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  1. Song means
    analysing and interpreting recorded popular song
    Autor*in: Moore, Allan F.
    Erschienen: 2012
    Verlag:  Ashgate, Farnham, Surrey, England [u.a.] ; EBSCO Industries, Inc., Birmingham, AL, USA

    Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but inter-dependent approaches to song. Analytical theory is revisited,... mehr

    Standort:
    Bibliothek der Hochschule Mainz, Untergeschoss
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but inter-dependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal tone, lyrics. Moore continues by developing a range of hermeneutic strategies largely drawn from outside the field (in the most part, within psychology and philosophy) but still deeply relevant to the experience of song.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781409428657; 1409428656; 1283479877; 9781283479875
    RVK Klassifikation: LS 48015
    Schriftenreihe: Ashgate popular and folk music series
    Schlagworte: Popsong; Ästhetik
    Umfang: 1 Online-Ressource (xvi, 395 pages), Illustrations, music
    Bemerkung(en):

    Includes bibliographical references (pages 337-350), discography (p
  2. Song means
    analysing and interpreting recorded popular song
    Erschienen: ©2012
    Verlag:  Ashgate, Farnham, Surrey, England

    Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but inter-dependent approaches to song. Analytical theory is revisited,... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Allan F. Moore presents a study of recorded popular song, from the recordings of the 1920s through to the present day. Analysis and interpretation are treated as separable but inter-dependent approaches to song. Analytical theory is revisited, covering conventional domains such as harmony, melody and rhythm, but does not privilege these at the expense of domains such as texture, the soundbox, vocal tone, lyrics. Moore continues by developing a range of hermeneutic strategies largely drawn from outside the field (in the most part, within psychology and philosophy) but still deeply relevant to the experience of song

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781409428657; 1409428656; 1283479877; 9781283479875
    Schriftenreihe: Ashgate popular and folk music series
    Schlagworte: Popular music; Popular music; Songs; Popular music; Sound recordings in musicology; Popular music; Songs; Popular music; Popular music; MUSIC ; Printed Music ; General; Popular music; Popular music ; Analysis, appreciation; Popular music ; Philosophy and aesthetics; Songs ; Analysis, appreciation; Sound recordings in musicology; Ästhetik; Popsong; Ljudupptagningar; Musikvetenskap; Populärmusik ; analys; Populärmusik ; historia; Criticism, interpretation, etc
    Umfang: Online Ressource (xvi, 395 pages), illustrations, music.
    Bemerkung(en):

    Includes bibliographical references (pages 337-350), discography (p. 351-383) , and indexes. - Print version record