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  1. Avant-garde/Neo-avant-garde
    Beteiligt: Scheunemann, Dietrich
    Erschienen: 2005
    Verlag:  Rodopi, Amsterdam ; EBSCO Industries, Inc., Birmingham, AL, USA

    This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the various avant-garde movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Individual essays concentrate on cubist collage and dadaist photomontage, on abstract painting by members of the Dutch group De S.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Scheunemann, Dietrich
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1423788516; 9781423788515; 9789401202589; 9401202583
    RVK Klassifikation: LH 64900 ; LH 65820 ; EA 1000
    Schriftenreihe: Avant Garde critical studies ; 17
    Schlagworte: Literatur; Avantgardeliteratur; Kunst; Avantgarde; Theorie
    Umfang: 1 Online-Ressource (346 pages), Illustrations, portrait
    Bemerkung(en):

    Includes bibliographical references and index
  2. Avant-garde/Neo-avant-garde
    Erschienen: 2005
    Verlag:  Rodopi, Amsterdam

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1423788516; 9042019255; 9401202583; 9781423788515; 9789042019256; 9789401202589
    Schriftenreihe: Avant garde critical studies ; 17
    Schlagworte: PHILOSOPHY / Aesthetics; Arts, Modern; Avant-garde (Aesthetics); Kunst; Letterkunde; Avant-garde; Literatur; Ästhetik; Avant-garde (Aesthetics); Arts, Modern; Arts, Modern; Avantgarde
    Umfang: 1 Online-Ressource (346 pages)
    Bemerkung(en):

    Contributions mostly based on papers previously presented at a conference held in Edinburgh in Sept. 2002

    Includes bibliographical references and index

    Preface; I. Theorising the Avant-Garde; II. Reviewing the Autonomy of Art; III. On the Alchemy of the Word; IV. Body Arts; V. The Vanguard in Cinema and Architecture; VI. Crossing the Genres; List of Illustrations; Index

    This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the various avant-garde movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Individual essays concentrate on cubist collage and dadaist photomontage, on abstract painting by members of the Dutch group De S.
  3. Avant-Garde - Neo-Avant-Garde
    Beteiligt: Scheunemann, Dietrich (Hrsg.)
    Erschienen: 2005
    Verlag:  Rodopi, Amsterdam [u.a.]

    Preliminary Material /Dietrich Scheunemann -- Preface /Dietrich Scheunemann -- From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde /DIETRICH SCHEUNEMANN -- Wilhelm Worringer and the Historical Avant-Garde /RHYS W.... mehr

    Zugang:

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    Preliminary Material /Dietrich Scheunemann -- Preface /Dietrich Scheunemann -- From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde /DIETRICH SCHEUNEMANN -- Wilhelm Worringer and the Historical Avant-Garde /RHYS W. WILLIAMS -- On the Historiographic Distinction between Historical and Neo-Avant-Garde /HUBERT VAN DEN BERG -- Abstraction, Sublation and the Avant-Garde: The Case of De Stijl /MICHAEL WHITE -- Sameness and Difference: Duchamp’s Editioned Readymades and the Neo-Avant-Garde /DAVID HOPKINS -- Paint it Black: Ad Reinhardt’s Paradoxical Avant-Gardism /BEN HIGHMORE -- Verbal Chemistry and Concrete Poetry /KEITH ASPLEY -- How the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry /ANNA KATHARINA SCHAFFNER -- American Language Poetry and the Definition of the Avant-Garde /JACOB EDMOND -- From Futurism to Neo-Futurism: Continuities and New Departures in Twentieth-Century Avant-Garde Performance /GÜNTER BERGHAUS -- Actor or Puppet: The Body in the Theatres of the Avant-Garde /OLGA TAXIDOU -- Fragmentation of the Body in Spanish Surrealism /UTA FELTEN -- The Surface of Illusion: Avant-Garde Apperception and Antecedence in Structural/Materialist Film /DAVID MACRAE -- What Avant-Garde? /GÉRARD LEBLANC -- The Limits of “Non-Plan”: Architecture and the Avant-Garde /RICHARD WILLIAMS -- Montage in the Arts: A Reassessment /JENNIFER VALCKE -- Means and Metaphors of Change: Technology and the Danish Avant-Garde of the 1960s /TANIA ØRUM -- Literature under the Impact of Film: On Dutch Author-Critics of the Avant-Garde and Neo-Avant-Garde /KLAUS BEEKMAN -- List of Illustrations /Dietrich Scheunemann -- Index /Dietrich Scheunemann. This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the various avant-garde movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Individual essays concentrate on cubist collage and dadaist photomontage, on abstract painting by members of the Dutch group De Stijl , on verbal chemistry and dadaist poetry and on body art from futurism to surrealism. In addition, the collection wishes to open up the discussion of the avant-garde to a thorough investigation of neo-avant-garde activities in the 1950s and 1960s. For decades the appreciation of neo-avant-garde art and literature, film and architecture suffered from a general and all-inclusive rebuke. This volume is designed to contribute to a breakthrough towards a more competent and more precise investigation of this research field. Contributions include a discussion of Warhol’s multiples as well as Duchamp’s editioned readymades, forms of concrete and digital poetry as well as the architectural “Non-Plan”. The main body of the volume is based on presentations and discussions of a three-day research seminar held at the University of Edinburgh in September 2002. The research group formed around the Avant-Garde Project at Edinburgh will continue with its efforts to elaborate a new theory of the avant-garde in the coming years

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Scheunemann, Dietrich (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789401202589
    Weitere Identifier:
    RVK Klassifikation: LH 65820 ; LH 64900 ; EC 1090 ; EC 1050
    Schriftenreihe: Avant garde critical studies ; 17
    Schlagworte: Avant-garde (Aesthetics); Arts, Modern; Arts, Modern; Arts, Modern; Avant-garde (Aesthetics)
  4. Avant-Garde, Neo-Avant-Garde
    Erschienen: 2005
    Verlag:  Rodopi, Amsterdam [u.a.]

    From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde; Wilhelm Worringer and the Historical Avant-Garde; On the Historiographic Distinction between Historical and Neo-Avant-Garde; Abstraction, Sublation and the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Staats- und Universitätsbibliothek Bremen
    Fernleihe:
    keine Fernleihe

     

    From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde; Wilhelm Worringer and the Historical Avant-Garde; On the Historiographic Distinction between Historical and Neo-Avant-Garde; Abstraction, Sublation and the Avant-Garde: The Case of De Stijl; Sameness and Difference: Duchamp's Editioned Readymades and the Neo-Avant-Garde; Paint it Black: Ad Reinhardt's Paradoxical Avant-Gardism; Verbal Chemistry and Concrete Poetry; How the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry; American Language Poetry and the Definition of the Avant-Garde; From Futurism to Neo-Futurism: Continuities and New Departures in Twentieth-Century Avant-Garde Performance This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the various avant-garde movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Individual essays concentrate on cubist collage and dadaist photomontage, on abstract painting by members of the Dutch group De S

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789401202589
    Weitere Identifier:
    RVK Klassifikation: EC 1050 ; EC 1090 ; LH 64900 ; LH 65820
    Schriftenreihe: Avant garde critical studies ; 17
    Schlagworte: Arts, Modern; Avant-garde (Aesthetics)
    Umfang: Online-Ressource (346 S.)
    Bemerkung(en):

    Literaturangaben

    Preface; I. Theorising the Avant-Garde; II. Reviewing the Autonomy of Art; III. On the Alchemy of the Word; IV. Body Arts; V. The Vanguard in Cinema and Architecture; VI. Crossing the Genres; List of Illustrations; Index.
  5. Avant-Garde, Neo-Avant-Garde
    Erschienen: 2005
    Verlag:  Rodopi, Amsterdam [u.a.]

    From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde; Wilhelm Worringer and the Historical Avant-Garde; On the Historiographic Distinction between Historical and Neo-Avant-Garde; Abstraction, Sublation and the... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde; Wilhelm Worringer and the Historical Avant-Garde; On the Historiographic Distinction between Historical and Neo-Avant-Garde; Abstraction, Sublation and the Avant-Garde: The Case of De Stijl; Sameness and Difference: Duchamp's Editioned Readymades and the Neo-Avant-Garde; Paint it Black: Ad Reinhardt's Paradoxical Avant-Gardism; Verbal Chemistry and Concrete Poetry; How the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry; American Language Poetry and the Definition of the Avant-Garde; From Futurism to Neo-Futurism: Continuities and New Departures in Twentieth-Century Avant-Garde Performance This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the various avant-garde movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Individual essays concentrate on cubist collage and dadaist photomontage, on abstract painting by members of the Dutch group De S

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789401202589
    Weitere Identifier:
    RVK Klassifikation: EC 1050 ; EC 1090 ; LH 64900 ; LH 65820
    Schriftenreihe: Avant garde critical studies ; 17
    Schlagworte: Arts, Modern; Avant-garde (Aesthetics)
    Umfang: Online-Ressource (346 S.)
    Bemerkung(en):

    Literaturangaben

    Preface; I. Theorising the Avant-Garde; II. Reviewing the Autonomy of Art; III. On the Alchemy of the Word; IV. Body Arts; V. The Vanguard in Cinema and Architecture; VI. Crossing the Genres; List of Illustrations; Index.
  6. Avant-Garde - Neo-Avant-Garde
    Beteiligt: Scheunemann, Dietrich (Hrsg.)
    Erschienen: 2005
    Verlag:  Rodopi, Amsterdam [u.a.]

    Preliminary Material /Dietrich Scheunemann -- Preface /Dietrich Scheunemann -- From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde /DIETRICH SCHEUNEMANN -- Wilhelm Worringer and the Historical Avant-Garde /RHYS W.... mehr

    Zugang:

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Preliminary Material /Dietrich Scheunemann -- Preface /Dietrich Scheunemann -- From Collage to the Multiple. On the Genealogy of Avant-Garde and Neo-Avant-Garde /DIETRICH SCHEUNEMANN -- Wilhelm Worringer and the Historical Avant-Garde /RHYS W. WILLIAMS -- On the Historiographic Distinction between Historical and Neo-Avant-Garde /HUBERT VAN DEN BERG -- Abstraction, Sublation and the Avant-Garde: The Case of De Stijl /MICHAEL WHITE -- Sameness and Difference: Duchamp’s Editioned Readymades and the Neo-Avant-Garde /DAVID HOPKINS -- Paint it Black: Ad Reinhardt’s Paradoxical Avant-Gardism /BEN HIGHMORE -- Verbal Chemistry and Concrete Poetry /KEITH ASPLEY -- How the Letters Learnt to Dance: On Language Dissection in Dadaist, Concrete and Digital Poetry /ANNA KATHARINA SCHAFFNER -- American Language Poetry and the Definition of the Avant-Garde /JACOB EDMOND -- From Futurism to Neo-Futurism: Continuities and New Departures in Twentieth-Century Avant-Garde Performance /GÜNTER BERGHAUS -- Actor or Puppet: The Body in the Theatres of the Avant-Garde /OLGA TAXIDOU -- Fragmentation of the Body in Spanish Surrealism /UTA FELTEN -- The Surface of Illusion: Avant-Garde Apperception and Antecedence in Structural/Materialist Film /DAVID MACRAE -- What Avant-Garde? /GÉRARD LEBLANC -- The Limits of “Non-Plan”: Architecture and the Avant-Garde /RICHARD WILLIAMS -- Montage in the Arts: A Reassessment /JENNIFER VALCKE -- Means and Metaphors of Change: Technology and the Danish Avant-Garde of the 1960s /TANIA ØRUM -- Literature under the Impact of Film: On Dutch Author-Critics of the Avant-Garde and Neo-Avant-Garde /KLAUS BEEKMAN -- List of Illustrations /Dietrich Scheunemann -- Index /Dietrich Scheunemann. This collection of critical essays explores new approaches to the study of avant-garde literature and art, film and architecture. It offers a theoretical framework that avoids narrowly defined notions of the avant-garde. It takes into account the diversity of artistic aims and directions of the various avant-garde movements and encourages a wide and open exploration of the multifaceted and often contradictory nature of the great variety of avant-gardist innovations. Individual essays concentrate on cubist collage and dadaist photomontage, on abstract painting by members of the Dutch group De Stijl , on verbal chemistry and dadaist poetry and on body art from futurism to surrealism. In addition, the collection wishes to open up the discussion of the avant-garde to a thorough investigation of neo-avant-garde activities in the 1950s and 1960s. For decades the appreciation of neo-avant-garde art and literature, film and architecture suffered from a general and all-inclusive rebuke. This volume is designed to contribute to a breakthrough towards a more competent and more precise investigation of this research field. Contributions include a discussion of Warhol’s multiples as well as Duchamp’s editioned readymades, forms of concrete and digital poetry as well as the architectural “Non-Plan”. The main body of the volume is based on presentations and discussions of a three-day research seminar held at the University of Edinburgh in September 2002. The research group formed around the Avant-Garde Project at Edinburgh will continue with its efforts to elaborate a new theory of the avant-garde in the coming years

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Scheunemann, Dietrich (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789401202589
    Weitere Identifier:
    RVK Klassifikation: LH 65820 ; LH 64900 ; EC 1090 ; EC 1050
    Schriftenreihe: Avant garde critical studies ; 17
    Schlagworte: Avant-garde (Aesthetics); Arts, Modern; Arts, Modern; Arts, Modern; Avant-garde (Aesthetics)