In this book, Charitini Christodoulou argues that a certain perception of openness that she calls "dialogic" permeates Nikos Kazantzakis' The Last Temptation. Partly based on Umberto Eco's theory in Opera Aperta and Mikhail Bakhtin's notion of dialogism, the term "dialogic openness" refers to the idea of antithetical forces clashing and thus revealing different forms of tension that are not resolved at the end of the novel. Thus, it is shown that subjectivity and meaning is always in the proc..
Includes bibliographical references
Dialogic openness in Nikos Kazantzakis
Erschienen:
2012
Verlag:
Cambridge Scholars Pub, Newcastle upon Tyne
In this book, Charitini Christodoulou argues that a certain perception of openness that she calls "dialogic" permeates Nikos Kazantzakis' The Last Temptation. Partly based on Umberto Eco's theory in Opera Aperta and Mikhail Bakhtin's notion of...
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Universitätsbibliothek der Eberhard Karls Universität
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In this book, Charitini Christodoulou argues that a certain perception of openness that she calls "dialogic" permeates Nikos Kazantzakis' The Last Temptation. Partly based on Umberto Eco's theory in Opera Aperta and Mikhail Bakhtin's notion of dialogism, the term "dialogic openness" refers to the idea of antithetical forces clashing and thus revealing different forms of tension that are not resolved at the end of the novel. Thus, it is shown that subjectivity and meaning is always in the proc TABLE OF CONTENTS; ACKNOWLEDGEMENTS; INTRODUCTION; CHAPTER ONE; CHAPTER TWO; CHAPTER THREE; CHAPTER FOUR; CHAPTER FIVE; CHAPTER SIX; CHAPTER SEVEN; CONCLUSION; BIBLIOGRAPHY.
