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  1. The Medium Is the Monster: Canadian Adaptations of Frankenstein and the Discourse of Technology
    Autor*in: McCutcheon, Mark A.
    Erschienen: 2018
    Verlag:  Athabasca University Press, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel... mehr

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    Standort:
    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliothek der Frankfurt University of Applied Sciences
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    Fernleihe:
    keine Fernleihe

    Standort:
    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley’s 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English. It was then Marshall McLuhan’s media theory and its adaptations in Canadian popular culture that popularized, even globalized, a Frankensteinian sense of technology. The Medium Is the Monster shows how we cannot talk about technology—that human-made monstrosity—today without conjuring Frankenstein, thanks in large part to its Canadian adaptations by pop culture icons such as David Cronenberg, William Gibson, Margaret Atwood, and Deadmau5. In the unexpected connections illustrated by The Medium Is the Monster, McCutcheon brings a fresh approach to studying adaptations, popular culture, and technology.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781771992244; 9781771992251; 9781771992367; 9781771992268
    Weitere Schlagworte: McLuhan; adaptation studies; media theory; popular culture; electronic dance music; Mary Shelley; Cronenberg
    Umfang: 1 Online-Ressource (248 p.)
  2. The medium is the monster
    Canadian adaptations of Frankenstein and the discourse of technology
    Autor*in: McCutcheon, Mark A.
    Erschienen: [2018
    Verlag:  AU Press, Edmonton, AB

    "Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley's 1818 novel Frankenstein... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley's 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English. It was then Marshall McLuhan's media theory and its adaptations in Canadian popular culture that popularized, even globalized, a Frankensteinian sense of technology. The Medium Is the Monster shows how we cannot talk about technology-that human-made monstrosity-today without conjuring Frankenstein, thanks in large part to its Canadian adaptations by pop culture icons such as David Cronenberg, William Gibson, Margaret Atwood, and Deadmau5. In the unexpected connections illustrated by The Medium Is the Monster, McCutcheon brings a fresh approach to studying adaptations, popular culture, and technology."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781771992244; 9781771992367
    Schriftenreihe: Campus Alberta collection
    Schlagworte: Technology in literature; Canadian literature; Popular culture; Technology in popular culture; Technology in popular culture; Technology and civilization; Technology and civilization in literature
    Weitere Schlagworte: Frankenstein's Monster (Fictitious character); Shelley, Mary Wollstonecraft (1797-1851): Frankenstein; Shelley, Mary Wollstonecraft (1797-1851); Shelley, Mary Wollstonecraft (1797-1851); McLuhan, Marshall (1911-1980); McLuhan, Marshall (1911-1980)
    Umfang: xi, 234 pages, illustrations, 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 205-222) and index
  3. The medium is the monster
    Canadian adaptations of Frankenstein and the discourse of technology
    Autor*in: McCutcheon, Mark A.
    Erschienen: [2018
    Verlag:  AU Press, Edmonton, AB

    "Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley's 1818 novel Frankenstein... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 68880
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Technology, a word that emerged historically first to denote the study of any art or technique, has come, in modernity, to describe advanced machines, industrial systems, and media. McCutcheon argues that it is Mary Shelley's 1818 novel Frankenstein that effectively reinvented the meaning of the word for modern English. It was then Marshall McLuhan's media theory and its adaptations in Canadian popular culture that popularized, even globalized, a Frankensteinian sense of technology. The Medium Is the Monster shows how we cannot talk about technology-that human-made monstrosity-today without conjuring Frankenstein, thanks in large part to its Canadian adaptations by pop culture icons such as David Cronenberg, William Gibson, Margaret Atwood, and Deadmau5. In the unexpected connections illustrated by The Medium Is the Monster, McCutcheon brings a fresh approach to studying adaptations, popular culture, and technology."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781771992244; 9781771992367
    Schriftenreihe: Campus Alberta collection
    Schlagworte: Technology in literature; Canadian literature; Popular culture; Technology in popular culture; Technology in popular culture; Technology and civilization; Technology and civilization in literature
    Weitere Schlagworte: Frankenstein's Monster (Fictitious character); Shelley, Mary Wollstonecraft (1797-1851): Frankenstein; Shelley, Mary Wollstonecraft (1797-1851); Shelley, Mary Wollstonecraft (1797-1851); McLuhan, Marshall (1911-1980); McLuhan, Marshall (1911-1980)
    Umfang: xi, 234 pages, illustrations, 23 cm
    Bemerkung(en):

    Includes bibliographical references (pages 205-222) and index