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  1. Dreaming revolution
    transgression in the development of American romance
    Erschienen: ©1993
    Verlag:  University of Iowa Press, Iowa City

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0877453950; 1587290324; 9780877453956; 9781587290329
    Schlagworte: Roman américain / 19e siècle / Histoire et critique; Politique et littérature / États-Unis / Histoire / 19e siècle; Romantisme / États-Unis; Littérature et société / États-Unis / Histoire / 19e siècle; Littérature révolutionnaire américaine / Histoire et critique; Roman américain / Influence européenne; Conflits sociaux dans la littérature; Impérialisme dans la littérature; LITERARY CRITICISM / American / General; Edgar Huntly (Brown, Charles Brockden); Things as they are (Godwin, William); American fiction; American fiction / European influences; Deviant behavior in literature; Imperialism in literature; Literature and society; Political and social views; Political fiction, American; Politics and literature; Revolutionary literature, American; Romanticism; Social conflict in literature; Geschichte; American fiction; Politics and literature; Literature and society; Revolutionary literature, American; Political fiction, American; American fiction; Deviant behavior in literature; Social conflict in literature; Romanticism; Imperialism in literature; Expansion <Motiv>; Roman; Expansion; Revolution
    Weitere Schlagworte: Cooper, James Fenimore / 1789-1851 / Pensée politique et sociale; Poe, Edgar Allan / 1809-1849 / Pensée politique et sociale; Brown, Charles Brockden / 1771-1810 / Edgar Huntly; Godwin, William / 1756-1836 / Things as they are; Cooper, James Fenimore / 1789-1851; Poe, Edgar Allan / 1809-1849; Brown, Charles Brockden / 1771-1810; Godwin, William / 1756-1836; Cooper, James Fenimore / 1789-1851; Poe, Edgar Allan / 1809-1849; Cooper, James Fenimore (1789-1851); Poe, Edgar Allan (1809-1849); Brown, Charles Brockden (1771-1810): Edgar Huntly; Godwin, William (1756-1836): Things as they are
    Umfang: 1 Online-Ressource (xiv, 125 pages)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (pages 107-122) and index

    Dreaming Revolution usefully employs current critical theory to address how the European novel of class revolt was transformed into the American novel of imperial expansion. Bradfield shows that early American romantic fiction - including works by William Godwin, Charles Brockden Brown, James Fenimore Cooper, and Edgar Allan Poe - can and should be considered as part of a genre too often limited to the Nineteenth-century European novel. Beginning with Godwin's Caleb Williams, Bradfield describes the ways in which revolution legitimates itself as a means of establishing Political consensus. For European revolutionaries like Godwin or Rousseau, the tyranny of the king must be replaced by the more indisputable authority of human reason. In other words, democratic revolution makes people free to investigate the same truths and arrive at the same democratic conclusions. In the American novel, however, the Enlightenment's idealized pursuit of abstract truth becomes restructured as a pursuit of abstract space. Instead of revealing knowledge, Americans explore further territories, manifest destiny, limitless regions of the yet-to-be-colonized and the still-to-be-known. In a spirited discussion of works by Brown, Cooper and Poe, Bradfield argues that Americans take the class dynamics of the European psychological novel and apply them to the American landscape, reimagining psychological spaces as geographical ones. Class distinctions become refigured in terms of the common people's pursuit of a meaning vaster than themselves - a meaning which leads them to imagine the always expanding body of colonial America. However, since class conflict is never successfully eliminated or forgotten, the memory of class struggle always reemerges in the narrative like a half-repressed dream of politics. In Dreaming Revolution, Bradfield reveals and interprets these dreams, opening these American novels to a richer and more rewarding reading

    The whole truth : Caleb Williams and the transgression of class -- The great sea-change : Edgar Huntly and the transgression of space -- James Fenimore Cooper and the return of the king -- Edgar Allan Poe and the exaltation of form

  2. Writing revolution
    aesthetics and politics in Hawthorne, Whitman, and Thoreau
    Erschienen: c2003
    Verlag:  University of Georgia Press, Athens

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0820327204; 9780820323923; 9780820327204
    RVK Klassifikation: HT 1520 ; HT 5405 ; HT 6715 ; HT 6915
    Schlagworte: Littérature américaine / 19e siècle / Histoire et critique; Politique et littérature / États-Unis / Histoire / 19e siècle; Littérature révolutionnaire américaine / Histoire et critique; Esthétique américaine; LITERARY CRITICISM / American / General; Poetik; Politische Ästhetik; Politisches Denken; Aesthetics; Aesthetics, American; American literature; Political and social views; Politics and literature; Revolutionary literature, American; Geschichte; Ästhetik; American literature; Politics and literature; Revolutionary literature, American; Aesthetics, American; Poetik; Politisches Denken
    Weitere Schlagworte: Hawthorne, Nathaniel / 1804-1864 / Pensée politique et sociale; Thoreau, Henry David / 1817-1862 / Pensée politique et sociale; Whitman, Walt / 1819-1892 / Pensée politique et sociale; Hawthorne, Nathaniel / 1804-1864 / Esthétique; Thoreau, Henry David / 1817-1862 / Esthétique; Whitman, Walt / 1819-1892 / Esthétique; Hawthorne, Nathaniel; Thoreau, Henry David; Whitman, Walt; Hawthorne, Nathaniel / 1804-1864 / Political and social views; Thoreau, Henry David / 1817-1862 / Political and social views; Whitman, Walt / 1819-1892 / Political and social views; Hawthorne, Nathaniel / 1804-1864 / Aesthetics; Thoreau, Henry David / 1817-1862 / Aesthetics; Whitman, Walt / 1819-1892 / Aesthetics; Hawthorne, Nathaniel / 1804-1864; Thoreau, Henry David / 1817-1862; Whitman, Walt / 1819-1892; Hawthorne, Nathaniel (1804-1864); Thoreau, Henry David (1817-1862); Whitman, Walt (1819-1892); Hawthorne, Nathaniel (1804-1864); Thoreau, Henry David (1817-1862); Whitman, Walt (1819-1892); Thoreau, Henry David (1817-1862); Hawthorne, Nathaniel (1804-1864); Whitman, Walt (1819-1892)
    Umfang: 1 Online-Ressource (vii, 221 p.)
    Bemerkung(en):

    Includes bibliographical references (p. 203-212) and index

    Introduction : the Eighteenth Brumaire and the Magic lantern -- Hawthorne's drama of revolt -- Mauling Governor Pyncheon -- Moonshine and masquerade -- Whitman in 1855 : against representation -- 1856 and after -- To reconcile the people and the stones -- Division and revenge -- Conclusion : civil wars

    "In Writing Revolution, Peter J. Bellis explores the ways in which literature can engage with - rather than escape from or obscure - social and political issues." "Bellis argues that a number of nineteenth-century American writers, including Nathanial Hawthorne, Henry David Thoreau, and Walt Whitman, saw their texts as spaces where alternative social and cultural possibilities could be suggested and explored. All writing in the same historical moment, Bellis's subjects were responding to the same cluster of issues: the need to redefine America identity after the Revolution, the problem of race slavery, and the growing industrialization of American society." "In addition to covering selected works by Hawthorne, Whitman, and Thoreau, Bellis also examines powerful works of social and political critique by Louisa May Alcott and Margaret Fuller. With its suggestions for new ways of reading antebellum American writing, Writing Revolution breaks through the thickets of contemporary literary discourse and will spark debate in the literary community."--Jacket