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  1. Taste and knowledge in early modern England
    Erschienen: 2020
    Verlag:  Cambridge University Press, Cambridge

    Elizabeth Swann investigates the relationship between the physical sense of taste and taste as a figurative term associated with knowledge and judgment in early modern literature and culture. She argues that - unlike aesthetic taste in the eighteenth... mehr

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    Elizabeth Swann investigates the relationship between the physical sense of taste and taste as a figurative term associated with knowledge and judgment in early modern literature and culture. She argues that - unlike aesthetic taste in the eighteenth century - discriminative taste was entwined with embodied experience in this period. Although taste was tarnished by its associations with Adam and Eve's fall from Eden, it also functioned positively, as a source of useful, and potentially redemptive, literary, spiritual, experimental, and intersubjective knowledge. Taste and Knowledge in Early Modern England juxtaposes canonical literary works by authors such as Shakespeare with a broad range of medical, polemical, theological, philosophical, didactic, and dietetic sources. In doing so, the book reveals the central importance of taste to the experience and articulation of key developments in the literate, religious, and social cultures of the sixteenth and seventeenth centuries.

     

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  2. The value of time in early modern English literature
    Autor*in: Skouen, Tina
    Erschienen: [2018]
    Verlag:  Routledge, London

    A history of haste -- Quality versus quantity: the poetics of slow writing -- "Not published rashly": Henry Peacham's emblems -- "The poetess's hasty resolution": Margaret Cavendish -- The danger of delay: the first booke of the Christian exercise... mehr

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    A history of haste -- Quality versus quantity: the poetics of slow writing -- "Not published rashly": Henry Peacham's emblems -- "The poetess's hasty resolution": Margaret Cavendish -- The danger of delay: the first booke of the Christian exercise and its afterlife -- Afterword: the digital age of speed.

     

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  3. Redefining Elizabethan literature
    Erschienen: 2004
    Verlag:  Cambridge University Press, Cambridge

    Redefining Elizabethan Literature examines the new definitions of literature and authorship that emerged in one of the most remarkable decades in English literary history, the 1590s. Georgia Brown analyses the period's obsession with shame as both a... mehr

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    Redefining Elizabethan Literature examines the new definitions of literature and authorship that emerged in one of the most remarkable decades in English literary history, the 1590s. Georgia Brown analyses the period's obsession with shame as both a literary theme and a conscious authorial position. She explores the related obsession of this generation of authors with fragmentary and marginal forms of expression, such as the epyllion, paradoxical encomium, sonnet sequence, and complaint. Combining developments in literary theory with close readings of a wide range of Elizabethan texts, Brown casts light on the wholesale eroticisation of Elizabethan literary culture, the form and meaning of Englishness, the function of gender and sexuality in establishing literary authority, and the contexts of the works of Shakespeare, Marlowe, Spenser and Sidney. This study will be of great interest to scholars of Renaissance literature as well as cultural history and gender studies Generating waste : Thomas Nashe and the production of professional authorship -- Literature as fetish -- Shame and the subject of history

     

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  4. Rhetoric and courtliness in early modern literature
    Erschienen: 2003
    Verlag:  Cambridge University Press, Cambridge

    Rhetoric and Courtliness in Early Modern Literature explores the early modern interest in conversation as a newly identified art. Conversation was widely accepted to have been inspired by the republican philosopher Cicero. Recognizing his influence... mehr

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    Rhetoric and Courtliness in Early Modern Literature explores the early modern interest in conversation as a newly identified art. Conversation was widely accepted to have been inspired by the republican philosopher Cicero. Recognizing his influence on courtesy literature - the main source for 'civil conversation' - Jennifer Richards uncovers alternative ways of thinking about humanism as a project of linguistic and social reform. She argues that humanists explored styles of conversation to reform the manner of association between male associates; teachers and students, buyers and sellers, and settlers and colonial others. They reconsidered the meaning of 'honesty' in social interchange in an attempt to represent the tension between self-interest and social duty. Richards explores the interest in civil conversation among mid-Tudor humanists, John Cheke, Thomas Smith and Roger Ascham, as well as their self-styled successors, Gabriel Harvey and Edmund Spenser Types of honesty: civil and domestical conversation -- From rhetoric to conversation: reading for Cicero in The Book of the Courtier -- Honest rivarlries: Tudor humanism and linguistic and social reform -- Honest speakers: social commerce and civil conversation -- A commonwealth of letters: Harvey and Spenser in dialogue -- A new poet, a new social economy: homosociality in the Shepheardes Calender

     

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  5. Theatre and humanism
    English drama in the sixteenth century
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge

    English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some... mehr

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    English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some theories of early Renaissance theatre - particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to be reconsidered. He proposes instead that humanist drama of the sixteenth century is theatrically exciting - rather than literary, elitist and dull as it has often been seen - and socially significant, and he attempts to integrate popular and humanist values rather than setting them against each other. Taking as examples the plays of Marlowe, Heywood, Lyly and Greene, as well as many by lesser-known dramatists, the book demonstrates the contribution of humanist drama to the theatrical vitality of the sixteenth century The humanism of acting: John Heywood's The foure pp -- Wit and science and the dramaturgy of learning -- Playing against type: Gammer Gurton's needle -- Time, tyranny, and suspense in political drama of the 1560s -- Humanism and the dramatizing of women -- The confusions of Gallathea: John Lyly as popular dramatist -- Bearing witness to Tamburlaine, part 1 -- Robert Greene's Friar Bacon and Friar Bungay: the commonwealth of the present moment

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483479
    Weitere Identifier:
    Schlagworte: Renaissance; Humanists; Theater; English drama; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; Theater ; England ; History ; 16th century; Renaissance ; England; Humanists ; England; England ; Intellectual life ; 16th century
    Umfang: 1 Online-Ressource (x, 321 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  6. Redefining Elizabethan literature
    Erschienen: 2004
    Verlag:  Cambridge University Press, Cambridge

    Redefining Elizabethan Literature examines the new definitions of literature and authorship that emerged in one of the most remarkable decades in English literary history, the 1590s. Georgia Brown analyses the period's obsession with shame as both a... mehr

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    Redefining Elizabethan Literature examines the new definitions of literature and authorship that emerged in one of the most remarkable decades in English literary history, the 1590s. Georgia Brown analyses the period's obsession with shame as both a literary theme and a conscious authorial position. She explores the related obsession of this generation of authors with fragmentary and marginal forms of expression, such as the epyllion, paradoxical encomium, sonnet sequence, and complaint. Combining developments in literary theory with close readings of a wide range of Elizabethan texts, Brown casts light on the wholesale eroticisation of Elizabethan literary culture, the form and meaning of Englishness, the function of gender and sexuality in establishing literary authority, and the contexts of the works of Shakespeare, Marlowe, Spenser and Sidney. This study will be of great interest to scholars of Renaissance literature as well as cultural history and gender studies Generating waste : Thomas Nashe and the production of professional authorship -- Literature as fetish -- Shame and the subject of history

     

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  7. Rhetoric and courtliness in early modern literature
    Erschienen: 2003
    Verlag:  Cambridge University Press, Cambridge

    Rhetoric and Courtliness in Early Modern Literature explores the early modern interest in conversation as a newly identified art. Conversation was widely accepted to have been inspired by the republican philosopher Cicero. Recognizing his influence... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Rhetoric and Courtliness in Early Modern Literature explores the early modern interest in conversation as a newly identified art. Conversation was widely accepted to have been inspired by the republican philosopher Cicero. Recognizing his influence on courtesy literature - the main source for 'civil conversation' - Jennifer Richards uncovers alternative ways of thinking about humanism as a project of linguistic and social reform. She argues that humanists explored styles of conversation to reform the manner of association between male associates; teachers and students, buyers and sellers, and settlers and colonial others. They reconsidered the meaning of 'honesty' in social interchange in an attempt to represent the tension between self-interest and social duty. Richards explores the interest in civil conversation among mid-Tudor humanists, John Cheke, Thomas Smith and Roger Ascham, as well as their self-styled successors, Gabriel Harvey and Edmund Spenser Types of honesty: civil and domestical conversation -- From rhetoric to conversation: reading for Cicero in The Book of the Courtier -- Honest rivarlries: Tudor humanism and linguistic and social reform -- Honest speakers: social commerce and civil conversation -- A commonwealth of letters: Harvey and Spenser in dialogue -- A new poet, a new social economy: homosociality in the Shepheardes Calender

     

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  8. Theatre and humanism
    English drama in the sixteenth century
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge

    English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    English drama at the beginning of the sixteenth century was allegorical, didactic and moralistic; but by the end of the century theatre was censured as emotional and even immoral. How could such a change occur? Kent Cartwright suggests that some theories of early Renaissance theatre - particularly the theory that Elizabethan plays are best seen in the tradition of morality drama - need to be reconsidered. He proposes instead that humanist drama of the sixteenth century is theatrically exciting - rather than literary, elitist and dull as it has often been seen - and socially significant, and he attempts to integrate popular and humanist values rather than setting them against each other. Taking as examples the plays of Marlowe, Heywood, Lyly and Greene, as well as many by lesser-known dramatists, the book demonstrates the contribution of humanist drama to the theatrical vitality of the sixteenth century The humanism of acting: John Heywood's The foure pp -- Wit and science and the dramaturgy of learning -- Playing against type: Gammer Gurton's needle -- Time, tyranny, and suspense in political drama of the 1560s -- Humanism and the dramatizing of women -- The confusions of Gallathea: John Lyly as popular dramatist -- Bearing witness to Tamburlaine, part 1 -- Robert Greene's Friar Bacon and Friar Bungay: the commonwealth of the present moment

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483479
    Weitere Identifier:
    Schlagworte: Renaissance; Humanists; Theater; English drama; English drama ; Early modern and Elizabethan, 1500-1600 ; History and criticism; Theater ; England ; History ; 16th century; Renaissance ; England; Humanists ; England; England ; Intellectual life ; 16th century
    Umfang: 1 Online-Ressource (x, 321 pages), digital, PDF file(s)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

  9. The value of time in early modern English literature
    Autor*in: Skouen, Tina
    Erschienen: [2018]
    Verlag:  Routledge, London

    A history of haste -- Quality versus quantity: the poetics of slow writing -- "Not published rashly": Henry Peacham's emblems -- "The poetess's hasty resolution": Margaret Cavendish -- The danger of delay: the first booke of the Christian exercise... mehr

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    A history of haste -- Quality versus quantity: the poetics of slow writing -- "Not published rashly": Henry Peacham's emblems -- "The poetess's hasty resolution": Margaret Cavendish -- The danger of delay: the first booke of the Christian exercise and its afterlife -- Afterword: the digital age of speed.

     

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  10. Losing touch with nature
    literature and the new science in sixteenth-century England
    Erschienen: 2014
    Verlag:  Johns Hopkins University Press, Baltimore, Maryland

    Hochschulbibliothek Friedensau
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781421415321
    Schlagworte: Literature and science; Literature and society; English literature; English literature ; Early modern, 1500-1700 ; History and criticism ; Theory, etc; Literature and society ; England ; History ; 16th century; Literature and science ; England ; History ; 16th century; England ; Intellectual life ; 16th century; Electronic books
    Umfang: Online-Ressource (xi, 227 pages)
    Bemerkung(en):

    Includes bibliographical references and index

    Aristotelian naturalism and its discontentsLosing touch with nature -- Spenser and the new science -- Shakespeare: New forms of nothing -- Matter and power -- Epilogue: What about Bacon?