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  1. Modernism's metronome
    meter and twentieth-century poetics
    Autor*in: Glaser, Ben
    Erschienen: 2020
    Verlag:  Johns Hopkins University Press, Baltimore

    "The author offers a historical account of modernist poetic form and analyzes how poetry was read and written in the twentieth century. The rise of free verse in the early 1900s is commonly thought to be a resistance to or liberation from regimented... mehr

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    "The author offers a historical account of modernist poetic form and analyzes how poetry was read and written in the twentieth century. The rise of free verse in the early 1900s is commonly thought to be a resistance to or liberation from regimented meter, privileging instead an element of "rhythm," but the author reads a range of modernist poetry in relation to the historical practice of metrical form"--

     
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    ISBN: 1421439530; 9781421439532
    Schriftenreihe: Hopkins studies in modernism
    Schlagworte: English language; Poetics; English poetry; Modernism (Literature); American poetry; Modernism (Literature); Rhythm in literature; English language ; Versification; American poetry; Modernism (Literature); English poetry; Rhythm in literature; History; Criticism, interpretation, etc; Poetics
    Umfang: 1 Online-Ressource (x, 290 pages), illustrations
  2. Creating states
    studies in the performative language of John Milton and William Blake
    Erschienen: c1994
    Verlag:  University of Toronto Press, Toronto

    Although the concept of the performative has influenced literary theory in numerous ways, this book represents one of the first full-length studies of performative language in literary texts. Creating States examines the visionary poetry of John... mehr

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    Although the concept of the performative has influenced literary theory in numerous ways, this book represents one of the first full-length studies of performative language in literary texts. Creating States examines the visionary poetry of John Milton and William Blake, using a critical approach based on principles of speech-act theory as articulated by J.L. Austin, John Searle, and Emile Benveniste Angela Esterhammer proposes a new way of understanding the relationship between Milton and Blake, while at the same time evaluating the role of speech-act philosophy in the reading of visionary poetry and Romantic literature Esterhammer distinguishes between the 'socio-political performative, ' the speech act which is defined by a societal context and derives power from institutional authority, and the 'phenomenological performative, ' language which is invested with the power to posit or create because of the individual will and consciousness of the speaker Analysing texts such as The Reason of Church Government, Paradise Lost, The Marriage of Heaven and Hell, and Jerusalem, Esterhammer traces the parallel evolution of Milton and Blake from writers of political and anti-prelatical tracts to poets who, having failed in their attempts to alter historical circumstances through a direct address to their contemporaries, reaffirm their faith in individual visionary consciousness and the creative word - while continuing to use the forms of a socially or politically performative language

     
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  3. A history of free verse
    Autor*in: Beyers, Chris
    Erschienen: 2010
    Verlag:  University of Arkansas Press, Fayetteville

    "Chris Beyers's A History of Free Verse examines the most salient and misunderstood aspect of twentieth-century poetry, free verse. Although the form is generally approached as if it were one indissoluble lump, it is actually a group of differing... mehr

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    "Chris Beyers's A History of Free Verse examines the most salient and misunderstood aspect of twentieth-century poetry, free verse. Although the form is generally approached as if it were one indissoluble lump, it is actually a group of differing poetic genres proceeding from much different assumptions. Separate chapters on T.S. Eliot, Wallace Stevens, H.D., and William Carlos Williams elucidate many of these assumptions and procedures, while other chapters address more general theoretical questions and trace the continuity of Modern poetics in contemporary poetry." "Taking a historical and aesthetic approach, Beyers demonstrates that many of the forms considered to have been invented in the Modern period actually extend underappreciated traditions."--Jacket

     
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    ISBN: 9781610751872; 1610751876
    Schlagworte: English poetry; Free verse; American poetry; English language; English poetry; Free verse; American poetry; English language; POETRY / English, Irish, Scottish, Welsh; POETRY / General; American poetry; English language ; Versification; English poetry; Free verse; Freier Vers; Geschichte; Englisch; Vrij vers; Gedichten; Amerikaans; Criticism, interpretation, etc
    Umfang: Online Ressource (285 pages)
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    Includes bibliographical references (pages 255-272) and index. - Print version record
  4. The Cambridge introduction to poetic form
    Autor*in: Hurley, Michael Dominic
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge

    Introduction -- Chapter 1. The elements of poetic form --Chapter 2. Lyric -- Chapter 3. The sonnet -- Chapter 4. Elegy -- Chapter 5. Epic -- Chapter 6. Soliloquy -- Chapter 7. Dramatic monologue -- Chapter 8. Ballad and narrative "Michael D. Hurley... mehr

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    Introduction -- Chapter 1. The elements of poetic form --Chapter 2. Lyric -- Chapter 3. The sonnet -- Chapter 4. Elegy -- Chapter 5. Epic -- Chapter 6. Soliloquy -- Chapter 7. Dramatic monologue -- Chapter 8. Ballad and narrative "Michael D. Hurley and Michael O'Neill offer a perceptive and illuminating look into poetic form, a topic that has come back into prominence in recent years. Building on this renewed interest in form, Hurley and O'Neill provide an accessible and comprehensive introduction that will be of help to undergraduates and more advanced readers of poetry alike. The book sees form as neither ornamenting nor mimicking content, but as shaping and animating it, encouraging readers to cultivate techniques to read poems as poems. Lively and wide-ranging, engaging with poems as aesthetic experiences, the book includes a long chapter on the elements of form that throws new light on troubling terms such as rhythm and metre, as well as a detailed introduction and accessible, stimulating chapters on lyric, the sonnet, elegy, soliloquy, dramatic monologue, and ballad and narrative"-- "This work provides lucid, elegant, and original analyses of poetic form and its workings in a wide range of poems"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0511982224; 1139423541; 1139419455; 9781139419451; 9781139423540; 9780511982224
    Schlagworte: Poetics; Literary form; English language; English poetry; LITERARY CRITICISM ; Semiotics & Theory; LITERARY CRITICISM ; Poetry; English language ; Versification; Literary form; Poetics; Criticism, interpretation, etc
    Umfang: 1 Online-Ressource (ix, 245 p)
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    Includes bibliographical references and index
  5. A theory of meter
    Autor*in: Chatman, Seymour Benjamin
    Erschienen: 2016
    Verlag:  De Gruyter, Inc, Berlin/Boston

    Intro; Preface; Table of Contents; I. Introduction; II. The Nature of Rhythm; III. Phonological Backgrounds to Metrical Analysis; IV. Objective Analyses of Metrical Properties: A Survey; V. The Components of English Meter; VI. Shakespeare's... mehr

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    Intro; Preface; Table of Contents; I. Introduction; II. The Nature of Rhythm; III. Phonological Backgrounds to Metrical Analysis; IV. Objective Analyses of Metrical Properties: A Survey; V. The Components of English Meter; VI. Shakespeare's Eighteenth Sonnet: An Experiment in Metrical Analysis; VII. The Function of Meter; Appendix. The Stress Systems of Kenneth Pike, and George L. Trager and Henry Lee Smith, Jr

     
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    ISBN: 3111352269; 9783111352268
    Schriftenreihe: Janua Linguarum. Series Minor Ser ; v. 36
    Schlagworte: English language; English language; English language; POETRY ; English, Irish, Scottish, Welsh; English language ; Versification
    Umfang: Online Ressource (236 pages)
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    Print version record
  6. Free Verse
    an Essay on Prosody
    Erschienen: 2014
    Verlag:  Princeton University Press, Princeton

    To make sense of free verse"" in theory or in practice, the whole study of prosody--the function of rhythm in poetry--must be revised and rethought. Stating this as the issue that poets and critics have faced in the past century, Charles Hartman... mehr

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    To make sense of free verse"" in theory or in practice, the whole study of prosody--the function of rhythm in poetry--must be revised and rethought. Stating this as the issue that poets and critics have faced in the past century, Charles Hartman takes up the challenge and develops a theory of prosody that includes the most characteristic forms of twentieth-century poetry Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton Uni

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400855384; 1400855381
    Schriftenreihe: Princeton Legacy Library
    Schlagworte: English language; Free verse; English language; American poetry; Eliot, T.S. (Thomas Stearns), 1888-1965; English language; Free verse; Poetics; Williams, William Carlos, 1883-1963; LITERARY CRITICISM ; Poetry; POETRY ; General; English language ; Versification; Free verse
    Umfang: Online Ressource (213 pages)
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    Cover; Contents. - Print version record
  7. Meter in English
    a critical engagement
    Erschienen: 2010
    Verlag:  University of Arkansas Press, Fayetteville

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    Quelle: Verbundkataloge
    Sprache: Englisch
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    ISBN: 9781610752640; 1610752643
    Schlagworte: English language; Anglais (Langue); Poétique; Poetics; English language; POETRY ; English, Irish, Scottish, Welsh; LITERARY CRITICISM ; Poetry; English language ; Versification; Poetics; Engels; Metriek
    Umfang: Online Ressource (xxiii, 368 pages)
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    Includes bibliographical references (pages 351-355) and indexes. - Print version record
  8. Prosody and poetics in the early Middle Ages
    essays in honour of C.B. Hieatt
    Beteiligt: Toswell, M. J. (HerausgeberIn)
    Erschienen: [2018]
    Verlag:  University of Toronto Press, Toronto

    |Grammar, spelling and the rhythm of the alliterative long line / Thomas Cable -- The battle of Maldon and Beowulfian prosody / Robert Payson Creed -- The poet's self-interruption in Andreas / John Miles Foley -- Alliterative licence and the... mehr

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    |Grammar, spelling and the rhythm of the alliterative long line / Thomas Cable -- The battle of Maldon and Beowulfian prosody / Robert Payson Creed -- The poet's self-interruption in Andreas / John Miles Foley -- Alliterative licence and the rhetorical use of proper names in The battle of Maldon / M.S. Griffith -- Simplifying resolution in Beowulf / James Keddie -- Computer assistance in the analysis of Old English metre: methods and results, a provisional report / O.D. Macrea-Gibson and J.R. Lishman -- The case against a 'general Old English poetic dialect' / David Megginson -- The intonational basis of Layamon's verse / Douglas Moffat -- Constraints on resolution in Beowulf / Geoffrey Russom -- Translation and transformation in Andreas / Brian Shaw -- Speech and the unspoken in Hamðismál / T.A. Shippey -- Heroic aspects of the Exeter book riddles / Eric Gerald Stanley -- Bibliography of C.B. Hieatt

     
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  9. Meter matters
    verse cultures of the long nineteenth century
    Erschienen: c2011
    Verlag:  Ohio University Press, Athens

    Across the nineteenth century, meter mattered-in more ways and to more people than we might well appreciate today. For the period's poets, metrical matters were a source of inspiration and often vehement debate. And the many readers, teachers, and... mehr

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    Across the nineteenth century, meter mattered-in more ways and to more people than we might well appreciate today. For the period's poets, metrical matters were a source of inspiration and often vehement debate. And the many readers, teachers, and pupils encountered meter and related topics in both institutional and popular forms. The ten essays in Meter Matters showcase the range of metrical practice of poets from Wordsworth and Byron to Hopkins, Swinburne, and Tennyson; at the same time, the contributors bring into focus some of the metrical theorizing that shaped poetic thinking and resp

     
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  10. Poetry
    Erschienen: 2011
    Verlag:  Edinburgh University Press, Edinburgh

    Preface to the second edition; Acknowledgements; Introduction; 1: The key words of poetry; 2: The shape of poetry; 3: The sound of poetry; 4: Metre and rhythm; 5: Comparisons and associations; 6: The words of poetry; 7: Writing poetry; A glossary of... mehr

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    Preface to the second edition; Acknowledgements; Introduction; 1: The key words of poetry; 2: The shape of poetry; 3: The sound of poetry; 4: Metre and rhythm; 5: Comparisons and associations; 6: The words of poetry; 7: Writing poetry; A glossary of poetical terms; Metre exercise: answers; Further reading; Index. Quickly equips you with the strategies you need to deepen your engagement with individual poems. New for this edition:. End-of-chapter exercises and follow-up research tasks New readings of modern women's poetry Section on How to Write Poetry with exercises Suggestions for further reading - both books and websites Based on their extensive teaching experience, the authors provide a lively route map through the main aspects of poetry such as sound effects, rhythm and metre, the typographic display of poems on the page and the language of poetry using practical examples throughout. Key Features. Packed full of examples, from the work of Shakespeare to Edwin Morgan and from Sylvia Plath to John Agard Detailed index of poets, works, terms, forms & concepts Full glossary of poetic terms, from acatalectic to wrenched accent, with cross-references and page references of examples Praise for the first edition:. 'Wide-ranging, provocative, and thorough, Strachan and Terry provide the student with all the tools necessary for the study of poetry. I can think of no other volume that offers the reader so much in so few pages. This is the text of choice for all students and teachers of the subject.' Duncan Wu, University of Glasgow

     
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    ISBN: 0748680799; 9780748680795
    Auflage/Ausgabe: 2nd ed.
    Schlagworte: English language; Poetry; Poetics; English language; LITERARY CRITICISM ; Poetry; English language ; Versification; Poetics; Poetry
    Umfang: Online Ressource
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    Previous ed.: 2000. - Includes bibliographical references and index. - Description based on print version record
  11. The Cambridge introduction to Poetic form
    Autor*in: Hurley, Michael D.; O'Neill, Michael
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge [u.a.]

    Michael D. Hurley and Michael O'Neill offer a perceptive and illuminating look into poetic form, a topic that has come back into prominence in recent years. Building on this renewed interest in form, Hurley and O'Neill provide an accessible and... mehr

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    Michael D. Hurley and Michael O'Neill offer a perceptive and illuminating look into poetic form, a topic that has come back into prominence in recent years. Building on this renewed interest in form, Hurley and O'Neill provide an accessible and comprehensive introduction that will be of help to undergraduates and more advanced readers of poetry alike. The book sees form as neither ornamenting nor mimicking content, but as shaping and animating it, encouraging readers to cultivate techniques to read poems as poems. Lively and wide-ranging, engaging with poems as aesthetic experiences, the book includes a long chapter on the elements of form that throws new light on troubling terms such as rhythm and metre, as well as a detailed introduction and accessible, stimulating chapters on lyric, the sonnet, elegy, soliloquy, dramatic monologue and ballad and narrative.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780521774994; 9780521772945
    Weitere Identifier:
    RVK Klassifikation: HG 160
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Cambridge introductions to literature
    Schlagworte: English poetry; Literary form; Poetics; English language; English poetry ; History and criticism ; Theory, etc; Literary form; Poetics; English language ; Versification
    Weitere Schlagworte: Array; Literary form; Poetics; Array
    Umfang: IX, 245 S.
  12. Meter Matters
    Verse Cultures of the Long Nineteenth Century
    Autor*in: Hall, Jason David
    Erschienen: 2011; ©2011
    Verlag:  Ohio University Press, Athens, OH

    Across the nineteenth century, meter mattered-in more ways and to more people than we might well appreciate today. For the period's poets, metrical matters were a source of inspiration and often vehement debate. And the many readers, teachers, and... mehr

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    Across the nineteenth century, meter mattered-in more ways and to more people than we might well appreciate today. For the period's poets, metrical matters were a source of inspiration and often vehement debate. And the many readers, teachers, and pupils encountered meter and related topics in both institutional and popular forms. The ten essays in Meter Matters showcase the range of metrical practice of poets from Wordsworth and Byron to Hopkins, Swinburne, and Tennyson; at the same time, the contributors bring into focus some of the metrical theorizing that shaped poetic thinking and responses to it throughout the nineteenth century. Paying close attention to the historical contours of Romantic and Victorian meters, as well as to the minute workings of the verse line, Meter Matters presents a fresh perspective on a subject that figured significantly in the century's literature, and in its culture. Intro -- Illustrations -- Preface -- Acknowledgments -- Introduction: A Great Multiplication of Meters -- Chapter One: Meter and Meaning -- Chapter Two: Romantic Measures -- Chapter Three: Byron's Feet -- Chapter Four: "Break, Break, Break" into Song -- Chapter Five: Material Patmore -- Chapter Six: "For the Inscape's Sake" -- Chapter Seven: "But the Law Must Itself Be Poetic" -- Chapter Eight: Popular Ballads -- Chapter Nine: Blank Verse and the Expansion of England -- Chapter Ten: Prosody Wars -- Select Bibliography -- Notes on Contributors -- Index.

     
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    ISBN: 9780821444016
    Auflage/Ausgabe: 1st ed.
    Schlagworte: English language ; Rhythm; English language ; Versification; English poetry ; 19th century ; History and criticism ; Theory, etc; Electronic books
    Umfang: 1 online resource (295 pages)
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  13. Poetry
    the basics
    Autor*in: Wainwright, Jeffrey.
    Erschienen: 2016
    Verlag:  Routledge,, London

    1. Introduction : because there is language there is poetry -- 2. Deliberate space -- 3. Tones of voice -- 4. Measures : the verse line -- 5. 'Free verse' -- 6. Rhyme and other noises -- 7. Stanza -- 8. Image, imagination, inspiration -- 9. Writing a... mehr

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    1. Introduction : because there is language there is poetry -- 2. Deliberate space -- 3. Tones of voice -- 4. Measures : the verse line -- 5. 'Free verse' -- 6. Rhyme and other noises -- 7. Stanza -- 8. Image, imagination, inspiration -- 9. Writing a poem now : philosophies of composition -- 10. Conclusion.

     
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    ISBN: 9781315742137; 9781317585237; 9781317585244
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    Auflage/Ausgabe: Third edition.
    Schriftenreihe: Basics (Routledge (Firm))
    Schlagworte: English poetry; American poetry; English language; Poetics; Poetry; English poetry ; History and criticism; American poetry ; History and criticism; English language ; Versification; Poetics; Poetry
    Umfang: 1 online resource (xxiii, 263 pages)
  14. Language and literary structure
    the linguistic analysis of form in verse and narrative
    Autor*in: Fabb, Nigel
    Erschienen: 2002
    Verlag:  Cambridge University Press, Cambridge, U.K. [u.a.]

    A theoretical study of linguistic structure in literature focusing on verse and narrative. Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Note on texts used -- Abbreviations -- 1 Literary form -- 1.1 What... mehr

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    A theoretical study of linguistic structure in literature focusing on verse and narrative. Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgements -- Note on texts used -- Abbreviations -- 1 Literary form -- 1.1 What is literary form? -- Implied form, explicit form and generated metrical form -- Metricality -- 1.2 Invariant facts about the iambic pentameter line -- 1.3 There are ten metrified syllables in the iambic pentameter line -- 1.4 The placement of stressed syllables in polysyllabic words -- 1.5 How to count up to ten -- 1.6 The placement of polysyllables -- 1.7 Rules for other strict English metres -- Metrical rules for iambic lines of different lengths -- Metrical rules for iambic lines with odd numbers of syllables -- Trochaic metres -- Anapaestic metre -- Dactylic metres -- 1.8 Rules for the loose metres -- Loose iambic metre -- A loose trochaic metre: imitation 'quantitative dactylic hexameter' -- 1.9 Generative metrics -- 2 Generated metrical form -- 2.1 Trochaic inversion -- Line-initial trochaic inversion involving polysyllables -- 'Trochaic inversion' involving monosyllables -- Line-internal polysyllables which appear to 'invert' -- Variable placement of stress or line-internal trochaic inversion? -- Summary -- 2.2 Projection and non-projection -- Non-projection is not the same as non-pronunciation -- Prescriptions for performance -- Generalisations about projection and non-projection -- How to deal with optionality -- Summary -- 2.3 Why counting is fundamental to metre -- An example from Welsh -- 2.4 Periodicity -- 2.5 Summary -- 3 Communicated form -- 3.1 Being a sonnet -- 3.2 The relation between components of literary form: conditionals -- 3.3 Relevance Theory and thoughts about literary form -- Modus Ponens -- Propositions and propositional attitudes -- Strength -- Literary form is derived inferentially -- Where thoughts come from -- Explicatures.

     
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    Schlagworte: English language ; Versification; Electronic books
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    Includes bibliographical references (p. 216-226) and indexes
  15. Free Verse
    An Essay on Prosody
    Autor*in: Hartman, Charles O.
    Erschienen: 2014
    Verlag:  Princeton University Press, Princeton

    To make sense of free verse"" in theory or in practice, the whole study of prosody--the function of rhythm in poetry--must be revised and rethought. Stating this as the issue that poets and critics have faced in the past century, Charles Hartman... mehr

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    To make sense of free verse"" in theory or in practice, the whole study of prosody--the function of rhythm in poetry--must be revised and rethought. Stating this as the issue that poets and critics have faced in the past century, Charles Hartman takes up the challenge and develops a theory of prosody that includes the most characteristic forms of twentieth-century poetry Originally published in 1986. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. Thes

     
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    ISBN: 9781400855384
    Schriftenreihe: Princeton Legacy Library
    Schlagworte: English language ; Versification; Free verse; Electronic books
    Umfang: Online-Ressource (213 p)
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    Cover; Contents
  16. The Form of the Unfinished
    English Poetics from Spenser to Pound
    Autor*in: Rajan, Ballachandra
    Erschienen: 2014
    Verlag:  Princeton University Press, Princeton

    Distinguishing between the incomplete poem and the unfinished poem, Professor Rajan sees the unfinished poem as remaining in dialogue with its own dissensions. He contributes to current critical debates by showing how the long poem resists... mehr

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    Distinguishing between the incomplete poem and the unfinished poem, Professor Rajan sees the unfinished poem as remaining in dialogue with its own dissensions. He contributes to current critical debates by showing how the long poem resists assimilation to the forces of both unification and undecidability, finding its significance on the line of engagement between them. Originally published in 1985. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These

     
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    ISBN: 9781400854776
    Schriftenreihe: Princeton Legacy Library
    Schlagworte: English poetry ; History and criticism; Unfinished books; Poetics ; History; English language ; Versification; Electronic books
    Umfang: Online-Ressource (328 p)
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    Cover; Contents
  17. The evolution of verse structure in Old and Middle English poetry
    from the earliest alliterative poems to Iambic pentameter
    Autor*in: Russom, Geoffrey
    Erschienen: May 2017
    Verlag:  Cambridge University Press, Cambridge

    In this fascinating study, Geoffrey Russom traces the evolution of the major English poetic traditions by reference to the evolution of the English language, and considers how verse forms are born, how they evolve, and why they die. Using a general... mehr

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    In this fascinating study, Geoffrey Russom traces the evolution of the major English poetic traditions by reference to the evolution of the English language, and considers how verse forms are born, how they evolve, and why they die. Using a general theory of poetic form employing universal principles rooted in the human language faculty, Russom argues that certain kinds of poetry tend to arise spontaneously in languages with identifiable characteristics. Language changes may require modification of metrical rules and may eventually lead to extinction of a meter. Russom's theory is applied to explain the development of English meters from the earliest alliterative poems in Old and Middle English and the transition to iambic meter in the Modern English period. This thorough yet accessible study provides detailed analyses of form in key poems, including Beowulf and Sir Gawain and the Green Knight, and a glossary of technical terms Machine generated contents note: 1. General principles of poetic form; 2. Indo-European and Germanic meters; 3. Old English meter in the era of Beowulf; 4. From late Old English meter to Middle English meter; 5. Middle English type A1 and the hypermetrical b-verse; 6. Type A1 in the a-verse; 7. Types B and C; 8. Survival and extinction in types A2, Da, and E; 9. Type Db and the hypermetrical a-verse; 10. The birth of English iambic meter; 11. General summary

     
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    ISBN: 9781316562925
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    RVK Klassifikation: HH 1130 ; HH 4096 ; HH 1190
    Schriftenreihe: Cambridge studies in Medieval literature
    Schlagworte: Poetics; English language; English language; English poetry; English poetry; English poetry ; Old English, ca. 450-1100 ; History and criticism; English poetry ; Middle English, 1100-1500 ; History and criticism; English language ; Versification; Poetics ; History; English language ; History
    Umfang: 1 Online-Ressource (xi, 319 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 12 May 2017)
  18. English alliterative verse
    poetic tradition and literary history
    Autor*in: Weiskott, Eric
    Erschienen: 2016.
    Verlag:  Cambridge University Press, Cambridge

    English Alliterative Verse tells the story of the medieval poetic tradition that includes Beowulf, Piers Plowman, and Sir Gawain and the Green Knight, stretching from the eighth century, when English poetry first appeared in manuscripts, to the... mehr

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    English Alliterative Verse tells the story of the medieval poetic tradition that includes Beowulf, Piers Plowman, and Sir Gawain and the Green Knight, stretching from the eighth century, when English poetry first appeared in manuscripts, to the sixteenth century, when alliterative poetry ceased to be composed. Eric Weiskott draws on the study of meter to challenge the traditional division of medieval English literary history into Old English and Middle English periods. The two halves of the alliterative tradition, divided by the Norman Conquest of 1066, have been studied separately since the nineteenth century; this book uses the history of metrical form and its cultural meanings to bring the two halves back together. In combining literary history and metrical description into a new kind of history he calls 'verse history', Weiskott reimagines the historical study of poetics. Evolution of the alliterative b-verse, 650-1550 -- Introduction: the durable alliterative tradition -- Beowulf and verse history -- The evolution of alliterative meter, 950-1100 -- Verse history and language history -- Beowulf and the unknown shape of Old English literary history -- Prologues to Old English poetry -- Old English prologues and Old English poetic styles -- The Beowulf prologue and the history of style -- Lawman, the last Old English poet and the first Middle English poet -- Lawman and the evolution of alliterative meter -- Lawman at a crossroads in literary history -- Prologues to Middle English alliterative poetry -- The continuity of the alliterative tradition, 1250-1340 -- Excursus: Middle English alliterating stanzaic poetry -- Middle English prologues, romaunce, and Middle English poetic styles -- The Erkenwald poet's sense of history -- A meditation on histories -- St. Erkenwald and the idea of alliterative verse in late medieval England -- Authors, styles, and the search for a Middle English canon -- The alliterative tradition in the sixteenth century -- The alliterative tradition in its tenth century -- Unmodernity: the idea of alliterative verse in the sixteenth century -- Conclusion: whose tradition? -- Note to the appendices -- Appendix A. Fifteen late Old English poems omitted from ASPR -- Appendix B. Six early Middle English alliterative poems -- Appendix C. An early Middle English alliterative poem in Latin -- Glossary of technical terms

     
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    ISBN: 9781316718674
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    RVK Klassifikation: HH 1130
    Schriftenreihe: Cambridge studies in medieval literature ; 96
    Schlagworte: English language; Alliteration; Poetics; English poetry; English poetry; English poetry ; Old English, ca. 450-1100 ; History and criticism; English poetry ; Middle English, 1100-1500 ; History and criticism; English language ; Versification; Alliteration ; Poetry; Poetics ; History ; To 1500
    Umfang: 1 Online-Ressource (xiv, 236 pages), digital, PDF file(s).
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  19. Rhythm and will in Victorian poetry
    Erschienen: 1999
    Verlag:  Cambridge University Press, Cambridge, U.K

    "In Rhythm and Will in Victorian Poetry, Matthew Campbell explores the work of four Victorian poets - Tennyson, Browning, Hopkins and Hardy - as they show a consistent and innovative concern with questions of human agency and will. The Victorians saw... mehr

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    "In Rhythm and Will in Victorian Poetry, Matthew Campbell explores the work of four Victorian poets - Tennyson, Browning, Hopkins and Hardy - as they show a consistent and innovative concern with questions of human agency and will. The Victorians saw the virtues attendant upon a strong will as central to themselves and to their culture, and Victorian poetry strove to find an aesthetic form to represent this sense of the human will. Through close study of the metre, rhyme and rhythm of a wide range of poems - including monologue, lyric and elegy - Campbell reveals how closely technical questions of poetics are related, in the work of these poets, to issues of psychology, ethics and social change. He goes on to discuss more general questions of poetics, and the implications of the achievement of the Victorian poets in a wider context, from Milton through Romanticism and into contemporary critical debate."--Jacket

     
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    ISBN: 9780521604222; 9780521642958; 0521642957; 0511149263; 9780511149269; 0521604222; 0511004818; 9780511484117; 0511484119; 9780511004810; 0511036612; 9780511036613; 0511117426; 9780511117428
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture ; 22
    Schlagworte: English poetry; Literature and society; English language; English language; Poésie anglaise; Volonté dans la littérature; Littérature et société; Anglais (Langue); Anglais (Langue); Will in literature; Literature and society; English language; English language; English poetry; English poetry; Will in literature; Literature and society; English language; English language; Criticism and interpretation; English language ; Rhythm; English language ; Versification; English poetry; Literature and society; Will in literature; Rhythmik; Willensfreiheit; Lyrik; Metrik; Ritme; Vrije wil; Anglais (langue) ; 19e siècle ; Rythme; Poésie anglaise ; 19e siècle ; Histoire et critique; Volonté ; Dans la littérature; POETRY ; English, Irish, Scottish, Welsh; Criticism, interpretation, etc; History
    Weitere Schlagworte: Tennyson, Alfred Tennyson 1809-1892; Browning, Robert 1812-1889; Hopkins, Gerard Manley 1844-1889; Hardy, Thomas 1840-1928; Tennyson, Alfred Tennyson 1809-1892; Browning, Robert 1812-1889; Hopkins, Gerard Manley 1844-1889; Hardy, Thomas 1840-1928; Browning, Robert (1812-1889); Tennyson, Alfred Tennyson Baron (1809-1892); Hopkins, Gerard Manley (1844-1889); Hardy, Thomas (1840-1928); Hopkins, Gerard Manley (1844-1889); Hardy, Thomas (1840-1928); Browning, Robert (1812-1889); Tennyson, Alfred Tennyson Baron (1809-1892); Tennyson, Alfred Tennyson 1809-1892; Browning, Robert 1812-1889; Hopkins, Gerard Manley 1844-1889; Hardy, Thomas 1840-1928; Browning, Robert ; Critique et interprétation; Hopkins, Gerard Manley ; Critique et interprétation; Hardy, Thomas ; Critique et interprétation; Hopkins, Gerard Manley; Hardy, Thomas; Tennyson, Alfred; Browning, Robert; Browning, Robert; Hardy, Thomas; Hopkins, Gerard Manley; Tennyson, Alfred ; Critique et interprétation; Tennyson, Alfred Tennyson
    Umfang: Online Ressource (xiv, 272 pages)
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    Includes bibliographical references (pages 259-268) and index. - Description based on print version record

    Introduction: two decisionsRhythms of will -- Tennyson, Browning and the absorbing soul -- Browning and the element of action -- ''Tis well that I should bluster': Tennyson's monologues -- The drift of In memoriam -- Incarnating elegy in The wreck of the Deutschland -- The mere continuator: Thomas Hardy and the end of elegy.
  20. The strict metrical tradition
    variations in the literary iambic pentameter from Sidney and Spenser to Matthew Arnold
    Erschienen: c2001
    Verlag:  McGill-Queen's University Press, Montreal

    "A central issue in the recent surge of interest in metre on the part of theorists in different disciplines and practicing poets has been that of variations in the iambic pentameter. Keppel-Jones approaches this subject in a way that somewhat... mehr

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    "A central issue in the recent surge of interest in metre on the part of theorists in different disciplines and practicing poets has been that of variations in the iambic pentameter. Keppel-Jones approaches this subject in a way that somewhat resembles Derek Attridge's, but is in fact very different." "The Strict Metrical Tradition focuses on a period of 275 years, during which iambic pentameter variations were conducted with special precision. Representative blocks of verse are chosen from major poets in original authoritative editions, and each variation is analysed on the basis of all cases of that variation. To give precision to certain of the principles, Keppel-Jones follows the linguist Bruce Hayes' definitions of boundaries between word-groups, but handles this material in such a way as to be understood by the general reader." "The practical result of this study is a new metre that allows Keppel-Jones to apply the principles of iambic variation to the anapest. His fascinating and original approach to iambic pentameter will appeal to scholars in the field and also to people with a general interest in poetry."--Jacket

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780773569041; 0773569049
    Schlagworte: English language; English poetry; Anglais (Langue); Pentamètre iambique; Poésie anglaise; Iambic pentameter; English language; English poetry; English poetry; Iambic pentameter; English language; Electronic books; POETRY ; English, Irish, Scottish, Welsh; LITERARY CRITICISM ; Poetry; English language ; Versification; English poetry; Iambic pentameter; Criticism, interpretation, etc
    Umfang: Online Ressource (xi, 280 p.), ill.
    Bemerkung(en):

    Includes bibliographical references (p. [269]-274) and index. - Description based on print version record

    1. The Unvaried Line2. Extra Syllables -- 3. The Choriamb -- 4. The Minor Ionic -- 5. The Second Epitrite -- 6. Review of Radical Variations -- 7. Variations Based on the Spondee -- 8. Variations Based on the Pyrrhic -- 9. Combinations -- 10. The Renaissance -- 11. The Interregnum and the Restoration -- 12. The Eighteenth Century -- 13. The Romantics -- 14. The Victorians -- App. The Placement of Variations and the Caesura.
  21. English alliterative verse
    poetic tradition and literary history
    Autor*in: Weiskott, Eric
    Erschienen: 2016.
    Verlag:  Cambridge University Press, Cambridge

    English Alliterative Verse tells the story of the medieval poetic tradition that includes Beowulf, Piers Plowman, and Sir Gawain and the Green Knight, stretching from the eighth century, when English poetry first appeared in manuscripts, to the... mehr

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    English Alliterative Verse tells the story of the medieval poetic tradition that includes Beowulf, Piers Plowman, and Sir Gawain and the Green Knight, stretching from the eighth century, when English poetry first appeared in manuscripts, to the sixteenth century, when alliterative poetry ceased to be composed. Eric Weiskott draws on the study of meter to challenge the traditional division of medieval English literary history into Old English and Middle English periods. The two halves of the alliterative tradition, divided by the Norman Conquest of 1066, have been studied separately since the nineteenth century; this book uses the history of metrical form and its cultural meanings to bring the two halves back together. In combining literary history and metrical description into a new kind of history he calls 'verse history', Weiskott reimagines the historical study of poetics. Evolution of the alliterative b-verse, 650-1550 -- Introduction: the durable alliterative tradition -- Beowulf and verse history -- The evolution of alliterative meter, 950-1100 -- Verse history and language history -- Beowulf and the unknown shape of Old English literary history -- Prologues to Old English poetry -- Old English prologues and Old English poetic styles -- The Beowulf prologue and the history of style -- Lawman, the last Old English poet and the first Middle English poet -- Lawman and the evolution of alliterative meter -- Lawman at a crossroads in literary history -- Prologues to Middle English alliterative poetry -- The continuity of the alliterative tradition, 1250-1340 -- Excursus: Middle English alliterating stanzaic poetry -- Middle English prologues, romaunce, and Middle English poetic styles -- The Erkenwald poet's sense of history -- A meditation on histories -- St. Erkenwald and the idea of alliterative verse in late medieval England -- Authors, styles, and the search for a Middle English canon -- The alliterative tradition in the sixteenth century -- The alliterative tradition in its tenth century -- Unmodernity: the idea of alliterative verse in the sixteenth century -- Conclusion: whose tradition? -- Note to the appendices -- Appendix A. Fifteen late Old English poems omitted from ASPR -- Appendix B. Six early Middle English alliterative poems -- Appendix C. An early Middle English alliterative poem in Latin -- Glossary of technical terms

     
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    Medientyp: Ebook
    Format: Online
    ISBN: 9781316718674
    Weitere Identifier:
    RVK Klassifikation: HH 1130
    Schriftenreihe: Cambridge studies in medieval literature ; 96
    Schlagworte: English language; Alliteration; Poetics; English poetry; English poetry; English poetry ; Old English, ca. 450-1100 ; History and criticism; English poetry ; Middle English, 1100-1500 ; History and criticism; English language ; Versification; Alliteration ; Poetry; Poetics ; History ; To 1500
    Umfang: 1 Online-Ressource (xiv, 236 pages), digital, PDF file(s).
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 28 Nov 2016)
  22. The evolution of verse structure in Old and Middle English poetry
    from the earliest alliterative poems to Iambic pentameter
    Autor*in: Russom, Geoffrey
    Erschienen: May 2017
    Verlag:  Cambridge University Press, Cambridge

    In this fascinating study, Geoffrey Russom traces the evolution of the major English poetic traditions by reference to the evolution of the English language, and considers how verse forms are born, how they evolve, and why they die. Using a general... mehr

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    In this fascinating study, Geoffrey Russom traces the evolution of the major English poetic traditions by reference to the evolution of the English language, and considers how verse forms are born, how they evolve, and why they die. Using a general theory of poetic form employing universal principles rooted in the human language faculty, Russom argues that certain kinds of poetry tend to arise spontaneously in languages with identifiable characteristics. Language changes may require modification of metrical rules and may eventually lead to extinction of a meter. Russom's theory is applied to explain the development of English meters from the earliest alliterative poems in Old and Middle English and the transition to iambic meter in the Modern English period. This thorough yet accessible study provides detailed analyses of form in key poems, including Beowulf and Sir Gawain and the Green Knight, and a glossary of technical terms Machine generated contents note: 1. General principles of poetic form; 2. Indo-European and Germanic meters; 3. Old English meter in the era of Beowulf; 4. From late Old English meter to Middle English meter; 5. Middle English type A1 and the hypermetrical b-verse; 6. Type A1 in the a-verse; 7. Types B and C; 8. Survival and extinction in types A2, Da, and E; 9. Type Db and the hypermetrical a-verse; 10. The birth of English iambic meter; 11. General summary

     
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    Format: Online
    ISBN: 9781316562925
    Weitere Identifier:
    RVK Klassifikation: HH 1130 ; HH 4096 ; HH 1190
    Schriftenreihe: Cambridge studies in Medieval literature
    Schlagworte: Poetics; English language; English language; English poetry; English poetry; English poetry ; Old English, ca. 450-1100 ; History and criticism; English poetry ; Middle English, 1100-1500 ; History and criticism; English language ; Versification; Poetics ; History; English language ; History
    Umfang: 1 Online-Ressource (xi, 319 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 12 May 2017)
  23. The Cambridge introduction to Poetic form
    Autor*in: Hurley, Michael D.; O'Neill, Michael
    Erschienen: 2012
    Verlag:  Cambridge University Press, Cambridge [u.a.]

    Michael D. Hurley and Michael O'Neill offer a perceptive and illuminating look into poetic form, a topic that has come back into prominence in recent years. Building on this renewed interest in form, Hurley and O'Neill provide an accessible and... mehr

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    Michael D. Hurley and Michael O'Neill offer a perceptive and illuminating look into poetic form, a topic that has come back into prominence in recent years. Building on this renewed interest in form, Hurley and O'Neill provide an accessible and comprehensive introduction that will be of help to undergraduates and more advanced readers of poetry alike. The book sees form as neither ornamenting nor mimicking content, but as shaping and animating it, encouraging readers to cultivate techniques to read poems as poems. Lively and wide-ranging, engaging with poems as aesthetic experiences, the book includes a long chapter on the elements of form that throws new light on troubling terms such as rhythm and metre, as well as a detailed introduction and accessible, stimulating chapters on lyric, the sonnet, elegy, soliloquy, dramatic monologue and ballad and narrative.

     
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    Format: Online
    ISBN: 9780521774994; 9780521772945
    Weitere Identifier:
    RVK Klassifikation: HG 160
    Auflage/Ausgabe: 1. publ.
    Schriftenreihe: Cambridge introductions to literature
    Schlagworte: English poetry; Literary form; Poetics; English language; English poetry ; History and criticism ; Theory, etc; Literary form; Poetics; English language ; Versification
    Weitere Schlagworte: Array; Literary form; Poetics; Array
    Umfang: IX, 245 S.
  24. Poetry
    the basics
    Autor*in: Wainwright, Jeffrey.
    Erschienen: 2016
    Verlag:  Routledge,, London

    1. Introduction : because there is language there is poetry -- 2. Deliberate space -- 3. Tones of voice -- 4. Measures : the verse line -- 5. 'Free verse' -- 6. Rhyme and other noises -- 7. Stanza -- 8. Image, imagination, inspiration -- 9. Writing a... mehr

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    1. Introduction : because there is language there is poetry -- 2. Deliberate space -- 3. Tones of voice -- 4. Measures : the verse line -- 5. 'Free verse' -- 6. Rhyme and other noises -- 7. Stanza -- 8. Image, imagination, inspiration -- 9. Writing a poem now : philosophies of composition -- 10. Conclusion.

     
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    Format: Online
    ISBN: 9781315742137; 9781317585237; 9781317585244
    Weitere Identifier:
    Auflage/Ausgabe: Third edition.
    Schriftenreihe: Basics (Routledge (Firm))
    Schlagworte: English poetry; American poetry; English language; Poetics; Poetry; English poetry ; History and criticism; American poetry ; History and criticism; English language ; Versification; Poetics; Poetry
    Umfang: 1 online resource (xxiii, 263 pages)
  25. Fourteen on Form
    Conversations with Poets
    Autor*in: Baer, William
    Erschienen: 2004
    Verlag:  University Press of Mississippi, Jackson

    Poets include:Willis BarnstoneRobert ConquestWendy CopeDouglas DunnAnthony HechtJohn HollanderDonald JusticeX. J. KennedyMaxine KuminFrederick MorganJohn Frederick NimsW. D. SnodgrassDerek WalcottRichard Wilbur When free verse and its many movements... mehr

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    Poets include:Willis BarnstoneRobert ConquestWendy CopeDouglas DunnAnthony HechtJohn HollanderDonald JusticeX. J. KennedyMaxine KuminFrederick MorganJohn Frederick NimsW. D. SnodgrassDerek WalcottRichard Wilbur When free verse and its many movements seemed to dominate poetry, other writers worked steadfastly, insistently, and majestically in traditional forms of rhyme and meter. Such poets as Anthony Hecht, Donald Justice, Derek Walcott, and Richard Wilbur used sonnets, villanelles, blank verse, and many other forms to create dazzling, lasting work. Their writing posed a counterpoint to free v

     
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    ISBN: 9781578066711
    Schlagworte: American poetry ; 20th century ; History and criticism ; Theory, etc; English language ; Versification; English poetry ; 20th century ; History and criticism ; Theory, etc; Literary form; Poetry ; Authorship; Poets, American ; 20th century ; Interviews; Poets, English ; 20th century ; Interviews; Electronic books
    Umfang: Online-Ressource (276 p.)
    Bemerkung(en):

    Description based upon print version of record

    Electronic reproduction; Available via World Wide Web

    Cover; Contents; Preface; RICHARD WILBUR; MAXINE KUMIN; DEREK WALCOTT; WILLIS BARNSTONE; ANTHONY HECHT; DONALD JUSTICE; DOUGLAS DUNN; ROBERT CONQUEST; JOHN FREDERICK NIMS; WENDY COPE; FREDERICK MORGAN; W. D. SNODGRASS; JOHN HOLLANDER; X. J. KENNEDY; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; R; S; T; U; V; W; Y; Z