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<<The>> image of Venice in recent English fiction exemplified by Daphne Du Maurier's "Don't look now", Muriel Spark's "Territorial rights" and Ian McEwan's "The comfort of strangers"
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Myth, memory and the middlebrow
Priestley, du Maurier and the symbolic form of Englishness -
Myth, memory and the middlebrow
Priestley, du Maurier and the symbolic form of Englishness -
Myth, memory and the middlebrow
Priestley, du Maurier and the symbolic form of Englishness -
Daphne
a portrait of Daphne du Maurier -
The private world of Daphne Du Maurier
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Daphne DuMaurier
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Manderley forever
a biography of Daphne du Maurier -
Of revenants and after-lives
recurring representations of bridal madness in reworkings of "Jane Eyre" -
The private world of Daphne DuMaurier
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Manderley for ever
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The Du Mauriers just as they were
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Daphne du Maurier and her sisters
the hidden lives of Piffy, Bird and Bing -
Daphne Du Maurier at home
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The private world of Daphne Du Maurier
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Daphne du Maurier
a daughter's memoir -
Daphne
a portrait of Daphne du Maurier -
Daphne du Maurier
writing, identity and the Gothic imagination -
The Daphne du Maurier companion
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The Daphne du Maurier companion
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Daphne
a portrait of Daphne du Maurier -
The private world of Daphne DuMaurier
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The Daphne du Maurier companion
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The Daphne du Maurier companion
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Daphne
a portrait of Daphne du Maurier