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  1. Unfinished business
    screening the Italian Mafia in the new millennium
    Autor*in: Renga, Dana
    Erschienen: 2013
    Verlag:  University of Toronto Press, Toronto [u.a.]

    "Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy Unfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished."--pub. desc

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781442647480; 1442647485; 9781442615588; 1442615583
    RVK Klassifikation: AP 59739
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Mafia in motion pictures; Gangster films; Psychic trauma in motion pictures; Motion pictures and women
    Umfang: viii, 256 pages, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: Trauma, gender, and recent Italian Mafia cinemaOedipal conflicts in Marco Tullio Giordana's I cento passi -- Honour, shame and vendetta: Pasquale Scimeca's Placido Rizzotto -- Mafia women in a man's world: Roberta Torre's Angela -- The Mafia noir: Paolo Sorrentino's Le conseguenze dell'amore -- Men of honour, man of glass: Stefano Incerti's L'uomo di vetro -- The female mob boss: Edoardo Winspeare's Galantuomini -- Melancholia and the mob weepie: Davide Barletti and Lorenzo Conte's Fine pena mai: Paradiso perduto -- Mourining disavowed: Matteo Garrone's Gomorra -- Recasting Rita Atria in Marco Amenta's La siciliana ribelle -- Trauma postponed: Claudio Cupellini's Una vita tranquilla -- Epilogue: Why must Caesar die?
  2. Unfinished business
    screening the Italian Mafia in the new millennium
    Autor*in: Renga, Dana
    Erschienen: 2013
    Verlag:  Univ. of Toronto Press, Toronto [u.a.]

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule für Fernsehen und Film, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781442647480; 1442647485; 9781442615588; 1442615583
    RVK Klassifikation: AP 59739
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Gangster films / History and criticism / Italy; Mafia in motion pictures; Psychic trauma in motion pictures; Motion pictures and women; Film; Mafia <Motiv>
    Umfang: VIII, 256 S., 23 cm
    Bemerkung(en):

    Includes bibliographical references and index
  3. Unfinished business
    screening the Italian Mafia in the new millennium
    Autor*in: Renga, Dana
    Erschienen: 2013
    Verlag:  University of Toronto Press, Toronto [u.a.]

    "Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 895416
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy Unfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished."--pub. desc

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781442647480; 1442647485; 9781442615588; 1442615583
    RVK Klassifikation: AP 59739
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Mafia in motion pictures; Gangster films; Psychic trauma in motion pictures; Motion pictures and women
    Umfang: viii, 256 pages, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: Trauma, gender, and recent Italian Mafia cinemaOedipal conflicts in Marco Tullio Giordana's I cento passi -- Honour, shame and vendetta: Pasquale Scimeca's Placido Rizzotto -- Mafia women in a man's world: Roberta Torre's Angela -- The Mafia noir: Paolo Sorrentino's Le conseguenze dell'amore -- Men of honour, man of glass: Stefano Incerti's L'uomo di vetro -- The female mob boss: Edoardo Winspeare's Galantuomini -- Melancholia and the mob weepie: Davide Barletti and Lorenzo Conte's Fine pena mai: Paradiso perduto -- Mourining disavowed: Matteo Garrone's Gomorra -- Recasting Rita Atria in Marco Amenta's La siciliana ribelle -- Trauma postponed: Claudio Cupellini's Una vita tranquilla -- Epilogue: Why must Caesar die?
  4. Unfinished business
    screening the Italian Mafia in the new millennium
    Autor*in: Renga, Dana
    Erschienen: 2013
    Verlag:  University of Toronto Press, Toronto [u.a.]

    "Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy Unfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished."--pub. desc

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781442647480; 9781442615588; 1442647485; 1442615583
    RVK Klassifikation: AP 59739
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Gangster films; Mafia in motion pictures; Psychic trauma in motion pictures; Motion pictures and women; Mafia in motion pictures; Gangster films; Psychic trauma in motion pictures; Motion pictures and women
    Umfang: VIII, 256 S., 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: Trauma, gender, and recent Italian Mafia cinemaOedipal conflicts in Marco Tullio Giordana's I cento passi -- Honour, shame and vendetta: Pasquale Scimeca's Placido Rizzotto -- Mafia women in a man's world: Roberta Torre's Angela -- The Mafia noir: Paolo Sorrentino's Le conseguenze dell'amore -- Men of honour, man of glass: Stefano Incerti's L'uomo di vetro -- The female mob boss: Edoardo Winspeare's Galantuomini -- Melancholia and the mob weepie: Davide Barletti and Lorenzo Conte's Fine pena mai: Paradiso perduto -- Mourining disavowed: Matteo Garrone's Gomorra -- Recasting Rita Atria in Marco Amenta's La siciliana ribelle -- Trauma postponed: Claudio Cupellini's Una vita tranquilla -- Epilogue: Why must Caesar die?
  5. Unfinished business
    screening the Italian Mafia in the new millennium
    Autor*in: Renga, Dana
    Erschienen: 2013
    Verlag:  University of Toronto Press, Toronto [u.a.]

    "Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 895416
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Freiburg, Romanisches Seminar, Bibliothek
    Signatur:
    Frei 23: Li 4, 143 a
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Signatur:
    KB 20 A 6496
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Unfinished Business is the first book to examine Italian mafia cinema of the past decade. It provides insightful analyses of popular films that sensationalize violence, scapegoat women, or repress the homosexuality of male protagonists. Dana Renga examines these works through the lens of gender and trauma theory to show how the films engage with the process of mourning and healing mafia-related trauma in Italy Unfinished Business argues that trauma that has yet to be worked through on the national level is displaced onto the characters in the films under consideration. In a mafia context, female characters are sacrificed and non-normative sexual identities are suppressed in order to solidify traditional modes of viewer identification and to assure narrative closure, all so that the image of the nation is left unblemished."--pub. desc

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781442647480; 9781442615588; 1442647485; 1442615583
    RVK Klassifikation: AP 59739
    Schriftenreihe: Toronto Italian studies
    Schlagworte: Gangster films; Mafia in motion pictures; Psychic trauma in motion pictures; Motion pictures and women; Mafia in motion pictures; Gangster films; Psychic trauma in motion pictures; Motion pictures and women
    Umfang: VIII, 256 S., 23 cm
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: Trauma, gender, and recent Italian Mafia cinemaOedipal conflicts in Marco Tullio Giordana's I cento passi -- Honour, shame and vendetta: Pasquale Scimeca's Placido Rizzotto -- Mafia women in a man's world: Roberta Torre's Angela -- The Mafia noir: Paolo Sorrentino's Le conseguenze dell'amore -- Men of honour, man of glass: Stefano Incerti's L'uomo di vetro -- The female mob boss: Edoardo Winspeare's Galantuomini -- Melancholia and the mob weepie: Davide Barletti and Lorenzo Conte's Fine pena mai: Paradiso perduto -- Mourining disavowed: Matteo Garrone's Gomorra -- Recasting Rita Atria in Marco Amenta's La siciliana ribelle -- Trauma postponed: Claudio Cupellini's Una vita tranquilla -- Epilogue: Why must Caesar die?