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  1. Women as Hamlet
    performance and interpretation in theatre, film and fiction
    Autor*in: Howard, Tony
    Erschienen: 2007
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0521864666; 9780521864664
    Weitere Identifier:
    2006036489
    RVK Klassifikation: HI 3423
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Hamlet (Legendary character); Shakespearean actors and actresses; Women in the theater
    Weitere Schlagworte: Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: XI, 329 S., Ill., 24 cm
    Bemerkung(en):

    Includes index

    Introduction : the drama of questions and the mystery of Hamlet -- Playing Hamlet, writing the self -- 'Is this womanly?' -- Virile spirits : Sarah Bernhardt and her inheritance -- 'I am whom I play' : Asta Nielsen -- 'Why are you looking at me like that?' : Zinaida Raikh -- Behind the arras, through the Wall : Poland 1989 -- Hamlet from the margins : Spain, Turkey, Ireland -- Films and fictions : Hamlet, men's eyes and the ages of woman -- Women's voices in the cathedral of culture -- Beyond silence, imagination
  2. The diva's gift to the Shakespearean stage
    agency, theatricality, and the innamorata
    Autor*in: Brown, Pamela Allen
    Erschienen: 2021
    Verlag:  Oxford University Press, Oxford

    The Diva's Gift to the Shakespearean Stage traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Diva's Gift to the Shakespearean Stage traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters. By the time Shakespeare began to writeplays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat0tours in France and Spain. 0Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw0a vital new model full of promise. Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to playthem. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams-plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780198867838
    RVK Klassifikation: AP 73200
    Auflage/Ausgabe: First edition
    Schlagworte: Shakespearean actors and actresses; Women in the theater; Women in the theater; English drama; Drama; Schauspielerin; Theater; Shakespearean actors and actresses; English drama ; Early modern and Elizabethan; Theater; Women in the theater; Criticism, interpretation, etc; History
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William
    Umfang: viii, 295 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  3. Sweet sorrow
    MP3 CD
    Autor*in: Nicholls, David
    Erschienen: [2019]
    Verlag:  Blackstone Publishing, [Ashland, Oregan]

    On the verge of marriage, Charlie Lewis can't stop thinking about the events of one particular summer. Before he can go the altar, he must come to terms with his relationships and former self mehr

    Standort:
    Stadtbibliothek Bremen, Zentralbibliothek
    Signatur:
    Englisch CD S Nicho
    Fernleihe:
    keine Fernleihe

     

    On the verge of marriage, Charlie Lewis can't stop thinking about the events of one particular summer. Before he can go the altar, he must come to terms with his relationships and former self

     
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  4. British Black and Asian Shakespeareans
    integrating Shakespeare, 1966-2018
    Autor*in: Rogers, Jami
    Erschienen: 2022
    Verlag:  The Arden Shakespeare, London

    "Shakespeare is at the heart of the British theatrical tradition, but the contribution of Ira Aldridge and the Shakespearean performers of African, Afro-Caribbean and Asian heritage who came after him is not widely known. Telling the story for the... mehr

    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
    Signatur:
    HI 3331 R727
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    HI 3331 R724
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Leipzig
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Signatur:
    2022-1593
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Shakespeare is at the heart of the British theatrical tradition, but the contribution of Ira Aldridge and the Shakespearean performers of African, Afro-Caribbean and Asian heritage who came after him is not widely known. Telling the story for the first time of how Shakespearean theatre was integrated from the 1960s to the twenty-first century, this is a timely and important account of that contribution. Drawing extensively on empirical evidence from the British Black and Asian Shakespeare Performance Database and featuring interviews with many performers, the book chronicles important productions that led to ground-breaking castings of black and Asian actors in substantial Shakespearean roles including: · Zakes Mokae (Cry Freedom) as one of three black Witches in William Gaskill's production of Macbeth, Royal Court Theatre, London, 1966 · Norman Beaton as Angelo in Michael Rudman's 1981 Measure for Measure at the National Theatre, the first majority black Shakespearean cast at the National Theatre · Adrian Lester as Henry V in Nicholas Hytner's 2003 production Detailing the earliest recorded castings of black and Asian performers in Shakespeare's roles, this illuminating account illustrates the various ways in which black and Asian actors have been integrated into contemporary Shakespearean productions. With first-hand accounts from key performers including Joseph Marcell, Adrian Lester, Noma Dumezweni, Rakie Ayola, Ray Fearon, Paterson Joseph, Lucian Msamati and many more, this book is an invaluable history of black and Asian Shakespeareans that highlights the gains these actors have made and the challenges still faced in pursuing a career in classical theatre"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781350112926; 9781350114883
    Weitere Identifier:
    9781350114883
    RVK Klassifikation: HI 3370 ; HI 3331
    Schlagworte: Shakespearean actors and actresses; Actors; Actors; Theater; Acting
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: xi, 237 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 217-222
  5. The diva's gift to the Shakespearean stage
    agency, theatricality, and the innamorata
    Autor*in: Brown, Pamela Allen
    Erschienen: 2021
    Verlag:  Oxford University Press, Oxford

    The Diva's Gift to the Shakespearean Stage traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    10 A 144370
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2022 A 2255
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    72/12198
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Diva's Gift to the Shakespearean Stage traces the transnational connections between Shakespeare's all-male stage and the first female stars in the West. The book is the first to use Italian and English plays and other sources to explore this relationship, focusing on the gifted actress who radically altered female roles and expanded the horizons of drama just as the English were building their first paying theaters. By the time Shakespeare began to writeplays, women had been acting professionally in Italian troupes for two decades, traveling across the Continent and acting in all genres, including tragicomedy and tragedy. Some women became the first truly international stars, winning royal and noble patrons and literary admirers beyond Italy, with repeat0tours in France and Spain. 0Elizabeth and her court caught wind of the Italians' success, and soon troupes with actresses came to London to perform. Through contacts direct and indirect, English professionals grew keenly aware of the mimetic revolution wrought by the skilled diva, who expanded the innamorata and made the type more engaging, outspoken, and autonomous. Some English writers pushed back, treating the actress as a whorish threat to the all-male stage, which had long minimized female roles. Others saw0a vital new model full of promise. Faced with rising demand for Italian-style plays, Lyly, Marlowe, Kyd, and Shakespeare used Italian models from scripted and improvised drama to turn out stellar female parts in the mode of the actress, altering them in significant ways while continuing to use boys to playthem. Writers seized on the comici's materials and methods to piece together pastoral, comic, and tragicomic plays from mobile theatergrams-plot elements, roles, stories, speeches, and star scenes, such as cross-dressing, the mad scene, and the sung lament

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780198867838
    RVK Klassifikation: AP 73200
    Auflage/Ausgabe: First edition
    Schlagworte: Shakespearean actors and actresses; Women in the theater; Women in the theater; English drama; Drama; Schauspielerin; Theater; Shakespearean actors and actresses; English drama ; Early modern and Elizabethan; Theater; Women in the theater; Criticism, interpretation, etc; History
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William
    Umfang: viii, 295 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  6. Living the Shakespearean life
    true stories
    Beteiligt: Boe, John (HerausgeberIn)
    Erschienen: [2019]; © 2019
    Verlag:  Regent Street Press, Berkeley, California

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2021 B 661
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Boe, John (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781587905001; 1587905000
    RVK Klassifikation: HI 3330
    Schlagworte: Shakespearean actors and actresses
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 257 Seiten, Illustrationen, 26 cm
  7. Othello
    Autor*in: Davison, P. H.
    Erschienen: 1988; ©1988
    Verlag:  Macmillan Education UK, London

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781349194308
    Schriftenreihe: The Critics Debate Ser.
    Schlagworte: Shakespearean actors and actresses; Electronic books
    Umfang: 1 online resource (94 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  8. Women as Hamlet
    performance and interpretation in theatre, film and fiction
    Autor*in: Howard, Tony
    Erschienen: 2009
    Verlag:  Cambridge University Press, Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao Paulo, Dehli

    Standort:
    Universitätsbibliothek Siegen
    Signatur:
    11DYCH1946
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780521864664; 9780521117210
    Schlagworte: Hamlet (Legendary character); Shakespearean actors and actresses; Women in the theater
    Umfang: XI, 329 Seiten, Illustrationen
    Bemerkung(en):

    Originally published: 2007
  9. Acting Shakespeare
    Autor*in: Joseph, Bertram Leon
    Erschienen: 2014
    Verlag:  Routledge, London [u.a.]

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Signatur:
    nc/f8092
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781138792692
    Schriftenreihe: Routledge library editions : Shakespeare in performance ; 6
    Schlagworte: Shakespearean actors and actresses; Acting
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: XX, 199 S., 24 cm
  10. The Shakespeare masterclasses
    Beteiligt: Destro, Ron (Herausgeber)
    Erschienen: 2020
    Verlag:  Routledge, Abingdon, Oxon ; Taylor & Francis Group, London

    "The Shakespeare Masterclasses is a collection of rare interviews from many of the world's most renowned Shakespearean actors, exploring their varied approaches to topics including character creation, script analysis, acting for the stage and the... mehr

    Zugang:

    Standort:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Fernleihe:
    keine Fernleihe

     

    "The Shakespeare Masterclasses is a collection of rare interviews from many of the world's most renowned Shakespearean actors, exploring their varied approaches to topics including character creation, script analysis, acting for the stage and the camera, rehearsal, preparation, and collaboration. Ron Destro's insightful and revealing conversations with thirteen accomplished artists provide the reader with the invaluable experience of sitting in the classroom with each of these masters. A selection of Shakespeare plays including Hamlet, The Winter's Tale, King Lear and The Tempest are examined to explore antithesis, line-endings, rhyme and meter, method acting and the artistry of a good director. In addition to critical analysis of their vocation, the actors weave through personal and humorous anecdotes and favourite acting moments, and offer useful movement and vocal exercises. This book offers a lens into the creative process of world-acclaimed actors to expose an abundance of tips, tools and fascinating stories about the acting profession that will be of crucial interest to acting students, directors, drama teachers, Shakespeare performance scholars and general theatre fans more broadly"--...

     
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    Quelle: Verbundkataloge
    Beteiligt: Destro, Ron (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780429331862; 042933186X; 9781000069211; 1000069214; 9781000069181; 1000069184; 9781000069150; 100006915X
    Schlagworte: Shakespearean actors and actresses; Theatrical producers and directors; Acting
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (xiii, 197 pages), illustrations
    Bemerkung(en):

    Includes bibliographical references and index
  11. Women as Hamlet
    performance and interpretation in theatre, film and fiction
    Autor*in: Howard, Tony
    Erschienen: 2009
    Verlag:  Cambridge University Press, Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao Paulo, Dehli

    Standort:
    Universitätsbibliothek Siegen
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780521864664; 9780521117210
    Schlagworte: Hamlet (Legendary character); Shakespearean actors and actresses; Women in the theater
    Umfang: XI, 329 Seiten, Illustrationen
    Bemerkung(en):

    Originally published: 2007
  12. Performing Hamlet
    actors in the modern age
    Autor*in: Croall, Jonathan
    Erschienen: 2018
    Verlag:  The Arden Shakespeare/Bloomsbury Publishing Plc, London, UK

    "Hamlet is arguably the most famous play on the planet, and the greatest of all Shakespeare's works. Its rich story and complex leading role have provoked intense debate and myriad interpretations. To play such a uniquely multi-faceted character as... mehr

    Standort:
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    Signatur:
    2018 A 7627
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Hamlet is arguably the most famous play on the planet, and the greatest of all Shakespeare's works. Its rich story and complex leading role have provoked intense debate and myriad interpretations. To play such a uniquely multi-faceted character as Hamlet represents the supreme challenge for a young actor. Performing Hamlet contains Jonathan Croall's revealing in-depth interviews with five distinguished actors who have played the Prince this century: Jude Law: 'You get to speak possibly the most beautiful lines about humankind ever given to an actor.' Simon Russell Beale: 'Hamlet is a very hospitable role: it will take anything you throw at it.' David Tennant: 'No other part has been so satisfying. It was tough, but utterly compelling.' Maxine Peake: 'Hamlet was a way of accessing bits of me as an actress I've not been able to access before.' Adrian Lester: 'Working with Peter Brook on Hamlet changed me as an actor, and for the better.' The book benefits from the author's interviews with six leading directors of the play during these years: Greg Doran, Nicholas Hytner, Michael Grandage, John Caird, Sarah Frankcom and Simon Godwin. Many other productions are described, from those starring Michael Redgrave, Alec Guinness and Paul Scofield in the 1950s, to the performances of Benedict Cumberbatch, Andrew Scott and Paapa Essiedu in recent times. The volume also includes an updated text of the author's earlier book Hamlet Observed, and an account of actors' experiences of performing at Elsinore"-- Stage history -- The fifties : Michael Redgrave, Alec Guinness, Richard Burton, Paul Scofield, Michael Redgrave -- The sixties : Jeremy Brett, Peter O'Toole, David Warner, Nicol Williamson -- The seventies : Alan Howard, Ian McKellen, Albert Finney, Ben Kingsley, Derek Jacobi, Frances de la Tour -- The eighties : Jonathan Pryce, Michael Pennington, Anton Lesser, Roger Rees, Kenneth Branagh, Mark Rylance, Daniel Day-Lewis -- The nineties : Kenneth Branagh, Alan Cumming, Stephen Dillane, Ralph Fiennes, Alex Jennings, Paul Rhys -- The noughties : Mark Rylance, Adrian Lester, Samuel West, Michael Maloney, Ben Whishaw, Jamie Ballard, David Tennant, Jude Law -- The teens : Rory Kinnear, Michael Sheen, Jonathan Slinger, Maxine Peake, Benedict Cumberbatch, Paapa Essiedu, Andrew Scott, Simon Russell Beale -- Hamlet observed : the National Theatre at work -- Hamlets at Elsinore

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781350030756; 9781350030763
    RVK Klassifikation: HI 3423
    Schlagworte: Shakespearean actors and actresses; Acting
    Weitere Schlagworte: Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616)
    Umfang: VI, 198 pages, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index
  13. Women as Hamlet
    performance and interpretation in theatre, film and fiction
    Autor*in: Howard, Tony
    Erschienen: 2007
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780521864664; 0521864666
    RVK Klassifikation: HI 3560
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Hamlet (Legendary character); Shakespearean actors and actresses; Women in the theater
    Umfang: XI, 329 S., Ill., 24cm
    Bemerkung(en):

    Literaturangaben
  14. Double Shakespeares
    emotional-realist acting and contemporary performance
    Autor*in: Mazer, Cary M.
    Erschienen: 2015
    Verlag:  Fairleigh Dickinson University Press, Madison

    Introduction: The Anxiety of Identity -- Doubleness. Double Selves -- Undoubling and Redoubling -- Double Bodies -- Double Narratives. Double Fictions -- Double Memoirs -- Double Plays. Frames -- Three Scripts, Three Productions, Six Plays --... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 A 968527
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: The Anxiety of Identity -- Doubleness. Double Selves -- Undoubling and Redoubling -- Double Bodies -- Double Narratives. Double Fictions -- Double Memoirs -- Double Plays. Frames -- Three Scripts, Three Productions, Six Plays -- "Wounds Invisible": An Epilogue

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781611478433
    RVK Klassifikation: HI 3560
    Schriftenreihe: Shakespeare and the stage
    Schlagworte: Acting; Shakespearean actors and actresses
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: xii, 201 pages, illustrations
    Bemerkung(en):

    Includes bibliographical references and index

    Introduction: The Anxiety of IdentityDoubleness. Double Selves -- Undoubling and Redoubling -- Double Bodies -- Double Narratives. Double Fictions -- Double Memoirs -- Double Plays. Frames -- Three Scripts, Three Productions, Six Plays -- "Wounds Invisible": An Epilogue.
  15. The Shakespeare masterclasses
    Beteiligt: Destro, Ron (HerausgeberIn)
    Erschienen: 2020
    Verlag:  Routledge,, Abingdon, Oxon

    Sir Derek Jacobi -- Diana Rigg -- Tim Pigott-Smith -- Frank Langella -- F. Murray Abraham -- Jeremy Irons -- Glenda Jackson -- Michael York -- Ron Cook -- Malcolm McKay -- Priyanga Burford -- John Barton -- Cicely Berry -- Acting exercises. mehr

    Zugang:
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Palucca-Hochschule für Tanz Dresden, Bibliothek
    Fernleihe:
    keine Fernleihe

     

    Sir Derek Jacobi -- Diana Rigg -- Tim Pigott-Smith -- Frank Langella -- F. Murray Abraham -- Jeremy Irons -- Glenda Jackson -- Michael York -- Ron Cook -- Malcolm McKay -- Priyanga Burford -- John Barton -- Cicely Berry -- Acting exercises.

     
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  16. Macready, Booth, Terry, Irving
    Erschienen: 2011
    Verlag:  Continuum, London

    Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. . In this volume, leading scholars... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Hochschule Aalen, Bibliothek
    Signatur:
    E-Book EBSCO
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschule Esslingen, Bibliothek
    Signatur:
    E-Book Ebsco
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek der Eberhard Karls Universität
    Fernleihe:
    keine Fernleihe

     

    Great Shakespeareans offers a systematic account of those figures who have had the greatest influence on the interpretation, understanding and cultural reception of Shakespeare, both nationally and internationally. . In this volume, leading scholars assess the contribution of William Charles Macready, Edwin Booth, Sir Henry Irving and Ellen Terry to the afterlife and reception of Shakespeare and his plays. Each substantial contribution assesses the double impact of Shakespeare on the figure covered and of the figure on the understanding, interpretation and appreciation of Shakespeare, provide

     
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  17. John Bell, Shakespeare and the quest for a new Australian theatre
    Autor*in: Kiernander, Adrian
    Erschienen: c2015
    Verlag:  Brill Rodopi, Leiden

    Preliminary material /Editors John Bell, Shakespeare and the Quest for a New Australian Theatre -- Introduction /Editors John Bell, Shakespeare and the Quest for a New Australian Theatre -- A National Theatre /Editors John Bell, Shakespeare and the... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Leipzig
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    Preliminary material /Editors John Bell, Shakespeare and the Quest for a New Australian Theatre -- Introduction /Editors John Bell, Shakespeare and the Quest for a New Australian Theatre -- A National Theatre /Editors John Bell, Shakespeare and the Quest for a New Australian Theatre -- Acting Against Tradition /Editors John Bell, Shakespeare and the Quest for a New Australian Theatre -- Directing New Australian Plays /Editors John Bell, Shakespeare and the Quest for a New Australian Theatre -- Entrepreneur and Teacher /Editors John Bell, Shakespeare and the Quest for a New Australian Theatre -- Australian Shakespeares /Editors John Bell, Shakespeare and the Quest for a New Australian Theatre -- Epilogue /Editors John Bell, Shakespeare and the Quest for a New Australian Theatre -- Appendix: Table of Productions /Editors John Bell, Shakespeare and the Quest for a New Australian Theatre -- Bibliography /Editors John Bell, Shakespeare and the Quest for a New Australian Theatre -- Index /Editors John Bell, Shakespeare and the Quest for a New Australian Theatre. This book about the work of actor director John Bell is essential reading for anyone interested in Australian theatre and in Shakespearean performance. Adrian Kiernander makes use of the Stage on Screen archive of Australian theatre with extensive video excerpts of performances, and lucidly explains how, for over five decades, Bell has revived and reinvented theatre in Australia with his interpretations of radical new drama and particularly his innovative approach to staging Shakespeare’s plays. This scholarly book reveals why Bell deserves the reputation as a ‘national living treasure’ and a giant of the Australian theatre. It presents a perspective on recent history and national identity through the achievements of theatre and its evolution over time. From carnivalesque to circus, tragedy to farce, Bell has created theatre that is dynamic, vibrant and politically aware and that continues to challenge and excite audiences

     
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    ISBN: 9789401212151
    Weitere Identifier:
    Schriftenreihe: Australian playwrights ; v. 16
    Schlagworte: Drama; Shakespearean actors and actresses; Actors; Theater; Theatrical producers and directors
    Weitere Schlagworte: Bell, John (1940-); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: 1 Online-Ressource (211 p), ill
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    Includes bibliographical references (p. 193-202) and index
  18. Anecdotal Shakespeare
    a new performance history
    Autor*in: Menzer, Paul
    Erschienen: 2015
    Verlag:  Bloomsbury Arden Shakespeare, an imprint of Bloomsbury Publishing Plc, London

    Introduction: Anecdotal Shakespeare -- Tarlton's head -- Guildenstern's bassoon -- Shylock's son -- Richard's will -- 1 Hamlet: Skulls are good to think with -- Yorick's skulls -- Skull caps -- Like father, like son -- Ghost walkers -- 2 Othello: The... mehr

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    Introduction: Anecdotal Shakespeare -- Tarlton's head -- Guildenstern's bassoon -- Shylock's son -- Richard's will -- 1 Hamlet: Skulls are good to think with -- Yorick's skulls -- Skull caps -- Like father, like son -- Ghost walkers -- 2 Othello: The smudge -- Pillow talk -- Desdemona's beard -- Another man -- The impossible fix -- One moor -- 3 Romeo and Juliet: Central casting -- Be some other name -- Old Montague -- Young Capulet -- Something old, something new . . . -- Romeo must die -- Unromantic altitudes -- Duck! -- 4 Richard III: Oedipus text -- Olivier's Dick -- Richard's whose self again? -- Heart-throbs and hamstrings -- Booth's trunk -- 5 Macbeth: An embarrassment of witches -- The unfortunate comedy -- Of curses and kilts -- Tangible properties -- Crude mechanicals -- Stage frights -- Exeunt, cursing. Shakespeare's four-hundred-year performance history is full of anecdotes ribald, trivial, frequently funny, sometimes disturbing, and always but loosely allegiant to fact. Such anecdotes are nevertheless a vital index to the ways that Shakespeare's plays have generated meaning across varied times and in varied places. Furthermore, particular plays have produced particular anecdotes stories of a real skull in Hamlet, superstitions about the name Macbeth, toga troubles in Julius Caesar and therefore express something embedded in the plays they attend. Anecdotes constitute then not just a vital component of a play's performance history but a form of vernacular criticism by the personnel most intimately involved in their production: actors. These anecdotes are therefore every bit as responsive to and expressive of a play's meanings across time as the equally rich history of Shakespearean criticism or indeed the very performances these anecdotes treat. Anecdotal Shakespeare provides a history of post-Renaissance Shakespeare and performance, one not based in fact but no less full of truth

     
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    ISBN: 1472576187; 1472576179; 9781472576187; 9781472576170
    Schriftenreihe: The arden Shakespeare
    Schlagworte: Shakespearean actors and actresses; Acting; Shakespeare studies & criticism; DRAMA / English, Irish, Scottish, Welsh; PERFORMING ARTS / Theater / General; Acting; Shakespearean actors and actresses; Anecdotes; Criticism, interpretation, etc
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William
    Umfang: 1 Online-Ressource
    Bemerkung(en):

    Includes bibliographical references and index
  19. Performing Hamlet
    actors in the modern age
    Autor*in: Croall, Jonathan
    Erschienen: 2018
    Verlag:  the Arden Shakespeare, London

    Stage history -- The fifties : Michael Redgrave, Alec Guinness, Richard Burton, Paul Scofield, Michael Redgrave -- The sixties : Jeremy Brett, Peter O'Toole, David Warner, Nicol Williamson -- The seventies : Alan Howard, Ian McKellen, Albert Finney,... mehr

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    Stage history -- The fifties : Michael Redgrave, Alec Guinness, Richard Burton, Paul Scofield, Michael Redgrave -- The sixties : Jeremy Brett, Peter O'Toole, David Warner, Nicol Williamson -- The seventies : Alan Howard, Ian McKellen, Albert Finney, Ben Kingsley, Derek Jacobi, Frances de la Tour -- The eighties : Jonathan Pryce, Michael Pennington, Anton Lesser, Roger Rees, Kenneth Branagh, Mark Rylance, Daniel Day-Lewis -- The nineties : Kenneth Branagh, Alan Cumming, Stephen Dillane, Ralph Fiennes, Alex Jennings, Paul Rhys -- The noughties : Mark Rylance, Adrian Lester, Samuel West, Michael Maloney, Ben Whishaw, Jamie Ballard, David Tennant, Jude Law -- The teens : Rory Kinnear, Michael Sheen, Jonathan Slinger, Maxine Peake, Benedict Cumberbatch, Paapa Essiedu, Andrew Scott, Simon Russell Beale -- Hamlet observed : the National Theatre at work -- Hamlets at Elsinore "Hamlet is arguably the most famous play on the planet, and the greatest of all Shakespeare's works. Its rich story and complex leading role have provoked intense debate and myriad interpretations. To play such a uniquely multi-faceted character as Hamlet represents the supreme challenge for a young actor. Performing Hamlet contains Jonathan Croall's revealing in-depth interviews with five distinguished actors who have played the Prince this century: Jude Law: 'You get to speak possibly the most beautiful lines about humankind ever given to an actor.' Simon Russell Beale: 'Hamlet is a very hospitable role: it will take anything you throw at it.' David Tennant: 'No other part has been so satisfying. It was tough, but utterly compelling.' Maxine Peake: 'Hamlet was a way of accessing bits of me as an actress I've not been able to access before.' Adrian Lester: 'Working with Peter Brook on Hamlet changed me as an actor, and for the better.' The book benefits from the author's interviews with six leading directors of the play during these years: Greg Doran, Nicholas Hytner, Michael Grandage, John Caird, Sarah Frankcom and Simon Godwin. Many other productions are described, from those starring Michael Redgrave, Alec Guinness and Paul Scofield in the 1950s, to the performances of Benedict Cumberbatch, Andrew Scott and Paapa Essiedu in recent times. The volume also includes an updated text of the author's earlier book Hamlet Observed, and an account of actors' experiences of performing at Elsinore"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781350030756; 9781350030763
    Weitere Identifier:
    9781350030756
    RVK Klassifikation: HI 3423
    Schlagworte: Shakespearean actors and actresses; Acting; Shakespearean actors and actresses; Acting
    Weitere Schlagworte: Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616)
    Umfang: vi, 198 Seiten, 8 ungezählte Bildtafeln, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seite 188-192

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  20. The Shakespeare masterclasses
    Beteiligt: Destro, Ron (HerausgeberIn)
    Erschienen: 2020
    Verlag:  Routledge,, Abingdon, Oxon

    Sir Derek Jacobi -- Diana Rigg -- Tim Pigott-Smith -- Frank Langella -- F. Murray Abraham -- Jeremy Irons -- Glenda Jackson -- Michael York -- Ron Cook -- Malcolm McKay -- Priyanga Burford -- John Barton -- Cicely Berry -- Acting exercises. mehr

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    Sir Derek Jacobi -- Diana Rigg -- Tim Pigott-Smith -- Frank Langella -- F. Murray Abraham -- Jeremy Irons -- Glenda Jackson -- Michael York -- Ron Cook -- Malcolm McKay -- Priyanga Burford -- John Barton -- Cicely Berry -- Acting exercises.

     
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  21. Brutus and other heroines
    playing Shakespeare's roles for women
    Autor*in: Walter, Harriet
    Erschienen: [2016]; © 2016
    Verlag:  Nick Hern Books, London

    In a varied and distinguished career, Harriet Walter has played almost all of Shakespeare’s heroines, notably Ophelia, Helena, Portia, Viola, Imogen, Lady Macbeth, Beatrice and Cleopatra, mostly for the Royal Shakespeare Company. But where, she asks,... mehr

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    In a varied and distinguished career, Harriet Walter has played almost all of Shakespeare’s heroines, notably Ophelia, Helena, Portia, Viola, Imogen, Lady Macbeth, Beatrice and Cleopatra, mostly for the Royal Shakespeare Company. But where, she asks, does an actress go after playing Cleopatra’s magnificent death? Why didn’t Shakespeare write more – and more powerful – roles for mature women? For Walter, the solution was to ignore the dictates of centuries of tradition, and to begin playing the mature male characters. Her Brutus in an all–female Julius Caesar at the Donmar Warehouse was widely acclaimed, and was soon followed by Henry IV. What, she asks, can an actress bring to these roles – and is there any fundamental difference in the way they must be played? In Brutus and Other Heroines, Walter discusses each of these roles – both male and female – from the inside, explaining the particular choices she made in preparing and performing each character. Her extraordinarily perceptive and intimate accounts illuminate each play as a whole, offering a treasure trove of valuable insights for theatregoers, scholars and anyone interested in how the plays work on stage. Aspiring actors, too, will discover the many possibilities open to them in playing these magnificent roles. The book is an exploration of the Shakespearean canon through the eyes of a self-identified ‘feminist actor’ – but, above all, a remarkable account of an acting career unconstrained by tradition or expectations. It concludes with an affectionate rebuke to her beloved Will: ‘I cannot imagine a world without you. I just wish you had put more women at the centre of your world/stage… I would love you to come back and do some rewrites.’

     
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    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1848422938; 9781848422933
    RVK Klassifikation: HI 3370
    Schriftenreihe: A Nick Hern Book
    Schlagworte: Shakespearean actors and actresses; Shakespearean actors and actresses; Characters and characteristics; Characters and characteristics; Shakespearean actors and actresses
    Weitere Schlagworte: Walter, Harriet; Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Walter, Harriet
    Umfang: xi, 210 Seiten, Illustrationen, 22 cm
  22. Shakespeare's Dramatic Persons
    Autor*in: Curtright, Travis
    Erschienen: [2017]; © 2017
    Verlag:  Fairleigh Dickinson University Press, Madison

    Introduction: Actors and orators -- King Richard III and characters as actors -- Kate's audacious speech of submission -- Much ado about personation -- Iago's acting style -- Marina as charorator -- Conclusion: Direct address as an 'original... mehr

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    Introduction: Actors and orators -- King Richard III and characters as actors -- Kate's audacious speech of submission -- Much ado about personation -- Iago's acting style -- Marina as charorator -- Conclusion: Direct address as an 'original practice'

     
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    Quelle: Staatsbibliothek zu Berlin
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    ISBN: 9781611479386
    RVK Klassifikation: HI 3390
    Schlagworte: Theater; Theater; Shakespearean actors and actresses; Acting; Acting
    Weitere Schlagworte: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: ix, 185 Seiten
    Bemerkung(en):

    Literaturverzeichnis: Seite 159-172
  23. Brutus and Other Heroines
    Playing Shakespeare's Roles for Women
    Autor*in: Walter, Harriet
    Erschienen: 2016; ©2016
    Verlag:  Nick Hern Books, London

    Title Page -- Contents -- Introduction -- Acknowledgements -- 1. Ophelia -- 2. Helena -- 3. Portia, Viola (& Imogen) -- 4. Imogen -- 5. Lady Macbeth -- 6. Beatrice -- 7. Two Loves -- 8. Cleopatra -- 9. Brutus -- 10. Henry IV -- Epilogue -- A... mehr

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    Title Page -- Contents -- Introduction -- Acknowledgements -- 1. Ophelia -- 2. Helena -- 3. Portia, Viola (& Imogen) -- 4. Imogen -- 5. Lady Macbeth -- 6. Beatrice -- 7. Two Loves -- 8. Cleopatra -- 9. Brutus -- 10. Henry IV -- Epilogue -- A Chronology of Shakespearean Performances -- About the Author -- Copyright Information

     
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    Medientyp: Ebook
    Format: Online
    ISBN: 9781780018164
    Schlagworte: Shakespearean actors and actresses; Shakespearean actors and actresses; Electronic books
    Umfang: 1 Online-Ressource (131 pages)
  24. Shakespeare on stage
    Volume [1], Thirteen leading actors on thirteen key roles / foreword by Trevory Nunn
    Autor*in: Curry, Julian
    Erschienen: [2010]; © 2010
    Verlag:  Nick Hern Books, London

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    Beteiligt: Cox, Brian (SchauspielerIn); Dench, Judi (SchauspielerIn); Fiennes, Ralph (SchauspielerIn); Hall, Rebecca (SchauspielerIn); Jacobi, Derek (SchauspielerIn); Law, Jude (SchauspielerIn); Lester, Adrian (SchauspielerIn); McKellen, Ian (SchauspielerIn); Mirren, Helen (SchauspielerIn); Pigott-Smith, Tim (SchauspielerIn); Spacey, Kevin (SchauspielerIn); Stewart, Patrick (SchauspielerIn); Wilton, Penelope (SchauspielerIn)
    Sprache: Englisch
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    ISBN: 9781848420779
    Übergeordneter Titel: Shakespeare on stage - Alle Bände anzeigen
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    Schlagworte: Shakespearean actors and actresses
    Weitere Schlagworte: Shakespeare, William (1564-1616)
    Umfang: XIII, 255 S., Ill.
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  25. Women as Hamlet
    performance and interpretation in theatre, film and fiction
    Autor*in: Howard, Tony
    Erschienen: 2007
    Verlag:  Cambridge Univ. Press, Cambridge [u.a.]

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
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    ISBN: 0521864666; 9780521864664
    Weitere Identifier:
    2006036489
    RVK Klassifikation: HI 3423
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Hamlet (Legendary character); Shakespearean actors and actresses; Women in the theater
    Weitere Schlagworte: Shakespeare, William (1564-1616): Hamlet; Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Umfang: XI, 329 S., Ill., 24 cm
    Bemerkung(en):

    Includes index

    Introduction : the drama of questions and the mystery of Hamlet -- Playing Hamlet, writing the self -- 'Is this womanly?' -- Virile spirits : Sarah Bernhardt and her inheritance -- 'I am whom I play' : Asta Nielsen -- 'Why are you looking at me like that?' : Zinaida Raikh -- Behind the arras, through the Wall : Poland 1989 -- Hamlet from the margins : Spain, Turkey, Ireland -- Films and fictions : Hamlet, men's eyes and the ages of woman -- Women's voices in the cathedral of culture -- Beyond silence, imagination