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  1. A piece of the action
    race and labor in post-civil rights Hollywood
    Autor*in: Quinn, Eithne
    Erschienen: 2020
    Verlag:  Columbia University Press, New York

    The Screen Speaks For for Itself: Institutional Discrimination and the Dawning of Hollywood Postracialism -- Racializing the Hollywood Renaissance: Black and White Filmmakers Symbol Creators in a Time of Crisis -- Challenging Jim Crow Crews: Federal... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Screen Speaks For for Itself: Institutional Discrimination and the Dawning of Hollywood Postracialism -- Racializing the Hollywood Renaissance: Black and White Filmmakers Symbol Creators in a Time of Crisis -- Challenging Jim Crow Crews: Federal Activism and Industry Reaction -- Getting the Man's Foot Out out of Our Collective Asses: Film Enterprise from Black Left Producing Units to the Rise of the Hustler Creative -- Color-Blind Corporatism: The Black Film Wave and White Revival Conclusion: Race, Creative Labor, and Reflexivity in Post-Civil Reflexivity in Post-Civil Rights Hollywood. "Hollywood is often thought of-and certainly by Hollywood itself-as a progressive haven. However, in the decade after the passage of the Civil Rights Act, the film industry grew deeply conservative when it came to conflicts over racial justice. Amid black self-assertion and white backlash, many of the most heated struggles in film were fought over employment. In A Piece of the Action, Eithne Quinn reveals how Hollywood catalyzed wider racial politics, through representation on screen as well as in battles over jobs and resources behind the scenes. Based on extensive archival research and detailed discussions of films like In the Heat of the Night, Sweet Sweetback's Baadasssss Song, Super Fly, Claudine, and Blue Collar, this volume considers how issues of race and labor played out on the screen during the tumultuous early years of affirmative action. Quinn charts how black actors leveraged their performance capital to force meaningful changes to employment and film content. She examines the emergence of Sidney Poitier and other African Americans as A-list stars; the careers of black filmmakers such as Melvin Van Peebles and Ossie Davis; and attempts by the federal government and black advocacy groups to integrate cinema. Quinn also highlights the limits of Hollywood's liberalism, showing how predominantly white filmmakers, executives, and unions hid the persistence of racism behind feel-good stories and public-relations avowals of tolerance. A rigorous analysis of the deeply rooted patterns of racial exclusion in American cinema, A Piece of the Action sheds light on why conservative and corporate responses to antiracist and labor activism remain pervasive in today's Hollywood"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231164375; 9780231164368
    Schlagworte: African Americans in motion pictures; Race in motion pictures; Race relations in motion pictures; African Americans in the motion picture industry; Motion pictures
    Umfang: 278 pages
    Bemerkung(en):

    Includes bibliographical references and index
  2. A piece of the action
    race and labor in post-civil rights Hollywood
    Autor*in: Quinn, Eithne
    Erschienen: [2020]; © 2020
    Verlag:  Columbia University Press, New York

    Hollywood is often thought of-and certainly by Hollywood itself-as a progressive haven. However, in the decade after the passage of the Civil Rights Act, the film industry grew deeply conservative when it came to conflicts over racial justice. Amid... mehr

    Standort:
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    Signatur:
    791.43652996073 QUI
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Hollywood is often thought of-and certainly by Hollywood itself-as a progressive haven. However, in the decade after the passage of the Civil Rights Act, the film industry grew deeply conservative when it came to conflicts over racial justice. Amid black self-assertion and white backlash, many of the most heated struggles in film were fought over employment. In A Piece of the Action, Eithne Quinn reveals how Hollywood catalyzed wider racial politics, through representation on screen as well as in battles over jobs and resources behind the scenes. Based on extensive archival research and detailed discussions of films like In the Heat of the Night, Sweet Sweetback's Baadasssss Song, Super Fly, Claudine, and Blue Collar, this volume considers how issues of race and labor played out on the screen during the tumultuous early years of affirmative action. Quinn charts how black actors leveraged their performance capital to force meaningful changes to employment and film content. She examines the emergence of Sidney Poitier and other African Americans as A-list stars; the careers of black filmmakers such as Melvin Van Peebles and Ossie Davis; and attempts by the federal government and black advocacy groups to integrate cinema. Quinn also highlights the limits of Hollywood's liberalism, showing how predominantly white filmmakers, executives, and unions hid the persistence of racism behind feel-good stories and public-relations avowals of tolerance. A rigorous analysis of the deeply rooted patterns of racial exclusion in American cinema, A Piece of the Action sheds light on why conservative and corporate responses to antiracist and labor activism remain pervasive in today's Hollywood.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231164375; 9780231164368
    Schlagworte: Film; Rasse <Motiv>; Schwarzenbild; Filmwirtschaft; Schwarze
    Umfang: ix, 278 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Literaturangaben
  3. A piece of the action
    race and labor in post-civil rights Hollywood
    Autor*in: Quinn, Eithne
    Erschienen: [2020]
    Verlag:  Columbia University Press, New York

    The Screen Speaks For for Itself: Institutional Discrimination and the Dawning of Hollywood Postracialism -- Racializing the Hollywood Renaissance: Black and White Filmmakers Symbol Creators in a Time of Crisis -- Challenging Jim Crow Crews: Federal... mehr

    Standort:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Signatur:
    2.3.US-QUIN 1
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 91840
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2023 A 1328
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Screen Speaks For for Itself: Institutional Discrimination and the Dawning of Hollywood Postracialism -- Racializing the Hollywood Renaissance: Black and White Filmmakers Symbol Creators in a Time of Crisis -- Challenging Jim Crow Crews: Federal Activism and Industry Reaction -- Getting the Man's Foot Out out of Our Collective Asses: Film Enterprise from Black Left Producing Units to the Rise of the Hustler Creative -- Color-Blind Corporatism: The Black Film Wave and White Revival Conclusion: Race, Creative Labor, and Reflexivity in Post-Civil Reflexivity in Post-Civil Rights Hollywood. "Hollywood is often thought of-and certainly by Hollywood itself-as a progressive haven. However, in the decade after the passage of the Civil Rights Act, the film industry grew deeply conservative when it came to conflicts over racial justice. Amid black self-assertion and white backlash, many of the most heated struggles in film were fought over employment. In A Piece of the Action, Eithne Quinn reveals how Hollywood catalyzed wider racial politics, through representation on screen as well as in battles over jobs and resources behind the scenes. Based on extensive archival research and detailed discussions of films like In the Heat of the Night, Sweet Sweetback's Baadasssss Song, Super Fly, Claudine, and Blue Collar, this volume considers how issues of race and labor played out on the screen during the tumultuous early years of affirmative action. Quinn charts how black actors leveraged their performance capital to force meaningful changes to employment and film content. She examines the emergence of Sidney Poitier and other African Americans as A-list stars; the careers of black filmmakers such as Melvin Van Peebles and Ossie Davis; and attempts by the federal government and black advocacy groups to integrate cinema. Quinn also highlights the limits of Hollywood's liberalism, showing how predominantly white filmmakers, executives, and unions hid the persistence of racism behind feel-good stories and public-relations avowals of tolerance. A rigorous analysis of the deeply rooted patterns of racial exclusion in American cinema, A Piece of the Action sheds light on why conservative and corporate responses to antiracist and labor activism remain pervasive in today's Hollywood"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780231164375; 9780231164368
    Schlagworte: African Americans in motion pictures; Race in motion pictures; Race relations in motion pictures; African Americans in the motion picture industry; Motion pictures
    Umfang: ix, 278 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index