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  1. John Martin
    apocalypse ; [on the occasion of the Exhibition John Martin - Apocalypse Tate Britain 21 September 2011 - 15 January 2012]
    Beteiligt: Martin, John (Ill.); Myrone, Martin (Hrsg.)
    Erschienen: 2011
    Verlag:  Tate Gallery Publ., London

    "John Martin's spectacular paintings, featuring panoramic scenes of battles, biblical catastrophes and the vastness of nature, moved and astonished viewers in his own day. The legacy of his apocalyptic imagery remains clearly visible today, in art,... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "John Martin's spectacular paintings, featuring panoramic scenes of battles, biblical catastrophes and the vastness of nature, moved and astonished viewers in his own day. The legacy of his apocalyptic imagery remains clearly visible today, in art, popular culture and blockbuster cinema. Yet his success was controversial: many critics thought his work vulgar and misguided, and were further confused by Martin;s engagement with science, engineering and public affairs. Perhaps as a result, he has been unjustly neglected by modern art history. This long-overdue reassessment surveys the full range of Martin's achievement, examining the paintings and prints that made him famous, as well as his astoundingly accomplished watercolours. With many stunning illustrations capturing the full drama of Martin's vision, the book also includes searching essays by leading authorities on his life and work, providing new insights into the career of an extordinary and driven artist with a perpetually enquiring mind."--P [4] of cover

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Martin, John (Ill.); Myrone, Martin (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1854378899; 9781854378897
    Weitere Identifier:
    9781854378897
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Apocalypse in art
    Weitere Schlagworte: Martin, John (1789-1854); Martin, John (1789-1854); Array; Array; Apocalypse in art; Array
    Umfang: 240 S, zahlr Ill
    Bemerkung(en):

    Martin Myrone: John Martin: art, taste, and the spectacle of culture

    "John Martin's spectacular paintings, featuring panoramic scenes of battles, biblical catastrophes and the vastness of nature, moved and astonished viewers in his own day. The legacy of his apocalyptic imagery remains clearly visible today, in art, popular culture and blockbuster cinema. Yet his success was controversial: many critics thought his work vulgar and misguided, and were further confused by Martin;s engagement with science, engineering and public affairs. Perhaps as a result, he has been unjustly neglected by modern art history. This long-overdue reassessment surveys the full range of Martin's achievement, examining the paintings and prints that made him famous, as well as his astoundingly accomplished watercolours. With many stunning illustrations capturing the full drama of Martin's vision, the book also includes searching essays by leading authorities on his life and work, providing new insights into the career of an extordinary and driven artist with a perpetually enquiring mind."--P [4] of cover

    Michael J. Campbell: John Martin as a commercial printmaker

    Lars Kokkonen: The prophet motive? John Martin as a civil engineer

    David Bindman: Deep time, dragons and dinosaurs

    Julie Milne: The abyss that abides

    Martin Myrone and Anna Austen, with a technical essay by Sarah Maisey.: Catalogue
  2. John Martin
    apocalypse ; [on the occasion of the Exhibition John Martin - Apocalypse Tate Britain 21 September 2011 - 15 January 2012]
    Beteiligt: Martin, John (Ill.); Myrone, Martin (Hrsg.)
    Erschienen: 2011
    Verlag:  Tate Gallery Publ., London

    "John Martin's spectacular paintings, featuring panoramic scenes of battles, biblical catastrophes and the vastness of nature, moved and astonished viewers in his own day. The legacy of his apocalyptic imagery remains clearly visible today, in art,... mehr

    Standort:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signatur:
    ::8:2012:152:
    Fernleihe:
    keine Fernleihe

    Standort:
    Staatliche Kunstsammlungen Dresden, Kunstbibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

    Standort:
    Universitätsbibliothek Freiburg
    Signatur:
    TX 2012/214
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2011 D 2129
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Thüringer Universitäts- und Landesbibliothek
    Signatur:
    KUN:YM:1710:::2011
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signatur:
    K 3097-30/1
    Fernleihe:
    keine Fernleihe

    Standort:
    LWL Museum für Kunst und Kultur, Westfälisches Landesmuseum, Bibliothek
    Signatur:
    Martin, J 2011
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsgalerie Stuttgart, Bibliothek
    Signatur:
    W Martin, J. 2011/12
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "John Martin's spectacular paintings, featuring panoramic scenes of battles, biblical catastrophes and the vastness of nature, moved and astonished viewers in his own day. The legacy of his apocalyptic imagery remains clearly visible today, in art, popular culture and blockbuster cinema. Yet his success was controversial: many critics thought his work vulgar and misguided, and were further confused by Martin;s engagement with science, engineering and public affairs. Perhaps as a result, he has been unjustly neglected by modern art history. This long-overdue reassessment surveys the full range of Martin's achievement, examining the paintings and prints that made him famous, as well as his astoundingly accomplished watercolours. With many stunning illustrations capturing the full drama of Martin's vision, the book also includes searching essays by leading authorities on his life and work, providing new insights into the career of an extordinary and driven artist with a perpetually enquiring mind."--P [4] of cover

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Martin, John (Ill.); Myrone, Martin (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1854378899; 9781854378897
    Weitere Identifier:
    9781854378897
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Apocalypse in art
    Weitere Schlagworte: Martin, John (1789-1854); Martin, John (1789-1854); Array; Array; Apocalypse in art; Array
    Umfang: 240 S, zahlr Ill
    Bemerkung(en):

    Martin Myrone: John Martin: art, taste, and the spectacle of culture

    "John Martin's spectacular paintings, featuring panoramic scenes of battles, biblical catastrophes and the vastness of nature, moved and astonished viewers in his own day. The legacy of his apocalyptic imagery remains clearly visible today, in art, popular culture and blockbuster cinema. Yet his success was controversial: many critics thought his work vulgar and misguided, and were further confused by Martin;s engagement with science, engineering and public affairs. Perhaps as a result, he has been unjustly neglected by modern art history. This long-overdue reassessment surveys the full range of Martin's achievement, examining the paintings and prints that made him famous, as well as his astoundingly accomplished watercolours. With many stunning illustrations capturing the full drama of Martin's vision, the book also includes searching essays by leading authorities on his life and work, providing new insights into the career of an extordinary and driven artist with a perpetually enquiring mind."--P [4] of cover

    Michael J. Campbell: John Martin as a commercial printmaker

    Lars Kokkonen: The prophet motive? John Martin as a civil engineer

    David Bindman: Deep time, dragons and dinosaurs

    Julie Milne: The abyss that abides

    Martin Myrone and Anna Austen, with a technical essay by Sarah Maisey.: Catalogue