Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
info(at)avldigital.remove-this.de
Deutsch English
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 5 von 5.

  1. Contemporary women playwrights
    into the twenty-first century
    Beteiligt: Farfan, Penny (Hrsg.)
    Erschienen: 2013
    Verlag:  Palgrave Macmillan, Basingstoke [u.a.]

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Farfan, Penny (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781137270795; 9781137270788
    RVK Klassifikation: EC 2230 ; EC 7507 ; EC 7508 ; HN 1220 ; HN 1261
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Drama / Women authors / History and criticism; Drama / History and criticism / 21st century; Drama / History and criticism / 20th century; Frauendrama; Englisch
    Umfang: XV, 306 S., 24 cm
  2. Home on the stage
    domestic spaces in modern drama
    Autor*in: Grene, Nicholas
    Erschienen: 2014
    Verlag:  Cambridge Univ. Press, Cambridge

    Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in... mehr

    Standort:
    Universität der Künste Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in America; 5. A Streetcar Named Desire: see-through representation; 6. Endgame: in the refuge; 7. The Homecoming: men's room; 8. Arcadia: seeing double; 9. Topdog/Underdog: welcome to the family; Conclusion: home base "As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams's A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in modern drama"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  3. Home on the stage
    domestic spaces in modern drama
    Autor*in: Grene, Nicholas
    Erschienen: 2014
    Verlag:  Cambridge Univ. Press, Cambridge

    Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in... mehr

     

    Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in America; 5. A Streetcar Named Desire: see-through representation; 6. Endgame: in the refuge; 7. The Homecoming: men's room; 8. Arcadia: seeing double; 9. Topdog/Underdog: welcome to the family; Conclusion: home base "As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams's A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in modern drama"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781107078093
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Domestic drama / History and criticism; Drama / History and criticism / 20th century; Drama / History and criticism / 21st century; Home in literature; Families in literature; DRAMA / English, Irish, Scottish, Welsh; Domestic drama; Drama; Home in literature / Criticism, interpretation, etc
    Umfang: X, 242 S., Ill., Kt.
    Bemerkung(en):

    Literaturverz. S. 228 - 236
  4. Contemporary women playwrights
    into the twenty-first century
    Beteiligt: Farfan, Penny (Hrsg.)
    Erschienen: 2013
    Verlag:  Palgrave Macmillan, Basingstoke [u.a.]

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Farfan, Penny (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781137270795; 9781137270788
    RVK Klassifikation: EC 2230 ; EC 7507 ; EC 7508 ; HN 1220 ; HN 1261
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Drama / Women authors / History and criticism; Drama / History and criticism / 21st century; Drama / History and criticism / 20th century; Frauendrama; Englisch
    Umfang: XV, 306 S., 24 cm
  5. Home on the stage
    domestic spaces in modern drama
    Autor*in: Grene, Nicholas
    Erschienen: 2014
    Verlag:  Cambridge Univ. Press, Cambridge

    Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in... mehr

    Standort:
    Universitätsbibliothek Bayreuth
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Machine generated contents note: Introduction: Ibsen and after; 1. A Doll's House: the drama of the interior; 2. The Cherry Orchard: all Russia; 3. Heartbreak House: waiting for the Zeppelin; 4. Long Day's Journey into Night: the Tyrones at home in America; 5. A Streetcar Named Desire: see-through representation; 6. Endgame: in the refuge; 7. The Homecoming: men's room; 8. Arcadia: seeing double; 9. Topdog/Underdog: welcome to the family; Conclusion: home base "As a serious drama set in an ordinary middle-class home, Ibsen's A Doll's House established a new politics of the interior that was to have a lasting impact upon twentieth-century drama. In this innovative study, Nicholas Grene traces the changing forms of the home on the stage through nine of the greatest of modern plays and playwrights. From Chekhov's The Cherry Orchard through to Williams's A Streetcar Named Desire, domestic spaces and personal crises have been employed to express wider social conditions and themes of class, gender and family. In the later twentieth century and beyond, the most radically experimental dramatists created their own challenging theatrical interiors, including Beckett in Endgame, Pinter in The Homecoming and Parks in Topdog/Underdog. Grene analyses the full significance of these versions of domestic spaces to offer fresh insights into the portrayal of the naturalistic environment in modern drama"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt