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  1. Class interruptions
    inequality and division in African diasporic women's fiction
    Autor*in: Brooks, Robin
    Erschienen: [2022]
    Verlag:  University of North Carolina Press, Chapel Hill

    Introduction: Class Lines: Look Both Ways Before Crossing -- African American Literature. The Wrong and Right Side of the Tracks: Mapping the Intraracial Class Dynamics in Gloria Naylor's Linden Hills and Dawn Turner's Only Twice I've Wished for... mehr

    Standort:
    Brechtbau-Bibliothek
    Signatur:
    PD 450.197
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: Class Lines: Look Both Ways Before Crossing -- African American Literature. The Wrong and Right Side of the Tracks: Mapping the Intraracial Class Dynamics in Gloria Naylor's Linden Hills and Dawn Turner's Only Twice I've Wished for Heaven ; Cheap Behavior and Costly Secrets: Taboo Topics in Toni Morrison's Love -- Caribbean Literature. Beyond the "Class" Room: The Entanglements of Class and Education in Merle Hodge's Crick Crack, Monkey and Olive Senior's Dancing Lessons ; Human Rights and Wrongs: Violations to a Decent Standard of Living in Diana McCaulay's Dog-Heart -- Epilogue: Romance Across (Class) Borders & Have Some Post-Class. "As downward mobility continues to be an international issue, Robin Brooks makes a timely intervention between the humanities and social sciences by examining how Black women's cultural production engages debates about the growth in income and wealth gaps in global society during the late twentieth and early twenty-first centuries. Using an interdisciplinary approach, this innovative book employs major contemporary texts by both African American and Caribbean writers--Toni Morrison, Gloria Naylor, Dawn Turner, Olive Senior, Oonya Kempadoo, Merle Hodge, and Diana McCaulay--to demonstrate how neoliberalism, within the broader framework of racial capitalism, reframes structural inequalities as personal failures, thus obscuring how to improve unjust conditions. Through interviews with authors, textual analyses of the fiction, and a diagramming of cross-class relationships, Brooks offers compelling new insight on literary portrayals of class inequalities and division. She reconceptualizes the scope of the Black women's literary tradition since the 1970s by repositioning the importance of class, and she explores why the imagination matters as we think about novel ways to address long-standing and simultaneously evolving inequities"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781469666471; 9781469666464
    Schlagworte: Blacks in literature; American fiction; Caribbean fiction (English); American fiction; Caribbean fiction (English); Income distribution in literature; Social classes in literature
    Umfang: 225 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  2. Class interruptions
    inequality and division in African diasporic women's fiction
    Autor*in: Brooks, Robin
    Erschienen: [2022]
    Verlag:  The University of North Carolina Press, Chapel Hill

    Standort:
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    Signatur:
    813.5409928708996 BRO
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781469666464; 9781469666471
    RVK Klassifikation: HU 1728
    Schlagworte: Schwarze Frau; Schriftstellerin; Frauenliteratur; Gesellschaftsroman; Soziale Klasse <Motiv>; Soziale Ungleichheit <Motiv>
    Umfang: 225 Seiten
    Bemerkung(en):

    Literaturverzeichnis Seite 193-215
  3. Class interruptions
    inequality and division in African diasporic women's fiction
    Autor*in: Brooks, Robin
    Erschienen: [2022]
    Verlag:  <<The>> University of North Carolina Press, Chapel Hill

    "As downward mobility continues to be an international issue, Robin Brooks makes a timely intervention between the humanities and social sciences by examining how Black women's cultural production engages debates about the growth in income and wealth... mehr

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "As downward mobility continues to be an international issue, Robin Brooks makes a timely intervention between the humanities and social sciences by examining how Black women's cultural production engages debates about the growth in income and wealth gaps in global society during the late twentieth and early twenty-first centuries. Using an interdisciplinary approach, this innovative book employs major contemporary texts by both African American and Caribbean writers--Toni Morrison, Gloria Naylor, Dawn Turner, Olive Senior, Oonya Kempadoo, Merle Hodge, and Diana McCaulay--to demonstrate how neoliberalism, within the broader framework of racial capitalism, reframes structural inequalities as personal failures, thus obscuring how to improve unjust conditions. Through interviews with authors, textual analyses of the fiction, and a diagramming of cross-class relationships, Brooks offers compelling new insight on literary portrayals of class inequalities and division. She reconceptualizes the scope of the Black women's literary tradition since the 1970s by repositioning the importance of class, and she explores why the imagination matters as we think about novel ways to address long-standing and simultaneously evolving inequities"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781469666471; 9781469666464
    RVK Klassifikation: HU 1728
    Schlagworte: Soziale Klasse <Motiv>; Frauenliteratur; Schriftstellerin; Schwarze Frau; Soziale Ungleichheit <Motiv>; Gesellschaftsroman
    Weitere Schlagworte: Morrison, Toni (1931-2019); Senior, Olive (1941-); Hodge, Merle (1944-); Naylor, Gloria (1950-2016); Black people in literature; American fiction / African American authors / History and criticism; Caribbean fiction (English) / Black authors / History and criticism; American fiction / Women authors / History and criticism; Caribbean fiction (English) / Women authors / History and criticism; Income distribution / In literature; Social classes in literature; American fiction / African American authors; American fiction / Women authors; Blacks in literature; Social classes in literature; Criticism, interpretation, etc
    Umfang: 225 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Introduction: Class Lines: Look Both Ways Before Crossing -- African American Literature. The Wrong and Right Side of the Tracks: Mapping the Intraracial Class Dynamics in Gloria Naylor's Linden Hills and Dawn Turner's Only Twice I've Wished for Heaven ; Cheap Behavior and Costly Secrets: Taboo Topics in Toni Morrison's Love -- Caribbean Literature. Beyond the "Class" Room: The Entanglements of Class and Education in Merle Hodge's Crick Crack, Monkey and Olive Senior's Dancing Lessons ; Human Rights and Wrongs: Violations to a Decent Standard of Living in Diana McCaulay's Dog-Heart -- Epilogue: Romance Across (Class) Borders & Have Some Post-Class
  4. Class interruptions
    inequality and division in African diasporic women's fiction
    Autor*in: Brooks, Robin
    Erschienen: [2022]
    Verlag:  <<The>> University of North Carolina Press, Chapel Hill

    "As downward mobility continues to be an international issue, Robin Brooks makes a timely intervention between the humanities and social sciences by examining how Black women's cultural production engages debates about the growth in income and wealth... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "As downward mobility continues to be an international issue, Robin Brooks makes a timely intervention between the humanities and social sciences by examining how Black women's cultural production engages debates about the growth in income and wealth gaps in global society during the late twentieth and early twenty-first centuries. Using an interdisciplinary approach, this innovative book employs major contemporary texts by both African American and Caribbean writers--Toni Morrison, Gloria Naylor, Dawn Turner, Olive Senior, Oonya Kempadoo, Merle Hodge, and Diana McCaulay--to demonstrate how neoliberalism, within the broader framework of racial capitalism, reframes structural inequalities as personal failures, thus obscuring how to improve unjust conditions. Through interviews with authors, textual analyses of the fiction, and a diagramming of cross-class relationships, Brooks offers compelling new insight on literary portrayals of class inequalities and division. She reconceptualizes the scope of the Black women's literary tradition since the 1970s by repositioning the importance of class, and she explores why the imagination matters as we think about novel ways to address long-standing and simultaneously evolving inequities"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781469666471; 9781469666464
    RVK Klassifikation: HU 1728
    Schlagworte: Soziale Klasse <Motiv>; Frauenliteratur; Schriftstellerin; Schwarze Frau; Soziale Ungleichheit <Motiv>; Gesellschaftsroman
    Weitere Schlagworte: Morrison, Toni (1931-2019); Senior, Olive (1941-); Hodge, Merle (1944-); Naylor, Gloria (1950-2016); Black people in literature; American fiction / African American authors / History and criticism; Caribbean fiction (English) / Black authors / History and criticism; American fiction / Women authors / History and criticism; Caribbean fiction (English) / Women authors / History and criticism; Income distribution / In literature; Social classes in literature; American fiction / African American authors; American fiction / Women authors; Blacks in literature; Social classes in literature; Criticism, interpretation, etc
    Umfang: 225 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Introduction: Class Lines: Look Both Ways Before Crossing -- African American Literature. The Wrong and Right Side of the Tracks: Mapping the Intraracial Class Dynamics in Gloria Naylor's Linden Hills and Dawn Turner's Only Twice I've Wished for Heaven ; Cheap Behavior and Costly Secrets: Taboo Topics in Toni Morrison's Love -- Caribbean Literature. Beyond the "Class" Room: The Entanglements of Class and Education in Merle Hodge's Crick Crack, Monkey and Olive Senior's Dancing Lessons ; Human Rights and Wrongs: Violations to a Decent Standard of Living in Diana McCaulay's Dog-Heart -- Epilogue: Romance Across (Class) Borders & Have Some Post-Class