Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
info(at)avldigital.remove-this.de
Deutsch English
Filtern nach
Aktive Filter
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 2 von 2.

  1. Actors in the Audience
    Theatricality and Doublespeak from Nero to Hadrian
    Autor*in: Bartsch, Shadi
    Erschienen: [1994]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674280991; 9780674280984
    Weitere Identifier:
    Schriftenreihe: Revealing Antiquity ; 6
    Schlagworte: Latin literature / History and criticism; Theater / History / To 500; Literature and history / Rome; Theater audiences / Rome; Communication / Rome; LITERATURA LATINA (HISTÓRIA E CRÍTICA); TEATRO ROMANO (HISTÓRIA E CRÍTICA); Littérature latine / Histoire et critique; Littérature et histoire / Rome; Théâtre / Publics / Rome; Communication orale / Rome; Théâtre latin / Histoire et critique; Acteurs / Rome / Histoire; Empereurs / Rome / Dans la littérature; Empereurs / Dans la littérature; Geschichte; Lateinische Literatur; Emperors in literature; Role playing in literature; Dictators in literature; Rhetoric, Ancient; Politieke macht; Misleiding; Dramaturgie; Empereurs dans la littérature; Jeu de rôle dans la littérature; Dictateurs dans la littérature; Rhétorique ancienne; Communication; Historiography; Latin literature; Literature and history; Theater; Theater audiences; Rolle; Herrscherbild; Literatur; Kaiser; Theater; Latein
    Weitere Schlagworte: Nero Römisches Reich, Kaiser (37-68)
    Umfang: 1 Online-Ressource (vi,309p.)
    Bemerkung(en):

    This is a book about language, theatricality, and empire--about how the Roman emperor dramatized his rule and how his subordinates in turn staged their response. Informed by theories of dramaturgy, sociology, new historicism, and cultural criticism, this close reading of literary and historical texts gives us a new perspective on the politics of the Roman empire--and on the languages and representation of power

    When Nero took the stage, the audience played along--or else. The drama thus enacted, whether in the theater proper or in the political arena, unfolds in all its rich complexity in Actors in the Audience. This is a book about language, theatricality, and empire--about how the Roman emperor dramatized his rule and how his subordinates in turn staged their response. The focus is on Nero: his performances onstage spurred his contemporaries to reflect on the nature of power and representation, and to make the stage a paradigm for larger questions about the theatricality of power. Through these portrayals by ancient writers, Shadi Bartsch explores what happens to language and representation when all discourse is distorted by the pull of an autocratic authority. Some Roman senators, forced to become actors and dissimulators under the scrutinizing eye of the ruler, portrayed themselves and their class as the victims of regimes that are, for us, redolent of Stalinism. Other writers claimed that doublespeak--saying one thing and meaning two--was the way one could, and did, undo the constraining effects of imperial oppression. Tacitus, Suetonius, and Juvenal all figure in Bartsch's shrewd analysis of historical and literary responses to the brute facts of empire; even the Panegyricus of Pliny the Younger now appears as a reaction against the widespread awareness of dissimulation. Informed by theories of dramaturgy, sociology, new historicism, and cultural criticism, this close reading of literary and historical texts gives us a new perspective on the politics of the Roman empire--and on the languages and representation of power
  2. Actors in the Audience
    Theatricality and Doublespeak from Nero to Hadrian
    Autor*in: Bartsch, Shadi
    Erschienen: [1994]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Bamberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Coburg, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Kempten, Hochschulbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Passau
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674280991
    Weitere Identifier:
    Schriftenreihe: Revealing Antiquity ; 6
    Schlagworte: Latin literature / History and criticism; Theater / History / To 500; Literature and history / Rome; Theater audiences / Rome; Communication / Rome; LITERATURA LATINA (HISTÓRIA E CRÍTICA); TEATRO ROMANO (HISTÓRIA E CRÍTICA); Littérature latine / Histoire et critique; Littérature et histoire / Rome; Théâtre / Publics / Rome; Communication orale / Rome; Théâtre latin / Histoire et critique; Acteurs / Rome / Histoire; Empereurs / Rome / Dans la littérature; Empereurs / Dans la littérature; Geschichte; Lateinische Literatur; Emperors in literature; Role playing in literature; Dictators in literature; Rhetoric, Ancient; Politieke macht; Misleiding; Dramaturgie; Empereurs dans la littérature; Jeu de rôle dans la littérature; Dictateurs dans la littérature; Rhétorique ancienne; Communication; Historiography; Latin literature; Literature and history; Theater; Theater audiences; Rolle; Herrscherbild; Literatur; Kaiser; Theater; Latein
    Weitere Schlagworte: Nero Römisches Reich, Kaiser (37-68)
    Umfang: 1 Online-Ressource (vi,309p.)
    Bemerkung(en):

    This is a book about language, theatricality, and empire--about how the Roman emperor dramatized his rule and how his subordinates in turn staged their response. Informed by theories of dramaturgy, sociology, new historicism, and cultural criticism, this close reading of literary and historical texts gives us a new perspective on the politics of the Roman empire--and on the languages and representation of power

    When Nero took the stage, the audience played along--or else. The drama thus enacted, whether in the theater proper or in the political arena, unfolds in all its rich complexity in Actors in the Audience. This is a book about language, theatricality, and empire--about how the Roman emperor dramatized his rule and how his subordinates in turn staged their response. The focus is on Nero: his performances onstage spurred his contemporaries to reflect on the nature of power and representation, and to make the stage a paradigm for larger questions about the theatricality of power. Through these portrayals by ancient writers, Shadi Bartsch explores what happens to language and representation when all discourse is distorted by the pull of an autocratic authority. Some Roman senators, forced to become actors and dissimulators under the scrutinizing eye of the ruler, portrayed themselves and their class as the victims of regimes that are, for us, redolent of Stalinism. Other writers claimed that doublespeak--saying one thing and meaning two--was the way one could, and did, undo the constraining effects of imperial oppression. Tacitus, Suetonius, and Juvenal all figure in Bartsch's shrewd analysis of historical and literary responses to the brute facts of empire; even the Panegyricus of Pliny the Younger now appears as a reaction against the widespread awareness of dissimulation. Informed by theories of dramaturgy, sociology, new historicism, and cultural criticism, this close reading of literary and historical texts gives us a new perspective on the politics of the Roman empire--and on the languages and representation of power