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  1. Novalis e "Os discípulos em Saïs" : a linguagem em vida ; a obra em fragmento

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    Quelle: Verbundkataloge
    Sprache: Portugiesisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
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    Übergeordneter Titel:
    In:: Contingentia; Porto Alegre : Universidade Federal do Rio Grande do Sul, Instituto de Letras, 2006-; Vol. 4.2009, No. 1, S. 29-37; Online-Ressource
    Schlagworte: Romantik; Novalis / Die Lehrlinge zu Sais; Fragment
    Umfang: Online-Ressource
  2. Natureza e linguagem em "Os Discípulos em Saïs", de Novalis

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    Quelle: Verbundkataloge
    Sprache: Portugiesisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
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    Übergeordneter Titel:
    In:: Pandaemonium Germanicum; São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-; 12.2008, S. 65-79; Online-Ressource
    Schlagworte: Novalis / Die Lehrlinge zu Sais; Romantik; Sprachphilosophie
    Umfang: Online-Ressource
  3. A eterna busca da Verdade em "Die Lehrlinge zu Saïs" de Novalis

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    Quelle: Verbundkataloge
    Sprache: Portugiesisch
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    Format: Online
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    Übergeordneter Titel:
    In:: Pandaemonium Germanicum; São Paulo : Departamento de Letras Modernas, Faculdade de Filosofia, Letras e Ciências Humanas, Universidade de São Paulo, 1997-; 15.2010, S. 37-49; Online-Ressource
    Schlagworte: Frühromantik / LiteraturDeutsch; Novalis / Die Lehrlinge zu Sais; Schiller, Friedrich / Das verschleierte Bild zu Sais; Kunstmärchen; Wahrheit
    Umfang: Online-Ressource
  4. Novalis e "Os discípulos em Saïs" : a linguagem em vida ; a obra em fragmento
    Erschienen: 2009

    Novalis is perhaps the most expressive poet of German Early Romanticism. His ideas, mainly in form of fragments, were strongly based upon Fichte’s theory of magic idealism and are substantial part of his literary work, which presents a mixture of... mehr

     

    Novalis is perhaps the most expressive poet of German Early Romanticism. His ideas, mainly in form of fragments, were strongly based upon Fichte’s theory of magic idealism and are substantial part of his literary work, which presents a mixture of genres such as poetry, rhetoric, philosophical and religious themes and even social aspects. This article will introduce some of Novalis’ personal aspects with the intent of briefly introducing two of his main issues: the concept of Fragment, as exploited in ‘Die Lehrlinge zu Saï’s, and his ideal of a poetic, self referent language.

     

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Portugiesisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Romantik; Novalis / Die Lehrlinge zu Sais; Fragment
    Lizenz:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess

  5. Natureza e linguagem em "Os Discípulos em Saïs", de Novalis
    Erschienen: 2008

    This paper examines the novel "Die Lehrlinge zu Sais" by Novalis and aims to identify features of a language theory which is based on German Idealism. For Novalis, who has witnessed the establishment of modern linguistics and was himself a reputed... mehr

     

    This paper examines the novel "Die Lehrlinge zu Sais" by Novalis and aims to identify features of a language theory which is based on German Idealism. For Novalis, who has witnessed the establishment of modern linguistics and was himself a reputed researcher on philology, language reflects a potential relation between spirit and world. This suggestion is the opposite of today's classic concept of the arbitrariness of signs. Considered by critics as unfinished, this novel contains a rich range of material which may serve as the basis of a symbolic-poetic language theory. The approach therefore looks at "Die Lehrling zu Sais" with a view to identifying features of a romantic philosophy or theory of language. ; A seguir, procuraremos identificar na obra "Die Lehrlinge zu Saïs", de Novalis, um dos autores mais significativos do assim chamado Primeiro Romantismo Alemão, os pressupostos de uma teoria da linguagem que se sustenta no Idealismo Alemão. O problema se delineia à medida que, para Novalis, contemporâneo do estabelecimento das bases da lingüística moderna, e, ele próprio, estudioso de filologia, observar-se-ia no fenômeno da linguagem uma possível relação entre espírito e mundo, o que, por sua vez, se opõe ao conceito hoje clássico da arbitrariedade do signo. Considerada pela crítica como um fragmento de romance, a narrativa de Novalis em questão apresenta um elenco bastante rico no que se refere aos pressupostos de uma possível teoria da linguagem de caráter simbólico-poético e messiânico. Assim sendo, a abordagem a "Os Discípulos em Saïs" terá como perspectiva a possível identificação, no texto literário, de características desta filosofia ou teoria romântica da linguagem.

     

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    Quelle: BASE Fachausschnitt AVL
    Sprache: Portugiesisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Novalis / Die Lehrlinge zu Sais; Romantik; Sprachphilosophie
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de ; info:eu-repo/semantics/openAccess

  6. A eterna busca da Verdade em "Die Lehrlinge zu Saïs" de Novalis
    Erschienen: 2010

    The purpose of this essay is to undergo an investigation geared towards identifying the consolidation of the symbolized Upper or Ideal Truth illustrated by the figure of the goddess Saïs in the fragmentary novel 'Die Lehrlinge zu Saïs', from Novalis,... mehr

     

    The purpose of this essay is to undergo an investigation geared towards identifying the consolidation of the symbolized Upper or Ideal Truth illustrated by the figure of the goddess Saïs in the fragmentary novel 'Die Lehrlinge zu Saïs', from Novalis, written in 1801. As part of our approach, we traced a parallel between the allegorical use of Saïs myth by Novalis and in Schiller´s poem 'Das verschleierte Bild zu Saïs', aiming at a better characterization of Novalis' concept of the Ideal Truth. Lastly, we analyzed the fairy tale 'Hyazinth und Rosenblüte', which is part of the novel 'Die Lehrlinge zu Saïs', where it is possible to envisage the finding of the Ideal Truth searched by the poets of German Early Romanticism, especially by Novalis. ; O presente artigo tem por objetivo investigar como se dá a questão da busca do conhecimento ilustrada pela figura da deusa Saïs no fragmento de romance de Novalis 'Die Lehrlinge zu Saïs', escrito em 1801. Em nossa investigação, traçamos um paralelo entre o uso alegórico do mito de Saïs em Novalis e no poema de Schiller 'Das verschleierte Bild zu Saïs', a fim de melhor caracterizar o conceito de verdade novalisiano. Por fim, procuramos analisar o conto de fadas 'Hyazinth und Rosenblüte', que se encontra no interior da narrativa em questão, uma vez que nele se dá o encontro ideal da Verdade almejado pelos poetas do primeiro-romantismo alemão, em especial, por Novalis. ; Ziel dieses Aufsatzes ist die Darstellung einer Untersuchung des fragmentarischen Romans 'Die Lehrlinge zu Saïs', von Novalis (1801). Im Mittelpunkt steht die Frage, inwieweit sich die Erkenntnis der Wahrheit in der Figur der Göttin Saïs verwirklicht. Um Novalis' Begriff der Wahrheit besser zu erläutern, wurde Schillers Gedicht 'Das verschleierte Bild zu Saïs' parallel dazu betrachtet. Zuletzt wird auch eine Analyse des Märchens 'Hyazinth und Rosenblüte' angeführt, das in Novalis' Werk 'Die Lehrlinge zu Saïs' vorkommt, denn dieses Märchen illustriert die Erkenntnis der Wahrheit, die von den Frühromantikern ...

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: BASE Fachausschnitt AVL
    Sprache: Portugiesisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Schlagworte: Frühromantik / LiteraturDeutsch; Novalis / Die Lehrlinge zu Sais; Schiller; Friedrich / Das verschleierte Bild zu Sais; Kunstmärchen; Wahrheit
    Lizenz:

    creativecommons.org/licenses/by-nc/3.0/de/deed.de ; info:eu-repo/semantics/openAccess