. Wanderwords: history and context2. How Not to Tame a Wild Tongue: wanderwords in theory3. Paradise, Lost in Translation: Mary Antin and Eva Hoffman 4. With a Dutch Accent: Edward Bok, Dirk Nieland and Truus van Bruinessen5. Vomiting Spanish: Richard Rodriguez's passages6. Fusion Writing: Bharati Mukherjee's dangerous languages7. Words Cast to Weather: Theresa Hak Kyung Cha's Dicte;e 8. Escribir y Leer Bilingually: Spanish/English and Spanglish: American literature in the twenty-first centuryBibliographyIndex.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781628927184
    Weitere Identifier:
    RVK Klassifikation: HU 1095 ; HR 1520
    Schriftenreihe: New horizons in contemporary writing
    New Horizons in Contemporary Writing
    Schlagworte: Multilingualism and literature; Sociolinguistics; Linguistics in literature; American literature; Language and languages in literature
    Umfang: Online-Ressource
    Bemerkung(en):

    Literaturverz. S. [285] - 312 und Index
  8. American graphic
    disgust and data in contemporary literature
    Autor*in: Clark, Rebecca B.
    Erschienen: [2023]; © 2023
    Verlag:  Stanford University Press, Stanford, California

    "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the... mehr

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    Universitätsbibliothek Freiburg
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    GE 2023/2426
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Universitätsbibliothek Mannheim
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    "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the geometrically streamlined in the form of graphs, diagrams, and user interfaces. Clark's innovation is to ask what happens when the same moment in a work of literature is graphic in both ways at once. Her answer suggests that the graphic turn in contemporary literature is intimately implicated in the fraught dynamics of identification. As Clark reveals, this double graphic indexes the unseemliness of a lust in our current culture of information for cool epistemological mastery over the bodies of others. Clark analyzes the contemporary graphic along three specific axes: the ethnographic, the pornographic, and the infographic. In each chapter, her explication of the double graphic hinges on pairing a canonical author--Edgar Allan Poe, Vladimir Nabokov, Thomas Pynchon--read against the grain with literary, visual and/or performance works by black and/or female creators--Mat Johnson, Kara Walker, Fran Ross, Narcissister, Teju Cole--in order to test the effects and affects of the double graphic across racialized and gendered axes of differences. American Graphic forces us to face how closely and uncomfortably yoked together disgust and data--identification with and identification of the other--have become in our increasingly graph-ick world"--

     
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781503630970; 9781503634237
    Weitere Identifier:
    9781503634237
    RVK Klassifikation: HU 1095
    Schriftenreihe: Post*45
    Schlagworte: American fiction; Grotesque in literature; Affect (Psychology) in literature; Aesthetics, American; ART / Criticism; LITERARY CRITICISM / American / General; Literary studies: from c 1900 -; Literaturwissenschaft, allgemein; PHILOSOPHY / Aesthetics; Philosophie Ästhetik; Philosophy: aesthetics
    Umfang: viii, 294 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Interessenniveau: 06, Professional and scholarly: For an expert adult audience, including academic research. (06)
  9. The exquisite corpse
    chance and collaboration in surrealism's parlor game
    Beteiligt: Kochhar-Lindgren, Kanta (HerausgeberIn); Schneiderman, Davis (HerausgeberIn); Denlinger, Tom (HerausgeberIn)
    Erschienen: ©2009; © 2009
    Verlag:  University of Nebraska Press, Lincoln

    Foreword : Totems without taboos : the exquisite corpse / Paul D. Miller aka DJ Spooky -- Introduction : The algorhythms of the exquisite corpse / Kanta Kochhar-Lindgren, Davis Schneiderman, and Tom Denlinger -- From one exquisite corpse (in)to... mehr

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    2020 A 3114
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    Foreword : Totems without taboos : the exquisite corpse / Paul D. Miller aka DJ Spooky -- Introduction : The algorhythms of the exquisite corpse / Kanta Kochhar-Lindgren, Davis Schneiderman, and Tom Denlinger -- From one exquisite corpse (in)to another : influences and transformations from early to late surrealist games / Anne M. Kern -- "This is not a drawing" / Susan Laxton -- Events and the exquisite corpse / Ken Friedman -- Cutting up the corpse / Oliver Harris -- The corpse encore/apres exquis / Ingrid Schaffner (with a contribution by Elizabeth Finch) -- The exquisite corpse is alive and well and living in Montréal / Ray Ellenwood -- An anatomy of Alfred Chester's Exquisite corpse / Allen Hibbard -- "together in their dis-harmony" : internet collaboration and Le cadavre exquis / Michael Joyce -- Academia's exquisite corpse : an ethnography of the application process / Craig Saper -- Dead men don't wear pixels : the online exquisite corpse and process-based institutional critique / Davis Schneiderman and Tom Denlinger -- Exquisite theater / Kimberly Jannarone -- Howling : the exquisite corpse, Butoh, and the disarticulation of trauma / Kanta Kochhar-Lindgren -- "You make such an exquisite corpse" : surrealist collaboration and the transcendence of gender in Hedwig and the angry inch / Don Dingledine. This collection is the first to address both historical and contemporary works that employ the ritual of the cadavre exquis. It offers a unique overview of the efforts of scholars and artists to articulate new notions of crossing temporal and spatial boundaries and to experience in a new way the body's mutability through visual, auditory, tactile, and kinesthetic frames. Bringing together diverse writers from across disciplinary boundaries, this volume continues the cultural and methodological innovations that have unfolded since the first days of the "Exquisite Corpse."--Jacket

     
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    Quelle: Verbundkataloge
    Beteiligt: Kochhar-Lindgren, Kanta (HerausgeberIn); Schneiderman, Davis (HerausgeberIn); Denlinger, Tom (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780803227811; 0803227817
    Weitere Identifier:
    U5001 T202 .0018 -2009
    RVK Klassifikation: HU 1095
    Schriftenreihe: Texts and contexts
    Schlagworte: Exquisite corpse (Game); Chance in art; Arts, Modern; Arts, Modern; Arts, Modern; Chance in art; Exquisite corpse (Game)
    Umfang: xxix, 331 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  10. American graphic
    disgust and data in contemporary literature
    Autor*in: Clark, Rebecca B.
    Erschienen: 2022
    Verlag:  Stanford University Press, Stanford, California

    Introduction : the graphic and the graph-ick -- The American grotesque : a graphic digest -- The ethnographic -- The pornographic -- The infographic -- Conclusion : identification and its discontents. "What do we really mean when we call something... mehr

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    Introduction : the graphic and the graph-ick -- The American grotesque : a graphic digest -- The ethnographic -- The pornographic -- The infographic -- Conclusion : identification and its discontents. "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the geometrically streamlined in the form of graphs, diagrams, and user interfaces. Clark's innovation is to ask what happens when the same moment in a work of literature is graphic in both ways at once. Her answer suggests that the graphic turn in contemporary literature is intimately implicated in the fraught dynamics of identification. As Clark reveals, this double graphic indexes the unseemliness of a lust in our current culture of information for cool epistemological mastery over the bodies of others. Clark analyzes the contemporary graphic along three specific axes: the ethnographic, the pornographic, and the infographic. In each chapter, her explication of the double graphic hinges on pairing a canonical author--Edgar Allan Poe, Vladimir Nabokov, Thomas Pynchon--read against the grain with literary, visual and/or performance works by black and/or female creators--Mat Johnson, Kara Walker, Fran Ross, Narcissister, Teju Cole--in order to test the effects and affects of the double graphic across racialized and gendered axes of differences. American Graphic forces us to face how closely and uncomfortably yoked together disgust and data--identification with and identification of the other--have become in our increasingly graph-ick world"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781503634244
    RVK Klassifikation: HU 1095
    Schriftenreihe: Post*45
    Schlagworte: American fiction; Grotesque in literature; Affect (Psychology) in literature; Aesthetics, American; ART / Criticism; LITERARY CRITICISM / American / General; Literary studies: from c 1900 -; Literaturwissenschaft, allgemein; PHILOSOPHY / Aesthetics; Philosophie Ästhetik; Philosophy: aesthetics
    Umfang: 1 Online-Ressource (viii, 294 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Interessenniveau: 06, Professional and scholarly: For an expert adult audience, including academic research. (06)

    Introduction: The Graphic and the Graph-ick 1. The American Grotesque: A Graphic Digest 2. The Ethnographic 3. The Pornographic 4. The Infographic Conclusion: Identification and Its Discontents
  11. A voice of one's own
    conversations with America's writing women
    Erschienen: 1990
    Verlag:  Houghton Mifflin, Boston u.a.

    Standort:
    Universitätsbibliothek Regensburg
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0395599725
    RVK Klassifikation: HU 1095
    Schriftenreihe: Literature, women's studies, writing
    Schlagworte: Geschichte; American literature; American literature; Authors, American; Women and literature; Women authors, American; Frauenliteratur; Gespräch; Schriftstellerin
    Umfang: 259 S., Ill.
  12. Postmodern plagiarisms
    cultural agenda and aesthetic strategies of appropriation in US-American literature (1970–2010)
    Autor*in: Horn, Mirjam
    Erschienen: 2015
    Verlag:  de Gruyter, Berlin [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 3110378957; 9783110378955
    Weitere Identifier:
    9783110378955
    RVK Klassifikation: HU 1095 ; HU 1680 ; HU 1520
    Schriftenreihe: Array ; 49
    Schlagworte: American literature; American literature; Plagiarism; Plagiarism; Imitation in literature
    Umfang: VI, 286 S., 230 mm x 155 mm
    Bemerkung(en):

    Literaturverz. S. [248] - 282

    Introducing plagiarism beyond illegitimate plunder Framing plagiarism as a postmodern negotiation of authorship and text sovereignty -- Authorship and its nemeses: plagiarism as unoriginal practice -- The commodification of literature and the economic value of authorial attribution -- The extra-aesthetic notion of plagiarism: the case of literary theft -- Under siege: challenging textual integrity and individual authorship -- Writing beyond petty theft: critifiction, context, and neo-conceptual writing -- Everything can be said and must be said in any possible way: stealing away with critifiction and playgiarism -- Disowning meaning and male authority: feminist plagiarist context -- Neo-conceptual uncreative writing of the twenty-first century -- Plagiarism as writing practice in US postmodern literature -- Practicing theory with critifiction: Raymond Federman's Double or nothing (1971/1991) -- Context as dissident feminist writing: Kathy Acker's Empire of the senseless (1988) -- Neo-conceptual appropriative writing -- Uncreative writing as constrained transcription: Kenneth Goldsmith's Day (2003) -- Appropriating legal texts: Vanessa Place's Tragodía i: statement of facts (2010) -- Appropriate and erase: Yedda Morrison's Darkness (chapter 1) -- Conclusion: the present and future of strategic appropriation in the arts.

    Zugl.: Giessen, Univ., Diss., 2012
  13. Crossover
    cultural hybridity in ethnicity, gender, ethics ; [proceedings of the Symposium Hybrid Texts at the English Department of the University of Basel, June 13 - 14, 1998]
    Beteiligt: Steffen, Therese (Hrsg.)
    Erschienen: 2000
    Verlag:  Stauffenburg Verlag, Tübingen

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Steffen, Therese (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 3860570420
    RVK Klassifikation: EC 5198 ; HG 129 ; HU 1095
    Schriftenreihe: Stauffenburg discussion ; 14
    Schlagworte: Cultural fusion; Multiculturalism; Assimilation (Sociology)
    Umfang: XIII, 218 S., Ill., 23 cm
    Bemerkung(en):

    Literaturangaben
  14. Seven modes of uncertainty
    Autor*in: Serpell, C. Namwali
    Erschienen: [2014]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674419674
    Weitere Identifier:
    RVK Klassifikation: HU 1095 ; EC 2120
    Schlagworte: Literatur, Rhetorik, Literaturwissenschaft; Literature and morals; Ethics in literature; Fiction; Englisch; Roman; Moral <Motiv>; Ethik; Literaturpsychologie
    Umfang: 1 Online-Ressource (VIII, 393 Seiten)
    Bemerkung(en):

    Literature is rife with uncertainty. Literature is good for us. These two ideas about reading literature are often taken for granted. But what is the relationship between literature's capacity to unsettle, perplex, and bewilder us, and literature's ethical value?
  15. Professions of desire
    lesbian and gay studies in literature
    Beteiligt: Haggerty, George E. (Hrsg.)
    Erschienen: 1995
    Verlag:  Modern Language Assoc. of America, New York

    Standort:
    Universitätsbibliothek Bielefeld
    Signatur:
    AR600 P9D4
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    Standort:
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    Signatur:
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    Beteiligt: Haggerty, George E. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0873525620; 0873525639
    RVK Klassifikation: HU 1095 ; HU 1090
    Schlagworte: Homosexueller; Englisch; Literatur; Lesbische Orientierung; Lesbe; Literaturtheorie; Homosexualität
    Umfang: XII, 246 S., Ill.
  16. The writer's mind
    interviews with American authors
    Beteiligt: Broughton, Irv (Hrsg.)
    Verlag:  Univ. of Arkansas Press, Fayetteville, Ark. [u.a.]

    Standort:
    Universität Bonn, Institut für Anglistik, Amerikanistik und Keltologie, Bibliothek
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    Beteiligt: Broughton, Irv (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    RVK Klassifikation: HU 1095
    Schlagworte: Literatur; Schriftsteller; Interview
    Bemerkung(en):

    Erschienen: Bd. 1 - 2
  17. Broken silences
    interviews with black and white women writers
    Beteiligt: Jordan, Shirley M. (Hrsg.)
    Erschienen: 1993
    Verlag:  Rutgers Univ. Pr., New Brunswick, NJ

    Standort:
    Institut für Anglistik, Bibliothek
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    Beteiligt: Jordan, Shirley M. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0813519322; 0813519330
    RVK Klassifikation: HU 1095
    Schlagworte: Schwarze; Ethnische Beziehungen; Frauenliteratur; Schriftstellerin; Interview
    Umfang: XXIV, 322 S., Ill.
  18. Engendering the word
    feminist essays in psychosexual poetics
    Beteiligt: Berg, Temma F. (Hrsg.)
    Erschienen: 1989
    Verlag:  Univ. of Illinois Pr., Urbana [u.a.]

    Standort:
    Universitätsbibliothek Bielefeld
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    AR600 E5W8
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    Standort:
    Universitätsbibliothek Bielefeld
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    Standort:
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    Beteiligt: Berg, Temma F. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 025201555X; 0252060164
    RVK Klassifikation: HU 1095 ; EC 2090
    Schlagworte: Englisch; Frauenbewegung; Literatur; Frau; Frauenliteratur; Psychoanalyse; Feministische Literaturwissenschaft
    Umfang: XXV, 293 S.
  19. Interviews with contemporary writers
    Beteiligt: Dembo, Lawrence S. (Hrsg.)
    Verlag:  Univ. of Wisconsin Press, Madison, WI

    Standort:
    Universitätsbibliothek Siegen
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    Beteiligt: Dembo, Lawrence S. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0299093301; 0299093344
    RVK Klassifikation: HU 1095 ; HU 1520
    Schlagworte: Interview; Schriftsteller; Gespräch; Literatur; Englisch; Französisch
  20. The profession of science fiction
    SF writers on their craft and ideas
    Beteiligt: Jakubowski, Maxim (Hrsg.)
    Erschienen: 1994
    Verlag:  Macmillan, Basingstoke, Hampshire [u.a.]

    Standort:
    Universitätsbibliothek Wuppertal
    Signatur:
    DTSC1461
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    Beteiligt: Jakubowski, Maxim (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0333524810; 0333524829
    RVK Klassifikation: HU 1095
    Auflage/Ausgabe: Reprint.
    Schriftenreihe: Insights
    Schlagworte: Interview; Science-Fiction-Literatur; Schriftsteller
    Umfang: XI, 208 S.
  21. The rhetoric of diversity and the traditions of American literary study
    critical multiculturalism in English
    Autor*in: Antonette, Lesliee
    Erschienen: 1998
    Verlag:  Bergin & Garvey, Westport, Conn. [u.a.]

    Standort:
    Universitätsbibliothek Duisburg-Essen
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    BHW1245
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0897895460
    RVK Klassifikation: HU 1095
    Schriftenreihe: Critical studies in education and culture series
    Schlagworte: Roman; Kulturkontakt; Interkulturelle Erziehung; Literaturtheorie; Kritische Pädagogik
    Umfang: XV, 139 S.
  22. The wallflower avant-garde
    modernism, sexuality, and queer ekphrasis
    Autor*in: Glavey, Brian
    Erschienen: [2016]
    Verlag:  Oxford University Press, New York

    Gertrude Stein's eye lessons: portraits and pedagogy -- The ekphrastic vice: Djuna Barnes's spatial form -- Squandering your potential with Richard Bruce Nugent -- Frank O'Hara nude with boots -- The wallflower avant-garde: John Ashbery's shyness,... mehr

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    Gertrude Stein's eye lessons: portraits and pedagogy -- The ekphrastic vice: Djuna Barnes's spatial form -- Squandering your potential with Richard Bruce Nugent -- Frank O'Hara nude with boots -- The wallflower avant-garde: John Ashbery's shyness, or, spacing out with art

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780190202651
    Weitere Identifier:
    9780190202651
    RVK Klassifikation: EC 1876 ; EC 2440 ; HU 1095 ; HU 1121 ; HU 1520 ; HU 1691 ; HU 1121 ; HU 1520 ; EC 1876 ; HU 1095 ; HU 1691 ; EC 2440
    Schlagworte: Literatur; Kunst <Motiv>; Moderne; Queer-Theorie; Ekphrasis
    Weitere Schlagworte: Modernism (Literature) / United States; Ekphrasis; Art in literature; Queer theory / United States; Modernism (Aesthetics) / United States
    Umfang: ix, 218 Seiten, Illustrationen, 25 cm
    Bemerkung(en):

    Includes bibliographical references (pages 199-212) and index

    Gertrude Stein's eye lessons: portraits and pedagogyThe ekphrastic vice: Djuna Barnes's spatial form -- Squandering your potential with Richard Bruce Nugent -- Frank O'Hara nude with boots -- The wallflower avant-garde: John Ashbery's shyness, or, spacing out with art.
  23. The microeconomic mode
    political subjectivity in contemporary popular aesthetics
    Autor*in: Elliott, Jane
    Erschienen: 2018
    Verlag:  Columbia University Press, New York

    "Much as realism was born out of an attempt to understand and depict the world and the individual's place in it during the rise of industrial capitalism, Jane Elliott argues that the 'microeconomic mode' represents an attempt to understand... mehr

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    "Much as realism was born out of an attempt to understand and depict the world and the individual's place in it during the rise of industrial capitalism, Jane Elliott argues that the 'microeconomic mode' represents an attempt to understand subjectivity in the current economic moment. Elliott reveals how different films, novels, and television shows reflect the contemporary moment by adopting a mode of storytelling, focused on individualistic choice but one that is severly limited. Examples can be seen in the choices and options open to characters in works ranging from 127 Hours to The Road to The Hunger Games. Discussing such works as Gone Girl, the Saw film franchise, and television shows such as Survivor and Fear Factor, Elliott considers depictions in which the capacity to make decisions for oneself becomes a burden--an exercise in suffering--rather than conforming to the rhetoric of neoliberalism that celebrates agency. She suggests that the growing prevalence of this popular form offers a way to imagine personal agency as the problem, rather than the solution"-- Live models -- Life-interest -- Survival games -- Sovereign capture -- Partial fictions -- Binary life

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231174749; 0231174748
    RVK Klassifikation: HU 1095
    Schlagworte: Mass media; Storytelling in mass media; Choice (Psychology)
    Umfang: viii, 240 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  24. Narrative and becoming
    Autor*in: Askin, Ridvan
    Erschienen: 2016
    Verlag:  Edinburgh University Press, Edinburgh

    Ridvan Askin brings together aesthetics, contemporary North American fiction, Gilles Deleuze, narrative theory and the recent speculative turn to answer the question, 'what is narrative?' mehr

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    Ridvan Askin brings together aesthetics, contemporary North American fiction, Gilles Deleuze, narrative theory and the recent speculative turn to answer the question, 'what is narrative?'

     
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    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781474414579
    RVK Klassifikation: HU 1095
    Schriftenreihe: Plateaus : new directions in Deleuze studies
    Schlagworte: American fiction; Canadian fiction; Literature; Narration (Rhetoric); Deleuze, Gilles ; 1925-1995; Narration (Rhetoric); American fiction ; History and criticism; Canadian fiction ; History and criticism; Literature ; Philosophy
    Weitere Schlagworte: Deleuze, Gilles (1925-1995)
    Umfang: 1 Online-Ressource (viii, 213 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 29 Sep 2017)
  25. American graphic
    disgust and data in contemporary literature
    Autor*in: Clark, Rebecca B.
    Erschienen: 2022
    Verlag:  Stanford University Press, Stanford, California

    Introduction : the graphic and the graph-ick -- The American grotesque : a graphic digest -- The ethnographic -- The pornographic -- The infographic -- Conclusion : identification and its discontents. "What do we really mean when we call something... mehr

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    Introduction : the graphic and the graph-ick -- The American grotesque : a graphic digest -- The ethnographic -- The pornographic -- The infographic -- Conclusion : identification and its discontents. "What do we really mean when we call something "graphic"? In American Graphic, Rebecca Clark examines the "graphic" as a term tellingly at odds with itself. On the one hand, it seems to evoke the grotesque; on the other hand, it promises the geometrically streamlined in the form of graphs, diagrams, and user interfaces. Clark's innovation is to ask what happens when the same moment in a work of literature is graphic in both ways at once. Her answer suggests that the graphic turn in contemporary literature is intimately implicated in the fraught dynamics of identification. As Clark reveals, this double graphic indexes the unseemliness of a lust in our current culture of information for cool epistemological mastery over the bodies of others. Clark analyzes the contemporary graphic along three specific axes: the ethnographic, the pornographic, and the infographic. In each chapter, her explication of the double graphic hinges on pairing a canonical author--Edgar Allan Poe, Vladimir Nabokov, Thomas Pynchon--read against the grain with literary, visual and/or performance works by black and/or female creators--Mat Johnson, Kara Walker, Fran Ross, Narcissister, Teju Cole--in order to test the effects and affects of the double graphic across racialized and gendered axes of differences. American Graphic forces us to face how closely and uncomfortably yoked together disgust and data--identification with and identification of the other--have become in our increasingly graph-ick world"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781503634244
    RVK Klassifikation: HU 1095
    Schriftenreihe: Post*45
    Schlagworte: American fiction; Grotesque in literature; Affect (Psychology) in literature; Aesthetics, American; ART / Criticism; LITERARY CRITICISM / American / General; Literary studies: from c 1900 -; Literaturwissenschaft, allgemein; PHILOSOPHY / Aesthetics; Philosophie Ästhetik; Philosophy: aesthetics
    Umfang: 1 Online-Ressource (viii, 294 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Interessenniveau: 06, Professional and scholarly: For an expert adult audience, including academic research. (06)

    Introduction: The Graphic and the Graph-ick 1. The American Grotesque: A Graphic Digest 2. The Ethnographic 3. The Pornographic 4. The Infographic Conclusion: Identification and Its Discontents