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  1. Writing the new Berlin
    the German capital in post-Wall literature
    Autor*in: Gerstenberger, Katharina
    Erschienen: 2008
    Verlag:  Boydell & Brewer, Suffolk

    The wall was still coming down when critics began to call for the great Berlin novel that could explain what was happening to Germany and the Germans. Such a novel never appeared. Instead, writers have created a patchwork imaginary - in the form of... mehr

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    The wall was still coming down when critics began to call for the great Berlin novel that could explain what was happening to Germany and the Germans. Such a novel never appeared. Instead, writers have created a patchwork imaginary - in the form of about 300 works of fiction set in Berlin - of a city and a nation whose identity collapsed virtually overnight. Contributors to this literary collage include established writers like Peter Schneider and Christa Wolf, young authors like Tanja Dückers and Ingo Schramm, German-Turkish authors Zafer Senocak and Yadé Kara, and the Austrians Kathrin Röggla and Marlene Streeruwitz. The non-arrival of the great Berlin novel marks the reorientation in German culture and literature that is the focus of this study: the experience of unification was too diverse, too postmodern, too influenced by global developments to be captured by one novel. Berlin literature of the postunification decade is marked by ambiguity: change is linked to questions of historical continuity; postmodern simulation finds its counterpart in a quest for authenticity; and the assimilation of Germanness into European and global contexts is both liberation and loss. This book pursues a nuanced understanding of the search for new ways to tell the story of Germany's past and of its importance for the formation of a new German identity. Katharina Gerstenberger is associate professor of German at the University of Cincinnati Introduction: newness and its discontents: Berlin literature in the 1990s and beyond -- Erotic sites: sexual topographies after the Wall -- Bodies and borders: the monsters of Berlin -- Multicultural Germans and Jews of many cultures: imagining "Jewish Berlin" -- Goodbye to East Berlin -- Looking for perspectives: the construction at Potsdamer Platz

     
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  2. Literature and German reunification
    Autor*in: Brockmann, Stephen
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge

    This book is a systematic attempt to examine the literary consequences of German reunification. Placing the concept of the Kulturnation at the centre of its analysis, the book explores the ways in which literature both responds to and helps to... mehr

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    This book is a systematic attempt to examine the literary consequences of German reunification. Placing the concept of the Kulturnation at the centre of its analysis, the book explores the ways in which literature both responds to and helps to constitute notions of German national identity. Previous studies of German literature have tended to avoid the problem of nationhood: this is one of the few books in any language to treat contemporary Germany as a cultural and national unity. The book discusses German literature from the early 1980s through the late 1990s, with a primary focus on the way in which authors of the 1990s have sought to cope with and respond to reunification and emerging questions about history, politics and identity. Larger questions are addressed about the role of both the nation and a national literature in the context of economic and political globalization Introduction: locating the nation -- Searching for Germany in the 1980s -- A third path? -- Literature and politics -- Literature and the Stasi -- The rebirth of tragedy -- The defense of childhood and the guilt of the fathers -- The time and the place of the nation

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511519468
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    Schriftenreihe: Cambridge studies in German
    Schlagworte: Literature and society; German reunification question (1949-1990) in literature; Politics and literature; German literature; German literature ; 20th century ; History and criticism; Politics and literature ; Germany ; History ; 20th century; Literature and society ; Germany ; History ; 20th century; German reunification question (1949-1990) in literature; Germany ; History ; Unification, 1990
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  3. German literary culture at the zero hour
    Autor*in: Brockmann, Stephen
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    In the immediate aftermath of the Second World War, German intellectuals and writers were forced to confront perhaps the most difficult complex of problems ever faced by modern intellectuals in the western world: the complete defeat and devastation... mehr

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    In the immediate aftermath of the Second World War, German intellectuals and writers were forced to confront perhaps the most difficult complex of problems ever faced by modern intellectuals in the western world: the complete defeat and devastation of their country, the crimes of the Hitler dictatorship, the onset of the Cold War, and ultimately the political division of the nation. To a large extent these debates took place in literature and literary discourse, and they continue to have pressing relevance for Germany today, when the country is rediscovering and exploring this previously neglected period in literature and film. Yet the period has been neglected in scholarship, and is little understood; for the first time in English, this book offers a systematic overview of the hotly contested intellectual debates of this period: the problem of German guilt, the question of the return of literary and political émigrés such as Thomas Mann, the relevance of the cultural tradition of German humanism for the postwar period, the threat of nihilism, the politicization of literature, and the status of German young people who had been indoctrinated by the Nazis. Stephen Brockmann challenges the received wisdom that the immediate postwar period in Germany was intellectually barren, characterized primarily by silence on the major issues of the day; he reveals, in addition to attempts to obfuscate those issues, a German intellectual-and literary-world characterized by an often high level of dialogue and debate. Stephen Brockmann is professor of German at Carnegie Mellon University. He is the recipient of the 2007 DAAD (German Academic Exchange Service) Prize for Distinguished Scholarship in German and European Studies/Humanities Introduction: the zero hour -- The consciousness of German guilt -- The writer, the conscience, and absolute presence -- Two kinds of emigration -- The property of the nation -- Yogis and commissars -- A German generation gap? -- The darkening of consciousness -- Postscript: revisiting the zero hour

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136527
    Schlagworte: Literature and society; Authors, German; German literature; German literature ; 20th century ; History and criticism; Literature and society ; Germany ; History ; 20th century; Authors, German ; 20th century ; Political and social views; Germany ; Intellectual life ; 20th century
    Umfang: 1 Online-Ressource (xi, 295 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  4. Writing the new Berlin
    the German capital in post-Wall literature
    Autor*in: Gerstenberger, Katharina
    Erschienen: 2008
    Verlag:  Boydell & Brewer, Suffolk

    The wall was still coming down when critics began to call for the great Berlin novel that could explain what was happening to Germany and the Germans. Such a novel never appeared. Instead, writers have created a patchwork imaginary - in the form of... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    The wall was still coming down when critics began to call for the great Berlin novel that could explain what was happening to Germany and the Germans. Such a novel never appeared. Instead, writers have created a patchwork imaginary - in the form of about 300 works of fiction set in Berlin - of a city and a nation whose identity collapsed virtually overnight. Contributors to this literary collage include established writers like Peter Schneider and Christa Wolf, young authors like Tanja Dückers and Ingo Schramm, German-Turkish authors Zafer Senocak and Yadé Kara, and the Austrians Kathrin Röggla and Marlene Streeruwitz. The non-arrival of the great Berlin novel marks the reorientation in German culture and literature that is the focus of this study: the experience of unification was too diverse, too postmodern, too influenced by global developments to be captured by one novel. Berlin literature of the postunification decade is marked by ambiguity: change is linked to questions of historical continuity; postmodern simulation finds its counterpart in a quest for authenticity; and the assimilation of Germanness into European and global contexts is both liberation and loss. This book pursues a nuanced understanding of the search for new ways to tell the story of Germany's past and of its importance for the formation of a new German identity. Katharina Gerstenberger is associate professor of German at the University of Cincinnati Introduction: newness and its discontents: Berlin literature in the 1990s and beyond -- Erotic sites: sexual topographies after the Wall -- Bodies and borders: the monsters of Berlin -- Multicultural Germans and Jews of many cultures: imagining "Jewish Berlin" -- Goodbye to East Berlin -- Looking for perspectives: the construction at Potsdamer Platz

     
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  5. German literary culture at the zero hour
    Autor*in: Brockmann, Stephen
    Erschienen: 2004
    Verlag:  Boydell & Brewer, Suffolk

    In the immediate aftermath of the Second World War, German intellectuals and writers were forced to confront perhaps the most difficult complex of problems ever faced by modern intellectuals in the western world: the complete defeat and devastation... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In the immediate aftermath of the Second World War, German intellectuals and writers were forced to confront perhaps the most difficult complex of problems ever faced by modern intellectuals in the western world: the complete defeat and devastation of their country, the crimes of the Hitler dictatorship, the onset of the Cold War, and ultimately the political division of the nation. To a large extent these debates took place in literature and literary discourse, and they continue to have pressing relevance for Germany today, when the country is rediscovering and exploring this previously neglected period in literature and film. Yet the period has been neglected in scholarship, and is little understood; for the first time in English, this book offers a systematic overview of the hotly contested intellectual debates of this period: the problem of German guilt, the question of the return of literary and political émigrés such as Thomas Mann, the relevance of the cultural tradition of German humanism for the postwar period, the threat of nihilism, the politicization of literature, and the status of German young people who had been indoctrinated by the Nazis. Stephen Brockmann challenges the received wisdom that the immediate postwar period in Germany was intellectually barren, characterized primarily by silence on the major issues of the day; he reveals, in addition to attempts to obfuscate those issues, a German intellectual-and literary-world characterized by an often high level of dialogue and debate. Stephen Brockmann is professor of German at Carnegie Mellon University. He is the recipient of the 2007 DAAD (German Academic Exchange Service) Prize for Distinguished Scholarship in German and European Studies/Humanities Introduction: the zero hour -- The consciousness of German guilt -- The writer, the conscience, and absolute presence -- Two kinds of emigration -- The property of the nation -- Yogis and commissars -- A German generation gap? -- The darkening of consciousness -- Postscript: revisiting the zero hour

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781571136527
    Schlagworte: Literature and society; Authors, German; German literature; German literature ; 20th century ; History and criticism; Literature and society ; Germany ; History ; 20th century; Authors, German ; 20th century ; Political and social views; Germany ; Intellectual life ; 20th century
    Umfang: 1 Online-Ressource (xi, 295 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  6. Literature and German reunification
    Autor*in: Brockmann, Stephen
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge

    This book is a systematic attempt to examine the literary consequences of German reunification. Placing the concept of the Kulturnation at the centre of its analysis, the book explores the ways in which literature both responds to and helps to... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    This book is a systematic attempt to examine the literary consequences of German reunification. Placing the concept of the Kulturnation at the centre of its analysis, the book explores the ways in which literature both responds to and helps to constitute notions of German national identity. Previous studies of German literature have tended to avoid the problem of nationhood: this is one of the few books in any language to treat contemporary Germany as a cultural and national unity. The book discusses German literature from the early 1980s through the late 1990s, with a primary focus on the way in which authors of the 1990s have sought to cope with and respond to reunification and emerging questions about history, politics and identity. Larger questions are addressed about the role of both the nation and a national literature in the context of economic and political globalization Introduction: locating the nation -- Searching for Germany in the 1980s -- A third path? -- Literature and politics -- Literature and the Stasi -- The rebirth of tragedy -- The defense of childhood and the guilt of the fathers -- The time and the place of the nation

     
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    Quelle: Staatsbibliothek zu Berlin
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    ISBN: 9780511519468
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    Schriftenreihe: Cambridge studies in German
    Schlagworte: Literature and society; German reunification question (1949-1990) in literature; Politics and literature; German literature; German literature ; 20th century ; History and criticism; Politics and literature ; Germany ; History ; 20th century; Literature and society ; Germany ; History ; 20th century; German reunification question (1949-1990) in literature; Germany ; History ; Unification, 1990
    Umfang: 1 Online-Ressource (xii, 245 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  7. Critique de la faculté de juger de Kant - Analytique du beau (Commentaire)
    Comprendre la philosophie avec lePetitPhilosophe.fr
    Autor*in: Salmeron, François
    Erschienen: 2014
    Verlag:  Primento Digital, Cork

    Plongez-vous dans l'analytique du beau dans Critique de la faculté de juger d'Emmanuel Kant pour approfondir votre compréhension de l'œuvre !Que retenir de l'analytique du beau dans Critique de la faculté de juger, le troisième volet du criticisme... mehr

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    Plongez-vous dans l'analytique du beau dans Critique de la faculté de juger d'Emmanuel Kant pour approfondir votre compréhension de l'œuvre !Que retenir de l'analytique du beau dans Critique de la faculté de juger, le troisième volet du criticisme kantien ? Retrouvez toutes les subtilités de ce passage dans un commentaire original et complet pour approfondir votre réflexion sur ce livre. Vous trouverez dans cette fiche : Une introduction sur l'œuvre et son auteur Une mise en contexte L'explication et l'analyse du texte ConclusionL'outil indispensable pour percevoir rapidement ce qui fait de c

     
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    Quelle: Verbundkataloge
    Sprache: Französisch
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    ISBN: 9782806246172
    Schriftenreihe: Commentaire Philosophique Ser.
    Schlagworte: Censorship in literature; Literature and society-Germany-History-19th century; Literature and society-Germany-History-20th century; Censorship in literature..; Literature and society ; Germany ; History ; 19th century..; Literature and society ; Germany ; History ; 20th century; Electronic books
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    Description based upon print version of record

    Page de titre; Kant; Critique de la faculté de juger; Mise en contexte; Place et rôle de la Critique de la faculté de juger; Qu'est-ce que la faculté de juger esthétique ?; « L'Analytique du beau » et les quatre modalités de l'entendement; Explication et analyse du texte; Le beau suivant la qualité se fonde sur une « satisfaction désintéressée » ( 1-5); Le jugement esthétique n'est pas un jugement logique ( 1); Le jugement esthétique est « pur » ( 2); Le beau n'est synonyme ni d'agréable ni de bon ( 3-5); Le beau suivant la quantité plait « universellement sans concept » ( 6-9)

    L'universalité subjective du jugement de gout ( 6-8)Le sentiment de plaisir précède-t-il le jugement de gout, ou est-ce l'inverse ? ( 9); Le beau suivant la relation se comprend comme une « finalité sans fin » ( 10-17); Quel est le principe déterminant du jugement de gout ? ( 11-13); La beauté n'est pas synonyme de perfection ( 15); Beauté libre et beauté adhérente ( 16-17); La modalité du jugement de gout : une relation nécessaire à la satisfaction ( 18-22); Le beau est l'objet d'une satisfaction nécessaire ( 18); Le sens commun esthétique ( 20); Conclusion; Pour aller plus loin

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