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  1. Nature, Imperialism, and the Ethics of War in Flavian Epic
    Erschienen: 2020
    Verlag:  ProQuest Dissertations & Theses, Ann Arbor

    This dissertation argues that Valerius Flaccus' Argonautica, Silius Italicus' Punica, and Papinius Statius' Thebaid use human encounters with nature to reflect on the morality of their poems' central characters. Interactions and conflicts with nature... mehr

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    This dissertation argues that Valerius Flaccus' Argonautica, Silius Italicus' Punica, and Papinius Statius' Thebaid use human encounters with nature to reflect on the morality of their poems' central characters. Interactions and conflicts with nature occur at programmatic points in the poems, further indicating their importance for the narratives. This common thread throughout all three epics points to a deeper interest in nature and the unknown beyond the edges of the empire. As such, ecocritical theory and theories of space and place have greatly informed my approach to this topic. By examining encounters with nature such as humans crossing geographical boundaries, cutting down forests, and fighting river gods, Flavian epic is shown to comment on the military exploits of the three Flavian emperors, their interactions with nature while on campaign, and the ideology of their regime.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9798460402946
    Schriftenreihe: Dissertations Abstracts International
    Schlagworte: Ancient Language; Classical literature; Ancient languages; Flavian epic; nature; natural world; imperialism; ecocriticism; Statius; Silius Italicus; Valerius Flaccus; Thebaid; Punica; Argonautica; forests; rivers; ideology; Latin literature; Latin epic poetry; Vespasian; Domitian; Tacitus; Agricola
    Umfang: 1 Online-Ressource (1 electronic resource (255 pages))
    Bemerkung(en):

    Source: Dissertations Abstracts International, Volume: 83-04, Section: A. - Advisors: Augoustakis, Antony Committee members: Bosak-Schroeder, Clara; Walters, Brian; Williams, Craig

    Ph.D., University of Illinois at Urbana-Champaign, 2020.

  2. Nature, Imperialism, and the Ethics of War in Flavian Epic
    Erschienen: 2020
    Verlag:  ProQuest Dissertations & Theses, Ann Arbor

    This dissertation argues that Valerius Flaccus' Argonautica, Silius Italicus' Punica, and Papinius Statius' Thebaid use human encounters with nature to reflect on the morality of their poems' central characters. Interactions and conflicts with nature... mehr

    Zugang:
    Aggregator (lizenzpflichtig)
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This dissertation argues that Valerius Flaccus' Argonautica, Silius Italicus' Punica, and Papinius Statius' Thebaid use human encounters with nature to reflect on the morality of their poems' central characters. Interactions and conflicts with nature occur at programmatic points in the poems, further indicating their importance for the narratives. This common thread throughout all three epics points to a deeper interest in nature and the unknown beyond the edges of the empire. As such, ecocritical theory and theories of space and place have greatly informed my approach to this topic. By examining encounters with nature such as humans crossing geographical boundaries, cutting down forests, and fighting river gods, Flavian epic is shown to comment on the military exploits of the three Flavian emperors, their interactions with nature while on campaign, and the ideology of their regime.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9798460402946
    Schriftenreihe: Dissertations Abstracts International
    Schlagworte: Ancient Language; Classical literature; Ancient languages; Flavian epic; nature; natural world; imperialism; ecocriticism; Statius; Silius Italicus; Valerius Flaccus; Thebaid; Punica; Argonautica; forests; rivers; ideology; Latin literature; Latin epic poetry; Vespasian; Domitian; Tacitus; Agricola
    Umfang: 1 Online-Ressource (1 electronic resource (255 pages))
    Bemerkung(en):

    Source: Dissertations Abstracts International, Volume: 83-04, Section: A. - Advisors: Augoustakis, Antony Committee members: Bosak-Schroeder, Clara; Walters, Brian; Williams, Craig

    Ph.D., University of Illinois at Urbana-Champaign, 2020.

  3. Quand l'émotion poético-musicale devient arme de guerre : l'amollissement d'Hannibal dans les "Punica" de Silius Italicus
    Autor*in: Follin, Didier
    Erschienen: 2019
    Verlag:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Quelle: Verbundkataloge
    Sprache: Französisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: In: Musik und Emotionen in der Literatur = Musique et émotions dans la littérature = Music and Emotions in Literature / herausgegeben von Corinne Fournier Kiss. Colloquium Helveticum 48.2019, Bielefeld : Aisthesis Verlag, 2019, ISBN 978-3-8498-1647-6, S. 256-263
    Schlagworte: Silius Italicus, Tiberius Catius Asconius; Punica; Lyrik <Motiv>
    Weitere Schlagworte: Admiratio
    Umfang: Online-Ressource
  4. <<Die>> Darstellung der römischen Niederlagen in den Punica des Silius Italicus
    Erschienen: 1975
    Verlag:  Habelt, Bonn

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    Quelle: Verbundkataloge
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 3774910197
    RVK Klassifikation: FX 221605
    Schriftenreihe: Habelts Dissertationsdrucke : Reihe klassische Philologie ; 20
    Schlagworte: Array; Array; Array; Array; Array
    Umfang: 263 S.
    Bemerkung(en):

    Zugl.: Bonn, Univ., Diss., 1973

  5. Quand l'émotion poético-musicale devient arme de guerre : l'amollissement d'Hannibal dans les "Punica" de Silius Italicus
    Autor*in: Follin, Didier
    Erschienen: 2019

    If the poet's song is a 'topos' of Greek and Roman epic literature, the poet Silius Italicus renews it by describing the emotional reaction of his audience in depth and by placing it in a transitional moment of his narrative dedicated to the second... mehr

     

    If the poet's song is a 'topos' of Greek and Roman epic literature, the poet Silius Italicus renews it by describing the emotional reaction of his audience in depth and by placing it in a transitional moment of his narrative dedicated to the second Punic war. Tradition from antique historiography relates that Hannibal and his men became "soft" in Capua where feasting, pleasure, inebriation and indolence were common. Yet, Silius Italicus blames Teuthras' two songs for this weakening. This article examines Teuthras' second performance which hides beneath its soft melody a further meaning unintelligible to the audience who cannot escape their emotion. The aim is to reveal how poetical and musical emotion - 'admiratio' - and the weakening of the Carthaginians are structured in term of diegetic, and in the sub- and meta-discourse of Teuthras' second song.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: BASE Fachausschnitt AVL
    Sprache: Französisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literatur und Rhetorik (800); Italische Literaturen; Lateinische Literatur (870)
    Schlagworte: Silius Italicus; Tiberius Catius Asconius; Punica; Lyrik
    Lizenz:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de ; info:eu-repo/semantics/openAccess