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  1. The comic Blackstone of "Punch"
    Autor*in: À Beckett, Gilbert Abbott
    Erschienen: 1897
    Verlag:  Collector Publishing Company, Detroit

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Schriftenreihe: HeinOnline legal classics library
    Schlagworte: Law; Droit - Grande-Bretagne - Humour; Law; Parodies, imitations, etc; parody; humor; Parodies (Literature); Humor; Parodies (Literature); Humor; Parodies; Humour
    Weitere Schlagworte: Blackstone, William (1723-1780); Blackstone, William (1723-1780): Commentaries on the laws of England; Blackstone, William - 1723-1780
    Umfang: 1 Online-Ressource (76, 38, 84 pages, 1 unnumbered leaf of plates), illustrations
    Bemerkung(en):

    "Part II" and "Parts III and IV" have special title pages and separate pagings

    Eller, 197
  2. Antike Epik
    Eine Einführung in hexametrische Großdichtung
    Autor*in: Rüpke, Jörg; Bianchi Mancini, Sofia
    Erschienen: 2023; ©2023
    Verlag:  Tectum – ein Verlag in der Nomos Verlagsgesellschaft, Baden-Baden

    Epen sind die ältesten verschriftlichten Großtexte vieler Sprachen. Sie erheben den Anspruch, grundlegende Ereignisse darzustellen und wollen ihrer Version durch formale Gestaltung Geltung verschaffen. Dieser Band gibt einen Überblick über die... mehr

    Zugang:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Greifswald
    Fernleihe:
    keine Fernleihe

    Standort:
    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Osnabrück, Bibliothek Campus Westerberg
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Epen sind die ältesten verschriftlichten Großtexte vieler Sprachen. Sie erheben den Anspruch, grundlegende Ereignisse darzustellen und wollen ihrer Version durch formale Gestaltung Geltung verschaffen. Dieser Band gibt einen Überblick über die griechischen und lateinischen Epen von Homer bis in die Spätantike. Vor allem aber fragt er: Wie wurden sie zu Gehör gebracht? Wer wollte sie lesen oder hören? Und wie veränderte das die Texte? Die Professionalisierung solcher Großwerke führte auch zu Konkurrenz, Überbietung, aber auch Parodie oder Verdichtung der Texte. Erstmals wird in diesem Buch ein breiter Überblick konsequent aus einer solchen Perspektive gegeben. Epics are the oldest written long texts in many languages. They claim to recount fundamental events and seek to give validity to their version through formal composition. This volume provides an overview of Greek and Latin epic poetry from Homer to Late Antiquity. But above all it asks: How were they made audible? Who wanted to read or listen to them? And how did this change the texts? The professionalisation of such great works also led to competition, outbidding, but also to parody or condensation of the texts. This book is the first to provide a broad and consistent overview from such a perspective.

     
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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783828850576
    Weitere Identifier:
    Auflage/Ausgabe: 3. Auflage
    Schriftenreihe: Nova Classica. Marburger Fundus für Studium und Forschung in der Altertumswissenschaft ; 1
    Schlagworte: Literaturgeschichte; Antike; Spätantike; Literatur; Antiquity; Homer; Epos; epic; literature; Sprachgeschichte; late antiquity; Parodie; Epik; history of literature; Epen; Klassische Literatur; classical literature; condensation; Epopöie; epics; epopoeia; Griechische Epen; Greek epics; Großtexte; hexametric major poetry; hexametrische Großdichtung; history of language; Lateinische Epen; Latin epics; major texts; parody; textual changes; Textveränderungen; Verdichtung
    Umfang: 1 Online-Ressource (248 Seiten)
  3. The comic Blackstone of "Punch"
    Autor*in: À Beckett, Gilbert Abbott
    Erschienen: 1897
    Verlag:  Collector Publishing Company, Detroit

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Schriftenreihe: HeinOnline legal classics library
    Schlagworte: Law; Droit - Grande-Bretagne - Humour; Law; Parodies, imitations, etc; parody; humor; Parodies (Literature); Humor; Parodies (Literature); Humor; Parodies; Humour
    Weitere Schlagworte: Blackstone, William (1723-1780); Blackstone, William (1723-1780): Commentaries on the laws of England; Blackstone, William - 1723-1780
    Umfang: 1 Online-Ressource (76, 38, 84 pages, 1 unnumbered leaf of plates), illustrations
    Bemerkung(en):

    "Part II" and "Parts III and IV" have special title pages and separate pagings

    Eller, 197
  4. Die deutsche Bildparodie im 16. Jahrhundert. Ihre Anfänge, Formen und Funktionen
    Autor*in: Müller, Jürgen E.
    Erschienen: 2021
    Verlag:  De Gruyter ; Berlin

    Image parodies emerge at the same time as Erasmus of Rotterdam’s text In Praise of Folly from 1511, which also exerted great influence on painters. Thus it is obvious to connect the first parodies by artists like Albrecht Dürer or Urs Graf with the... mehr

     

    Image parodies emerge at the same time as Erasmus of Rotterdam’s text In Praise of Folly from 1511, which also exerted great influence on painters. Thus it is obvious to connect the first parodies by artists like Albrecht Dürer or Urs Graf with the literary fashion of the paradoxical encomium. In this context, both the success of the Erasmian text and the spread of parodic pictorial procedures that began in Northern Europe are connected to the possibility of open and hidden criticism. Erasmus allows himself simple jokes, but at the same time he criticizes the image cult of the Catholic Church or a misunderstood Marian piety. Image parodies are also accompanied by an open genre structure of varying character, which can be ironic in the sense of paradoxical encomium and polemical with reference to satire and the Reformation disputes.

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800); Sozialwissenschaften (300)
    Schlagworte: Parodie; Inversion; parody
    Lizenz:

    creativecommons.org/licenses/by-nc-nd/3.0/ ; openAccess
  5. Praising Damascus: City Panegyrics as a Literary Genre and a Concept of Urbanity
    Autor*in: Masarwa, A. (Alev)
    Erschienen: 2022

    Taking panegyric literature about Damascus as an example, this study discusses its literary elaboration and established motif traditions in relation to a wide range of textual representations of cities. The vast corpus of city panegyrics in prose and... mehr

     

    Taking panegyric literature about Damascus as an example, this study discusses its literary elaboration and established motif traditions in relation to a wide range of textual representations of cities. The vast corpus of city panegyrics in prose and poetry gives testimony to the dynamics of urban life and urban consciousness, as it has also always been a source of civic pride and belonging. The vigorous form of aesthetic elaboration about cities was both persistent and open for contestation at the same time. A striking example, which attests to this contestation and the dynamics of city praise is a city-slam ('mufāḫara / munāẓara') between Baghdad and Damascus, written in ca. 16th century Syria. This study focuses on rhetorical elements and their inversion in the city praise rather than on the topographical history of Damascus or other featured cities. Exposing the aesthetic devices and analyzing their functions by inverting them according to the rules of poetic speech offers a convenient tool for a more adequate understanding of city panegyrics, and the cultural perception of cities. Panegyrics contain assertions relating both to praise and criticism. Hardly any literary city praise is a mere embellishment or a hymnody of the respective city, and hardly any form of dispraise is just a verbal outburst without offering a counterproposal.

     
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  6. Praising Damascus: City Panegyrics as a Literary Genre and a Concept of Urbanity
    Autor*in: Masarwa, Alev
    Erschienen: 2022

    Taking panegyric literature about Damascus as an example, this study discusses its literary elaboration and established motif traditions in relation to a wide range of textual representations of cities. The vast corpus of city panegyrics in prose and... mehr

     

    Taking panegyric literature about Damascus as an example, this study discusses its literary elaboration and established motif traditions in relation to a wide range of textual representations of cities. The vast corpus of city panegyrics in prose and poetry gives testimony to the dynamics of urban life and urban consciousness, as it has also always been a source of civic pride and belonging. The vigorous form of aesthetic elaboration about cities was both persistent and open for contestation at the same time. A striking example, which attests to this contestation and the dynamics of city praise is a city-slam ('mufāḫara / munāẓara') between Baghdad and Damascus, written in ca. 16th century Syria. This study focuses on rhetorical elements and their inversion in the city praise rather than on the topographical history of Damascus or other featured cities. Exposing the aesthetic devices and analyzing their functions by inverting them according to the rules of poetic speech offers a convenient tool for a more adequate understanding of city panegyrics, and the cultural perception of cities. Panegyrics contain assertions relating both to praise and criticism. Hardly any literary city praise is a mere embellishment or a hymnody of the respective city, and hardly any form of dispraise is just a verbal outburst without offering a counterproposal. ; Auch im Buchhandel erhältlich: Praising Damascus: City Panegyrics as a Literary Genre and a Concept of Urbanity / Alev Masarwa. – Hildesheim : Georg Olms Verlag, 2022. – 108 S. (Wissenschaftliche Schriften der WWU Münster : Reihe XII ; Bd. 35), ISBN 978-3-487-16272-0, Preis: 29,80 EUR

     
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  7. The Parody of Postblackness in I Am Not Sidney Poitier and the End(s) of African American Literature.
    Autor*in: Schmidt, Christian
    Erschienen: 2016
    Verlag:  Universität Bremen ; Fachbereich 10: Sprach- und Literaturwissenschaften (FB 10)

    Analyzing Percival Everett's I Am Not Sidney Poitier as a multi-level parody, this essay argues that the novel not only parodies its protagonist's almost namesake's filmic oeuvre but also comically engages with Everett's own writing in general, and... mehr

     

    Analyzing Percival Everett's I Am Not Sidney Poitier as a multi-level parody, this essay argues that the novel not only parodies its protagonist's almost namesake's filmic oeuvre but also comically engages with Everett's own writing in general, and his novel Erasure in particular. Through detailed discussion of these various levels of parody, the essay teases out the ways in which postblack fiction offers a different, and decidedly non-mimetic, take on issues of race and racism than its predecessors in the African American literary tradition by complicating the relationship between fiction, fictional reality, and extra-textual reality. ; 113 ; 132 ; 2 ; 1

     
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Deutsch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800)
    Schlagworte: Postblack art; African American literature; parody; race; narratology; rhetoric and criticism
    Lizenz:

    info:eu-repo/semantics/openAccess
  8. Ideology and Power in Pre-Code Comic Books: Struggles for Cultural Space, Audience, and Meaning ; Ideologie und Macht in Comic-Heften vor Einführung des Comics-Code: Das Ringen um kulturellen Raum, Leserschaft und Bedeutung
    Autor*in: Philipzig, Jan
    Erschienen: 2011

    Drawing on the theories of cultural studies, this study investigates the “Golden Age” of comic books in context of the broader power struggles of their time. It traces the comic-book medium’s cultural roots, its rise to popularity, and its persistent... mehr

     

    Drawing on the theories of cultural studies, this study investigates the “Golden Age” of comic books in context of the broader power struggles of their time. It traces the comic-book medium’s cultural roots, its rise to popularity, and its persistent struggles for meanings, cultural space, and an audience. Characters, genres, stereotypes, myths, styles, reflexive devices, and many other narrative elements are discussed as encodings of ideology within the systems of production, consumption, and textuality. ; Basierend auf den Theorien der Cultural Studies untersucht diese Studie das "goldene Zeitalter" der Comic-Hefte im Kontext der Machtkämpfe ihrer Zeit. Sie zeichnet die kulturellen Wurzeln des Mediums, seine Erfolgsgeschichte und sein andauerndes Ringen um Bedeutung, kulturellen Raum und Publikum nach. Die ideologischen Dimensionen von Figuren, Genres, Stereotypen, Mythen, Reflexionen und anderen Erzählelementen werden im Rahmen der Produktions-, Rezeptions- und Texualitätssysteme analysiert.

     
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