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  1. The British comic book invasion
    Alan Moore, Warren Ellis, Grant Morrison and the evolution of the American style
    Autor*in: Ecke, Jochen
    Erschienen: [2019]; © 2019
    Verlag:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "Writers and artists in the highly competitive U.S. comics mainstream have always had to explore these questions but they were especially pressing in the 1980s. As comics readers grew older they started calling for more sophisticated stories. They... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Writers and artists in the highly competitive U.S. comics mainstream have always had to explore these questions but they were especially pressing in the 1980s. As comics readers grew older they started calling for more sophisticated stories. They were also no longer just following the adventures of popular characters--writers and artists with distinctive styles were in demand. DC Comics and Marvel went looking for such mavericks and found them in the United Kingdom. Creators like Alan Moore, Grant Morrison and Garth Ennis migrated from the anarchical British comics industry to the U.S. mainstream and shook up the status quo yet came to rely on the genius of the American system."--

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781476674155
    RVK Klassifikation: EC 7120 ; HU 1821
    Schriftenreihe: Critical explorations in science fiction and fantasy ; 64
    Schlagworte: Comic books, strips, etc / United States / History and criticism; Graphic novels / History and criticism; Comic books, strips, etc; Graphic novels; Comic; Comicroman; Graphic Novel; Comic
    Weitere Schlagworte: Moore, Alan / 1953- / Criticism and interpretation; Morrison, Grant / Criticism and interpretation; Moore, Alan (1953-); Ellis, Warren (1968-); Morrison, Grant (1960-)
    Umfang: viii, 273 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index
  2. The British comic book invasion
    Alan Moore, Warren Ellis, Grant Morrison and the evolution of the American style
    Autor*in: Ecke, Jochen
    Erschienen: [2019]; © 2019
    Verlag:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "Writers and artists in the highly competitive U.S. comics mainstream have always had to explore these questions but they were especially pressing in the 1980s. As comics readers grew older they started calling for more sophisticated stories. They... mehr

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Writers and artists in the highly competitive U.S. comics mainstream have always had to explore these questions but they were especially pressing in the 1980s. As comics readers grew older they started calling for more sophisticated stories. They were also no longer just following the adventures of popular characters--writers and artists with distinctive styles were in demand. DC Comics and Marvel went looking for such mavericks and found them in the United Kingdom. Creators like Alan Moore, Grant Morrison and Garth Ennis migrated from the anarchical British comics industry to the U.S. mainstream and shook up the status quo yet came to rely on the genius of the American system."--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781476674155
    RVK Klassifikation: EC 7120 ; HU 1821
    Schriftenreihe: Critical explorations in science fiction and fantasy ; 64
    Schlagworte: Comic books, strips, etc / United States / History and criticism; Graphic novels / History and criticism; Comic books, strips, etc; Graphic novels; Comic; Comicroman; Graphic Novel; Comic
    Weitere Schlagworte: Moore, Alan / 1953- / Criticism and interpretation; Morrison, Grant / Criticism and interpretation; Moore, Alan (1953-); Ellis, Warren (1968-); Morrison, Grant (1960-)
    Umfang: viii, 273 Seiten, Illustrationen, 23 cm
    Bemerkung(en):

    Includes bibliographical references and index
  3. The British comic book invasion
    Alan Moore, Warren Ellis, Grant Morrison and the evolution of the American style
    Autor*in: Ecke, Jochen
    Erschienen: 2019
    Verlag:  McFarland & Company, Inc., Publishers, Jefferson, North Carolina

    "Writers and artists in the highly competitive U.S. comics mainstream have always had to explore these questions but they were especially pressing in the 1980s. As comics readers grew older they started calling for more sophisticated stories. They... mehr

    Standort:
    Universität Mainz, Zentralbibliothek
    Signatur:
    288.944
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Standort:
    Universität Mainz, Zentralbibliothek
    Signatur:
    288.944,2.Ex.
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Standort:
    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
    Signatur:
    V/9 E 2 I
    Fernleihe:
    keine Fernleihe

     

    "Writers and artists in the highly competitive U.S. comics mainstream have always had to explore these questions but they were especially pressing in the 1980s. As comics readers grew older they started calling for more sophisticated stories. They were also no longer just following the adventures of popular characters--writers and artists with distinctive styles were in demand. DC Comics and Marvel went looking for such mavericks and found them in the United Kingdom. Creators like Alan Moore, Grant Morrison and Garth Ennis migrated from the anarchical British comics industry to the U.S. mainstream and shook up the status quo yet came to rely on the genius of the American system.

     
    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9781476674155; 1476674159
    RVK Klassifikation: EC 7120 ; HU 1821
    Schriftenreihe: Critical explorations in science fiction and fantasy ; 64
    Schlagworte: Comic
    Weitere Schlagworte: Moore, Alan (1953-); Morrison, Grant (1960-)
    Umfang: viii, 273 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    Dissertation, Johannes Gutenberg-Universität Mainz, 2014
  4. Symbolism
    An International Annual of Critical Aesthetics
    Beteiligt: Anan, Nobuko (Mitwirkender); Anderson, Tiffany M. B. (Mitwirkender); Betts, Gregory (Mitwirkender); Charlwood, Catherine (Mitwirkender); Ecke, Jochen (Mitwirkender); Eckert, Kenneth (Mitwirkender); Fabb, Nigel (Mitwirkender); Gill, Patrick (Mitwirkender); Golovchenko, Margaryta (Mitwirkender); Henriksen, Anni Haahr (Mitwirkender); Klaeger, Florian (Herausgeber); Magome, Kiyoko (Mitwirkender); Newbould, M-C (Mitwirkender); Redding, Art (Mitwirkender); Schinko, Carsten (Mitwirkender); Stierstorfer, Klaus (Herausgeber); Strachan, Aysha (Mitwirkender); Tronicke, Marlena (Herausgeber)
    Erschienen: 2022; ©2022
    Verlag:  De Gruyter, Berlin ; Walter de Gruyter GmbH

    Special Focus: "Omission", edited by Patrick Gill Throughout literary history and in many cultures, we encounter an astute use of conspicuous absences to conjure an imagined reality into a recipient's mind. The term 'omission' as used in the present... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Mainz, Zentralbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Marburg, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    Special Focus: "Omission", edited by Patrick Gill Throughout literary history and in many cultures, we encounter an astute use of conspicuous absences to conjure an imagined reality into a recipient's mind. The term 'omission' as used in the present study, then, demarcates a common artistic phenomenon: a silence, blank, or absence, introduced against the recipient's generic or experiential expectations, but which nonetheless frequently encapsulates the tenor of the work as a whole. Such omissions can be employed for their affective potential, when emotions represented or evoked by the text are deemed to be beyond words. They can be employed to raise epistemological questions, as when an omission marks the limits of what can be known. Ethical questions can also be approached by means of omissions, as when a character's voice is omitted, for instance. Finally, omission always carries within it the potential to reflect on the media and genres on which it is brought to bear: as its efficacy depends on the recipient's generic expectations, omission is frequently characterized by a high degree of meta-discursiveness. This volume investigates the various strategies with which the phenomenon of omission is employed across a range of textual forms and in different cultures to conclusively argue for its status as a highly effective and near-universal form of artistic signification.

     
    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Anan, Nobuko (Mitwirkender); Anderson, Tiffany M. B. (Mitwirkender); Betts, Gregory (Mitwirkender); Charlwood, Catherine (Mitwirkender); Ecke, Jochen (Mitwirkender); Eckert, Kenneth (Mitwirkender); Fabb, Nigel (Mitwirkender); Gill, Patrick (Mitwirkender); Golovchenko, Margaryta (Mitwirkender); Henriksen, Anni Haahr (Mitwirkender); Klaeger, Florian (Herausgeber); Magome, Kiyoko (Mitwirkender); Newbould, M-C (Mitwirkender); Redding, Art (Mitwirkender); Schinko, Carsten (Mitwirkender); Stierstorfer, Klaus (Herausgeber); Strachan, Aysha (Mitwirkender); Tronicke, Marlena (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783110775884
    Weitere Identifier:
    DDC Klassifikation: Sprache (400)
    Schriftenreihe: Symbolism : An International Annual of Critical Aesthetics , ; 22
    Schlagworte: Literatur; Auslassung
    Umfang: 1 Online-Ressource (VIII, 281 p.)