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  1. The idea of Italy
    photography and the British imagination, 1840-1900
    Beteiligt: Pelizzari, Maria Antonella (HerausgeberIn); Wilcox, Scott (HerausgeberIn)
    Erschienen: [2022]; © 2022
    Verlag:  Yale Center for British Art, New Haven

    The legacy of the Grand Tour -- Tracing early encounters -- The photograph as narrative and souvenir -- Documenting and disseminating art -- Becoming a nation -- Endings and beginnings. "The Idea of Italy: Photography and the British Imagination,... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The legacy of the Grand Tour -- Tracing early encounters -- The photograph as narrative and souvenir -- Documenting and disseminating art -- Becoming a nation -- Endings and beginnings. "The Idea of Italy: Photography and the British Imagination, 1840-1900, examines the ways in which the new medium of photography influenced the British experience, appreciation, and perception of Italy in the mid-nineteenth century. Full-size plates-including many previously unpublished images-feature the work of both famous and little-known photographers, including Robert Macpherson, Calvert Richard Jones, George Wilson Bridges, Julia Margaret Cameron, Lady Anne Brassey, and James Craig Annan. Setting photography within a long history of image making that begins with the eighteenth-century Grand Tour, transformed by the inventions of William Henry Fox Talbot and Louis Daguerre, the sixteen essays in this volume explore photography as a vehicle for visual translation and cultural exchange. Maria Antonella Pelizzari is a professor in the Department of Art and Art History at Hunter College and the Graduate Center, City University of New York. Scott Wilcox is the former deputy director for collections of the Yale Center for British Art"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Pelizzari, Maria Antonella (HerausgeberIn); Wilcox, Scott (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780300263831
    RVK Klassifikation: AP 99030 ; AP 95540
    Schlagworte: Photography; Photography, Artistic; PHOTOGRAPHY / History; HISTORY / Europe / Great Britain / Victorian Era (1837-1901)
    Umfang: 287 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  2. The idea of Italy
    photography and the British imagination, 1840-1900
    Beteiligt: Pelizzari, Maria Antonella (HerausgeberIn); Wilcox, Scott (HerausgeberIn)
    Erschienen: [2022]; © 2022
    Verlag:  Yale Center for British Art, New Haven ; Yale University Press

    The legacy of the Grand Tour -- Tracing early encounters -- The photograph as narrative and souvenir -- Documenting and disseminating art -- Becoming a nation -- Endings and beginnings. "The Idea of Italy: Photography and the British Imagination,... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2022:2879:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 B 201267
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2023 D 25
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signatur:
    Rc 8737
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Signatur:
    63 B 147
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The legacy of the Grand Tour -- Tracing early encounters -- The photograph as narrative and souvenir -- Documenting and disseminating art -- Becoming a nation -- Endings and beginnings. "The Idea of Italy: Photography and the British Imagination, 1840-1900, examines the ways in which the new medium of photography influenced the British experience, appreciation, and perception of Italy in the mid-nineteenth century. Full-size plates-including many previously unpublished images-feature the work of both famous and little-known photographers, including Robert Macpherson, Calvert Richard Jones, George Wilson Bridges, Julia Margaret Cameron, Lady Anne Brassey, and James Craig Annan. Setting photography within a long history of image making that begins with the eighteenth-century Grand Tour, transformed by the inventions of William Henry Fox Talbot and Louis Daguerre, the sixteen essays in this volume explore photography as a vehicle for visual translation and cultural exchange. Maria Antonella Pelizzari is a professor in the Department of Art and Art History at Hunter College and the Graduate Center, City University of New York. Scott Wilcox is the former deputy director for collections of the Yale Center for British Art"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Pelizzari, Maria Antonella (HerausgeberIn); Wilcox, Scott (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780300263831
    RVK Klassifikation: AP 99030 ; AP 95540
    Schlagworte: Photography; Photography, Artistic; PHOTOGRAPHY / History; HISTORY / Europe / Great Britain / Victorian Era (1837-1901)
    Umfang: 287 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  3. The idea of Italy
    photography and the British imagination, 1840-1900
    Beteiligt: Pelizzari, Maria Antonella (Hrsg.); Wilcox, Scott (Hrsg.)
    Erschienen: [2022]; © 2022
    Verlag:  Yale Center for British Art, New Haven ; Yale University Press, New Haven ; London

    The legacy of the Grand Tour -- Tracing early encounters -- The photograph as narrative and souvenir -- Documenting and disseminating art -- Becoming a nation -- Endings and beginnings "The Idea of Italy: Photography and the British Imagination,... mehr

    Standort:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    The legacy of the Grand Tour -- Tracing early encounters -- The photograph as narrative and souvenir -- Documenting and disseminating art -- Becoming a nation -- Endings and beginnings "The Idea of Italy: Photography and the British Imagination, 1840-1900, examines the ways in which the new medium of photography influenced the British experience, appreciation, and perception of Italy in the mid-nineteenth century. Full-size plates-including many previously unpublished images-feature the work of both famous and little-known photographers, including Robert Macpherson, Calvert Richard Jones, George Wilson Bridges, Julia Margaret Cameron, Lady Anne Brassey, and James Craig Annan. Setting photography within a long history of image making that begins with the eighteenth-century Grand Tour, transformed by the inventions of William Henry Fox Talbot and Louis Daguerre, the sixteen essays in this volume explore photography as a vehicle for visual translation and cultural exchange. Maria Antonella Pelizzari is a professor in the Department of Art and Art History at Hunter College and the Graduate Center, City University of New York. Scott Wilcox is the former deputy director for collections of the Yale Center for British Art"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Pelizzari, Maria Antonella (Hrsg.); Wilcox, Scott (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780300263831
    RVK Klassifikation: AP 99030 ; AP 95540
    Schlagworte: Italien <Motiv>; Reisefotografie; Fotografie; Italienbild
    Weitere Schlagworte: Photography / Great Britain / History / 19th century; Photography, Artistic / 19th century; PHOTOGRAPHY / History; HISTORY / Europe / Great Britain / Victorian Era (1837-1901); Italy / Civilization / Pictorial works
    Umfang: 287 Seiten, Illustrationen, 28,5 cm
    Bemerkung(en):

    Includes bibliographical references and index
  4. The idea of Italy
    photography and the British imagination, 1840-1900
    Beteiligt: Pelizzari, Maria Antonella (Herausgeber); Wilcox, Scott (Herausgeber)
    Erschienen: [2022]
    Verlag:  Yale Center for British Art, New Haven ; Yale University Press, New Haven ; London

    The legacy of the Grand Tour -- Tracing early encounters -- The photograph as narrative and souvenir -- Documenting and disseminating art -- Becoming a nation -- Endings and beginnings "The Idea of Italy: Photography and the British Imagination,... mehr

    Standort:
    Kunst- und Museumsbibliothek der Stadt Köln
    Signatur:
    KMB/Geschaeftsgang27523
    Fernleihe:
    keine Fernleihe

     

    The legacy of the Grand Tour -- Tracing early encounters -- The photograph as narrative and souvenir -- Documenting and disseminating art -- Becoming a nation -- Endings and beginnings "The Idea of Italy: Photography and the British Imagination, 1840-1900, examines the ways in which the new medium of photography influenced the British experience, appreciation, and perception of Italy in the mid-nineteenth century. Full-size plates-including many previously unpublished images-feature the work of both famous and little-known photographers, including Robert Macpherson, Calvert Richard Jones, George Wilson Bridges, Julia Margaret Cameron, Lady Anne Brassey, and James Craig Annan. Setting photography within a long history of image making that begins with the eighteenth-century Grand Tour, transformed by the inventions of William Henry Fox Talbot and Louis Daguerre, the sixteen essays in this volume explore photography as a vehicle for visual translation and cultural exchange. Maria Antonella Pelizzari is a professor in the Department of Art and Art History at Hunter College and the Graduate Center, City University of New York. Scott Wilcox is the former deputy director for collections of the Yale Center for British Art"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Pelizzari, Maria Antonella (Herausgeber); Wilcox, Scott (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780300263831
    RVK Klassifikation: AP 95540 ; AP 99030
    Schlagworte: Italien <Motiv>; Reisefotografie
    Umfang: 287 Seiten, Illustrationen
  5. The idea of Italy
    photography and the British imagination, 1840-1900
    Beteiligt: Pelizzari, Maria Antonella (Hrsg.); Wilcox, Scott (Hrsg.)
    Erschienen: [2022]; © 2022
    Verlag:  Yale Center for British Art, New Haven ; Yale University Press, New Haven ; London

    The legacy of the Grand Tour -- Tracing early encounters -- The photograph as narrative and souvenir -- Documenting and disseminating art -- Becoming a nation -- Endings and beginnings "The Idea of Italy: Photography and the British Imagination,... mehr

    Standort:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The legacy of the Grand Tour -- Tracing early encounters -- The photograph as narrative and souvenir -- Documenting and disseminating art -- Becoming a nation -- Endings and beginnings "The Idea of Italy: Photography and the British Imagination, 1840-1900, examines the ways in which the new medium of photography influenced the British experience, appreciation, and perception of Italy in the mid-nineteenth century. Full-size plates-including many previously unpublished images-feature the work of both famous and little-known photographers, including Robert Macpherson, Calvert Richard Jones, George Wilson Bridges, Julia Margaret Cameron, Lady Anne Brassey, and James Craig Annan. Setting photography within a long history of image making that begins with the eighteenth-century Grand Tour, transformed by the inventions of William Henry Fox Talbot and Louis Daguerre, the sixteen essays in this volume explore photography as a vehicle for visual translation and cultural exchange. Maria Antonella Pelizzari is a professor in the Department of Art and Art History at Hunter College and the Graduate Center, City University of New York. Scott Wilcox is the former deputy director for collections of the Yale Center for British Art"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Pelizzari, Maria Antonella (Hrsg.); Wilcox, Scott (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780300263831
    RVK Klassifikation: AP 99030 ; AP 95540
    Schlagworte: Italien <Motiv>; Reisefotografie; Fotografie; Italienbild
    Weitere Schlagworte: Photography / Great Britain / History / 19th century; Photography, Artistic / 19th century; PHOTOGRAPHY / History; HISTORY / Europe / Great Britain / Victorian Era (1837-1901); Italy / Civilization / Pictorial works
    Umfang: 287 Seiten, Illustrationen, 28,5 cm
    Bemerkung(en):

    Includes bibliographical references and index
  6. <<The>> idea of Italy
    photography and the British imagination, 1840-1900
    Beteiligt: Pelizzari, Maria Antonella (Herausgeber); Wilcox, Scott (Herausgeber)
    Erschienen: [2022]
    Verlag:  Yale Center for British Art, New Haven

    The legacy of the Grand Tour -- Tracing early encounters -- The photograph as narrative and souvenir -- Documenting and disseminating art -- Becoming a nation -- Endings and beginnings "The Idea of Italy: Photography and the British Imagination,... mehr

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Kunst- und Museumsbibliothek der Stadt Köln
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The legacy of the Grand Tour -- Tracing early encounters -- The photograph as narrative and souvenir -- Documenting and disseminating art -- Becoming a nation -- Endings and beginnings "The Idea of Italy: Photography and the British Imagination, 1840-1900, examines the ways in which the new medium of photography influenced the British experience, appreciation, and perception of Italy in the mid-nineteenth century. Full-size plates-including many previously unpublished images-feature the work of both famous and little-known photographers, including Robert Macpherson, Calvert Richard Jones, George Wilson Bridges, Julia Margaret Cameron, Lady Anne Brassey, and James Craig Annan. Setting photography within a long history of image making that begins with the eighteenth-century Grand Tour, transformed by the inventions of William Henry Fox Talbot and Louis Daguerre, the sixteen essays in this volume explore photography as a vehicle for visual translation and cultural exchange. Maria Antonella Pelizzari is a professor in the Department of Art and Art History at Hunter College and the Graduate Center, City University of New York. Scott Wilcox is the former deputy director for collections of the Yale Center for British Art"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Pelizzari, Maria Antonella (Herausgeber); Wilcox, Scott (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780300263831
    RVK Klassifikation: AP 99030 ; AP 95540
    Schlagworte: Großbritannien; Reisefotografie; Italien <Motiv>; Geschichte 1840-1900
    Umfang: 287 Seiten, Illustrationen