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  1. The hand at work
    the poetics of poiesis in the Russian avant-garde
    Autor*in: Strätling, Susanne
    Erschienen: [2021]
    Verlag:  Academic Studies Press, Brookline, MA

    Zusammenfassung: "Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost... mehr

     

    Zusammenfassung: "Art = New Vision. This formula shaped the avant-garde. With moving images abruptly expanding the boundaries of the visible world, new printing techniques triggering a pictorial turn in graphic art, and literature becoming almost inseparable from visual media we still regard the avant-garde as heyday for modernisms obsession with the eye. But what are the blind spots of this optocentrism? Focusing on the gestures of giving, touching, showing and handcrafting, this study examines key scenes of tactile interaction between subject and artifact. Hand movements, manual maneuvers and manipulations challenge optics and expose the crises of a visually dominated perspective on the arts. The readings of this book call for a revision of an optically obscured aesthetics and poetics to include haptic experience as an often overlooked but pivotal part of the making as well as the perception of literature and the arts"--(Provided by publisher.)

     
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  2. Grotesque visions
    the science of Berlin Dada
    Autor*in: Haakenson, Thomas O.
    Erschienen: ©2021; [2021]
    Verlag:  Bloomsbury Academic, New York

    Zusammenfassung: "Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and... mehr

     

    Zusammenfassung: "Grotesque Visions focuses on the radical avant-garde interventions of Salomo Friedländer (aka Mynona), Til Brugman, and Hannah Höch as they challenged the questionable practices and evidentiary claims of late-19th- and early-20th-century science. Demonstrating the often excessive measures that pathologists, anthropologists, sexologists, and medical professionals went to present their research in a seemingly unambiguous way, this volume shows how Friedländer/Mynona, Brugman, Höch, and other Berlin-based artists used the artistic grotesque to criticize, satirize, and subvert a variety of forms of supposed scientific objectivity. The volume concludes by examining the exhibition Grotesk!: 130 Jahre Kunst der Frechheit/Comic Grotesque: Wit and Mockery in German Arts, 1870-1940. In contrast to the ahistorical and amorphous concept informing the exhibition, Thomas O. Haakenson reveals a unique deployment of the artistic grotesque that targeted specific established and emerging scientific discourses at the turn of the last fin-de-siècle"--(Provided by publisher.)

     
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  3. Archaeologies of modernity
    avant-garde Bildung
    Autor*in: Rumold, Rainer
    Erschienen: [2015]
    Verlag:  Northwestern University Press, Evanston, Illinois

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