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  1. Poetics before Plato
    interpretation and authority in early Greek theories of poetry
    Autor*in: Ledbetter, Grace M.
    Erschienen: 2003
    Verlag:  Princeton University Press, Princeton, N.J.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0691096090; 1400825288; 9780691096094; 9781400825288
    Schlagworte: Greek poetry; Poetics; Poésie grecque / Histoire et critique / Théorie, etc; Autorité dans la littérature; Esthétique ancienne; Poétique; LITERARY CRITICISM / Ancient & Classical; PHILOSOPHY / History & Surveys / Ancient & Classical; Literatuurtheorie; Griekse oudheid; Literatura grega clássica (história e crítica); Poesia; Geschichte; Greek poetry; Poetics; Authority in literature; Aesthetics, Ancient; Griechisch; Poetik
    Umfang: 1 Online-Ressource (viii, 128 pages)
    Bemerkung(en):

    Includes bibliographical references (pages 119-124) and index

    Introduction : poetry, knowledge, and interpretation -- Supernatural knowledge in Homeric poetics -- Hesiod's naturalism -- Pindar : the poet as interpreter -- Socratic poetics -- Toward a model of Socratic interpretation

    Combining literary and philosophical analysis, this study defends an utterly innovative reading of the early history of poetics. It is the first to argue that there is a distinctively Socratic view of poetry and the first to connect the Socratic view of poetry with earlier literary tradition. Literary theory is usually said to begin with Plato's famous critique of poetry in the Republic. Grace Ledbetter challenges this entrenched assumption by arguing that Plato's earlier dialogues Ion, Protagoras, and Apology introduce a distinctively Socratic theory of poetry that responds polemically to trad
  2. The origins of criticism
    literary culture and poetic theory in classical Greece
    Autor*in: Ford, Andrew Laughlin
    Erschienen: © 2002
    Verlag:  Princeton University Press, Princeton, N.J.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0691074852; 1400825067; 9780691074856; 9780691120256; 9781400825066
    Schlagworte: Littérature grecque / Histoire et critique / Théorie, etc; Philosophie ancienne; Rhétorique ancienne; Poésie grecque / Histoire et critique / Théorie, etc; LITERARY CRITICISM / Ancient & Classical; PHILOSOPHY / History & Surveys / Ancient & Classical; Literatuurkritiek; Dichtkunst; Griekse oudheid; Theorie; Sociale aspecten; Geschichte; Gesellschaft; Literatur; Literaturkritik; Philosophie; Greek literature; Literature; Poetry; Criticism; Literature; Philosophy, Ancient; Rhetoric, Ancient; Griechisch; Literaturtheorie
    Umfang: 1 Online-Ressource (xiv, 356 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 297-330) and indexes

    pt. 1. Archaic roots of classical aesthetics -- pt. 2. The invention of poetry -- pt. 3. Toward a theory of poetry -- pt. 4. Literary theory in the fourth century

    By "literary criticism" we usually mean a self-conscious act involving the technical and aesthetic appraisal, by individuals, of autonomous works of art. Aristotle and Plato come to mind. The word "social" does not. Yet, as this book shows, it should--if, that is, we wish to understand where literary criticism as we think of it today came from. Andrew Ford offers a new understanding of the development of criticism, demonstrating that its roots stretch back long before the sophists to public commentary on the performance of songs and poems in the preliterary era of ancient Greece. He pinpoints