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  1. Traumatic encounters
    Holocaust representation and the Hegelian subject
    Autor*in: Eisenstein, Paul
    Erschienen: 2003
    Verlag:  State University of New York Press, Albany ; EBSCO Industries, Inc., Birmingham, AL, USA

    Addresses the difficulty of representing the Holocaust in literature and on film. Traumatic Encounters argues for an alternative memorial path in Holocaust and cultural studies--one that shows the vital necessity of thinking in a universal way about... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

     

    Addresses the difficulty of representing the Holocaust in literature and on film. Traumatic Encounters argues for an alternative memorial path in Holocaust and cultural studies--one that shows the vital necessity of thinking in a universal way about an event like the Holocaust. Relying on Hegel's notion that the particular is already universal, Eisenstein shows how the encounter with trauma transpires not in the refusal of a universalizing gesture but rather in its wholesale embrace. This embrace results in a recognition involving the trauma that conditions the possibility of history in the first place--a structural trauma immune to historicization that Hegel and psychoanalysis place at the heart of subjectivity and community. The structural trauma encounter is at the center of four titles that Eisenstein examines: Spielberg's Schindler's List, D.M. Thomas's The White Hotel, Thomas Mann's Doctor Faustus, and David Grossman's See Under: Love.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1417536136; 9781417536139; 0791457990; 9780791457993; 0791458008; 9780791458006; 9780791486382; 0791486389
    Schlagworte: Judenvernichtung; Rezeption; Geschichtsschreibung
    Weitere Schlagworte: Hegel, Georg Wilhelm Friedrich (1770-1831); Mann, Thomas (1875-1955): Doktor Faustus; Keneally, Thomas (1935-): Schindler's list
    Umfang: 1 Online-Ressource (x, 236 pages)
    Bemerkung(en):

    Includes bibliographical references and index
  2. Traumatic encounters
    Holocaust representation and the Hegelian subject
    Autor*in: Eisenstein, Paul
    Erschienen: ©2003
    Verlag:  State University of New York Press, Albany

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
  3. Traumatic encounters
    Holocaust representation and the Hegelian subject
    Erschienen: c2003
    Verlag:  State University of New York Press, Albany

    Addresses the difficulty of representing the Holocaust in literature and on film. Traumatic Encounters argues for an alternative memorial path in Holocaust and cultural studies--one that shows the vital necessity of thinking in a universal way about... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Addresses the difficulty of representing the Holocaust in literature and on film. Traumatic Encounters argues for an alternative memorial path in Holocaust and cultural studies--one that shows the vital necessity of thinking in a universal way about an event like the Holocaust. Relying on Hegel's notion that the particular is already universal, Eisenstein shows how the encounter with trauma transpires not in the refusal of a universalizing gesture but rather in its wholesale embrace. This embrace results in a recognition involving the trauma that conditions the possibility of history in the first place--a structural trauma immune to historicization that Hegel and psychoanalysis place at the heart of subjectivity and community. The structural trauma encounter is at the center of four titles that Eisenstein examines: Spielberg's Schindler's List, D.M. Thomas's The White Hotel, Thomas Mann's Doctor Faustus, and David Grossman's See Under: Love Machine generated contents note:1.Holocaust Memory and Hegel --2.Obsession and the Meaning of Jewish Rescue: Oskar Schindler as Spirit --3.Hysteria as Deferral: The White Hotel and the Idea of Death --4.Leverkuhn as Witness: The Holocaust in Thomas Mann's Doctor Faustus --5.History as/and Paranoia: David Grossman's See Under: Love.

     
    Export in Literaturverwaltung   RIS-Format
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