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  1. Theater as Problem
    Modern Drama and Its Place in Literature
    Autor*in: Bennett, Benjamin
    Erschienen: [2019]; © 1990
    Verlag:  Cornell University Press, Ithaca, NY

    Using examples ranging from nineteenth-century Viennese comedy to Friedrich Dürrenmatt's atomic-age theater, Benjamin Bennett explores what is at stake in the theory of drama; what sort of questioning makes up that theory; and in what direction such... mehr

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Using examples ranging from nineteenth-century Viennese comedy to Friedrich Dürrenmatt's atomic-age theater, Benjamin Bennett explores what is at stake in the theory of drama; what sort of questioning makes up that theory; and in what direction such questioning leads.Bennett takes as his starting point the inescapably literary nature of theater in the European tradition, theater in its most concrete dimensions: as an institution, as a tradition of ritual or stylized behavior, as a particular type of physical space, as an economic venture. He maintains that, precisely because of its radical categorical disjunction from the domain of the literary, theater in the European tradition has been appropriated as the principal vehicle by which literature repeatedly problematizes itself. Theater, he says, is "the church of literature." Although he is concerned with drama as a literary type, therefore, Bennett does not treat the theory of drama as part of the theory of literature. For the special relation of drama to literature calls into question the whole idea of literary theory as a stable discourse divisible into parts.Bennett considers plays by Nestroy, Schnitzler, Ibsen, Strindberg, Brecht, Ionesco, Genet, Pirandello, Artaud, and Dürrenmatt. He focuses on such theoretical issues as the idea of generic boundaries; the relation between drama and the culture of reading; the relevance between drama and the culture of reading; the relevance of hermeneutic and semiotic views of literature to drama; and the operation of fascism as a literary phenomenon. In conclusion, he frames a problem that his readings have brought to light: at least two separate historical accounts of modern drama are necessary-theories that imply each other, yet remain irreconcilable

     
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    Volltext (URL des Erstveröffentlichers)
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501745454
    Weitere Identifier:
    Schlagworte: Literary Studies; Performing Arts & Drama; PERFORMING ARTS / Theater / General; Drama; Drama; Drama; Theater; Dramentheorie; Drama; Theater; Geschichte
    Umfang: 1 online resource (296 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  2. Theater as problem
    modern drama and its place in literature
    Autor*in: Bennett, Benjamin
    Erschienen: 1990
    Verlag:  Cornell University Press, Ithaca

    Strindberg and Ibsen : cubism, communicative ethics, and the theater of readers --Cinema, theater, and opera : modern drama as hermeneutic ceremony --Nestroy and Schnitzler : the three societies of comedy and the idea of a textless theater --The... mehr

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    Verlag (lizenzpflichtig)

    Standort:
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Fernleihe:
    keine Fernleihe

     

    Strindberg and Ibsen : cubism, communicative ethics, and the theater of readers --Cinema, theater, and opera : modern drama as hermeneutic ceremony --Nestroy and Schnitzler : the three societies of comedy and the idea of a textless theater --The church militant : audience and spectator in Rhinocéros --The trees are sentences : semiotic ceremony and Pirandello's myth of the theater --Approximately five questions on Dürrenmatt's Die Physiker --Conclusion:Dramatic history and the history of drama.

     
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  3. Travellers in time and space
    Beteiligt: Durrani, Osman; Preece, Julian
    Erschienen: 2001
    Verlag:  Rodopi, Amsterdam ; Brill, New York

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    Standort:
    Universität Mainz, Zentralbibliothek
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    Quelle: Verbundkataloge
    Beteiligt: Durrani, Osman; Preece, Julian
    Sprache: Deutsch; Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789004333949
    Weitere Identifier:
    Schriftenreihe: Amsterdamer Beiträge zur neueren Germanistik, ; Bd. 51
    Umfang: 1 Online-Ressource (ix, 473 pages)
    Bemerkung(en):

    Includes bibliographical references.
  4. Theater as Problem
    Modern Drama and Its Place in Literature
    Autor*in: Bennett, Benjamin
    Erschienen: [2019]
    Verlag:  Cornell University Press, Ithaca, NY

    Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Strindberg and Ibsen: Cubism, Communicative Ethics, and the Theater of Readers -- 2. Cinema, Theater, and Opera: Modem Drama as Hermeneutic Ceremony -- 3. Nestroy and Schnitzler: The... mehr

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    Hochschule für Gesundheit, Hochschulbibliothek
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    Initiative E-Books.NRW
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    Universitätsbibliothek Braunschweig
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Hochschule Merseburg, Bibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Universitätsbibliothek Osnabrück
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    Universitätsbibliothek der Eberhard Karls Universität
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    Frontmatter -- Contents -- Acknowledgments -- Introduction -- 1. Strindberg and Ibsen: Cubism, Communicative Ethics, and the Theater of Readers -- 2. Cinema, Theater, and Opera: Modem Drama as Hermeneutic Ceremony -- 3. Nestroy and Schnitzler: The Three Societies of Comedy and the Idea of a Textless Theater -- 4. The Church Militant: Audience and Spectator in Rhinoceros -- 5. The Trees Are Sentences: Semiotic Ceremony and Pirandello's Myth of the Theater -- 6. Approximately Five Questions on Dürrenmatt's Die Physiker -- 7. Conclusion: Dramatic History and the History of Drama -- Index Using examples ranging from nineteenth-century Viennese comedy to Friedrich Dürrenmatt's atomic-age theater, Benjamin Bennett explores what is at stake in the theory of drama; what sort of questioning makes up that theory; and in what direction such questioning leads.Bennett takes as his starting point the inescapably literary nature of theater in the European tradition, theater in its most concrete dimensions: as an institution, as a tradition of ritual or stylized behavior, as a particular type of physical space, as an economic venture. He maintains that, precisely because of its radical categorical disjunction from the domain of the literary, theater in the European tradition has been appropriated as the principal vehicle by which literature repeatedly problematizes itself. Theater, he says, is "the church of literature." Although he is concerned with drama as a literary type, therefore, Bennett does not treat the theory of drama as part of the theory of literature. For the special relation of drama to literature calls into question the whole idea of literary theory as a stable discourse divisible into parts.Bennett considers plays by Nestroy, Schnitzler, Ibsen, Strindberg, Brecht, Ionesco, Genet, Pirandello, Artaud, and Dürrenmatt. He focuses on such theoretical issues as the idea of generic boundaries; the relation between drama and the culture of reading; the relevance between drama and the culture of reading; the relevance of hermeneutic and semiotic views of literature to drama; and the operation of fascism as a literary phenomenon. In conclusion, he frames a problem that his readings have brought to light: at least two separate historical accounts of modern drama are necessary-theories that imply each other, yet remain irreconcilable

     
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      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501745454
    Weitere Identifier:
    Schlagworte: Drama; Drama; Drama; Theater; PERFORMING ARTS / Theater / General
    Umfang: 1 Online-Ressource (296 p)
    Bemerkung(en):

    restricted access online access with authorization star
  5. Theater as Problem
    Modern Drama and Its Place in Literature
    Autor*in: Bennett, Benjamin
    Erschienen: [2019]; © 1990
    Verlag:  Cornell University Press, Ithaca, NY

    Using examples ranging from nineteenth-century Viennese comedy to Friedrich Dürrenmatt's atomic-age theater, Benjamin Bennett explores what is at stake in the theory of drama; what sort of questioning makes up that theory; and in what direction such... mehr

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
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    Standort:
    Universitätsbibliothek Bamberg
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    Standort:
    Hochschule Coburg, Zentralbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
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    Using examples ranging from nineteenth-century Viennese comedy to Friedrich Dürrenmatt's atomic-age theater, Benjamin Bennett explores what is at stake in the theory of drama; what sort of questioning makes up that theory; and in what direction such questioning leads.Bennett takes as his starting point the inescapably literary nature of theater in the European tradition, theater in its most concrete dimensions: as an institution, as a tradition of ritual or stylized behavior, as a particular type of physical space, as an economic venture. He maintains that, precisely because of its radical categorical disjunction from the domain of the literary, theater in the European tradition has been appropriated as the principal vehicle by which literature repeatedly problematizes itself. Theater, he says, is "the church of literature." Although he is concerned with drama as a literary type, therefore, Bennett does not treat the theory of drama as part of the theory of literature. For the special relation of drama to literature calls into question the whole idea of literary theory as a stable discourse divisible into parts.Bennett considers plays by Nestroy, Schnitzler, Ibsen, Strindberg, Brecht, Ionesco, Genet, Pirandello, Artaud, and Dürrenmatt. He focuses on such theoretical issues as the idea of generic boundaries; the relation between drama and the culture of reading; the relevance between drama and the culture of reading; the relevance of hermeneutic and semiotic views of literature to drama; and the operation of fascism as a literary phenomenon. In conclusion, he frames a problem that his readings have brought to light: at least two separate historical accounts of modern drama are necessary-theories that imply each other, yet remain irreconcilable

     
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781501745454
    Weitere Identifier:
    Schlagworte: Literary Studies; Performing Arts & Drama; PERFORMING ARTS / Theater / General; Drama; Drama; Drama; Theater; Dramentheorie; Drama; Theater; Geschichte
    Umfang: 1 online resource (296 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  6. The dark side of literacy
    literature and learning not to read
    Autor*in: Bennett, Benjamin
    Erschienen: 2008
    Verlag:  Fordham University Press, New York

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823229161; 0823229165
    Auflage/Ausgabe: 1st ed
    Schlagworte: European literature; Literature, Modern; Books and reading; Leser; Lesen; Literaturtheorie
    Umfang: ix, 347 p
    Bemerkung(en):

    Includes bibliographical references and index

    Reading and the theory of reading -- Poems, myths, and the advent of modern reading -- Dante and the invention of the novel reader -- Boccaccio, Cervantes, and the path to solitary reading -- Magic and history : the roots and branches of Dr. Faustus -- Intransitive parody and the trap of reading : what reading really is -- Kleist, Kafka, and the refutation of reading -- The parting of the ways : a concluding note on the novel and literary studies
  7. Hugo von Hofmannsthal
    the theaters of consciousness
    Autor*in: Bennett, Benjamin
    Erschienen: 1988
    Verlag:  Cambridge University Press, Cambridge

    This book focuses on Hugo von Hofmannsthal's intense, lifelong concentration upon a single cohesive set of poetic, philosophical and ethical concerns, a quality of his work which has been neglected in the bulk of existing scholarship. Professor... mehr

    Standort:
    Universitätsbibliothek Bamberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book focuses on Hugo von Hofmannsthal's intense, lifelong concentration upon a single cohesive set of poetic, philosophical and ethical concerns, a quality of his work which has been neglected in the bulk of existing scholarship. Professor Bennett examines Hofmannsthal's work in the context of literary theory and the history of philosophy, referring especially to Nietzsche, German Idealism and the poetics of German Classicism. He identifies three principal areas of concern to Hofmannsthal: the theory of genre, the question of the role of literature in society and the search for a fruitful response to the problem of the historical development of culture. The argument proceeds by way of detailed interpretation of texts, including Der Tor und der Tod, the Chandos letter, Ariadne auf Naxos, Der Schwierige, Das Salzburger Grosse Welttheater and Der Turm

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511735660
    Weitere Identifier:
    RVK Klassifikation: GM 3775
    Schriftenreihe: Cambridge studies in German
    Schlagworte: Drama
    Weitere Schlagworte: Hofmannsthal, Hugo von / 1874-1929 / Criticism and interpretation; Hofmannsthal, Hugo von (1874-1929)
    Umfang: 1 online resource (xviii, 391 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  8. Hermann Hesse today
    Hermann Hesse Heute
    Beteiligt: Cornils, Ingo; Durrani, Osman
    Erschienen: 2005
    Verlag:  Rodopi ;, Amsterdam ; Brill, New York

    In November 2002, an international conference was held at the Institute of Germanic Studies in London in order to commemorate the 125th anniversary of Hermann Hesse's birth. Twenty distinguished speakers from North and South America, Russia,... mehr

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    Standort:
    Universität Mainz, Zentralbibliothek
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    keine Fernleihe

     

    In November 2002, an international conference was held at the Institute of Germanic Studies in London in order to commemorate the 125th anniversary of Hermann Hesse's birth. Twenty distinguished speakers from North and South America, Russia, Switzerland, Germany and the United Kingdom attended the three-day conference with the specific aim of exploring the continuing importance of this widely read German-language author. This volume brings together the various responses to the complex challenge that Hesse, whose sheer success is sometimes seen as detracting from his status, presents to literary scholarship around the world. The author's current image among readers and scholars is approached from several distinct thematic and theoretical perspectives, with the objective of providing a concise overview of current research. The volume offers new readings of a number of Hesse's seminal works and makes a significant contribution to academic research into his past and present standing as a global icon. As the title suggests, the focus is on 'Hermann Hesse Today'. The book investigates his current significance for a modern readership, taking account of his importance in the lecture theatre and classroom, the multi-facetted applicability of his moral, ethical and aesthetic concerns in the context of a fragmented world, and the continuing relevance of his writings. With the ever-increasing importance of modern preoccupations such as the ecological movement or the growth of the internet, a fresh look at Hesse's works is long overdue. The most obvious sign of this is the appearance of a definitive, historical-critical edition of his works (prose, poetry, and literary criticism), which will give access to much hitherto unpublished material and stimulate fresh debates on an author who ranks among the best-known and most influential figures of the twentieth century. This volume will be of interest to teachers of German in higher education and their students as well as researchers and the general readership that continues to take an interest in Hesse on both sides of the Atlantic.

     
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    Quelle: Verbundkataloge
    Beteiligt: Cornils, Ingo; Durrani, Osman
    Sprache: Englisch; Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789401201124
    Weitere Identifier:
    Schriftenreihe: Amsterdamer Beiträge zur neueren Germanistik ; Bd. 58
    Umfang: 1 Online-Ressource (220 pages)
    Bemerkung(en):

    " ... published simultaneously as volume 84 in the series Publications of the Institute of Germanic Studies (University of London School of Advanced Study. Institute of Germanic & Romance Studies)"--Title page verso

    Papers from a conference held in London, November, 2002 at the Institute of Germanic Studies to commemorate the 125th anniversary of Herman Hesse's birth

    Includes bibliographical references.
  9. The defective art of poetry
    Sappho to Yeats
    Autor*in: Bennett, Benjamin
    Erschienen: 2014
    Verlag:  Palgrave Macmillan, Basingstoke

    Treating the work of Sappho, Goethe, Blake, Holderlin, Verlaine, George, Morike, and Yeats in detail, Bennett makes the provocative argument that the nature of lyric poetry in the West has an element of defectiveness. This study delves into the... mehr

    Standort:
    Universitätsbibliothek Freiburg
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    Treating the work of Sappho, Goethe, Blake, Holderlin, Verlaine, George, Morike, and Yeats in detail, Bennett makes the provocative argument that the nature of lyric poetry in the West has an element of defectiveness. This study delves into the irresolvable conflict between a poem's guise as quasi-architectural stasis and quasi-musical kinesis. "Bennett's original and erudite readings of poems by eight great poets are a continuing source of intellectual elation. With rare critical intensity, Bennett brings to light the nuances of masterpieces written in five languages even en route to theorizing their imperfection." - Stanley Corngold , Professor Emeritus of German and Comparative Literature, Princeton University, USA 'The Defective Art of Poetry is a relentlessly profound meditation on what makes a poem a poem and why it matters. In beautifully straightforward prose, Benjamin Bennett draws the reader into intense reflection on how poems work, on the philosophical articulations of poetry, and on his own stunning readings. With this, his tenth book, Bennett once again shows why he is among the most gifted, original, and interesting literary scholars of the last half-century.' - Peter J. Burgard, Harvard University "Bennett brings his unique combination of broad learning, rigid logic, and inventive reading to eight of the most famous lyric poems in European literature from Sappho to Yeats. His bold readings offer surprising perspectives on the individual texts and a compelling theory of the tasks performed by lyric poetry, by poetic voice, by meter, and above all by readers of poetry." - Jane K. Brown, Joff Hanauer Distinguished Professor for Western Civilization, University of Washington, USA.

     
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    Sprache: Englisch
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    ISBN: 9781137381880; 1137381884
    Weitere Identifier:
    RVK Klassifikation: EC 6050
    Schlagworte: Lyric poetry; Poetics; Literary studies: poetry & poets, bicssc; Literature, ukslc; Literary studies: poetry & poets, thema; Classical texts, thema; Literary studies: poetry & poets, thema
    Umfang: Online-Ressource(240 p.)
  10. Reisende durch Zeit und Raum
    der deutschsprachige historische Roman
    Beteiligt: Durrani, Osman (Hrsg.)
    Erschienen: 2001
    Verlag:  Rodopi, Amerstadam

    The German Historical Novel from 1780 to 1945: Utilising the Innsbruck Database /Günter Mühlberger and Kurt Habitzel -- “Zeitgemäß, an der Hand der Geschichte” Berthold Auerbach und der deutsch-jüdische historische Roman des 19. Jahrhunderts /Florian... mehr

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    Universitätsbibliothek Freiburg
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    Universitätsbibliothek Heidelberg
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    Standort:
    Universität Potsdam, Universitätsbibliothek
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    The German Historical Novel from 1780 to 1945: Utilising the Innsbruck Database /Günter Mühlberger and Kurt Habitzel -- “Zeitgemäß, an der Hand der Geschichte” Berthold Auerbach und der deutsch-jüdische historische Roman des 19. Jahrhunderts /Florian Krobb -- Half-Faded Pictures: Die Judenbuche as Historical Fiction /Jefferson S. Chase -- “Die Geschichte ist die Geschichte ihrer zahlreichen Interpretationen” Ota Filip’s Wallenstein und Lukretia /James Jordan -- Thomas Bernhards Auslöschung. Ein Zerfall Zum Verhältnis zwischen Geschichtsschreibung, Autobiographie und Roman /Daniel Steuer -- Lion Feuchtwanger: Der falsche Nero Zeitgenössische Kritik im Gewand des historischen Romans: Erwägungen zur Entstehung und Rezeption /Christa Heine Teixeira -- Victor Meyer-Eckhardts Erzähltexte über die Französische Revolution 1924 bis 1951: Zu Problemen der Gattungsgeschichte des historischen Romans im zwanzigsten Jahrhundert /Bettina Hey’l -- Compensation for History? Dieter Kühn’s Beethoven und der schwarze Geiger /J.J. Long -- Die Erneuerung des historischen Romans durch interkulturelles Erzählen Zur Entwicklung der Gattung bei Alfred Döblin, Uwe Timm, Hans Christoph Buch und anderen /Herbert Uerlings -- Biographical Fiction by GDR Women Writers: Reassessing the Cultural Heritage /Helen Bridge -- Zionism bad, Zionists ... good? Two GDR Historical Novels as Journalism: Arnold Zweig’s Traum ist teuer and Rudolf Hirsch’s Patria Israel. /Paul O’Doherty -- Zeitaporie und Geschichtstropen in Achim von Arnims Die Kronenwächter /Fabian Lampart -- The Material World: A Comparison between Adalbert Stifter’s Historical Novel Witiko and Robert Bresson’s film Lancelot du Lac. /Helen Hughes -- Zeitkritik im historischen Gewand? Fünf Thesen zum Gattungsbegriff des Historischen Romans am Beispiel von Theodor Fontanes Vor dem Sturm /Stefan Neuhaus -- The Individual and the Epoch: Hermann Broch’s Die Schlafwandler as a Historical Novel /Robert Halsall -- Geschichte als Verinnerlichung Hermann Brochs Der Tod des Vergil /Fritz Wefelmeyer -- Wissen und Leidenschaft Maria Janitschek: Esclarmonde und Marie von Najmájer: Der Stern von Navarra Historische Romane zweier österreichischer Schriftstellerinnen der Jahrhundertwende /Theresia Klugsberger -- Zwischen Rebellion und Resignation: Frauen, Juden und Künstler in den historischen Romanen Fanny Lewalds /Christina Ujma -- Werner Bergengruen’s Am Himmel wie auf Erden: The Historical Novel and ‘Inner Emigration’ /Simon Ward -- “Unsere Zeit braucht solche Männer”: Georg Forster im historischen Roman der DDR /Franziska Meyer -- Stefan Heym’s Schwarzenberg: Actually Existing Utopia? /Meg Tait -- Geschichte gegen den Strich: Auf der Suche nach der eigenen Vergangenheit in Christa Wolfs Kassandra und Peter Weiss’ Ästhetik des Widerstands /Astrid Herhoffer -- Joseph Roth’s Radetzkymarsch as a Historical Novel /Ian Foster -- Ina Seidel From Das Wunschkind to Lennacker: Strategies of Dissimulation /Agnès Cardinal -- Prussian, Rhinelander or German? Regional and National Identities in the Historical Novels of Clara Viebig /Caroline Bland -- Der historische Roman der DDR und die Zensur /Kurt Habitzel.

     
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    Quelle: Verbundkataloge
    Beteiligt: Durrani, Osman (Hrsg.)
    Sprache: Deutsch; Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9042014059; 9042013958
    Weitere Identifier:
    RVK Klassifikation: GM 1825
    Schriftenreihe: Amsterdamer Beiträge zur neueren Germanistik ; 51
    Schlagworte: Historical fiction, German; Historical fiction, German; Criticism, interpretation, etc
    Umfang: Online-Ressource
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    Dateiformat: PDF. - 4201 Beitr. teilw. dt., teilw. engl
  11. Reisende durch Zeit und Raum
    der deutschsprachige historische Roman
    Beteiligt: Durrani, Osman (Hrsg.)
    Erschienen: 2001
    Verlag:  Rodopi, Amerstadam

    The German Historical Novel from 1780 to 1945: Utilising the Innsbruck Database /Günter Mühlberger and Kurt Habitzel -- “Zeitgemäß, an der Hand der Geschichte” Berthold Auerbach und der deutsch-jüdische historische Roman des 19. Jahrhunderts /Florian... mehr

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    The German Historical Novel from 1780 to 1945: Utilising the Innsbruck Database /Günter Mühlberger and Kurt Habitzel -- “Zeitgemäß, an der Hand der Geschichte” Berthold Auerbach und der deutsch-jüdische historische Roman des 19. Jahrhunderts /Florian Krobb -- Half-Faded Pictures: Die Judenbuche as Historical Fiction /Jefferson S. Chase -- “Die Geschichte ist die Geschichte ihrer zahlreichen Interpretationen” Ota Filip’s Wallenstein und Lukretia /James Jordan -- Thomas Bernhards Auslöschung. Ein Zerfall Zum Verhältnis zwischen Geschichtsschreibung, Autobiographie und Roman /Daniel Steuer -- Lion Feuchtwanger: Der falsche Nero Zeitgenössische Kritik im Gewand des historischen Romans: Erwägungen zur Entstehung und Rezeption /Christa Heine Teixeira -- Victor Meyer-Eckhardts Erzähltexte über die Französische Revolution 1924 bis 1951: Zu Problemen der Gattungsgeschichte des historischen Romans im zwanzigsten Jahrhundert /Bettina Hey’l -- Compensation for History? Dieter Kühn’s Beethoven und der schwarze Geiger /J.J. Long -- Die Erneuerung des historischen Romans durch interkulturelles Erzählen Zur Entwicklung der Gattung bei Alfred Döblin, Uwe Timm, Hans Christoph Buch und anderen /Herbert Uerlings -- Biographical Fiction by GDR Women Writers: Reassessing the Cultural Heritage /Helen Bridge -- Zionism bad, Zionists ... good? Two GDR Historical Novels as Journalism: Arnold Zweig’s Traum ist teuer and Rudolf Hirsch’s Patria Israel. /Paul O’Doherty -- Zeitaporie und Geschichtstropen in Achim von Arnims Die Kronenwächter /Fabian Lampart -- The Material World: A Comparison between Adalbert Stifter’s Historical Novel Witiko and Robert Bresson’s film Lancelot du Lac. /Helen Hughes -- Zeitkritik im historischen Gewand? Fünf Thesen zum Gattungsbegriff des Historischen Romans am Beispiel von Theodor Fontanes Vor dem Sturm /Stefan Neuhaus -- The Individual and the Epoch: Hermann Broch’s Die Schlafwandler as a Historical Novel /Robert Halsall -- Geschichte als Verinnerlichung Hermann Brochs Der Tod des Vergil /Fritz Wefelmeyer -- Wissen und Leidenschaft Maria Janitschek: Esclarmonde und Marie von Najmájer: Der Stern von Navarra Historische Romane zweier österreichischer Schriftstellerinnen der Jahrhundertwende /Theresia Klugsberger -- Zwischen Rebellion und Resignation: Frauen, Juden und Künstler in den historischen Romanen Fanny Lewalds /Christina Ujma -- Werner Bergengruen’s Am Himmel wie auf Erden: The Historical Novel and ‘Inner Emigration’ /Simon Ward -- “Unsere Zeit braucht solche Männer”: Georg Forster im historischen Roman der DDR /Franziska Meyer -- Stefan Heym’s Schwarzenberg: Actually Existing Utopia? /Meg Tait -- Geschichte gegen den Strich: Auf der Suche nach der eigenen Vergangenheit in Christa Wolfs Kassandra und Peter Weiss’ Ästhetik des Widerstands /Astrid Herhoffer -- Joseph Roth’s Radetzkymarsch as a Historical Novel /Ian Foster -- Ina Seidel From Das Wunschkind to Lennacker: Strategies of Dissimulation /Agnès Cardinal -- Prussian, Rhinelander or German? Regional and National Identities in the Historical Novels of Clara Viebig /Caroline Bland -- Der historische Roman der DDR und die Zensur /Kurt Habitzel.

     
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    Beteiligt: Durrani, Osman (Hrsg.)
    Sprache: Deutsch; Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9042014059; 9042013958
    Weitere Identifier:
    RVK Klassifikation: GM 1825
    Schriftenreihe: Amsterdamer Beiträge zur neueren Germanistik ; 51
    Schlagworte: Historical fiction, German; Historical fiction, German; Criticism, interpretation, etc
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    Dateiformat: PDF. - 4201 Beitr. teilw. dt., teilw. engl
  12. Theater as Problem
    Modern Drama and Its Place in Literature
    Autor*in: Bennett, Benjamin
    Erschienen: [1990]
    Verlag:  Cornell University Press, Ithaca, NY ; Walter de Gruyter GmbH, Berlin

    Using examples ranging from nineteenth-century Viennese comedy to Friedrich Dürrenmatt's atomic-age theater, Benjamin Bennett explores what is at stake in the theory of drama; what sort of questioning makes up that theory; and in what direction such... mehr

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Using examples ranging from nineteenth-century Viennese comedy to Friedrich Dürrenmatt's atomic-age theater, Benjamin Bennett explores what is at stake in the theory of drama; what sort of questioning makes up that theory; and in what direction such questioning leads.Bennett takes as his starting point the inescapably literary nature of theater in the European tradition, theater in its most concrete dimensions: as an institution, as a tradition of ritual or stylized behavior, as a particular type of physical space, as an economic venture. He maintains that, precisely because of its radical categorical disjunction from the domain of the literary, theater in the European tradition has been appropriated as the principal vehicle by which literature repeatedly problematizes itself. Theater, he says, is "the church of literature." Although he is concerned with drama as a literary type, therefore, Bennett does not treat the theory of drama as part of the theory of literature. For the special relation of drama to literature calls into question the whole idea of literary theory as a stable discourse divisible into parts.Bennett considers plays by Nestroy, Schnitzler, Ibsen, Strindberg, Brecht, Ionesco, Genet, Pirandello, Artaud, and Dürrenmatt. He focuses on such theoretical issues as the idea of generic boundaries; the relation between drama and the culture of reading; the relevance between drama and the culture of reading; the relevance of hermeneutic and semiotic views of literature to drama; and the operation of fascism as a literary phenomenon. In conclusion, he frames a problem that his readings have brought to light: at least two separate historical accounts of modern drama are necessary-theories that imply each other, yet remain irreconcilable.

     
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    ISBN: 9781501745454
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    Umfang: 1 Online-Ressource (296 p.)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  13. Hugo von Hofmannsthal
    the theaters of consciousness
    Autor*in: Bennett, Benjamin
    Erschienen: 1988
    Verlag:  Cambridge University Press, Cambridge

    This book focuses on Hugo von Hofmannsthal's intense, lifelong concentration upon a single cohesive set of poetic, philosophical and ethical concerns, a quality of his work which has been neglected in the bulk of existing scholarship. Professor... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    This book focuses on Hugo von Hofmannsthal's intense, lifelong concentration upon a single cohesive set of poetic, philosophical and ethical concerns, a quality of his work which has been neglected in the bulk of existing scholarship. Professor Bennett examines Hofmannsthal's work in the context of literary theory and the history of philosophy, referring especially to Nietzsche, German Idealism and the poetics of German Classicism. He identifies three principal areas of concern to Hofmannsthal: the theory of genre, the question of the role of literature in society and the search for a fruitful response to the problem of the historical development of culture. The argument proceeds by way of detailed interpretation of texts, including Der Tor und der Tod, the Chandos letter, Ariadne auf Naxos, Der Schwierige, Das Salzburger Grosse Welttheater and Der Turm

     
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    Format: Online
    ISBN: 9780511735660
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in German
    Schlagworte: Hofmannsthal, Hugo von ; 1874-1929 ; Criticism and interpretation
    Weitere Schlagworte: Hofmannsthal, Hugo von (1874-1929)
    Umfang: 1 Online-Ressource (xviii, 391 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  14. The dark side of literacy
    literature and learning not to read
    Autor*in: Bennett, Benjamin
    Erschienen: 2008
    Verlag:  Fordham University Press, New York

    Reading is good for us. The reading of literature, we are told, enlarges our horizons, extends our experience beyond our own lives. But the moral and political dangers that attend the association of reading with experience have long been understood.... mehr

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Marburg, Universitätsbibliothek
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    Reading is good for us. The reading of literature, we are told, enlarges our horizons, extends our experience beyond our own lives. But the moral and political dangers that attend the association of reading with experience have long been understood. And is that association even valid? What if precisely our most important literary texts are constructed so as to challenge or disrupt it? This book is a radical criticism of the concept of "reading," especially of the concept of "the" reader, as commonly used in literary criticism. Bennett starts with the point that "reading" does not name a single, identifiable type of experience or class of experiences. Her then sketches in broad terms the historical provenance of "the" reader, in an argument that includes discussions of Dante, Boccaccio, Cervantes, Marlowe, and German idealist philosophy. In two concluding chapters on modern German novellas, he suggests that most major European literary works since the eighteenth century are written in direct opposition to the central concepts by which criticism has sought to lay hold of them.

     
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    ISBN: 9780823292820
    Weitere Identifier:
    9780823292820
    RVK Klassifikation: EC 2010
    Schlagworte: Faustdichtung; Leser; Lesen
    Weitere Schlagworte: Kleist, Heinrich von (1777-1811); Kafka, Franz (1883-1924); Mann, Thomas (1875-1955): Doktor Faustus; Cervantes Saavedra, Miguel de (1547-1616): Don Quijote; Boccaccio, Giovanni (1313-1375): Il Decamerone
    Umfang: 1 Online-Ressource (ix, 347 Seiten)
  15. The dark side of literacy
    literature and learning not to read
    Autor*in: Bennett, Benjamin
    Erschienen: 2008
    Verlag:  Fordham University Press, Ashland, Ohio ; Oxford University Press, Oxford

    A radical critique of the concepts of 'reading' and 'the' reader as they are commonly used in literary criticism. The book sketches in broad terms the historical provenance of 'the' reader, in an argument that includes discussions of Dante Boccaccio,... mehr

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    A radical critique of the concepts of 'reading' and 'the' reader as they are commonly used in literary criticism. The book sketches in broad terms the historical provenance of 'the' reader, in an argument that includes discussions of Dante Boccaccio, Cervantes, Marlowe and German idealist philosophy.

     
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    ISBN: 9780823241002
    Weitere Identifier:
    RVK Klassifikation: EC 2010
    Schlagworte: Faustdichtung; Leser; Lesen; European literature; Literature, Modern; Books and reading
    Weitere Schlagworte: Kleist, Heinrich von (1777-1811); Kafka, Franz (1883-1924); Mann, Thomas (1875-1955): Doktor Faustus; Cervantes Saavedra, Miguel de (1547-1616): Don Quijote; Boccaccio, Giovanni (1313-1375): Il Decamerone
    Umfang: 1 Online-Ressource (ix, 347 p.)
    Bemerkung(en):

    Includes bibliographical references and index
  16. Hugo von Hofmannsthal
    the theaters of consciousness
    Autor*in: Bennett, Benjamin
    Erschienen: 1988
    Verlag:  Cambridge University Press, Cambridge

    This book focuses on Hugo von Hofmannsthal's intense, lifelong concentration upon a single cohesive set of poetic, philosophical and ethical concerns, a quality of his work which has been neglected in the bulk of existing scholarship. Professor... mehr

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    This book focuses on Hugo von Hofmannsthal's intense, lifelong concentration upon a single cohesive set of poetic, philosophical and ethical concerns, a quality of his work which has been neglected in the bulk of existing scholarship. Professor Bennett examines Hofmannsthal's work in the context of literary theory and the history of philosophy, referring especially to Nietzsche, German Idealism and the poetics of German Classicism. He identifies three principal areas of concern to Hofmannsthal: the theory of genre, the question of the role of literature in society and the search for a fruitful response to the problem of the historical development of culture. The argument proceeds by way of detailed interpretation of texts, including Der Tor und der Tod, the Chandos letter, Ariadne auf Naxos, Der Schwierige, Das Salzburger Grosse Welttheater and Der Turm.

     
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    ISBN: 9780511735660
    RVK Klassifikation: GM 3775
    Schriftenreihe: Cambridge studies in German
    Schlagworte: Drama; Theater
    Weitere Schlagworte: Hofmannsthal, Hugo von (1874-1929)
    Umfang: 1 Online-Ressource (xviii, 391 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  17. Hermann Hesse today =
    Hermann Hesse heute
    Beteiligt: Cornils, Ingo; Durrani, Osman
    Erschienen: 2005
    Verlag:  Rodopi, Amsterdam [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Standort:
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    Beteiligt: Cornils, Ingo; Durrani, Osman
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1417591013; 9781417591015; 904201606X; 9789042016064
    RVK Klassifikation: GM 3670 ; GA 1000
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schriftenreihe: Amsterdamer Beiträge zur neueren Germanistik ; 58
    Weitere Schlagworte: Hesse, Hermann (1877-1962)
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Papers presented at a conference held in 2002 at London's Institute of Germanic Studies

    Includes bibliographical references
  18. Travellers in time and space
    the German historical novel = Reisende durch Zeit und Raum
    Beteiligt: Durrani, Osman (Herausgeber)
    Erschienen: 2001
    Verlag:  Rodopi, Amsterdam

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    Medientyp: Ebook
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    ISBN: 9042014059
    Weitere Identifier:
    RVK Klassifikation: GB 1724 ; GE 5928 ; GA 1000
    Schriftenreihe: Amsterdamer Beiträge zur neueren Germanistik ; 51
    Schlagworte: Deutsch; Historischer Roman
    Umfang: 1 Online-Ressource (IX, 473 Seiten)
  19. The Defective Art of Poetry
    Sappho to Yeats
    Autor*in: Bennett, Benjamin
    Erschienen: [2014]
    Verlag:  Palgrave Macmillan, New York

    Treating the work of Sappho, Goethe, Blake, Hölderlin, Verlaine, George, Mörike, and Yeats in detail, Bennett makes the provocative argument that the nature of lyric poetry in the West has an element of defectiveness. This study delves into the... mehr

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    Treating the work of Sappho, Goethe, Blake, Hölderlin, Verlaine, George, Mörike, and Yeats in detail, Bennett makes the provocative argument that the nature of lyric poetry in the West has an element of defectiveness. This study delves into the irresolvable conflict between a poem's guise as quasi-architectural stasis and quasi-musical kinesis. Benjamin Bennett is William R. Kenan, Jr. Professor of German at the University of Virginia, USA. Treating the work of Sappho, Goethe, Blake, H̲lderlin, Verlaine, George, M̲rike, and Yeats in detail, Benjamin Bennett makes the provocative argument that the nature of lyric poetry in the West has an element of defectiveness. The book sets out to prove that using the idea of perfection, which is applied routinely as a criterion of excellence in lyric poems, is fundamentally misguided. Once poetry in the Western tradition is established as fundamentally imperfect, Bennett reveals it to be as deeply exposed to problems in the social and political environment as any other form of literature

     
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    ISBN: 9781137381880
    Schlagworte: Poetics; Lyric poetry; Lyric poetry ; History and criticism; Poetics; Electronic books
    Umfang: Online-Ressource
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    Includes bibliographical references

    IntroductionPART I: ELEMENTAL POETRY -- 1. Sappho and the Wordsworth Problem -- 2. The Poem as Hieroglyph: Goethe's 'Uber allen Gipfeln' -- PART II: METER AND MEANING -- 3. The Voices of "Experience" in Blake -- 4. Meter and Metaphysics: H̲lderlin's 'Hyperions Schicksalslied' -- PART III: THE SYMBOLIST MOVE -- 5. A Song to Worry about: Verlaine's 'Chanson d'automne' -- 6. Stefan George and the Construction of a Poetic Idiom -- PART IV: THE POLITICAL DIMENSION -- 7. Criticism as Wager: The Politics of the M̲rike-Debate and Its Object -- 8. The Things on Yeats's Desk.
  20. Catholic Church and the Jewish People
    Recent Reflections from Rome
    Autor*in: Bennett, Benjamin
    Erschienen: 2008
    Verlag:  Fordham University Press, Bronx

    We are told that reading enlarges our horizons, that reading literature extends our experience beyond what we have happened upon in our own lives. But the moral and political dangers that attend the association of reading with experience have long... mehr

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    We are told that reading enlarges our horizons, that reading literature extends our experience beyond what we have happened upon in our own lives. But the moral and political dangers that attend the association of reading with experience have long been understood. And is that association even valid? What if precisely our most important literary texts are constructed so as to challenge or disrupt it? This book conducts a radical criticism of the concept of Greading,G especially of the concept of GtheG reader, as these concepts are commonly used in literary criticism. It sketches in broad terms the historical provenance of GtheG reader, in an argument that includes discussions of Dante, Boccaccio, Cervantes, Marlowe, and German idealist philosophy, then suggests that most major European literary works since the eighteenth century are written in direct opposition to the central concepts by which criticism has sought to lay hold of them. Intro -- Contents -- Acknowledgments -- Introduction -- Part I Theory -- 1. Reading and the Theory of Reading -- 2. Poems, Myths, and the Advent of Modern Reading -- Part II History -- 3. Dante and the Invention of the Novel Reader -- 4. Boccaccio, Cervantes, and the Path to Solitary Reading -- 5. Magic and History: The Roots and Branches of Dr. Faustus -- Part III Response -- 6. Intransitive Parody and the Trap of Reading: What Reading Really Is -- 7. Kleist, Kafka, and the Refutation of Reading -- The Parting of the Ways: A Concluding Note on the Novel and Literary Studies -- Notes -- Index.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823229161
    Schlagworte: European literature - History and criticism; Electronic books
    Umfang: Online-Ressource (358 p)
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    Description based upon print version of record

    ""Contents ""; ""Acknowledgments""; ""Introduction""; ""Part I Theory""; ""1. Reading and the Theory of Reading""; ""2. Poems, Myths, and the Advent of Modern Reading""; ""Part II History""; ""3. Dante and the Invention of the Novel Reader""; ""4. Boccaccio, Cervantes, and the Path to Solitary Reading""; ""5. Magic and History: The Roots and Branches of Dr. Faustus""; ""Part III Response""; ""6. Intransitive Parody and the Trap of Reading: What Reading Really Is""; ""7. Kleist, Kafka, and the Refutation of Reading""

    ""The Parting of the Ways: A Concluding Note on the Novel and Literary Studies""""Notes ""; ""Index ""
  21. Hugo von Hofmannsthal
    the theaters of consciousness
    Autor*in: Bennett, Benjamin
    Erschienen: 1988
    Verlag:  Cambridge University Press, Cambridge

    This book focuses on Hugo von Hofmannsthal's intense, lifelong concentration upon a single cohesive set of poetic, philosophical and ethical concerns, a quality of his work which has been neglected in the bulk of existing scholarship. Professor... mehr

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    This book focuses on Hugo von Hofmannsthal's intense, lifelong concentration upon a single cohesive set of poetic, philosophical and ethical concerns, a quality of his work which has been neglected in the bulk of existing scholarship. Professor Bennett examines Hofmannsthal's work in the context of literary theory and the history of philosophy, referring especially to Nietzsche, German Idealism and the poetics of German Classicism. He identifies three principal areas of concern to Hofmannsthal: the theory of genre, the question of the role of literature in society and the search for a fruitful response to the problem of the historical development of culture. The argument proceeds by way of detailed interpretation of texts, including Der Tor und der Tod, the Chandos letter, Ariadne auf Naxos, Der Schwierige, Das Salzburger Grosse Welttheater and Der Turm

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
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    ISBN: 9780511735660
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    Schriftenreihe: Cambridge studies in German
    Schlagworte: Hofmannsthal, Hugo von ; 1874-1929 ; Criticism and interpretation
    Weitere Schlagworte: Hofmannsthal, Hugo von (1874-1929)
    Umfang: 1 Online-Ressource (xviii, 391 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)