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  1. The mind of the child
    child development in literature, science, and medicine 1840-1900
    Autor*in: Shuttleworth, Sally
    Erschienen: 2010
    Verlag:  Oxford University Press, Oxford

    In the 1840s novelists such as Bronte͏̈ and Dickens began to explore the inner world of the child. Simultaneously the first psychiatric studies of childhood were appearing. Moving between literature and science, this book explores issues such as... mehr

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    In the 1840s novelists such as Bronte͏̈ and Dickens began to explore the inner world of the child. Simultaneously the first psychiatric studies of childhood were appearing. Moving between literature and science, this book explores issues such as childhood fears, imaginary lands, sexuality, and the relation of the child to animal life

     
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  2. The poetics of palliation
    romantic literary therapy, 1790-1850
    Autor*in: Pladek, Brittany
    Erschienen: 2019
    Verlag:  Liverpool University Press, Liverpool

    <div>Can literature heal? The Poetics of Palliation argues that our answers to this question have origins in the Romantic period. In the past twenty years, health humanists and scholars of literature and medicine have drawn on Romantic ideas to argue... mehr

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    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Can literature heal? The Poetics of Palliation argues that our answers to this question have origins in the Romantic period. In the past twenty years, health humanists and scholars of literature and medicine have drawn on Romantic ideas to argue that literature cures by making sufferers whole again. But this model oversimplifies how Romantic writers thought literature addressed suffering. Poetics documents how writers like William Wordsworth and Mary Shelley explored palliative forms of literary medicine: therapies that stressed literature's manifold relationship to pain and its power to sustain, comfort, and challenge even when cure was not possible. The book charts how Romantic writers developed these palliative poetics in conversation with their medical milieu. British medical ethics was first codified during the Romantic period. Its major writers, John Gregory and Thomas Percival, endorsed a palliative mandate to compensate for doctors' limited curative powers. Similarly, Romantic writers sought palliative approaches when their work failed to achieve starker curative goals. The startling diversity of their results illustrates how palliation offers a more comprehensive metric for literary therapy than the curative traditions we have inherited from Romanticism.

     

    'This erudite and beautifully written book stages a dialogue between historicist work on Romanticism and medicine, disability studies, and the emerging field of the health humanities. Starting from the premise that the Romantic period was the first to conceive of literature as the stuff of medical therapy, Pladek shows it was also the first to criticise a naïve version of that view. In five crisp chapters, she shows how writers as diverse as Coleridge, Wordsworth, Keats, Thomas Lovell Beddoes, John Stuart Mill and Mary Shelley thought of literature as a palliative, not a cure, for human suffering. In each of these discussions, she reveals how romantic literature anticipated some of the most controversial ideas in the health humanities today, notably the notion that to be effective medicine must treat the whole person, and she also traces fascinating genealogies of a great many ideas in modern medicine that are assumed to have no romantic pedigree. The result is an interdisciplinary dialogue of the first order and a literary tour de force.'

     

    Neil Vickers, University College London

     

    'The Poetics of Palliation offers a serious and expert engagement with the field of the health humanities as a legacy of Romantic literature and criticism. Extensively researched, it will be an invaluable resource for anyone interested the relationship between those two areas, as well as in the intertwined genealogies of therapeutic holism, the New Criticism, and certain strains of liberalism. A reparative reader in the sense proposed by Eve Sedgwick, Pladek maintains her commitment to literature's ability to give and to model care, but without assuming that it can - or should - cure.'

     
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  3. The poetics of palliation
    romantic literary therapy, 1790-1850
    Autor*in: Pladek, Brittany
    Erschienen: 2019
    Verlag:  Liverpool University Press, Liverpool

    <div>Can literature heal? The Poetics of Palliation argues that our answers to this question have origins in the Romantic period. In the past twenty years, health humanists and scholars of literature and medicine have drawn on Romantic ideas to argue... mehr

    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Signatur:
    2022/392
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    keine Fernleihe

     

     

    Can literature heal? The Poetics of Palliation argues that our answers to this question have origins in the Romantic period. In the past twenty years, health humanists and scholars of literature and medicine have drawn on Romantic ideas to argue that literature cures by making sufferers whole again. But this model oversimplifies how Romantic writers thought literature addressed suffering. Poetics documents how writers like William Wordsworth and Mary Shelley explored palliative forms of literary medicine: therapies that stressed literature's manifold relationship to pain and its power to sustain, comfort, and challenge even when cure was not possible. The book charts how Romantic writers developed these palliative poetics in conversation with their medical milieu. British medical ethics was first codified during the Romantic period. Its major writers, John Gregory and Thomas Percival, endorsed a palliative mandate to compensate for doctors' limited curative powers. Similarly, Romantic writers sought palliative approaches when their work failed to achieve starker curative goals. The startling diversity of their results illustrates how palliation offers a more comprehensive metric for literary therapy than the curative traditions we have inherited from Romanticism.

     

    'This erudite and beautifully written book stages a dialogue between historicist work on Romanticism and medicine, disability studies, and the emerging field of the health humanities. Starting from the premise that the Romantic period was the first to conceive of literature as the stuff of medical therapy, Pladek shows it was also the first to criticise a naïve version of that view. In five crisp chapters, she shows how writers as diverse as Coleridge, Wordsworth, Keats, Thomas Lovell Beddoes, John Stuart Mill and Mary Shelley thought of literature as a palliative, not a cure, for human suffering. In each of these discussions, she reveals how romantic literature anticipated some of the most controversial ideas in the health humanities today, notably the notion that to be effective medicine must treat the whole person, and she also traces fascinating genealogies of a great many ideas in modern medicine that are assumed to have no romantic pedigree. The result is an interdisciplinary dialogue of the first order and a literary tour de force.'

     

    Neil Vickers, University College London

     

    'The Poetics of Palliation
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  4. Victorian contagion
    risk and social control in the Victorian literary imagination
    Autor*in: Chen, Chung-jen
    Erschienen: 2020
    Verlag:  Routledge, Taylor & Francis Group, New York

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780429343643
    Weitere Identifier:
    Schriftenreihe: Routledge studies in nineteenth-century literature ; 54
    Routledge Studies in Nineteenth Century Literature Ser
    Schlagworte: Literature and medicine; Medicine in literature; Communicable diseases in literature; Epidemics in literature; Diseases in literature; Literature and medicine ; Great Britain ; History ; 19th century; Medicine in literature; Communicable diseases in literature; Epidemics in literature; Diseases in literature; LITERARY CRITICISM / General
    Umfang: 1 Online-Ressource (xi, 320 Seiten), Illustrationen
  5. The poetics of palliation
    romantic literary therapy, 1790-1850
    Autor*in: Pladek, Brittany
    Erschienen: 2019
    Verlag:  Liverpool University Press, Liverpool

    <div>Can literature heal? The Poetics of Palliation argues that our answers to this question have origins in the Romantic period. In the past twenty years, health humanists and scholars of literature and medicine have drawn on Romantic ideas to argue... mehr

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    Standort:
    Universitätsbibliothek Braunschweig
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    Can literature heal? The Poetics of Palliation argues that our answers to this question have origins in the Romantic period. In the past twenty years, health humanists and scholars of literature and medicine have drawn on Romantic ideas to argue that literature cures by making sufferers whole again. But this model oversimplifies how Romantic writers thought literature addressed suffering. Poetics documents how writers like William Wordsworth and Mary Shelley explored palliative forms of literary medicine: therapies that stressed literature's manifold relationship to pain and its power to sustain, comfort, and challenge even when cure was not possible. The book charts how Romantic writers developed these palliative poetics in conversation with their medical milieu. British medical ethics was first codified during the Romantic period. Its major writers, John Gregory and Thomas Percival, endorsed a palliative mandate to compensate for doctors' limited curative powers. Similarly, Romantic writers sought palliative approaches when their work failed to achieve starker curative goals. The startling diversity of their results illustrates how palliation offers a more comprehensive metric for literary therapy than the curative traditions we have inherited from Romanticism.

     

    'This erudite and beautifully written book stages a dialogue between historicist work on Romanticism and medicine, disability studies, and the emerging field of the health humanities. Starting from the premise that the Romantic period was the first to conceive of literature as the stuff of medical therapy, Pladek shows it was also the first to criticise a naïve version of that view. In five crisp chapters, she shows how writers as diverse as Coleridge, Wordsworth, Keats, Thomas Lovell Beddoes, John Stuart Mill and Mary Shelley thought of literature as a palliative, not a cure, for human suffering. In each of these discussions, she reveals how romantic literature anticipated some of the most controversial ideas in the health humanities today, notably the notion that to be effective medicine must treat the whole person, and she also traces fascinating genealogies of a great many ideas in modern medicine that are assumed to have no romantic pedigree. The result is an interdisciplinary dialogue of the first order and a literary tour de force.'

     

    Neil Vickers, University College London

     

    'The Poetics of Palliation offers a serious and expert engagement with the field of the health humanities as a legacy of Romantic literature and criticism. Extensively researched, it will be an invaluable resource for anyone interested the relationship between those two areas, as well as in the intertwined genealogies of therapeutic holism, the New Criticism, and certain strains of liberalism. A reparative reader in the sense proposed by Eve Sedgwick, Pladek maintains her commitment to literature's ability to give and to model care, but without assuming that it can - or should - cure.'

     
    Export in Literaturverwaltung   RIS-Format
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  6. The poetics of palliation
    romantic literary therapy, 1790-1850
    Autor*in: Pladek, Brittany
    Erschienen: 2019
    Verlag:  Liverpool University Press, Liverpool

    <div>Can literature heal? The Poetics of Palliation argues that our answers to this question have origins in the Romantic period. In the past twenty years, health humanists and scholars of literature and medicine have drawn on Romantic ideas to argue... mehr

    Standort:
    Max-Planck-Institut für Bildungsforschung, Bibliothek und wissenschaftliche Information
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

     

    Can literature heal? The Poetics of Palliation argues that our answers to this question have origins in the Romantic period. In the past twenty years, health humanists and scholars of literature and medicine have drawn on Romantic ideas to argue that literature cures by making sufferers whole again. But this model oversimplifies how Romantic writers thought literature addressed suffering. Poetics documents how writers like William Wordsworth and Mary Shelley explored palliative forms of literary medicine: therapies that stressed literature's manifold relationship to pain and its power to sustain, comfort, and challenge even when cure was not possible. The book charts how Romantic writers developed these palliative poetics in conversation with their medical milieu. British medical ethics was first codified during the Romantic period. Its major writers, John Gregory and Thomas Percival, endorsed a palliative mandate to compensate for doctors' limited curative powers. Similarly, Romantic writers sought palliative approaches when their work failed to achieve starker curative goals. The startling diversity of their results illustrates how palliation offers a more comprehensive metric for literary therapy than the curative traditions we have inherited from Romanticism.

     

    'This erudite and beautifully written book stages a dialogue between historicist work on Romanticism and medicine, disability studies, and the emerging field of the health humanities. Starting from the premise that the Romantic period was the first to conceive of literature as the stuff of medical therapy, Pladek shows it was also the first to criticise a naïve version of that view. In five crisp chapters, she shows how writers as diverse as Coleridge, Wordsworth, Keats, Thomas Lovell Beddoes, John Stuart Mill and Mary Shelley thought of literature as a palliative, not a cure, for human suffering. In each of these discussions, she reveals how romantic literature anticipated some of the most controversial ideas in the health humanities today, notably the notion that to be effective medicine must treat the whole person, and she also traces fascinating genealogies of a great many ideas in modern medicine that are assumed to have no romantic pedigree. The result is an interdisciplinary dialogue of the first order and a literary tour de force.'

     

    Neil Vickers, University College London

     

    'The Poetics of Palliation
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  7. Doctoring the Novel
    Medicine and Quackery from Shelley to Doyle
    Autor*in: Pamboukian, Sylvia A
    Erschienen: 2012; ©2012
    Verlag:  Ohio University Press, Athens, OH

    If nineteenth-century Britain witnessed the rise of medical professionalism, it also witnessed rampant quackery. It is tempting to categorize historical practices as either orthodox or quack, but what did these terms really signify in medical and... mehr

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    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
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    Bibliothek LIV HN Sontheim
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    Bibliothek LIV HN Sontheim
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    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    If nineteenth-century Britain witnessed the rise of medical professionalism, it also witnessed rampant quackery. It is tempting to categorize historical practices as either orthodox or quack, but what did these terms really signify in medical and public circles at the time? How did they develop and evolve?. Intro -- Preface -- Acknowledgments -- Introduction: False Professions -- Chapter One: Orthodoxy or Quackery? Anatomy in Frankenstein -- Chapter Two: Doctoring in Little Dorrit and Bleak House -- Chapter Three: Legerdemain and the Physician in Charlotte Brontë's Villette -- Chapter Four: Poisons and the Poisonous in Wilkie Collins's Armadale -- Chapter Five: The Quackery of Arthur Conan Doyle -- Conclusion: The In-Laws -- Notes -- Bibliography -- Index.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780821444061
    Auflage/Ausgabe: 1st ed.
    Schlagworte: Quacks and quackery in literature; Electronic books; English fiction ; 19th century ; History and criticism; Physicians in literature; Literature and medicine ; Great Britain ; History ; 19th century
    Umfang: 1 online resource (222 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  8. Victorian contagion
    risk and social control in the Victorian literary imagination
    Autor*in: Chen, Chung-jen
    Erschienen: 2020
    Verlag:  Routledge, Taylor & Francis Group, New York

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780429343643
    Weitere Identifier:
    Schriftenreihe: Routledge studies in nineteenth-century literature ; 54
    Routledge Studies in Nineteenth Century Literature Ser
    Schlagworte: Literature and medicine; Medicine in literature; Communicable diseases in literature; Epidemics in literature; Diseases in literature; Literature and medicine ; Great Britain ; History ; 19th century; Medicine in literature; Communicable diseases in literature; Epidemics in literature; Diseases in literature; LITERARY CRITICISM / General
    Umfang: 1 Online-Ressource (xi, 320 Seiten), Illustrationen
  9. The sickroom in Victorian fiction
    the art of being ill
    Autor*in: Bailin, Miriam
    Erschienen: 1994
    Verlag:  Cambridge University Press, Cambridge

    In this exploration of the significance of illness in the Victorian literary imagination Miriam Bailin maps the cultural implications and narrative effects of the sickroom as an important symbolic space in nineteenth-century life and literature. Dr... mehr

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    In this exploration of the significance of illness in the Victorian literary imagination Miriam Bailin maps the cultural implications and narrative effects of the sickroom as an important symbolic space in nineteenth-century life and literature. Dr Bailin draws on non-fictional accounts of illness by Julia Stephen, Harriet Martineau and others to illuminate the presentation of illness and ministration, patient and nurse, in the fiction of Charlotte Brontë, Charles Dickens and George Eliot. She argues that the sickroom functions as an imagined retreat from conflicts in Victorian society, and that fictional representations of illness serve to resolve both social conflict and aesthetic tension. Her concentration on the sickroom scene as a compositional response to insistent formal as well as social problems yields fresh readings of canonical works and approaches to the constituent elements of Victorian realist narrative Life in the sickroom -- Charlotte Brontë: "varieties of pain" -- Charles Dickens: "impossible existences" -- Geroge Eliot: "separateness and communication" -- Afterword

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511553592
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 1
    Schlagworte: English fiction; Care of the sick in literature; Medicine in literature; Literature and medicine; Medical fiction; Brontë, Charlotte ; 1816-1855 ; Characters ; Sick; Dickens, Charles ; 1812-1870 ; Characters ; Sick; Eliot, George ; 1819-1880 ; Characters ; Sick; English fiction ; 19th century ; History and criticism; Care of the sick in literature; Medicine in literature; Literature and medicine ; Great Britain ; History ; 19th century; Medical fiction ; History and criticism
    Weitere Schlagworte: Eliot, George (1819-1880); Dickens, Charles (1812-1870); Brontë, Charlotte (1816-1855)
    Umfang: 1 Online-Ressource (ix, 169 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  10. Literature and medicine in nineteenth-century Britain
    from Mary Shelley to George Eliot
    Autor*in: Caldwell, Janis McLarren
    Erschienen: 2004
    Verlag:  Cambridge University Press, Cambridge

    Although we have come to regard 'clinical' and 'romantic' as oppositional terms, romantic literature and clinical medicine were fed by the same cultural configurations. In the pre-Darwinian nineteenth century, writers and doctors developed an... mehr

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    Although we have come to regard 'clinical' and 'romantic' as oppositional terms, romantic literature and clinical medicine were fed by the same cultural configurations. In the pre-Darwinian nineteenth century, writers and doctors developed an interpretive method that negotiated between literary and scientific knowledge of the natural world. Literary writers produced potent myths that juxtaposed the natural and the supernatural, often disturbing the conventional dualist hierarchy of spirit over flesh. Clinicians developed the two-part history and physical examination, weighing the patient's narrative against the evidence of the body. Examining fiction by Mary Shelley, Carlyle, the Brontës and George Eliot, alongside biomedical lectures, textbooks and articles, Janis McLarren Caldwell demonstrates the similar ways of reading employed by nineteenth-century doctors and imaginative writers and reveals the complexities and creative exchanges of the relationship between literature and medicine Introduction: Romantic materialism -- Science and sympathy in Frankenstein -- Natural supernaturalism in Thomas Carlyle and Richard Owen -- Wuthering heights and domestic medicine: the child's body and the book -- Literalization in the novels of Charlotte Bronte -- Charles Darwin and Romantic medicine -- Middlemarch and the medical case

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780511484742
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 46
    Schlagworte: Literature and medicine; Women and literature; English fiction; Medicine in literature; English literature; English literature ; 19th century ; History and criticism; Medicine in literature; Literature and medicine ; Great Britain ; History ; 19th century; Women and literature ; Great Britain ; History ; 19th century; English fiction ; Women authors ; History and criticism
    Umfang: 1 Online-Ressource (xi, 201 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  11. Liberating Medicine, 1720–1835
    Liberating Medicine, 1720–1835
    Autor*in: Clark, Steve
    Erschienen: 2009
    Verlag:  Taylor and Francis, London

    During the eighteenth century medicine became an autonomous discipline and practice. Surgeons justified themselves as skilled practitioners and set themselves apart from the unspecialized, hack 'barber-surgeons' of early modernity. Medical artists... mehr

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    During the eighteenth century medicine became an autonomous discipline and practice. Surgeons justified themselves as skilled practitioners and set themselves apart from the unspecialized, hack 'barber-surgeons' of early modernity. Medical artists proved themselves not merely mechanical reproducers but skilled masters of an identifiable and valuable genre. Occurring alongside these medical developments was the professionalization of the role of the writer, and the accompanying explosion in print culture and popular readership. The essays in this collection focus on a range of medical narratives: Daniel Defoe and Richard Mead on plague; John Brown's medicine as social paradigm; public perceptions of the King's mental illness. Private narratives cross over into the public sphere, blurring the line between doctor and patient as they share language and experience, as in Frances Burney's account of the mastectomy she underwent without anaesthetic, while Ignatius Sancho's letters suggest how the borders between enslavement and liberation, illness and health, can be contested Acknowledgements -- Contributors -- List of Figures -- Introduction -- 1. Liberation and Consumption -- 2. Freedom, Health, and Hypochondria in Ignatius Sancho's Letters -- 3. 'Uncle-Tommery' -- 4. 'Due Preparations' -- 5. An Organic Body Politic -- 6. Blake, Liberation and Medicine -- 7. Untying the Web of Urizen -- 8. 'In Sickness, Despair, and in Agony' -- 9. Disembodied Souls and Exemplary Narratives -- 10. Idiotic Associations -- 11. Authority and Imposture -- 12. George Stubb's Dissection of the Horse and the Expressiveness of 'Facsimiles' -- 13. In Submission -- 14. The Surprising Success of Dr Armstrong -- 15. Anna Barbauld's 'To a Little Invisible Being...' -- 16. 'Some Heart Once Pregnant with Celestial Fire' -- Notes -- Works Cited -- Index

     
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  12. Reading for Health
    Medical Narratives and the Nineteenth-Century Novel
    Autor*in: Wright, Erika
    Erschienen: 2016
    Verlag:  Ohio University Press, Athens, OH

    In Reading for Health: Medical Narratives and the Nineteenth-Century Novel, Erika Wright argues that the emphasis in Victorian Studies on disease as the primary source of narrative conflict that must be resolved has obscured the complex reading... mehr

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    In Reading for Health: Medical Narratives and the Nineteenth-Century Novel, Erika Wright argues that the emphasis in Victorian Studies on disease as the primary source of narrative conflict that must be resolved has obscured the complex reading practices that emerge around the concept of health

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
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    Format: Online
    ISBN: 9780821422243
    Schriftenreihe: Series in Victorian Studies
    Schlagworte: Medicine in literature; Electronic books; English fiction ; 19th century ; History and criticism; Literature and medicine ; Great Britain ; History ; 19th century
    Umfang: Online-Ressource (241 p)
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    Description based upon print version of record

    Contents; Acknowledgments; Introduction: Becoming Patient Readers; Part One: Domestication; One: Jane Austen's Plots of Prevention; Two: Health, Identity, and Narrative Authority in Jane Eyre; Part Two: Isolation; Three: Quarantine, Social Theory, and Little Dorrit; Four: The Omniscience of Invalidism; Part Three: Professionalization; Five: Narrative Competence and the Family Doctor in Gaskell's Wives and Daughters; Afterword: Health in Narrative Medicine; Notes; Bibliography; Index
  13. The sickroom in Victorian fiction
    the art of being ill
    Autor*in: Bailin, Miriam
    Erschienen: 1994
    Verlag:  Cambridge University Press, Cambridge

    In this exploration of the significance of illness in the Victorian literary imagination Miriam Bailin maps the cultural implications and narrative effects of the sickroom as an important symbolic space in nineteenth-century life and literature. Dr... mehr

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    In this exploration of the significance of illness in the Victorian literary imagination Miriam Bailin maps the cultural implications and narrative effects of the sickroom as an important symbolic space in nineteenth-century life and literature. Dr Bailin draws on non-fictional accounts of illness by Julia Stephen, Harriet Martineau and others to illuminate the presentation of illness and ministration, patient and nurse, in the fiction of Charlotte Brontë, Charles Dickens and George Eliot. She argues that the sickroom functions as an imagined retreat from conflicts in Victorian society, and that fictional representations of illness serve to resolve both social conflict and aesthetic tension. Her concentration on the sickroom scene as a compositional response to insistent formal as well as social problems yields fresh readings of canonical works and approaches to the constituent elements of Victorian realist narrative Life in the sickroom -- Charlotte Brontë: "varieties of pain" -- Charles Dickens: "impossible existences" -- Geroge Eliot: "separateness and communication" -- Afterword

     
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    Quelle: Staatsbibliothek zu Berlin
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    ISBN: 9780511553592
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    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 1
    Schlagworte: English fiction; Care of the sick in literature; Medicine in literature; Literature and medicine; Medical fiction; Brontë, Charlotte ; 1816-1855 ; Characters ; Sick; Dickens, Charles ; 1812-1870 ; Characters ; Sick; Eliot, George ; 1819-1880 ; Characters ; Sick; English fiction ; 19th century ; History and criticism; Care of the sick in literature; Medicine in literature; Literature and medicine ; Great Britain ; History ; 19th century; Medical fiction ; History and criticism
    Weitere Schlagworte: Eliot, George (1819-1880); Dickens, Charles (1812-1870); Brontë, Charlotte (1816-1855)
    Umfang: 1 Online-Ressource (ix, 169 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 05 Oct 2015)
  14. Literature and medicine in nineteenth-century Britain
    from Mary Shelley to George Eliot
    Autor*in: Caldwell, Janis McLarren
    Erschienen: 2004
    Verlag:  Cambridge University Press, Cambridge

    Although we have come to regard 'clinical' and 'romantic' as oppositional terms, romantic literature and clinical medicine were fed by the same cultural configurations. In the pre-Darwinian nineteenth century, writers and doctors developed an... mehr

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    Although we have come to regard 'clinical' and 'romantic' as oppositional terms, romantic literature and clinical medicine were fed by the same cultural configurations. In the pre-Darwinian nineteenth century, writers and doctors developed an interpretive method that negotiated between literary and scientific knowledge of the natural world. Literary writers produced potent myths that juxtaposed the natural and the supernatural, often disturbing the conventional dualist hierarchy of spirit over flesh. Clinicians developed the two-part history and physical examination, weighing the patient's narrative against the evidence of the body. Examining fiction by Mary Shelley, Carlyle, the Brontës and George Eliot, alongside biomedical lectures, textbooks and articles, Janis McLarren Caldwell demonstrates the similar ways of reading employed by nineteenth-century doctors and imaginative writers and reveals the complexities and creative exchanges of the relationship between literature and medicine Introduction: Romantic materialism -- Science and sympathy in Frankenstein -- Natural supernaturalism in Thomas Carlyle and Richard Owen -- Wuthering heights and domestic medicine: the child's body and the book -- Literalization in the novels of Charlotte Bronte -- Charles Darwin and Romantic medicine -- Middlemarch and the medical case

     
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    Quelle: Staatsbibliothek zu Berlin
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    ISBN: 9780511484742
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    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 46
    Schlagworte: Literature and medicine; Women and literature; English fiction; Medicine in literature; English literature; English literature ; 19th century ; History and criticism; Medicine in literature; Literature and medicine ; Great Britain ; History ; 19th century; Women and literature ; Great Britain ; History ; 19th century; English fiction ; Women authors ; History and criticism
    Umfang: 1 Online-Ressource (xi, 201 pages), digital, PDF file(s)
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  15. Popular fiction and brain science in the late nineteenth century
    Autor*in: Stiles, Anne
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    In the 1860s and 1870s, leading neurologists used animal experimentation to establish that discrete sections of the brain regulate specific mental and physical functions. These discoveries had immediate medical benefits: David Ferrier's detailed... mehr

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    In the 1860s and 1870s, leading neurologists used animal experimentation to establish that discrete sections of the brain regulate specific mental and physical functions. These discoveries had immediate medical benefits: David Ferrier's detailed cortical maps, for example, saved lives by helping surgeons locate brain tumors and haemorrhages without first opening up the skull. These experiments both incited controversy and stimulated creative thought, because they challenged the possibility of an extra-corporeal soul. This book examines the cultural impact of neurological experiments on late-Victorian Gothic romances by Robert Louis Stevenson, Bram Stoker, H. G. Wells and others. Novels like Dracula and Dr Jekyll and Mr Hyde expressed the deep-seated fears and visionary possibilities suggested by cerebral localization research, and offered a corrective to the linearity and objectivity of late Victorian neurology Cerebral localization and the late Victorian Gothic romance -- Robert Louis Stevenson's Jekyll and Hyde and the double brain -- Bram Stoker's Dracula and cerebral automatism -- Photographic memory in the works of Grant Allen -- H.G. Wells and the evolution of the mad scientist -- Marie Corelli and the neuron

     
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