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  1. Expressions of self in Chinese literature
    Beteiligt: Hegel, Robert E. (Herausgeber); Hessney, Richard C. (Herausgeber)
    Erschienen: 1985
    Verlag:  Columbia University Press, New York [u.a.]

    Standort:
    Ruhr-Universität Bochum, Fakultät für Ostasienwissenschaften, Bibliothek
    Signatur:
    Bkd 165
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Bonn, Institut für Orient- und Asienwissenschaften, Bibliothek
    Signatur:
    895.109384 H462 E96 1985
    Fernleihe:
    keine Fernleihe

    Standort:
    Gemeinsame Fachbibliothek Asien / China
    Signatur:
    CHIN/895.109-14
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Trier
    Signatur:
    HB/od7971
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Hegel, Robert E. (Herausgeber); Hessney, Richard C. (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 0231058284; 0231058292
    Schriftenreihe: Studies in oriental culture ; no. 19
    Schlagworte: Literatur - Geschichte - Kritik - China; Self in literature; Chinesisch; Selbst; Literatur
    Umfang: XV, 467 Seiten, 25 cm
    Bemerkung(en):

    Includes bibliographical references (p. [385]-432) and index

    Inhalt: Preface -- Contributors -- INTRODUCTION: An Exploration of the Chinese Literary Self / Robert E. Hegel -- PT. I. SELF IN POETRY AND CRITICISM -- The Dusty Mirror: Courtly Portraits of Woman in Southern Dynasties Love Poetry / Anne M. Birrell -- Structuring a Second Creation: Evolution of the Self in Imaginary Landscapes / Frances LaFleur Mochida -- The Expression of Self in the Kung-an School: Non-Romantic Individualism / Jonathan Chaves -- PT. II. SELF IN DRAMA AND FICTION THE SELF IN CONFLICT -- Paradigms of Change in a T'ang Legend / Catherine Swatek -- The Fiction of Moral Duty: The Vernacular Story in the 1640s / Patrick Hanan -- Beyond Beauty and Talent: The Moral and Chivalric Self in The Fortunate Union / Richard C. Hessney -- Maids and Servants in Dream of the Red Chamber: Individuality and the Social Order / Marsha L. Wagner -- The Solitary Traveler: Images of the Self in Modern Chinese Literature / Leo Ou-fan Lee -- Perceptions of Self and Values in Recent Chinese Literature / Edward M. Gunn, Jr. -- The Search for Identity in Fiction from Taiwan / Robert E. Hegel -- AN OVERVIEW -- Duty, Reputation, and Selfhood in Traditional Chinese Narratives / Joseph S. M. Lau -- Notes -- Glossary -- Index
  2. From historicity to fictionality
    the Chinese poetics of narrative
    Autor*in: Lu, Sheldon H.
    Erschienen: 1994
    Verlag:  Stanford Univ. Press, Stanford, Calif.

    Standort:
    Ruhr-Universität Bochum, Fakultät für Ostasienwissenschaften, Bibliothek
    Signatur:
    Bld 82
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Bonn, Institut für Orient- und Asienwissenschaften, Bibliothek
    Signatur:
    895.1308109 L926 H673 1994
    Fernleihe:
    keine Fernleihe

    Standort:
    Gemeinsame Fachbibliothek Asien / China
    Signatur:
    CHIN/895.11-31
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Trier
    Signatur:
    HO/od19382
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Wuppertal
    Signatur:
    HEM1372
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    ISBN: 0804723192
    Schlagworte: Literatur - Geschichte - Kritik - China; Chinese fiction / History and criticism; Narration (Rhetoric); Erzähltheorie; Chinesisch; Xiaoshuo
    Umfang: VIII, 213 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [183] - 196) and indexes

    Publisher's description: In the past several decades, one of the most prominent developments in Western literary studies has been the intense interest in "narrative theory" and the study of narrative in general. The Western poetics of narrative dates back to Plato and Aristotle, and developed out of the unique philosophical and literary background of the West. The author suggests that a richer, more general, comparative poetics of narrative can be achieved by encompassing non-Western narrative traditions, such as that of China. This is the first comprehensive work in English on the complex history and theory of traditional Chinese narrative. It describes the major Chinese conventions and strategies for interpreting narrative works, both historical and fictional, from the earliest narratives through those of the Ching dynasty. For most of China's recorded history, historical authenticity and factual accuracy were paramount in the production and reception of narrative texts. Fictional narratives were theorized and judged in accordance with the standards of historical narratives. In short, narrative was history, and fiction was defective history. Furthermore, the state made great efforts to control fiction by suppression (censorship) and disavowal (denigration and trivialization). It was only with the widespread popularity of novels in the Ming and Ching dynasties that Chinese theorists were able to come to terms with fiction and dehistoricize the poetics of narrative by allowing and recognizing invention and fabrication in narrative texts. At this time, the Chinese poetics of narrative moved away from the long-held centrality of historicity, and critics acknowledged that good fiction can penetrate the nature and feelings of human beings in ways that other writings cannot, and that a reader is able to discover the uttermost principles of life in fiction just as in the Confucian classics and historical writings.

    Publisher description: Narrative was no longer assigned the function it had, for some 2,000 years, of being a "factual record" or "credible history." Its existence was justified because it conjured up a world that was lifelike and credible. In the process of tracing the long history of Chinese narrative, the author employs both Chinese and Western theoretical writings to chart convergences and differences in Chinese and Western literary theory and criticism.

    Teilw. zugl.: Bloomington, Ind., Indiana Univ., Diss., 1990, u.d.T.: Lu, Sheldon Hsiao-peng: The order of narrative discourse
  3. Expressions of self in Chinese literature
    Beteiligt: Hegel, Robert E (Herausgeber); Hessney, Richard C (Herausgeber)
    Erschienen: 1985
    Verlag:  Columbia University Press, New York [u.a.]

    Standort:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Trier
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Hegel, Robert E (Herausgeber); Hessney, Richard C (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0231058284; 0231058292
    Schriftenreihe: Studies in oriental culture ; no. 19
    Schlagworte: Literatur - Geschichte - Kritik - China; Self in literature
    Umfang: XV, 467 Seiten, 25 cm
    Bemerkung(en):

    Includes bibliographical references (p. [385]-432) and index

    Inhalt: Preface -- Contributors -- INTRODUCTION: An Exploration of the Chinese Literary Self / Robert E. Hegel -- PT. I. SELF IN POETRY AND CRITICISM -- The Dusty Mirror: Courtly Portraits of Woman in Southern Dynasties Love Poetry / Anne M. Birrell -- Structuring a Second Creation: Evolution of the Self in Imaginary Landscapes / Frances LaFleur Mochida -- The Expression of Self in the Kung-an School: Non-Romantic Individualism / Jonathan Chaves -- PT. II. SELF IN DRAMA AND FICTION THE SELF IN CONFLICT -- Paradigms of Change in a T'ang Legend / Catherine Swatek -- The Fiction of Moral Duty: The Vernacular Story in the 1640s / Patrick Hanan -- Beyond Beauty and Talent: The Moral and Chivalric Self in The Fortunate Union / Richard C. Hessney -- Maids and Servants in Dream of the Red Chamber: Individuality and the Social Order / Marsha L. Wagner -- The Solitary Traveler: Images of the Self in Modern Chinese Literature / Leo Ou-fan Lee -- Perceptions of Self and Values in Recent Chinese Literature / Edward M. Gunn, Jr. -- The Search for Identity in Fiction from Taiwan / Robert E. Hegel -- AN OVERVIEW -- Duty, Reputation, and Selfhood in Traditional Chinese Narratives / Joseph S. M. Lau -- Notes -- Glossary -- Index
  4. From historicity to fictionality
    the Chinese poetics of narrative
    Autor*in: Lu, Sheldon H
    Erschienen: 1994
    Verlag:  Stanford Univ. Press, Stanford, Calif.

    Standort:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Trier
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Wuppertal
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 0804723192
    Schlagworte: Literatur - Geschichte - Kritik - China; Chinese fiction / History and criticism; Narration (Rhetoric)
    Umfang: VIII, 213 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [183] - 196) and indexes

    Publisher's description: In the past several decades, one of the most prominent developments in Western literary studies has been the intense interest in "narrative theory" and the study of narrative in general. The Western poetics of narrative dates back to Plato and Aristotle, and developed out of the unique philosophical and literary background of the West. The author suggests that a richer, more general, comparative poetics of narrative can be achieved by encompassing non-Western narrative traditions, such as that of China. This is the first comprehensive work in English on the complex history and theory of traditional Chinese narrative. It describes the major Chinese conventions and strategies for interpreting narrative works, both historical and fictional, from the earliest narratives through those of the Ching dynasty. For most of China's recorded history, historical authenticity and factual accuracy were paramount in the production and reception of narrative texts. Fictional narratives were theorized and judged in accordance with the standards of historical narratives. In short, narrative was history, and fiction was defective history. Furthermore, the state made great efforts to control fiction by suppression (censorship) and disavowal (denigration and trivialization). It was only with the widespread popularity of novels in the Ming and Ching dynasties that Chinese theorists were able to come to terms with fiction and dehistoricize the poetics of narrative by allowing and recognizing invention and fabrication in narrative texts. At this time, the Chinese poetics of narrative moved away from the long-held centrality of historicity, and critics acknowledged that good fiction can penetrate the nature and feelings of human beings in ways that other writings cannot, and that a reader is able to discover the uttermost principles of life in fiction just as in the Confucian classics and historical writings

    Publisher description: Narrative was no longer assigned the function it had, for some 2,000 years, of being a "factual record" or "credible history." Its existence was justified because it conjured up a world that was lifelike and credible. In the process of tracing the long history of Chinese narrative, the author employs both Chinese and Western theoretical writings to chart convergences and differences in Chinese and Western literary theory and criticism

    Bloomington, Ind., Indiana Univ., Diss., 1990, u.d.T.: Lu, Sheldon Hsiao-peng: The order of narrative discourse