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  1. 140 characters
    a style guide for the short form
    Autor*in: Sagolla, Dom
    Erschienen: ©2009
    Verlag:  John Wiley & Sons, Hoboken, N.J

    Describe : a brief digression to discussion journalism is warranted -- Simplify : say more with less -- Avoid : don't become a fable about too much information -- Voice : say it out loud -- Reach : understand your audience -- Repeat : it worked for... mehr

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    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Describe : a brief digression to discussion journalism is warranted -- Simplify : say more with less -- Avoid : don't become a fable about too much information -- Voice : say it out loud -- Reach : understand your audience -- Repeat : it worked for Shakespeare -- Mention : stamp your own currency -- Dial : search for silence, volume, and frequency -- Link : deduce the nature of short messages -- Word : expose the possibilities in phraseology, poetry, and invention -- Tame : apply multiple techniques toward the same end -- Cultivate : meet 140 characters, each with a unique story -- Branch : steady, organic growth is most manageable -- Filter : teach the machine to think ahead -- Open : give and you shall receive -- Imitate : there is nothing original, except in arrangement -- Iterate : practice a sequence of tiny adjustments -- Increase : do more -- Fragment : do is smaller. Front Matter -- Lead. Describe: A Brief Digression to Discuss Journalism is Warranted -- Simplify: Say More with Less -- Avoid: Don't Become a Fable about Too Much Information -- Value. Voice: Say It Out Loud -- Reach: Understand Your Audience -- Repeat: It Worked for Shakespeare -- Mention: Stamp Your Own Currency -- Dial: Search for Silence, Volume, and Frequency -- Link: Deduce the Nature of Short Messages -- Word: Expose the Possibilities in Phraseology, Poetry, and Invention -- Master. Tame: Apply Multiple Techniques Toward the Same End -- Cultivate: Meet 140 Characters, Each with a Unique Story -- Branch: Steady, Organic Growth is Most Manageable -- Evolve. Filter: Teach the Machine to Think Ahead -- Open: Give and You Shall Receive -- Imitate: There is Nothing Original, Except in Arrangement -- Iterate: Practice a Sequence of Tiny Adjustments -- Accelerate. Increase Do More -- Fragment Do It Smaller -- Recommended Reading -- Glossary -- Index. Make the most of your messages on Twitter, Facebook, and other social networking sites. The advent of Twitter and other social networking sites, as well as the popularity of text messaging, have made short-form communication an everyday reality. But expressing yourself clearly in short bursts-particularly in the 140-character limit of Twitter-takes special writing skill. In 140 Characters, Twitter co-creator Dom Sagolla covers all the basics of great short-form writing, including the importance of communicating with simplicity, honesty, and humor. For marketers and business owners, social medi

     
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  2. Autorschaft und digitale Literatur
    Geschichte, Medienpraxis und Theoriebildung
    Autor*in: Zimmermann, Heiko
    Erschienen: [2015]; © 2015
    Verlag:  WVT Wissenschaftlicher Verlag Trier, Trier

    Autorschaft und digitale Literatur widmet sich dem Phänomen der Neukonfiguration der Trias Autor, Leser und Text in Literatur, die den Computer als ästhetisches Ausdrucksmedium nutzt. Dabei beantwortet der Band die als beängstigend attribuierte Frage... mehr

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Autorschaft und digitale Literatur widmet sich dem Phänomen der Neukonfiguration der Trias Autor, Leser und Text in Literatur, die den Computer als ästhetisches Ausdrucksmedium nutzt. Dabei beantwortet der Band die als beängstigend attribuierte Frage nach dem Autor dieses „neuen Etwas“, indem erstmals ein systematisches Beschreibungsverfahren für das Zusammenspiel aller an der Textproduktion und -rezeption Beteiligten vorgestellt wird. Mit dem Entwurf des theoretischen Modells des Textuellen Handlungsraums überbrückt Zimmermann auch die bisher angenommene strukturelle Distanz zwischen gedruckter und digitaler Literatur. Der detaillierten Analyse exemplarischer kanonischer Werke der englischsprachigen digitalen Literatur ist ein grundlegender komparatistischer Überblick über die Entwicklung dieser Literaturform vorangestellt, die in ihren definierenden Eigenschaften gleichsam als Fortsetzung einer viel älteren Literaturgeschichte aufgefasst wird. Auch die Geschichte von Autorschaft und der Reflexion über Autorschaft wird von Zimmermann ausführlich nachgezeichnet. Neben einer umfassenden Diskussion der bisherigen Forschung zur Autorschaft digitaler Literatur bespricht der Band bekannteProbleme der Autor-Leser-Konfiguration wie nichtlineares und kombinatorisches Erzählen, Zwischenwesen wie den Wreader und kollaboratives Schreiben. Von den Ergebnissen der Analyse getragen, diskutiert Zimmermann schließlich Fragen zu Tradition und Theorie angesichts der elektronischen Medienpraxis, zu rechtlichen Rahmenbedingungen und zum Mangel ernstzunehmender digitaler Literatur in Deutschland sowie zur Produktivität theoretischer Modellierungen. Ein umfassender Index, ein Glossar und ein Kapitel über die Hauptbegriffe im Spannungsfeld um Autorschaft in digitaler Literatur erleichtern auch Neulingen in diesem Bereich die Lektüre.

     
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 3868216170; 9783868216172
    Weitere Identifier:
    9783868216172
    RVK Klassifikation: HN 1401 ; EC 8795 ; EC 2200 ; AP 18420
    Schriftenreihe: WVT-Handbücher und Studien zur Medienkulturwissenschaft ; 11
    Schlagworte: Literature, Modern; Literature and the Internet; Authorship in literature; Online authorship
    Umfang: xvi, 274 Seiten, Illustrationen (teilweise farbig), Diagramme
    Bemerkung(en):

    Literaturverzeichnis: Seite 253-270

    Dissertation, Universität Trier, 2012
  3. Digital rhetoric
    theory, method, practice
    Autor*in: Eyman, Douglas
    Erschienen: [2015]
    Verlag:  University of Michigan Press, Ann Arbor

    "What is 'digital rhetoric'? This book aims to answer that question by looking at a number of inter-related histories, as well as evaluating a wide range of methods and practices from fields in the humanities, social sciences, and information... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "What is 'digital rhetoric'? This book aims to answer that question by looking at a number of inter-related histories, as well as evaluating a wide range of methods and practices from fields in the humanities, social sciences, and information sciences to determine what might constitute the work and the world of digital rhetoric. The advent of digital and networked communication technologies prompts renewed interest in basic questions such as 'what counts as a text?' and 'can traditional rhetoric operate in digital spheres or will it need to be revised? Or will we need to invent new rhetorical practices altogether?' Through examples and consideration of digital rhetoric theories, methods for both researching and making in digital rhetoric fields, and examples of digital rhetoric pedagogy, scholarship, and public performance, this book aims to provides a broad overview of digital rhetoric by investigating the histories and boundaries that arise from one version of a map of the emerging field, focusing on the theories that are taken up and revised by digital rhetoric scholars and practitioners, as well as the methods (both traditional and new) that can be used to both study digital rhetoric and to potentially make new forms that draw on digital rhetoric for their persuasive power"-- 1. Defining and Locating Digital Rhetoric -- 2. Digital Rhetoric: Theory -- 3. Digital Rhetoric: Method -- 4. Digital Rhetoric: Practice.

     
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  4. Post-Digital
    Critical Debates from the electronic book review - Volume 2
    Erschienen: 2019; ©2019
    Verlag:  Bloomsbury, London

    "Bringing together 150 seminal articles from leading scholars, writers and digital artists, Post-Digital charts the history of critical debates on the impact of the digital on art and scholarship today. Collecting over 20 years of major interventions... mehr

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    Standort:
    Universität Potsdam, Universitätsbibliothek
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    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Bringing together 150 seminal articles from leading scholars, writers and digital artists, Post-Digital charts the history of critical debates on the impact of the digital on art and scholarship today. Collecting over 20 years of major interventions from the pioneering journal electronic book review, this 2-volume set also includes new responses chronicling more recent developments in the field since the original articles, a substantial introduction surveying the long history of thinking about the digital and a comprehensive bibliography of further reading"-- 06 electropoetics Introduction: The Body as a Writing Instrument - Davin Heckman Engineering Cyborg Ideology - N. Katherine Hayles Digital Manipulability and Digital Literature - Serge Bouchardon and Davin Heckman At the Time of Writing: Digital Media, Gesture, and Handwriting - Maria Angel and Anna Gibbs Digital Ekphrasis and the Uncanny: Toward a Poetics of Augmented Reality - Robert P. Fletcher Shuffle Literature and the Hand of Fate - Zuzana Husr̀ov ̀and Nick Montfort -- 07 What (in the World) Was Postmodernism Introduction - David Ciccoricco The Historical Status of Postmodernism under Neoliberalism - Simon During Metaphysics after the Western Wall Has Come Down - Amy Elias I Read Because it is Absurd - Birger Vanwesenbeeck The End - Brian McHale -- Continuings Electronic Literature as Paratextual Construction - Friedrich W. Block ELO and the Electric Light Orchestra: Electronic Literature Lessons from Prog Rock - Matthew Kirschenbaum The Heaviness of Light - Eugenio Tisselli Just Not the Future: Electronic Literature After the Fall - Stuart Moulthrop. Volume 2 Introductory Complicity and Resistance: A Critical Mass Interview - David Ciccoricco and Joseph Tabbi (introduction), Marie-Laure Ryan, Jessica Pressman, Mark C. Marino, Rui Torres, Scott Rettberg, Serge Bouchardon Stuart Moulthrop, Matthew Kirschenbaum (Responders) -- 01 Histories of the Future (& Now) Introduction: Monstrosities of the Present - Brooks Sterritt Futures of Electronic Literature - Stephanie Strickland and Marjorie Luesebrink with participants David Jhave Johnston, Amaranth Borsuk, Patrick Lemieux, Natalia Fedorova, Samantha Gorman, Claire Donato Ben Bishop, Stephanie Boluk and Ian Hatcher -- A [S]creed for Digital Fiction - Alice Bell, Astrid Ensslin, David Ciccoricco, Hans Rustad, Jess Laccetti and Jessica Pressman Field Notes from the Future of Publishing - Ed Finn Metadiversity: On the Unavailability of Alternatives to Information - David Golumbia Community of People with No Time - Victoria Vesna with responses from Stephanie Strickland and Victoria Vesna -- 02 Writing Under Constraint Introduction: Less is More - Jan Baetens The Procedural Poetries of Joan Retallack - Brian Lennon More Pixels to the Inch - Thomas Hartl The Sounds of the Artificial Intelligentsia - Mark Amerika Abish's Africa - Louis Bury Constrained Thinking: From Network to Membrane - Paul Harris -- 03 music/sound/noise Introduction: music/sound/noise - Robert Cashin Ryan The Sonic Spectrum - Elise Kermani The Language of Music and Sound - Olivia Block False Pretenses, Parasites, and Monsters - Tom LeClair -- 04 Fictions Present Introduction: Fictions Present - R.M. Berry Making Now - R.M. Berry An Aesthetics of the Unsaid - Andrew Lindquist Amy Hungerford's Making Literature Now - Tom LeClair Post-Wankery: A Review of Infinite Jest - Piotr Siemion Blank Frank - Joseph Tabbi ?And Furthermore?? (i) - R.M. Berry -- ?And Furthermore?? (ii) - Joseph Tabbi The Avant-Garde and the Question of Literature - R.M. Berry R.M. Berry in Conversation with Flore Chvalier -- 05 Critical Ecologies After Posthumanism Introduction: Extra Ordinary Entanglements - Laura Shackelford A New 'Gospel of the Three Dimensions': Expanding the Boundaries of Digital Literature - Lisa Swanstrom Old Orders for New: Ecology, Animal Rights, and the Poverty of Humanism - Cary Wolfe Dali Clocks: Time Dimensions of Hypermedia - Stephanie Strickland.

     
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  5. Theorizing digital rhetoric
    Beteiligt: Davisson, Amber L. (Hrsg.); Hess, Aaron (Hrsg.)
    Erschienen: 2017
    Verlag:  Routledge, Taylor & Francis Group, London

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    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Beteiligt: Davisson, Amber L. (Hrsg.); Hess, Aaron (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315203645
    Weitere Identifier:
    Schlagworte: Rhetoric; Digital media; Online authorship; Rhetoric ; Data processing; Digital media; Online authorship
    Umfang: 1 Online-Ressource (264 Seiten)
  6. Literature and social media
    Autor*in: Thomas, Bronwen
    Erschienen: 2020
    Verlag:  Routledge, Taylor & Francis Group, London

    From Instapoetry to BookTube, contemporary literary cultures and practices are increasingly intertwined with social media. In this lively and wide-ranging study, Bronwen Thomas explores how social media provides new ways of connecting with and... mehr

     

    From Instapoetry to BookTube, contemporary literary cultures and practices are increasingly intertwined with social media. In this lively and wide-ranging study, Bronwen Thomas explores how social media provides new ways of connecting with and rediscovering established literary works and authors while also facilitating the emergence of unique and distinctive forms of creative expression. The book takes a 360 approach to the subject, combining analysis of current forms and practices with an examination of how social media fosters ongoing collaborative discourse amongst both informal and formal literary networks, and demonstrating how the participatory practices of social media have the potential to radically transform how literature is produced, shared and circulated. The first study of its kind to focus specifically on social media, Literature and Social Media provides a timely and engaging account of the state of the art, while interrogating the rhetoric that so often accompanies discussion of the new' in this context

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315207025
    Weitere Identifier:
    RVK Klassifikation: EC 2460
    Schriftenreihe: Literature and contemporary thought
    Schlagworte: Hypertext literature / History and criticism; Literature and technology; Literature and the Internet; Books and reading / Technological innovations; Online authorship; Social media
    Umfang: 1 Online-Ressource (154 Seiten), Illustrationen
  7. Digital writing
    a guide to writing for social media and the web
    Autor*in: Lawrence, Daniel
    Erschienen: 2022
    Verlag:  Broadview Press, Peterborough

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781554815678; 1554815673
    Schlagworte: Social media; Online authorship; Online authorship; Social media ; Authorship
    Umfang: 150 Seiten, Illustrationen, 22 cm
  8. 140 characters
    a style guide for the short form
    Autor*in: Sagolla, Dom
    Erschienen: c2009
    Verlag:  John Wiley & Sons, Hoboken, N.J

    Make the most of your messages on Twitter, Facebook, and other social networking sites. The advent of Twitter and other social networking sites, as well as the popularity of text messaging, have made short-form communication an everyday reality. But... mehr

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe
    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe
    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

     

    Make the most of your messages on Twitter, Facebook, and other social networking sites. The advent of Twitter and other social networking sites, as well as the popularity of text messaging, have made short-form communication an everyday reality. But expressing yourself clearly in short bursts-particularly in the 140-character limit of Twitter-takes special writing skill. In 140 Characters, Twitter co-creator Dom Sagolla covers all the basics of great short-form writing, including the importance of communicating with simplicity, honesty, and humor. For marketers and business owners, social medi Make the most of your messages on Twitter, Facebook, and other social networking sites The advent of Twitter and other social networking sites, as well as the popularity of text messaging, have made short-form communication an everyday reality. But expressing yourself clearly in short bursts-particularly in the 140-character limit of Twitter-takes special writing skill. In 140 Characters, Twitter co-creator Dom Sagolla covers all the basics of great short-form writing, including the importance of communicating with simplicity, honesty, and humor. For marketers and business owners, social media

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780470556139; 0470556137; 1282306510; 9781282306516
    Weitere Identifier:
    RVK Klassifikation: ST 205
    Schlagworte: Online authorship; Authorship; Electronic mail messages; Digital media; Text messages (Telephone systems); Instant messaging
    Umfang: Online-Ressource (xxviii, 179 p)
    Bemerkung(en):

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    140 Characters: A Style Guide for the Short Form; Contents; Acknowledgments; Foreword; Introduction; The Short Form; The History of Twitter; Part One: LEAD; Chapter 1: Describe: A Brief Digression to Discuss Journalism Is Warranted; Chapter 2: Simplify: Say More with Less; Chapter 3: Avoid: Don't Become a Fable about Too Much Information; Part Two: VALUE; Chapter 4: Voice: Say It Out Loud; Chapter 5: Reach: Understand Your Audience; Chapter 6: Repeat: It Worked for Shakespeare; Chapter 7: Mention: Stamp Your Own Currency; Chapter 8: Dial: Search for Silence, Volume, and Frequency

    Chapter 9: Link: Deduce the Nature of Short MessagesChapter 10: Word: Expose the Possibilities in Phraseology, Poetry, and Invention; Part Three: MASTER; Chapter 11: Tame: Apply Multiple Techniques Toward the Same End; Chapter 12: Cultivate: Meet 140 Characters, Each with a Unique Story; Chapter 13: Branch: Steady, Organic Growth Is Most Manageable; Part Four: EVOLVE; Chapter 14: Filter: Teach the Machine to Think Ahead; Chapter 15: Open: Give and You Shall Receive; Chapter 16: Imitate: There Is Nothing Original, Except in Arrangement

    Chapter 17: Iterate: Practice a Sequence of Tiny AdjustmentsPart Five: ACCELERATE; Chapter 18: Increase: Do More; Chapter 19: Fragment Do it Smaller; Recommended Reading; Glossary; Index
  9. African literature in the digital age
    class and sexual politics in new writing from Nigeria and Kenya
    Autor*in: Adenekan, Shola
    Erschienen: 2021
    Verlag:  Boydell & Brewer, Suffolk

    The first book-length study on the relationship between African literature and new media. mehr

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    Standort:
    Staats- und Universitätsbibliothek Bremen
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    Standort:
    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    The first book-length study on the relationship between African literature and new media.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781787448582; 9781847012388
    Schriftenreihe: African articulations
    Schlagworte: Nigerian literature (English) ; History and criticism; Kenyan literature (English) ; History and criticism; Literature and the Internet; Online authorship
    Umfang: 1 online resource (205 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 26 Mar 2021)
  10. Digital writing
    a guide to writing for social media and the web
    Autor*in: Lawrence, Dan
    Erschienen: 2022
    Verlag:  Broadview Press, Peterborough

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Signatur:
    2022-2715
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781554815678; 1554815673
    Weitere Identifier:
    9781554815678
    Schlagworte: Social media; Online authorship; Online authorship; Social media ; Authorship
    Umfang: xiv, 146 Seiten, Illustrationen, 22 cm
  11. The Bloomsbury handbook of electronic literature
    Beteiligt: Tabbi, Joseph (HerausgeberIn)
    Erschienen: 2020
    Verlag:  Bloomsbury Academic, London

    "The digital age has had a profound impact on literary culture, with new technologies opening up opportunities for new forms of literary art from hyperfiction to multi-media poetry and narrative-driven games. Bringing together leading scholars and... mehr

    Standort:
    Universität Stuttgart, Bibliothek der Institute für Linguistik und Literaturwissenschaft
    Signatur:
    U2--BLO65
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    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "The digital age has had a profound impact on literary culture, with new technologies opening up opportunities for new forms of literary art from hyperfiction to multi-media poetry and narrative-driven games. Bringing together leading scholars and artists from across the world, The Bloomsbury Handbook of Electronic Literature is the first authoritative reference handbook to the field. Crossing disciplinary boundaries, this book explores the foundational theories of the field, contemporary artistic practices, debates and controversies surrounding such key concepts as canonicity, world systems, narrative and the digital humanities, and historical developments and new media contexts of contemporary electronic literature. Including guides to major publications in the field, The Bloomsbury Handbook of Electronic Literature is an essential resource for scholars of contemporary culture in the digital era. "--

     
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    Quelle: Verbundkataloge
    Beteiligt: Tabbi, Joseph (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781350126756; 9781474230254; 9781474230278; 9781474230261
    RVK Klassifikation: EC 1820 ; EC 8795
    Schlagworte: Literature and the Internet; Literature and technology; Digital humanities; Online authorship; Hypertext literature; Postmodernism (Literature)
    Umfang: xi, 450 Seiten, Illustrationen
  12. Writing Online and Audio Stories
    Crafting Nonfiction for Websites, Podcasts, and Social Media
    Autor*in: Faherty, Anna
    Erschienen: 2023; ©2024
    Verlag:  Taylor & Francis Group, Milton

    Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgements -- About this book -- What is "online storytelling"? -- Who is this book for? -- What will you gain by reading this book? -- What's inside? -- Part I... mehr

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    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
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    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
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    Cover -- Half Title -- Title Page -- Copyright Page -- Dedication -- Contents -- Acknowledgements -- About this book -- What is "online storytelling"? -- Who is this book for? -- What will you gain by reading this book? -- What's inside? -- Part I Understanding audiences and stories -- Part II Developing online and audio stories -- PART I: Understanding audiences and stories -- 1. Understanding online readers and listeners -- Why your audience matters -- A distracting environment -- Why people read and listen online -- What online readers and listeners want -- In practice: BBC World Service user needs -- Getting to know your specific audience -- In practice: the FT Reader Survey -- In practice: conducting a research interview -- Putting yourself in their shoes -- In practice: make an empathy map -- Summary -- Practical lessons for online writers -- Recommended reading -- Notes and references -- 2. How we respond to stories: The Story Funnel -- Defining story -- The Story Funnel -- Attract -- Involve -- In practice: making stories from shapes -- In practice: connecting through LinkedIn stories (Ash Rathod) -- Transport -- Transform -- In practice: pain-relieving stories -- Act -- In practice: Good Night Stories for Rebel Girls origin story -- Summary -- Practical lessons for online writers -- Recommended reading -- Notes and references -- 3. Six essential story ingredients -- Why following a recipe makes sense -- Story ingredients -- Ingredients that attract -- Ingredients that involve -- Ingredients that transport -- The human ingredient -- Summary -- Practical lessons for online writers -- Recommended reading -- Notes and references -- PART II: Developing online and audio stories -- 4. Storytelling with purpose -- Why purpose matters -- In practice: telling stories that matter (Black History Buff) -- The value of brand.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781003812401
    Auflage/Ausgabe: 1st ed.
    Schlagworte: Online authorship; Social media-Authorship; Digital media
    Umfang: 1 online resource (180 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  13. Writing Effectively in Print and on the Web
    A Practical Guide for Librarians
    Autor*in: Blakiston, Rebecca
    Erschienen: 2017; ©2017
    Verlag:  Rowman & Littlefield Publishers, Incorporated, Lanham, MD

    The book covers writing for both print and Web-based publications and is aimed at all types of libraries. In this book, you will learn how to: Define your audience and your primary messages Simplify your writing so that it is succinct and... mehr

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    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
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    The book covers writing for both print and Web-based publications and is aimed at all types of libraries. In this book, you will learn how to: Define your audience and your primary messages Simplify your writing so that it is succinct and understandable Structure your written content so that it is most usable and accessible to your audience Approach different forms of writing in a way that is most effective to getting your message across Establish a voice and tone that reflects the identity of your organization and yourself as a professional. Intro -- Contents -- List of Tables -- Preface -- Acknowledgments -- Ch01. Why Good Writing Matters -- Ch02. Knowing Your Readers -- Ch03. Defining Your Message and Purpose -- Ch04. Keeping It Simple -- Ch05. Using Authentic and Active Voice -- Ch06. Writing Titles and Headings -- Ch07. Using Lists and Tables -- Ch08. Writing Information and Instructions -- Ch09. Writing Forms -- Ch10. Writing for the Web -- Ch11. Writing for Emails and Other Messaging Systems -- Ch12. Implementing Voice and Tone -- Ch13. Formatting Your Content -- Ch14. Refining Your Process -- Index -- About the Author.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781442278868
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Practical Guides for Librarians Series ; v.30
    Schlagworte: Online authorship
    Umfang: 1 online resource (179 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  14. African literature in the digital age
    class and sexual politics in new writing from Nigeria and Kenya
    Autor*in: Adenekan, Shola
    Erschienen: 2021
    Verlag:  James Currey, Woodbridge

    Zugang:
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    Schriftenreihe: African articulations
    Schlagworte: Nigerian literature; Kenyan literature; African literature; Literature and the Internet; Online authorship; African literature; Kenyan literature; Literature and the Internet; Nigerian literature; Online authorship; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (205 pages), illustrations (black and white)
  15. Suasive Iterations
    Rhetoric, Writing, and Physical Computing
    Autor*in: Rieder, David M.
    Erschienen: 2016; ©2017
    Verlag:  Parlor Press, LLC, La Vergne

    The PC era is giving way to a new form of popular computing in which smart, globally-connected objects and environments are the new computational ground. This new ground is the exigence for a new approach to digital rhetoric and writing. In Suasive... mehr

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    The PC era is giving way to a new form of popular computing in which smart, globally-connected objects and environments are the new computational ground. This new ground is the exigence for a new approach to digital rhetoric and writing. In Suasive Iterations, Rieder calls for an approach that is grounded in a new canon of digital style. He explains that the growing range of microcomponents and -processes can be botanized for the new canon. Drawing on Claude Levi-Strauss' theory of bricolage, he describes his stylistic approach as a transductive science of the concrete, the goal of which is to engage audiences suasively by allegorizing aspects of the physical world to which the new era of microcomponents give us access. Suasive Iterations will appeal to scholars and practitioners-faculty and graduate students-in digital rhetoric, writing, digital humanities, and the digital arts. One of its innovative features is the inclusion of original, open-source programming projects for each of the four main chapters. The projects are written in/for Arduino, Processing, and the Kinect sensor. They are designed to highlight issues in the scholarly tradition. Front cover -- Series page -- Title page -- Copyright page -- Dedication -- Contents -- Acknowledgments -- 1 For/Get the Digital (and Ditch the Umbrella) -- 2 Transduction and Allegorized Style -- 2.5 Writing with Three-Dimensional Wa(y)ves -- 3 Onto-Allegories for the 'Great Outdoors' -- 3.5 Onto-Allegorized Tweets and the Third (Wayve) State -- 4 Plumbing the Paradoxical Depths -- 4.5 The Paradoxical Depths of Delivery -- 5 A Call for Distant (Transductive) Writing -- 5.5 Choric Capacitances -- 6 After the Bookish Era of the PC -- Works Cited -- Index -- About the Author -- Back cover.

     
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    Sprache: Englisch
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    ISBN: 9781602355705
    Schriftenreihe: New Media Theory
    Schlagworte: Rhetoric-Data processing; Online authorship; Digital media; Mass media and technology; Mass media-Technological innovations; Communication-Technological innovations
    Umfang: 1 online resource (190 pages)
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  16. The Internet unconscious
    on the subject of electronic literature
    Autor*in: Baldwin, Sandy
    Erschienen: 2015
    Verlag:  Bloomsbury Academic, New York, NY [u.a.]

    "The Internet Unconscious is a book on the poetics of net writing, or more precisely on the subject of writing the net. By 'writing the net', Sandy Baldwin proposes three ways of analysis: 1) an understanding of the net as a loosely linked... mehr

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    "The Internet Unconscious is a book on the poetics of net writing, or more precisely on the subject of writing the net. By 'writing the net', Sandy Baldwin proposes three ways of analysis: 1) an understanding of the net as a loosely linked collocation of inscriptions, of writing practices and materials ranging from fundamental TCP/IP protocols to Facebook; 2) a discursive field that codifies and organizes these practices and materials into text (and into textual practices of reading, archiving, etc.), and into an aesthetic institution of 'electronic literature'; and 3) a project engaged by a subject, a commitment of the writer' body to the work of the net. It theorizes the practices and materials of net writing as extended surfaces of bodily excitation. Bodily absence leads to delirious, frantic, ecstatic writing towards the other beyond the net. By contrast, Sandy Baldwin's book describes the poetics of the net's "becoming-literary," by employing concepts that are both technically-specific and poetically-charged, providing a coherent and persuasive theory. The incorporation and projection of sites and technical protocols produces an uncanny displacement of the writer's body onto diverse part objects, and in turn to an intense and real inhabitation of the net through writing. The fundamental poetic situation of net writing is the phenomenology of "as-if." Net writing involves construal of the world through the imaginary"-- "There is electronic literature that consists of works, and the authors and communities and practices around such works. This is not a book about that electronic literature. It is not a book that charts histories or genres of this emerging field, not a book setting out methods of reading and understanding. The Internet Unconscious is a book on the poetics of net writing, or more precisely on the subject of writing the net. By 'writing the net', Sandy Baldwin proposes three ways of analysis: 1) an understanding of the net as a loosely linked collocation of inscriptions, of writing practices and materials ranging from fundamental TCP/IP protocols to CAPTCHA and Facebook; 2) as a discursive field that codifies and organizes these practices and materials into text (and into textual practices of reading, archiving, etc.), and into an aesthetic institution of 'electronic literature'; and 3) as a project engaged by a subject, a commitment of the writers' body to the work of the net. The Internet Unconscious describes the poetics of the net's "becoming-literary," by employing concepts that are both technically-specific and poetically-charged, providing a coherent and persuasive theory. The incorporation and projection of sites and technical protocols produces an uncanny displacement of the writer's body onto diverse part objects, and in turn to an intense and real inhabitation of the net through writing. The fundamental poetic situation of net writing is the phenomenology of "as-if." Net writing involves construal of the world through the imaginary."-- Machine generated contents note: Introduction -- Foreword by Francisco J. Ricardo -- I. As if I wrote the Internet ; The Great Beyond ; Weapon body ; Crust -- II. For example ; oooo ooooooooo ; OMG LOL ; Leet or 1337 -- III. Survivable Communication ; Ping Poetics ; Traceroute ; Urgent interruption ; Somatolysis -- IV. Lovers of Literature ; Handshakes ; Binding the Subject ;Chmod - 777 ; Read/Write/Execute -- V. Consumed by the net ; The Crowd of Electronic Writers ; Debts and Obligations ; Axiomatics ; The Literary Community -- VI. I read my spam ; PLEASE REPLY MY BELOVED ; CAN SPAM ; The End of Spam ; End-to-End -- VII. Logging in and getting off ; CAPTCHA ; Taking the Test ; The difference thought makes -- VIII. Plaintext ; March 11, 1968 ; Character and Glyph ; Extreme Rendition ; Plaintext Performance ; One Time Pad ; Friend Request -- IX. Bodies never touch ; Pervy Intimate Avatars ; Passion of the Avatar, Avatar of Passion.

     
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    ISBN: 9781501304545 (online); 9781501304545
    Weitere Identifier:
    RVK Klassifikation: AP 15950 ; EC 8795
    Schriftenreihe: International texts in critical media aesthetics ; vol. 9
    Schlagworte: Literature and the Internet; Online authorship; Hypertext literature
    Bemerkung(en):

    Includes bibliographical references (pages 176-184) and index
  17. Post-Digital
    Critical Debates from the electronic book review - Volume 2
    Erschienen: 2019; ©2019
    Verlag:  Bloomsbury, London

    "Bringing together 150 seminal articles from leading scholars, writers and digital artists, Post-Digital charts the history of critical debates on the impact of the digital on art and scholarship today. Collecting over 20 years of major interventions... mehr

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    "Bringing together 150 seminal articles from leading scholars, writers and digital artists, Post-Digital charts the history of critical debates on the impact of the digital on art and scholarship today. Collecting over 20 years of major interventions from the pioneering journal electronic book review, this 2-volume set also includes new responses chronicling more recent developments in the field since the original articles, a substantial introduction surveying the long history of thinking about the digital and a comprehensive bibliography of further reading"-- 06 electropoetics Introduction: The Body as a Writing Instrument - Davin Heckman Engineering Cyborg Ideology - N. Katherine Hayles Digital Manipulability and Digital Literature - Serge Bouchardon and Davin Heckman At the Time of Writing: Digital Media, Gesture, and Handwriting - Maria Angel and Anna Gibbs Digital Ekphrasis and the Uncanny: Toward a Poetics of Augmented Reality - Robert P. Fletcher Shuffle Literature and the Hand of Fate - Zuzana Husr̀ov ̀and Nick Montfort -- 07 What (in the World) Was Postmodernism Introduction - David Ciccoricco The Historical Status of Postmodernism under Neoliberalism - Simon During Metaphysics after the Western Wall Has Come Down - Amy Elias I Read Because it is Absurd - Birger Vanwesenbeeck The End - Brian McHale -- Continuings Electronic Literature as Paratextual Construction - Friedrich W. Block ELO and the Electric Light Orchestra: Electronic Literature Lessons from Prog Rock - Matthew Kirschenbaum The Heaviness of Light - Eugenio Tisselli Just Not the Future: Electronic Literature After the Fall - Stuart Moulthrop. Volume 2 Introductory Complicity and Resistance: A Critical Mass Interview - David Ciccoricco and Joseph Tabbi (introduction), Marie-Laure Ryan, Jessica Pressman, Mark C. Marino, Rui Torres, Scott Rettberg, Serge Bouchardon Stuart Moulthrop, Matthew Kirschenbaum (Responders) -- 01 Histories of the Future (& Now) Introduction: Monstrosities of the Present - Brooks Sterritt Futures of Electronic Literature - Stephanie Strickland and Marjorie Luesebrink with participants David Jhave Johnston, Amaranth Borsuk, Patrick Lemieux, Natalia Fedorova, Samantha Gorman, Claire Donato Ben Bishop, Stephanie Boluk and Ian Hatcher -- A [S]creed for Digital Fiction - Alice Bell, Astrid Ensslin, David Ciccoricco, Hans Rustad, Jess Laccetti and Jessica Pressman Field Notes from the Future of Publishing - Ed Finn Metadiversity: On the Unavailability of Alternatives to Information - David Golumbia Community of People with No Time - Victoria Vesna with responses from Stephanie Strickland and Victoria Vesna -- 02 Writing Under Constraint Introduction: Less is More - Jan Baetens The Procedural Poetries of Joan Retallack - Brian Lennon More Pixels to the Inch - Thomas Hartl The Sounds of the Artificial Intelligentsia - Mark Amerika Abish's Africa - Louis Bury Constrained Thinking: From Network to Membrane - Paul Harris -- 03 music/sound/noise Introduction: music/sound/noise - Robert Cashin Ryan The Sonic Spectrum - Elise Kermani The Language of Music and Sound - Olivia Block False Pretenses, Parasites, and Monsters - Tom LeClair -- 04 Fictions Present Introduction: Fictions Present - R.M. Berry Making Now - R.M. Berry An Aesthetics of the Unsaid - Andrew Lindquist Amy Hungerford's Making Literature Now - Tom LeClair Post-Wankery: A Review of Infinite Jest - Piotr Siemion Blank Frank - Joseph Tabbi ?And Furthermore?? (i) - R.M. Berry -- ?And Furthermore?? (ii) - Joseph Tabbi The Avant-Garde and the Question of Literature - R.M. Berry R.M. Berry in Conversation with Flore Chvalier -- 05 Critical Ecologies After Posthumanism Introduction: Extra Ordinary Entanglements - Laura Shackelford A New 'Gospel of the Three Dimensions': Expanding the Boundaries of Digital Literature - Lisa Swanstrom Old Orders for New: Ecology, Animal Rights, and the Poverty of Humanism - Cary Wolfe Dali Clocks: Time Dimensions of Hypermedia - Stephanie Strickland.

     
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  18. Genres in the internet
    issues in the theory of genre
    Beteiligt: Giltrow, Janet (HerausgeberIn); Stein, Dieter (HerausgeberIn)
    Erschienen: [2009]; © 2009
    Verlag:  John Benjamins Publishing Company, Amsterdam

    This volume brings together for the first time pragmatic, rhetorical, and literary perspectives on genre, mapping theoretical frontiers and initiating a long overdue conversation amongst these methodologies. The diverse approaches represented in this... mehr

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    Technische Universität Chemnitz, Universitätsbibliothek
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    This volume brings together for the first time pragmatic, rhetorical, and literary perspectives on genre, mapping theoretical frontiers and initiating a long overdue conversation amongst these methodologies. The diverse approaches represented in this volume meet on common ground staked by Internet communication: an arena challenging to traditional ideas of genre which assume a conventional stability at odds with the unceasing innovations of online discourse. Drawing on and developing new ideas of genre, the research reported in this volume shows, on the contrary, that genre study is a powerful means of testing commonplaces about the Internet world and, in turn, that the Internet is a fertile field for theorising genre. Genres in the Internet -- Editiorial page -- Title page -- LCC data -- Table of contents -- List of contributors -- Preface -- Genres in the Internet -- 1. Issues in defining genre -- 2. How are Internet genres different from written and spoken genres? -- 3. This collection -- References -- Re-fusing form in genre study -- 1. Introduction -- 2. Fusing form into action -- 3. Contextualizing form into utterances -- 4. Sketching four principles of form in generic practice -- 4.1 The forms of genres are meaningful only within their full contexts-cultural, social, and individual -- 4.2 The forms of genres range widely and cannot be pinned down with closed or static descriptions -- 4.3 The forms of genres vary with each unique instance of the genre, but unique instances share common generic forms -- 4.4 The forms of genres are inter-genre-al, interacting with forms of other genres -- 5. Concluding in a different form -- References -- Lies at Wal-Mart -- 1. (Ab)usability as an indicator of genre -- 2. Personal blogs, corporate blogs and the blog prototype -- 3. Life at Wal-Mart: Context and presentation -- 4. Author vs. publisher status -- 5. Thematic and formal classification of posts -- 5.1 The crisis/incident account (A) -- 5.2 The career/life story (B) -- 5.3 The opinion piece (C) -- 5.4 The encounter with Mr. Sam (D) -- 6. Linguistic features and functions -- 6.1 Pronoun use -- 6.2 Tense, aspect and narrativity -- 7. Conclusion -- 8. Index of cited blog entries -- References -- Situating the public social actions of blog posts -- 1. Introduction: Social actions of blog posts -- 2. Theoretical approach: Situational rhetoric, publics, and uptake -- 3. The blog post's negotiation of differently situated exigencies -- 3.1 The post and situational rhetoric -- 3.2 The post and publics -- 3.3 The post and uptake.

     
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    Beteiligt: Giltrow, Janet (HerausgeberIn); Stein, Dieter (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9789027289384
    Weitere Identifier:
    RVK Klassifikation: EC 8800
    Schriftenreihe: Pragmatics & Beyond New Series ; volume 188
    Schlagworte: Online authorship.; Literary form.; Electronic books ; local; Literary form; Online authorship; Electronic books
    Umfang: 1 Online-Ressource (VI, 294 Seiten)
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    Description based on publisher supplied metadata and other sources
  19. Literature and social media
    Autor*in: Thomas, Bronwen
    Erschienen: [2020]; © 2020
    Verlag:  Routledge, Taylor & Francis Group, London

    "Reading social media both in relation to literature, but also as a literary form in its own right, this lively guide demonstrates that social media platforms have produced their own unique and distinctive forms of creative expression. Bronwyn Thomas... mehr

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    "Reading social media both in relation to literature, but also as a literary form in its own right, this lively guide demonstrates that social media platforms have produced their own unique and distinctive forms of creative expression. Bronwyn Thomas takes a unique approach examining how authors interact with readers, but also how social media is used to create an ongoing collaborative discourse. This 360 degree approach to the study of contemporary literary practices, cultures and communities will provide a timely account of the state of art, while also exploring the implications for traditional literary forms and practices and interrogating the rhetoric that so often accompanies discussion of the 'new' in this context"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780415789097; 9780415789035
    Schriftenreihe: Literature and contemporary thought
    Schlagworte: Hypertext literature; Literature and technology; Literature and the Internet; Books and reading; Online authorship
    Umfang: 154 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  20. Publishing online for writers
    Autor*in: Kesteven, Lisa
    Erschienen: [2023]
    Verlag:  Palgrave Macmillan, Cham

    Standort:
    Saarländische Universitäts- und Landesbibliothek
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    ISBN: 3031213653; 9783031213656
    Weitere Identifier:
    9783031213656
    Schlagworte: Online authorship; Social media; Electronic publishing; Electronic publishing; Online authorship; Social media - Authorship
    Umfang: XIII, 204 Seiten, Illustrationen, 24 cm
  21. The Bloomsbury handbook of electronic literature
    Beteiligt: Tabbi, Joseph (HerausgeberIn)
    Erschienen: 2017
    Verlag:  Bloomsbury Academic, London

    "Covering foundational theory, new media contexts and digital creative practice and with chapters by leading international scholars, this is the first authoritative reference handbook to the field of electronic literature"-- "The digital age has had... mehr

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    Hochschule Aalen, Bibliothek
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    Hochschule Esslingen, Bibliothek
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    "Covering foundational theory, new media contexts and digital creative practice and with chapters by leading international scholars, this is the first authoritative reference handbook to the field of electronic literature"-- "The digital age has had a profound impact on literary culture, with new technologies opening up opportunities for new forms of literary art from hyperfiction to multi-media poetry and narrative-driven games. Bringing together leading scholars and artists from across the world, The Bloomsbury Handbook of Electronic Literature is the first authoritative reference handbook to the field. Crossing disciplinary boundaries, this book explores the foundational theories of the field, contemporary artistic practices, debates and controversies surrounding such key concepts as canonicity, world systems, narrative and the digital humanities, and historical developments and new media contexts of contemporary electronic literature. Including guides to major publications in the field, The Bloomsbury Handbook of Electronic Literature is an essential resource for scholars of contemporary culture in the digital era."-- An Apology For Postliterary Literature Sources Cited -- Chapter Three Lift This End: Electronic Literature In A Blue Light Cover -- Half Title -- Title -- Copyright -- Contents -- Acknowledgments And Permissions -- Contributors -- Introduction Chapter Two Our Tools Make Us (and Our Literature) Post The Dawn Of Us -- Jump Cut 1450 -- Jump Cut To Today -- Into The Jungle

     
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  22. African literature in the digital age
    class and sexual politics in new writing from Nigeria and Kenya
    Autor*in: Adenekan, Shola
    Erschienen: 2021
    Verlag:  James Currey, Suffolk

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781847012388; 1847012388
    Schriftenreihe: African articulations
    Schlagworte: Nigerian literature; Kenyan literature; African literature; Literature and the Internet; Online authorship; African literature; Kenyan literature; Literature and the Internet; Nigerian literature; Online authorship; Criticism, interpretation, etc
    Umfang: x, 205 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 173-188
  23. Autorschaft und digitale Literatur
    Geschichte, Medienpraxis und Theoriebildung
    Autor*in: Zimmermann, Heiko
    Erschienen: [2015]; © 2015
    Verlag:  WVT Wissenschaftlicher Verlag Trier, Trier

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Deutsch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9783868216172
    RVK Klassifikation: EC 2200 ; AP 18420 ; HN 1401 ; EC 8795
    Schriftenreihe: WVT-Handbücher und Studien zur Medienkulturwissenschaft ; Band 11
    Schlagworte: Literature, Modern; Literature and the Internet; Authorship in literature; Online authorship
    Umfang: XVI, 274 Seiten, Illustrationen (teilweise farbig), Diagramme, 23 cm
    Bemerkung(en):

    Literaturverzeichnis: Seite 255-270

    Dissertation erschienen unter dem Titel: Rekonfigurationen des textuellen Handlungsraums digitaler Literatur unter besonderer Berücksichtigung der Autorschaft: Geschichte, theoretische Ansprüche und deren Wechselwirkungen in der digitalen Medienpraxis

    Dissertation, Universität Trier, 2012
  24. Web writing :
    why and how for liberal arts teaching and learning /
    Beteiligt: Dougherty, Jack, (editor.); O'Donnell, Tennyson Lawrence, (editor.)
    Erschienen: [2015]; ©2015
    Verlag:  University of Michigan Press,, Ann Arbor :

    The essays in Web Writing respond to contemporary debates over the proper role of the Internet in higher education, steering a middle course between polarized attitudes that often dominate the conversation. The authors argue for the wise integration... mehr

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    The essays in Web Writing respond to contemporary debates over the proper role of the Internet in higher education, steering a middle course between polarized attitudes that often dominate the conversation. The authors argue for the wise integration of web tools into what the liberal arts does best: writing across the curriculum.--Provided by publisher.

     
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  25. ReaderCentric writing for digital media
    theory and practice
    Autor*in: Hailey, David
    Erschienen: 2017
    Verlag:  Routledge,, London

    section I. Theory -- section II. Application -- section III. Practice. mehr

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    section I. Theory -- section II. Application -- section III. Practice.

     
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    Format: Online
    ISBN: 9781315231327; 9781351864701
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    Schriftenreihe: Baywood's technical communications series
    Schlagworte: Online authorship; Digital media; Technical writing
    Umfang: 1 online resource (v, 288 pages)