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  1. Haunted houses, haunted selves – feminist readings of uncanny domesticity
    Charlotte Perkins Gilman, Shirley Jackson and Francesca Woodman
    Autor*in: Pflaumer, Valerie
    Erschienen: [2022?]

    The aesthetic phenomenon of the uncanny in literature and art is a spatial and gendered aesthetic concept, which is expressed in the spatial characteristics of a literary or photographic narrative. The intention of this thesis is to evaluate the... mehr

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    Universitätsbibliothek Braunschweig
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    Staats- und Universitätsbibliothek Bremen
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
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    Zentrale Hochschulbibliothek Lübeck
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    Hochschule Osnabrück, Bibliothek Campus Westerberg
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    Universität Potsdam, Universitätsbibliothek
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    The aesthetic phenomenon of the uncanny in literature and art is a spatial and gendered aesthetic concept, which is expressed in the spatial characteristics of a literary or photographic narrative. The intention of this thesis is to evaluate the entanglement of the uncanny, space, domesticity and femininity in the context of Gothic literature and photography. These four objects can only be read in their interplay with each other and how they each function as structural principles in the framework of Gothic fiction and photography. The literary texts, Charlotte Perkins Gilman’s “The Yellow Wall-Paper” (1892) and Shirley Jackson’s “The Lovely House” (1950) and The Haunting of Hill House (1959) as well as Francesca Woodman’s self-portraits that will be discussed further share one particular quality; they use the haunted house motif to express the protagonist’s psychological state by transferring mental hauntings onto the narrative’s spatial layer. The establishment of a connection between the concepts at hand, the uncanny, domesticity, ...

     
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    Quelle: Verbundkataloge
    Beteiligt: Weilandt, Maria (AkademischeR BetreuerIn); Ungelenk, Johannes (AkademischeR BetreuerIn)
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    Weitere Identifier:
    Umfang: 1 Online-Ressource (71 Seiten, 6150 KB), Illustrationen
    Bemerkung(en):

    Dissertation, Universität Potsdam, 2022
  2. Haunted houses, haunted selves – feminist readings of uncanny domesticity
    Charlotte Perkins Gilman, Shirley Jackson and Francesca Woodman
    Autor*in: Pflaumer, Valerie
    Erschienen: [2022?]

    The aesthetic phenomenon of the uncanny in literature and art is a spatial and gendered aesthetic concept, which is expressed in the spatial characteristics of a literary or photographic narrative. The intention of this thesis is to evaluate the... mehr

    Zugang:
    Resolving-System (kostenfrei)
    Resolving-System (kostenfrei)
    Verlag (kostenfrei)

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The aesthetic phenomenon of the uncanny in literature and art is a spatial and gendered aesthetic concept, which is expressed in the spatial characteristics of a literary or photographic narrative. The intention of this thesis is to evaluate the entanglement of the uncanny, space, domesticity and femininity in the context of Gothic literature and photography. These four objects can only be read in their interplay with each other and how they each function as structural principles in the framework of Gothic fiction and photography. The literary texts, Charlotte Perkins Gilman’s “The Yellow Wall-Paper” (1892) and Shirley Jackson’s “The Lovely House” (1950) and The Haunting of Hill House (1959) as well as Francesca Woodman’s self-portraits that will be discussed further share one particular quality; they use the haunted house motif to express the protagonist’s psychological state by transferring mental hauntings onto the narrative’s spatial layer. The establishment of a connection between the concepts at hand, the uncanny, domesticity, ...

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Weilandt, Maria (AkademischeR BetreuerIn); Ungelenk, Johannes (AkademischeR BetreuerIn)
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    Weitere Identifier:
    Umfang: 1 Online-Ressource (71 Seiten, 6150 KB), Illustrationen
    Bemerkung(en):

    Dissertation, Universität Potsdam, 2022
  3. Haunted houses, haunted selves – feminist readings of uncanny domesticity
    Charlotte Perkins Gilman, Shirley Jackson and Francesca Woodman
    Autor*in: Pflaumer, Valerie
    Erschienen: 2023
    Verlag:  Universität Potsdam, Potsdam

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Beteiligt: Weilandt, Maria (Akademischer Betreuer); Ungelenk, Johannes (Akademischer Betreuer)
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    Weitere Identifier:
    Weitere Schlagworte: gothic; uncanny; haunted house; domesticity; separate spheres; doppelganger; haunting; space; Shirley Jackson; Francesca Woodman; Charlotte Perkins Gilman; Gothic; Heimsuchung; unheimlich; Raum; Fotografie
    Umfang: Online-Ressource
    Bemerkung(en):

    Masterarbeit, Potsdam, Universität Potsdam, 2022
  4. Nationality as intersectional storytelling : inventing the 'Parisienne'
    Autor*in: Weilandt, Maria
    Erschienen: 2024
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Schlagworte: Balzac, Honoré de; Illusions perdues; James, Henry; The American; Paris; Frau <Motiv>; Intersektionalität
    Weitere Schlagworte: Parisienne; Intersectionality
    Umfang: Online-Ressource
    Bemerkung(en):

    In: New perspectives on imagology / edited by Katharina Edtstadler, Sandra Folie and Gianna Zocco ; Studia Imagologica ; 30 . Leiden ; Boston : Brill, 2022, ISBN 978-90-04-51315-0, ISSN 0927-4065, S. 297-311
  5. Nationality as intersectional storytelling : inventing the 'Parisienne'
    Autor*in: Weilandt, Maria
    Erschienen: 2024

    Nationality traditionally is one of imagology's key terms. In this article, I propose an intersectional understanding of this category, conceiving nationality as an interdependent dynamic. I thus conclude it to be always internally constructed by... mehr

     

    Nationality traditionally is one of imagology's key terms. In this article, I propose an intersectional understanding of this category, conceiving nationality as an interdependent dynamic. I thus conclude it to be always internally constructed by notions of gender, sexuality, race, class, religion, age, ability, and other identity categories. This complex and multi-layered construct, I argue, is formed narratively. To exemplify this, I analyse practices of stereotyping in Honoré de Balzac's "Illusions perdues" (1843) and Henry James's "The American" (1877) which construct the so-called 'Parisienne' as a synecdoche for nineteenth-century France.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Englisch
    Medientyp: Aufsatz aus einem Sammelband
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800); Amerikanische Literatur in in Englisch (810); Literaturen romanischer Sprachen; Französische Literatur (840)
    Schlagworte: Balzac; Honoré de; Illusions perdues; James; Henry; The American; Paris; Frau; Intersektionalität
    Lizenz:

    creativecommons.org/licenses/by-nc/4.0/deed.de ; info:eu-repo/semantics/openAccess
  6. Nationality as intersectional storytelling : inventing the 'Parisienne'
    Autor*in: Weilandt, Maria
    Erschienen: 08.04.2024

    Nationality traditionally is one of imagology's key terms. In this article, I propose an intersectional understanding of this category, conceiving nationality as an interdependent dynamic. I thus conclude it to be always internally constructed by... mehr

     

    Nationality traditionally is one of imagology's key terms. In this article, I propose an intersectional understanding of this category, conceiving nationality as an interdependent dynamic. I thus conclude it to be always internally constructed by notions of gender, sexuality, race, class, religion, age, ability, and other identity categories. This complex and multi-layered construct, I argue, is formed narratively. To exemplify this, I analyse practices of stereotyping in Honoré de Balzac's "Illusions perdues" (1843) and Henry James's "The American" (1877) which construct the so-called 'Parisienne' as a synecdoche for nineteenth-century France.

     
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