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  1. The Ethnography of Rhythm
    Orality and Its Technologies
    Autor*in: Saussy, Haun
    Erschienen: [2016]; © 2016
    Verlag:  Fordham University Press, New York, NY

    Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the "device"—core ideas of modern literary theory—were all... mehr

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the "device"—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian "techniques of the body" as belonging to the domain of Derridean "arche-writing," Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices

     

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    Format: Online
    ISBN: 9780823270491
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    Schriftenreihe: Verbal Arts: Studies in Poetics
    Schlagworte: Derrida; Homer; Jacques; MacLuhan; Marshall; Milman; Parry; embodiment; literacy; media; memory; oral tradition; theory of literature; Technology & Engineering / Social Aspects; Folk literature; Oral tradition; Orality in literature; Poetics; Storytelling
    Umfang: 1 online resource (274 pages)
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    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  2. The Ethnography of Rhythm
    Orality and Its Technologies
    Autor*in: Saussy, Haun
    Erschienen: [2016]
    Verlag:  Fordham University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the “device”—core ideas of modern literary theory—were all... mehr

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    Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the “device”—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian “techniques of the body” as belonging to the domain of Derridean “arche-writing,” Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices.

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823270491
    Weitere Identifier:
    Schriftenreihe: Verbal Arts: Studies in Poetics
    Umfang: 1 Online-Ressource (274 p.)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)

  3. The Ethnography of Rhythm
    Orality and Its Technologies
    Autor*in: Saussy, Haun
    Erschienen: [2016]
    Verlag:  Fordham University Press, New York, NY

    Frontmatter -- Contents -- Foreword -- Preface -- Figures -- Introduction: Weighing Hearsay -- 1. Poetry Without Poems or Poets -- 2. Writing as (One Form of) Notation -- 3. Autography -- 4. The Human Gramophone -- 5. Embodiment and Inscription --... mehr

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    Frontmatter -- Contents -- Foreword -- Preface -- Figures -- Introduction: Weighing Hearsay -- 1. Poetry Without Poems or Poets -- 2. Writing as (One Form of) Notation -- 3. Autography -- 4. The Human Gramophone -- 5. Embodiment and Inscription -- Acknowledgments -- Notes -- Bibliography -- Index Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the “device”—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian “techniques of the body” as belonging to the domain of Derridean “arche-writing,” Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823270491
    Weitere Identifier:
    Schriftenreihe: Verbal Arts: Studies in Poetics
    Schlagworte: Storytelling; Folk literature; Oral tradition; Orality in literature; Poetics; Technology & Engineering / Social Aspects
    Umfang: 1 Online-Ressource (274 p)
  4. The ethnography of rhythm
    orality and its technologies
    Autor*in: Saussy, Haun
    Erschienen: 2016
    Verlag:  Fordham University Press, New York

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823270491
    Auflage/Ausgabe: First edition
    Schriftenreihe: Verbal Arts: Studies in Poetics
    Schlagworte: Oral tradition; Poetics; Orality in literature; Storytelling; Folk literature
    Umfang: 1 Online-Ressource (274 pages), illustrations, photographs
    Bemerkung(en):

    Description based on print version record

  5. The Ethnography of Rhythm
    Orality and Its Technologies
    Autor*in: Saussy, Haun
    Erschienen: 2016
    Verlag:  Fordham University Press, s.l.

    A history of the concept of orality (that is, the creation and transmission of literary works without the use of writing), this book shows awareness of this medium emerging from the encounter of many literary and scientific developments (romanticism,... mehr

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    A history of the concept of orality (that is, the creation and transmission of literary works without the use of writing), this book shows awareness of this medium emerging from the encounter of many literary and scientific developments (romanticism, post-symbolism, structuralism; physiology, psychology, the study of expression, anthropology; phonography, cinema) Cover -- Contents -- Foreword -- Preface -- List of Figures -- Introduction: Weighing Hearsay -- 1 Poetry Without Poems or Poets -- 2 Writing as (One Form of) Notation -- 3 Autography -- 4 The Human Gramophone -- 5 Embodiment and Inscription -- Acknowledgments -- Notes -- Bibliography -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Z

     

    Export in Literaturverwaltung   RIS-Format
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    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823270491
    Schriftenreihe: Verbal Arts
    Verbal Arts: Studies in Poetics
    Schlagworte: Oral tradition; Poetics; Orality in literature; Storytelling; Folk literature ; History and criticism; Electronic books
    Umfang: 1 Online-Ressource (274 p)
    Bemerkung(en):

    Description based upon print version of record

  6. The Ethnography of Rhythm
    Orality and Its Technologies
    Autor*in: Saussy, Haun
    Erschienen: [2016]; © 2016
    Verlag:  Fordham University Press, New York, NY

    Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the "device"—core ideas of modern literary theory—were all... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Winner of the Modern Language Association's Aldo and Jeanne Scaglione Prize for Comparative Literary StudiesWho speaks? The author as producer, the contingency of the text, intertextuality, the "device"—core ideas of modern literary theory—were all pioneered in the shadow of oral literature. Authorless, loosely dated, and variable, oral texts have always posed a challenge to critical interpretation. When it began to be thought that culturally significant texts—starting with Homer and the Bible—had emerged from an oral tradition, assumptions on how to read these texts were greatly perturbed. Through readings that range from ancient Greece, Rome, and China to the Cold War imaginary, The Ethnography of Rhythm situates the study of oral traditions in the contentious space of nineteenth- and twentieth-century thinking about language, mind, and culture. It also demonstrates the role of technologies in framing this category of poetic creation. By making possible a new understanding of Maussian "techniques of the body" as belonging to the domain of Derridean "arche-writing," Haun Saussy shows how oral tradition is a means of inscription in its own right, rather than an antecedent made obsolete by the written word or other media and data-storage devices

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780823270491
    Weitere Identifier:
    Schriftenreihe: Verbal Arts: Studies in Poetics
    Schlagworte: Derrida; Homer; Jacques; MacLuhan; Marshall; Milman; Parry; embodiment; literacy; media; memory; oral tradition; theory of literature; Technology & Engineering / Social Aspects; Folk literature; Oral tradition; Orality in literature; Poetics; Storytelling
    Umfang: 1 online resource (274 pages)
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 23. Jul 2020)