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  1. The Art of Satire
    Autor*in: Worcester, David
    Erschienen: [1940]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Standort:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Link zum Verbundkatalog:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674594067; 9780674365599
    Weitere Identifier:
    Schlagworte: Satire, English / History and criticism; Literatur, Rhetorik, Literaturwissenschaft; Satire; Invective; Burlesques; Irony; Satire, English; Satire; Ironie; Literatur
    Umfang: 1 Online-Ressource (vii,191p.)
  2. Spenserian satire
    a tradition of indirection
    Autor*in: Hile, Rachel E.
    Erschienen: 2017
    Verlag:  Manchester University Press, Manchester

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    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Europa-Universität Viadrina, Universitätsbibliothek
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    Standort:
    Universität Potsdam, Universitätsbibliothek
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    Volltext (kostenfrei)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781526125132
    RVK Klassifikation: HI 3715
    Schriftenreihe: The Manchester Spenser
    Schlagworte: Satire
    Weitere Schlagworte: Spenser, Edmund (1552-1599); Spenser, Edmund / 1552?-1599 / Criticism and interpretation; Satire, English / History and criticism; Spenser, Edmund / 1552?-1599; Satire, English; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (viii, 202 Seiten)
  3. Avid ears
    medieval gossips, sound, and the art of listening
    Autor*in: Neufeld, Christine
    Erschienen: 2019
    Verlag:  Routledge, New York ; London

    "Arguing that women's "silencing" is in part the result of women's voices being treated as the white noise of history, Avid Ears: Medieval Gossips, Sound, and the Art of Listening explores the historical representation of female voices as actual... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Arguing that women's "silencing" is in part the result of women's voices being treated as the white noise of history, Avid Ears: Medieval Gossips, Sound, and the Art of Listening explores the historical representation of female voices as actual acoustic phenomena. The volume focuses on English antifeminist satire during the linguistically dynamic late Middle Ages to argue that the resonant gossips' circle offers a cultural poetics of listening for those attentive to medieval auditory regimes. Understanding what it means to listen from both medieval and modern perspectives can challenge, so this book argues, the specular logic informing a long satirical tradition that casts the noisy speaking woman as the nemesis who confirms the social authority of the erudite man. Discerning the acoustic preoccupations of the gossips' circle inevitably hovering behind the shrew, Avid Ears explains why the threat posed by a woman talking back to a man is only exceeded by that of a woman speaking to other women. The first book-length study to use sound studies to explore how gender registers in the medieval literary soundscape, Avid Ears attunes critics to how and what we hear when women speak in literature"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781138370449
    RVK Klassifikation: HH 4209 ; HH 4033
    Schriftenreihe: Routledge studies in medieval literature and culture ; 12
    Schlagworte: Mittelenglisch; Zuhören; Satire; Stimme <Motiv>; Klatsch <Motiv>; Frau <Motiv>
    Weitere Schlagworte: English literature / Middle English, 1100-1500 / History and criticism; Satire, English / History and criticism; English literature / Middle English; Gossip in literature; Listening in literature; Satire, English; Voice in literature; Women in literature; 1100-1500; Criticism, interpretation, etc
    Umfang: 211 Seiten, Illustrationen
    Bemerkung(en):

    Introduction: from unruly tongues to avid ears -- The philosopher and the shrew -- "Dame, let be thy din" -- Gathering the gossips -- Riotous voices and God's ear -- Following echo
  4. Avid ears
    medieval gossips, sound, and the art of listening
    Autor*in: Neufeld, Christine M.
    Erschienen: 2019; © 2019
    Verlag:  Routledge, New York, NY

    "Arguing that women's "silencing" is in part the result of women's voices being treated as the white noise of history, Avid Ears: Medieval Gossips, Sound, and the Art of Listening explores the historical representation of female voices as actual... mehr

     

    "Arguing that women's "silencing" is in part the result of women's voices being treated as the white noise of history, Avid Ears: Medieval Gossips, Sound, and the Art of Listening explores the historical representation of female voices as actual acoustic phenomena. The volume focuses on English antifeminist satire during the linguistically dynamic late Middle Ages to argue that the resonant gossips' circle offers a cultural poetics of listening for those attentive to medieval auditory regimes. Understanding what it means to listen from both medieval and modern perspectives can challenge, so this book argues, the specular logic informing a long satirical tradition that casts the noisy speaking woman as the nemesis who confirms the social authority of the erudite man. Discerning the acoustic preoccupations of the gossips' circle inevitably hovering behind the shrew, Avid Ears explains why the threat posed by a woman talking back to a man is only exceeded by that of a woman speaking to other women. The first book-length study to use sound studies to explore how gender registers in the medieval literary soundscape, Avid Ears attunes critics to how and what we hear when women speak in literature"--

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0429400136; 9780429681660; 0429681666; 9780429681653; 0429681658; 9780429681646; 042968164X; 9780429400131
    Schriftenreihe: Routledge studies in medieval literature and culture
    Routledge studies in medieval literature and culture
    Schlagworte: English literature / Middle English, 1100-1500 / History and criticism; Women in literature; Satire, English / History and criticism; Gossip in literature; Voice in literature; Listening in literature
    Umfang: 1 online resource (211 pages)
    Bemerkung(en):

    Description based on online resource; title from digital title page (viewed on February 19, 2019)
  5. Jonson, the poetomachia, and the reformation of Renaissance satire
    purging satire
    Autor*in: Simons, Jay
    Erschienen: 2018; © 2018
    Verlag:  Routledge, New York

    "Does satire have the ability to effect social reform? If so, what satiric style is most effective in bringing about reform? This book explores how Renaissance poet and playwright Ben Jonson negotiated contemporary pressures to forge a satiric... mehr

     

    "Does satire have the ability to effect social reform? If so, what satiric style is most effective in bringing about reform? This book explores how Renaissance poet and playwright Ben Jonson negotiated contemporary pressures to forge a satiric persona and style uniquely his own. These pressures were especially intense while Jonson was engaged in the Poetomachia, or Poets War (1598-1601), which pitted him against rival writers John Marston and Thomas Dekker. As a struggle between satiric styles, this conflict poses compelling questions about the nature and potential of satire during the Renaissance. In particular, this book explores how Jonson forged a moderate Horatian satiric style he championed as capable of effective social reform. As part of his distinctive model, Jonson turned to the metaphor of purging, in opposition to the metaphors of stinging, barking, biting, and whipping employed by his Juvenalian rivals. By integrating this conception of satire into his Horatian poetics, Jonson sought to avoid the pitfalls of the aggressive, violent style of his rivals while still effectively critiquing vice, upholding his model as a means for the reformation not only of society, but of satire itself."--Provided by publisher

     
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    Volltext (URL des Erstveroeffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780429468841; 0429468849
    Auflage/Ausgabe: First edition
    Schriftenreihe: Routledge studies in renaissance literature and culture
    Routledge studies in Renaissance literature and culture ; 45
    Schlagworte: Satire, English / History and criticism
    Weitere Schlagworte: Jonson, Ben / 1573?-1637 / Criticism and interpretation; Jonson, Ben / 1573?-1637 / Contemporaries
    Umfang: 1 online resource
  6. Literature, satire, and the early Stuart state
    Autor*in: McRae, Andrew
    Erschienen: 2004
    Verlag:  Cambridge University Press, Cambridge

    Andrew McRae examines the relation between literature and politics at a pivotal moment in English history. He argues that the most influential and incisive political satire in this period may be found in manuscript libels, scurrilous pamphlets and a... mehr

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Andrew McRae examines the relation between literature and politics at a pivotal moment in English history. He argues that the most influential and incisive political satire in this period may be found in manuscript libels, scurrilous pamphlets and a range of other material written and circulated under the threat of censorship. These are the unauthorised texts of early Stuart England. From his analysis of these texts, McRae argues that satire, as the pre-eminent literary mode of discrimination and stigmatisation, helped people make sense of the confusing political conditions of the early Stuart era. It did so partly through personal attacks and partly also through sophisticated interventions into ongoing political and ideological debates. In such forms satire provided resources through which contemporary writers could define new models of political identity and construct new discourses of dissent. This book wil be of interest to political and literary historians alike

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511483806
    Weitere Identifier:
    RVK Klassifikation: HI 1292
    Schlagworte: Geschichte; Satire, English / History and criticism; English prose literature / Early modern, 1500-1700 / History and criticism; Politics and literature / Great Britain / History / 17th century; Literature and state / Great Britain / History / 17th century; Englisch; Satire
    Umfang: 1 online resource (ix, 259 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)

    Personal politics. The culture of early Stuart libelling ; Contesting identity -- Public politics. Freeing the tongue and the heart : satire and the political subject ; Discourses of discrimination : political satire in the 1620s -- The politics of division. Satire and sycophancy : Richard Corbett and early Stuart royalism ; Stigmatizing Prynne : puritanism and politics in the 1630s
  7. Eighteenth-century satire
    essays on text and context from Dryden to Peter Pindar
    Autor*in: Weinbrot, Howard D.
    Erschienen: 1988
    Verlag:  Cambridge University Press, Cambridge

    Howard D. Weinbrot here collects thirteen of his most important essays on Restoration and eighteenth-century British satire. Divided into sections on 'contexts' and 'texts', the essays range widely and deeply across the spectrum of satiric kinds,... mehr

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    Universitätsbibliothek Bamberg
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    Standort:
    Bayerische Staatsbibliothek
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    Howard D. Weinbrot here collects thirteen of his most important essays on Restoration and eighteenth-century British satire. Divided into sections on 'contexts' and 'texts', the essays range widely and deeply across the spectrum of satiric kinds, satirists, satires, and scholarly and critical problems. In 'Contexts', Professor Weinbrot discusses the pattern of formal verse satire of blame and praise popularized by Dryden in 1693 and influential throughout the next century, challenges the traditional view that Hprace and 'Augustanism' define eighteenth-century satire, and focuses on the vexed question of whether there was indeed a 'persona' or theory of masking at work in eighteenth-century satire. In 'Texts' he deals with several of the most important verse satirists and satires of the period and closely analyses them within their historical and artistic frameworks. Clearly written, learned, and often witty, this book is committed to critical inquiry that respects the integrity of its texts. It also emphasized the breadth of context that enriches our understanding of satire and the relationships among the nurturing culture, the producing poet, the poem producers, and the poem as received in its age

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511553561
    Weitere Identifier:
    RVK Klassifikation: HK 1130 ; HK 1271 ; HK 1341
    Schlagworte: Satire, English / History and criticism; English literature / 18th century / History and criticism; Verssatire; Satire; Englisch
    Umfang: 1 online resource (xii, 260 pages)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  8. Transgressive fiction
    the new satiric tradition
    Autor*in: Mookerjee, Robin
    Erschienen: 2013
    Verlag:  Macmillan, Basingstoke [u.a.]

    Standort:
    Universitätsbibliothek Augsburg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Würzburg
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780230294028; 0230294022
    RVK Klassifikation: HN 1331 ; HU 1819
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Experimental fiction, American / History and criticism; Experimental fiction, English / History and criticism; Satire, American / History and criticism; Satire, English / History and criticism; Epic literature / History and criticism; Post-postmodernism (Literature); Satirischer Roman; Grenzüberschreitung; Englisch
    Umfang: VIII, 247 S.
    Bemerkung(en):

    Includes bibliographical references

    Criminal rehabilitation: introduction -- Enemies of the state: the atavistic mock epic -- Liminal intent: Nabokov and Burroughs -- A history of violence: from satire to transgression -- Sex offenders: stranger than fiction -- False pretenses: the antisocial hero
  9. Avid ears
    medieval gossips, sound, and the art of listening
    Autor*in: Neufeld, Christine
    Erschienen: 2019
    Verlag:  Routledge, New York ; London

    "Arguing that women's "silencing" is in part the result of women's voices being treated as the white noise of history, Avid Ears: Medieval Gossips, Sound, and the Art of Listening explores the historical representation of female voices as actual... mehr

    Standort:
    Bayerische Staatsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Arguing that women's "silencing" is in part the result of women's voices being treated as the white noise of history, Avid Ears: Medieval Gossips, Sound, and the Art of Listening explores the historical representation of female voices as actual acoustic phenomena. The volume focuses on English antifeminist satire during the linguistically dynamic late Middle Ages to argue that the resonant gossips' circle offers a cultural poetics of listening for those attentive to medieval auditory regimes. Understanding what it means to listen from both medieval and modern perspectives can challenge, so this book argues, the specular logic informing a long satirical tradition that casts the noisy speaking woman as the nemesis who confirms the social authority of the erudite man. Discerning the acoustic preoccupations of the gossips' circle inevitably hovering behind the shrew, Avid Ears explains why the threat posed by a woman talking back to a man is only exceeded by that of a woman speaking to other women. The first book-length study to use sound studies to explore how gender registers in the medieval literary soundscape, Avid Ears attunes critics to how and what we hear when women speak in literature"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781138370449
    RVK Klassifikation: HH 4209 ; HH 4033
    Schriftenreihe: Routledge studies in medieval literature and culture ; 12
    Schlagworte: Mittelenglisch; Zuhören; Satire; Stimme <Motiv>; Klatsch <Motiv>; Frau <Motiv>
    Weitere Schlagworte: English literature / Middle English, 1100-1500 / History and criticism; Satire, English / History and criticism; English literature / Middle English; Gossip in literature; Listening in literature; Satire, English; Voice in literature; Women in literature; 1100-1500; Criticism, interpretation, etc
    Umfang: 211 Seiten, Illustrationen
    Bemerkung(en):

    Introduction: from unruly tongues to avid ears -- The philosopher and the shrew -- "Dame, let be thy din" -- Gathering the gossips -- Riotous voices and God's ear -- Following echo
  10. The Art of Satire
    Autor*in: Worcester, David
    Erschienen: [1940]
    Verlag:  Harvard University Press, Cambridge, Mass.

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674594067
    Weitere Identifier:
    Schlagworte: Satire, English / History and criticism; Literatur, Rhetorik, Literaturwissenschaft; Satire; Invective; Burlesques; Irony; Satire, English; Satire; Ironie; Literatur
    Umfang: 1 Online-Ressource (vii,191p.)
  11. Reading it wrong
    an alternative history of early eighteenth-century literature
    Autor*in: Williams, Abigail
    Erschienen: 2023
    Verlag:  Princeton University Press, Princeton ; Oxford

    "How eighteenth-century literature depended on misinterpretation--and how this still shapes the way we read. Reading It Wrong is a new history of eighteenth-century English literature that explores what has been everywhere evident but rarely talked... mehr

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Würzburg
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    "How eighteenth-century literature depended on misinterpretation--and how this still shapes the way we read. Reading It Wrong is a new history of eighteenth-century English literature that explores what has been everywhere evident but rarely talked about: the misunderstanding, muddle and confusion of readers of the past when they first met the uniquely elusive writings of the period. Abigail Williams uses the marginal marks and jottings of these readers to show that flawed interpretation has its own history--and its own important role to play--in understanding how, why and what we read. Focusing on the first half of the eighteenth century, the golden age of satire, Reading It Wrong tells how a combination of changing readerships and fantastically tricky literature created the perfect grounds for puzzlement and partial comprehension. Through the lens of a history of imperfect reading, we see that many of the period's major works--by writers including Daniel Defoe, Eliza Haywood, Mary Wortley Montagu, Alexander Pope and Jonathan Swift--both generated and depended upon widespread misreading. Being foxed by a satire, coded fiction or allegory was, like Wordle or the cryptic crossword, a form of entertainment, and perhaps a group sport. Rather than worrying that we don't have all the answers, we should instead recognize the cultural importance of not knowing"--

     
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  12. Irony and earnestness in eighteenth-century literature
    dimensions of satire and solemnity
    Autor*in: Herron, Shane
    Erschienen: 2022
    Verlag:  Cambridge University Press, Cambridge, United Kingdom ; New York, NY

    The conventional literary history of the eighteenth century holds that upstart novelists and other intensely serious writers worked against the conservative and ironic sensibility of an earlier generation of satirists. However, many of these... mehr

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    The conventional literary history of the eighteenth century holds that upstart novelists and other intensely serious writers worked against the conservative and ironic sensibility of an earlier generation of satirists. However, many of these ostensibly earnest writers were exceptional satirists in their own right, employing the same ruses, tricks, and deceptions throughout their work. The novels of such canonical figures as Behn and Defoe, for example, passed themselves off as real documents, just as an earlier generation of hack writers combined the serious and the absurd. Re-examining this nexus between the ludicrous and the solemn, Shane Herron argues that intense earnestness was itself a central component of the ironic sensibility of the great age of literary satire and of Swift's work in particular. The sensationalism and confessionalism of earnestness were frequently employed tendentiously, while ironic and satirical literature often incorporated genuine moments of earnestness to advance writerly aims

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781108993227
    Weitere Identifier:
    RVK Klassifikation: HK 1071
    Schlagworte: English fiction / 18th century / History and criticism; Satire, English / History and criticism; Satire; Ironie; Englisch
    Umfang: 1 Online-Ressource (x, 238 Seiten)
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 21 Jan 2022)
  13. Character and satire in post-war fiction
    Autor*in: Gregson, Ian
    Erschienen: 2006
    Verlag:  Continuum, New York ; London

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    Hochschulbibliothek der Fachhochschule Aachen
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    Hochschule Bochum, Hochschulbibliothek
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    Universitäts- und Landesbibliothek Bonn
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    Technische Hochschule Köln, Hochschulbibliothek
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Zentralbibliothek der Sportwissenschaften der Deutschen Sporthochschule Köln
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    Hochschule Niederrhein, Bibliothek
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    Hochschule Ruhr West, Hochschulbibliothek, Zweigbibliothek Bottrop
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    Hochschule Ruhr West, Hochschulbibliothek
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    Universitäts- und Landesbibliothek Münster
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    Universitätsbibliothek Paderborn
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    Hochschul- und Kreisbibliothek Bonn-Rhein-Sieg
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    Universitätsbibliothek Siegen
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    Universitätsbibliothek Wuppertal
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
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    Schriftenreihe: Continuum literary studies
    Weitere Schlagworte: English fiction / 20th century / History and criticism; American fiction / 20th century / History and criticism; Satire, English / History and criticism; Satire, American / History and criticism; Character in literature; Caricature in literature; World War, 1939-1945 / Influence
    Umfang: 1 online resource (181 pages)
    Bemerkung(en):

    Includes bibliographical references (pages [175]-178) and index

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  14. Teaching modern British and American satire
    Beteiligt: Davis, Evan R. (Hrsg.); Nace, Nicholas D. (Hrsg.)
    Erschienen: 2019
    Verlag:  Modern Language Association of America, New York

    "This volume addresses the teaching of satire written in English over the past three hundred years. For instructors covering current satire, it will help in finding ways to enrich students' understanding of voice, irony, and rhetoric and to explore... mehr

     

    "This volume addresses the teaching of satire written in English over the past three hundred years. For instructors covering current satire, it will help in finding ways to enrich students' understanding of voice, irony, and rhetoric and to explore the questions of how to define satire and how to determine what its ultimate aims are. For instructors teaching older satire, the essays in the volume will demonstrate ways to help students gain knowledge of historical context, medium, and audience, while addressing more specific literary questions of technique and form. Readers of this volume will find ways to introduce students to authors such as Swift and Twain, to techniques such as parody and verbal irony, and to the difficult subject of satire's offensiveness and elitism. This volume also helps teachers of a wide variety of courses, from composition to gateway courses and surveys, think about how to use modern satire in conceiving and structuring them. "--

     
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    Quelle: Verbundkataloge
    Beteiligt: Davis, Evan R. (Hrsg.); Nace, Nicholas D. (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781603293792; 9781603293808
    RVK Klassifikation: HG 702
    Schriftenreihe: Options for teaching ; 45
    Schlagworte: Englisch; Satire; Geschichte 1700-2018; Hochschuldidaktik;
    Weitere Schlagworte: Satire, English / Study and teaching; Satire, American / Study and teaching; English literature / Study and teaching; American literature / Study and teaching; Satire, English / History and criticism; Satire, American / History and criticism
    Umfang: x, 374 Seiten, Illustrationen
    Bemerkung(en):

    Enthält Literaturangaben
  15. Character and satire in post-war fiction
    Autor*in: Gregson, Ian
    Erschienen: 2006
    Verlag:  Continuum, New York ; London

    Zugang:

    Standort:
    Katholische Hochschule Nordrhein-Westfalen (katho), Hochschulbibliothek
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    Schriftenreihe: Continuum literary studies
    Schlagworte: English fiction / 20th century / History and criticism; American fiction / 20th century / History and criticism; Satire, English / History and criticism; Satire, American / History and criticism; Character in literature; Caricature in literature; World War, 1939-1945 / Influence
    Umfang: 1 online resource (181 pages)
    Bemerkung(en):

    Includes bibliographical references (pages [175]-178) and index

    Also issued in print
  16. The springs of liberty
    the satiric tradition and freedom of speech
    Autor*in: Justman, Stewart
    Erschienen: 1999
    Verlag:  North Western Univ. Press, Evanston, Ill.

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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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  17. Reading it wrong
    an alternative history of early eighteenth-century literature
    Autor*in: Williams, Abigail
    Erschienen: 2023
    Verlag:  Princeton University Press, New Jersey

    "How eighteenth-century literature depended on misinterpretation--and how this still shapes the way we read. Reading It Wrong is a new history of eighteenth-century English literature that explores what has been everywhere evident but rarely talked... mehr

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "How eighteenth-century literature depended on misinterpretation--and how this still shapes the way we read. Reading It Wrong is a new history of eighteenth-century English literature that explores what has been everywhere evident but rarely talked about: the misunderstanding, muddle and confusion of readers of the past when they first met the uniquely elusive writings of the period. Abigail Williams uses the marginal marks and jottings of these readers to show that flawed interpretation has its own history--and its own important role to play--in understanding how, why and what we read. Focusing on the first half of the eighteenth century, the golden age of satire, Reading It Wrong tells how a combination of changing readerships and fantastically tricky literature created the perfect grounds for puzzlement and partial comprehension. Through the lens of a history of imperfect reading, we see that many of the period's major works--by writers including Daniel Defoe, Eliza Haywood, Mary Wortley Montagu, Alexander Pope and Jonathan Swift--both generated and depended upon widespread misreading. Being foxed by a satire, coded fiction or allegory was, like Wordle or the cryptic crossword, a form of entertainment, and perhaps a group sport. Rather than worrying that we don't have all the answers, we should instead recognize the cultural importance of not knowing"--

     
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  18. Anti-Puritan satire, 1572 - 1642
    Autor*in: Holden, William Prescott
    Erschienen: 1954
    Verlag:  Yale Univ. Press [u.a.], New Haven

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    RVK Klassifikation: HI 1292
    Schriftenreihe: Yale studies in English ; 126
    Schlagworte: Satire, English / History and criticism; Puritans; English literature / Early modern, 1500-1700 / History and criticism; Satire; Puritanismus; Englisch
    Umfang: XII, 165 S., Ill.
    Bemerkung(en):

    Zugl.: Cambridge, Mass., Harvard Univ., Diss., 1950 u.d.T.: Holden, William Prescott: The religious controversy and anti-Puritan satire, 1572 - 1642