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  1. Writing and the rise of finance
    capital satires of the early eighteenth century
    Autor*in: Nicholson, Colin
    Erschienen: 1994
    Verlag:  Cambridge University Press, Cambridge [u.a.]

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0521453232
    RVK Klassifikation: HK 1091 ; HK 1341
    Auflage/Ausgabe: 1. publ
    Schriftenreihe: Cambridge studies in eighteenth-century English literature and thought ; 21
    Schlagworte: English literature; Capitalism and literature; Finance; Capitalists and financiers in literature; Satire, English; Economics in literature; Finance in literature; English literature; Capitalism and literature; Finance; Capitalists and financiers in literature; Satire, English; Economics in literature; Finance in literature; English literature
    Umfang: XV, 219 S, Ill, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 202-211) and index
  2. Public and private
    gender, class, and the British novel (1764 - 1878)
    Autor*in: McKee, Patricia; MacKee, Patricia
    Erschienen: 1997
    Verlag:  Univ. of Minnesota Press, Minneapolis, Minn. [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  3. Victorian literature and finance
    Beteiligt: O'Gorman, Francis (Hrsg.)
    Erschienen: 2007
    Verlag:  Oxford Univ. Press, Oxford [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: O'Gorman, Francis (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0199281920; 9780199281923
    Weitere Identifier:
    9780199281923
    2006102389
    RVK Klassifikation: HL 1101
    Auflage/Ausgabe: 1. publ.
    Schlagworte: Wirtschaftsgeschichte; Literatur; Großbritannien; English literature; Finance in literature; Money in literature; Value in literature; Capitalism in literature; Capitalism and literature; Authorship; Literature publishing; Finance in literature; English literature
    Umfang: XII, 201 S., graph. Darst., 24 cm
    Bemerkung(en):

    Includes bibliographical references and index
  4. Paperwork
    fiction and mass mediacy in the Paper Age
    Autor*in: MacLaughlin, Kevin; McLaughlin, Kevin
    Erschienen: 2005
    Verlag:  Univ. of Pennsylvania Press, Philadelphia, Pa.

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780812238884; 0812238885
    Weitere Identifier:
    9780812238884
    2005042242
    RVK Klassifikation: EC 5410
    Schriftenreihe: Critical authors & issues
    Schlagworte: English fiction; Capitalism and literature; Literature publishing; Mass media; American fiction; Economics and literature; Paper money; Economics in literature; Money in literature
    Umfang: 181 S, Ill., Kt, 24 cm
    Bemerkung(en):

    Literaturverz. S. [161] - 176
  5. Governing consumption
    needs and wants, suspended characters, and the "Origins" of eighteenth-century English novels
    Autor*in: Cruise, James
    Erschienen: 1999
    Verlag:  Bucknell University Press, Lewisburg, Pa. ; Associated University Presses, London

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0838754287
    Schriftenreihe: The Bucknell studies in eighteenth-century literature and culture
    Schlagworte: English fiction; Capitalism and literature; Consumption (Economics); Authors and readers; Books and reading; Narration (Rhetoric); Characters and characteristics in literature; Consumption (Economics) in literature; Suspense in literature; Marxist criticism
    Umfang: 246 Seiten, 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. 214 - 238) and index
  6. Edgar Allan Poe and the Masses
    The Political Economy of Literature in Antebellum America
    Autor*in: Whalen, Terence
    Erschienen: [2021]; © 1999
    Verlag:  Princeton University Press, Princeton, NJ

    Edgar Allan Poe has long been viewed as an artist who was hopelessly out of step with his time. But as Terence Whalen shows, America's most celebrated romantic outcast was in many ways the nation's most representative commercial writer. Whalen... mehr

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Edgar Allan Poe has long been viewed as an artist who was hopelessly out of step with his time. But as Terence Whalen shows, America's most celebrated romantic outcast was in many ways the nation's most representative commercial writer. Whalen explores the antebellum literary environment in which Poe worked, an environment marked by economic conflict, political strife, and widespread foreboding over the rise of a mass audience. The book shows that the publishing industry, far from being a passive backdrop to writing, threatened to dominate all aspects of literary creation. Faced with financial hardship, Poe desperately sought to escape what he called "the magazine prison-house" and "the horrid laws of political economy." By placing Poe firmly in economic context, Whalen unfolds a new account of the relationship between literature and capitalism in an age of momentous social change.The book combines pathbreaking historical research with innovative literary theory. It includes the first fully-documented account of Poe's response to American slavery and the first exposé of his plot to falsify circulation figures. Whalen also provides a new explanation of Poe's ambivalence toward nationalism and exploration, a detailed inquiry into the conflict between cryptography and common knowledge, and a general theory of Poe's experiments with new literary forms such as the detective story. Finally, Whalen shows how these experiments are directly linked to the dawn of the information age. This book redefines Poe's place in American literature and casts new light on the emergence of a national culture before the Civil War

     
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781400823017
    Weitere Identifier:
    Schlagworte: LITERARY CRITICISM / American / General; Authors and readers; Authorship; Capitalism and literature; Economics and literature; Literature publishing; Politics and literature; Popular literature
    Umfang: 1 online resource (392 pages), 4 line illus
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 27. Sep 2021)
  7. <<The>> commodification of identity in Victorian narrative
    autobiography, sensation, and the literary marketplace
    Autor*in: Grass, Sean C.
    Erschienen: 2019
    Verlag:  Cambridge University Press, Cambridge

    In the first half of the nineteenth century autobiography became, for the first time, an explicitly commercial genre. Drawing together quantitative data on the Victorian book market, insights from the business ledgers of Victorian publishers and... mehr

     

    In the first half of the nineteenth century autobiography became, for the first time, an explicitly commercial genre. Drawing together quantitative data on the Victorian book market, insights from the business ledgers of Victorian publishers and close readings of mid-century novels, Sean Grass demonstrates the close links between these genres and broader Victorian textual and material cultures. This book offers fresh perspectives on major works by Charles Dickens, George Eliot, Mary Elizabeth Braddon, Wilkie Collins and Charles Reade, while also featuring archival research that reveals the volume, diversity, and marketability of Victorian autobiographical texts for the first time. Grass presents life-writing not as a stand-alone genre, but as an integral part of a broader movement of literary, cultural, legal and economic practices through which the Victorians transformed identity into a textual object of capitalist exchange

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781108613347
    Weitere Identifier:
    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture
    Schlagworte: English prose literature / 19th century / History and criticism; Autobiography; Capitalism and literature
    Umfang: 1 Online-Ressource (xi, 279 Seiten), Illustrationen
    Bemerkung(en):

    Title from publisher's bibliographic system (viewed on 25 Oct 2019)
  8. The 'invisible hand' and British fiction 1818-1860
    Adam Smith, political economy, and the genre of realism
    Autor*in: Courtemanche, Eleanor
    Erschienen: 2011
    Verlag:  Palgrave Macmillan, Houndmills, Basingstoke, Hampshire

    The 'invisible hand', Adam Smith's metaphor for the morality of capitalism, is explored in this text as being far more subtle and intricate than is usually understood, with many British realist fiction writers (Austen, Dickens, Gaskell, Eliot) having... mehr

    Standort:
    Hochschulbibliothek Friedensau
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    Online-Ressource
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    The 'invisible hand', Adam Smith's metaphor for the morality of capitalism, is explored in this text as being far more subtle and intricate than is usually understood, with many British realist fiction writers (Austen, Dickens, Gaskell, Eliot) having absorbed his model of ironic causality in complex societies and turned it to their own purposes. The 'invisible hand', Adam Smith's metaphor for the morality of capitalism, is explored in this text as being far more subtle and intricate than is usually understood, with many British realist fiction writers (Austen, Dickens, Gaskell, Eliot) having absorbed his model of ironic causality in complex societies and turned it to their own purposes

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1283097044; 9780230290785; 9780230304987; 9781283097048
    RVK Klassifikation: HL 1101 ; HL 1331
    Schriftenreihe: Palgrave studies in nineteenth-century writing and culture
    Schlagworte: Social problems in literature; Capitalism and literature; English fiction; Capitalism in literature; Economics in literature
    Weitere Schlagworte: Smith, Adam (1723-1790)
    Umfang: Online-Ressource (xi, 251 p), ill
    Bemerkung(en):

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Cover; Series page; Title page; Copyright; Dedication; Contents; Acknowledgements; Abbreviations; Introduction: Capitalist Moral Philosophy, Narrative Technology, and the Boundaries of the Nation-State; Part I Reading Adam Smith; 1 Imaginary Vantage Points: The Invisible Hand and the Rise of Political Economy; Part II Early Nineteenth- Century Novels and Invisible Hand Social Theory; 2 Omniscient Narrators and the Return of the Gothic in Northanger Abbey and Bleak House; 3 Providential Endings: Martineau, Dickens, and the Didactic Task of Political Economy

    4 Ripple Effects and the Fog of War in Vanity Fair5 Inappropriate Sympathies in Gaskell and Eliot; Conclusion: Realist Capitalism, Gothic Capitalism; Notes; Bibliography; Index
  9. Kathy Acker
    punk writer
    Autor*in: Henderson, Margaret A.
    Erschienen: 2020
    Verlag:  Routledge, Abingdon, Oxon

    Introduction: The fin-de-siècle punk writer : the sense and non-sense of revolt -- Contexts and configurations of Acker. Acker's punk times : the scenes and sounds of punk writing -- The punk writer emerges : from counterculture to punk culture --... mehr

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Technische Universität Hamburg, Universitätsbibliothek
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    Introduction: The fin-de-siècle punk writer : the sense and non-sense of revolt -- Contexts and configurations of Acker. Acker's punk times : the scenes and sounds of punk writing -- The punk writer emerges : from counterculture to punk culture -- The punk intellectual : repossessing the European avant-garde -- The punk feminist novelist : making the novel of cruelty and excess -- Acker's punk tropology. Heterosexual desire : Blood and guts in high school (1978) -- The family : Great expectations (1982) -- The polity : Don Quixote : which was a dream (1986) -- The economy : Empire of the senseless (1988) -- Conclusion: What Kathy did. "This project is a feminist study of the idiosyncratic oeuvre of Kathy Acker and how her unique art and politics, located at the explosive intersection of punk, postmodernism and feminism, critiques and exemplifies late twentieth-century capitalism. There is no female or feminist writer like Kathy Acker (and probably no male either). Her body of work-nine novels, novellas, essays, reviews, poetry, and film scripts, published in a period spanning the 1970s to the mid-1990s-is the most developed body of contemporary feminist postmodernist work and of the punk aesthetic in a literary form. Twenty years after her death, Kathy Acker: Punk Writer gives a detailed and comprehensive analysis of how Acker melds the philosophy and poetics of the European avant-garde with the vernacular and ethos of her punk subculture to voice an idiosyncratic feminist radical politics in literary form: a punk feminism. With its aesthetics of shock, transgression, parody, Debordian détournement, caricature, and montage, her oeuvre reimagines the fin-de-siècle United States as a schlock horror film for her punk girl protagonist: Acker's cipher for herself and other rebellious and nonconformist women. This approach will allow the reader to more fully understand Acker, as a writer who inhabits an explosive and creative nexus of contemporary women's writing, punk culture, and punk feminism's reimagining of late capitalism. This vital work will be an important text at both undergraduate and graduate levels in Gender and Women's Studies, Postmodern Studies and twentieth-century American literature. Margaret"--

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781351585064
    Schriftenreihe: Interdisciplinary research in gender
    Schlagworte: Feminist fiction, American; Experimental fiction, American; Punk culture in literature; Capitalism and literature; Feminism in literature; SOCIAL SCIENCE ; Gender Studies; Punk culture in literature; Capitalism and literature; Experimental fiction, American; Feminism in literature; Feminist fiction, American; Criticism, interpretation, etc
    Weitere Schlagworte: Acker, Kathy (1948-1997); Acker, Kathy
    Umfang: 1 Online-Ressource (1 online resource)
    Bemerkung(en):

    Includes bibliographical references and index
  10. Kathy Acker
    punk writer
    Autor*in: Henderson, Margaret A.
    Erschienen: 2020
    Verlag:  Routledge, Abingdon, Oxon

    Introduction: The fin-de-siècle punk writer : the sense and non-sense of revolt -- Contexts and configurations of Acker. Acker's punk times : the scenes and sounds of punk writing -- The punk writer emerges : from counterculture to punk culture --... mehr

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    Introduction: The fin-de-siècle punk writer : the sense and non-sense of revolt -- Contexts and configurations of Acker. Acker's punk times : the scenes and sounds of punk writing -- The punk writer emerges : from counterculture to punk culture -- The punk intellectual : repossessing the European avant-garde -- The punk feminist novelist : making the novel of cruelty and excess -- Acker's punk tropology. Heterosexual desire : Blood and guts in high school (1978) -- The family : Great expectations (1982) -- The polity : Don Quixote : which was a dream (1986) -- The economy : Empire of the senseless (1988) -- Conclusion: What Kathy did. "This project is a feminist study of the idiosyncratic oeuvre of Kathy Acker and how her unique art and politics, located at the explosive intersection of punk, postmodernism and feminism, critiques and exemplifies late twentieth-century capitalism. There is no female or feminist writer like Kathy Acker (and probably no male either). Her body of work-nine novels, novellas, essays, reviews, poetry, and film scripts, published in a period spanning the 1970s to the mid-1990s-is the most developed body of contemporary feminist postmodernist work and of the punk aesthetic in a literary form. Twenty years after her death, Kathy Acker: Punk Writer gives a detailed and comprehensive analysis of how Acker melds the philosophy and poetics of the European avant-garde with the vernacular and ethos of her punk subculture to voice an idiosyncratic feminist radical politics in literary form: a punk feminism. With its aesthetics of shock, transgression, parody, Debordian détournement, caricature, and montage, her oeuvre reimagines the fin-de-siècle United States as a schlock horror film for her punk girl protagonist: Acker's cipher for herself and other rebellious and nonconformist women. This approach will allow the reader to more fully understand Acker, as a writer who inhabits an explosive and creative nexus of contemporary women's writing, punk culture, and punk feminism's reimagining of late capitalism. This vital work will be an important text at both undergraduate and graduate levels in Gender and Women's Studies, Postmodern Studies and twentieth-century American literature. Margaret"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781351585057; 9781315100098; 9781351585071; 9781351585064
    Weitere Identifier:
    Schriftenreihe: Interdisciplinary research in gender
    Schlagworte: Feminist fiction, American; Experimental fiction, American; Punk culture in literature; Capitalism and literature; Feminism in literature; Capitalism and literature; Experimental fiction, American; Feminism in literature; Feminist fiction, American; Criticism, interpretation, etc; SOCIAL SCIENCE / Gender Studies
    Weitere Schlagworte: Acker, Kathy (1948-1997); Acker, Kathy
    Umfang: 1 Online-Ressource (ix, 196 pages)
    Bemerkung(en):

    Includes bibliographical references and index. Open Access. Creative Commons, CC BY-NC-ND
  11. Women, love, and commodity culture in British Romanticism
    Autor*in: Garofalo, Daniela
    Erschienen: 2016
    Verlag:  Routledge,, Abingdon, Oxon

    1. The unfair sex -- 2. "The stock of love" : unending desire in women's periodicals and in Letitia Landon's Improvisatrice -- 3. "Take thy bliss" : surplus enjoyment and Oothoon's joy in Blake's Visions of the daughters of Albion -- 4. Beyond... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1. The unfair sex -- 2. "The stock of love" : unending desire in women's periodicals and in Letitia Landon's Improvisatrice -- 3. "Take thy bliss" : surplus enjoyment and Oothoon's joy in Blake's Visions of the daughters of Albion -- 4. Beyond Platonism : Byron's Don Juan and the critique of political economy -- 5. "Give me that voice again. those looks immortal" : gaze and voice in Keats's The eve of St. Agnes -- 6. Impossible things : Scott's Ivanhoe and the limits of exchange -- 7. Impossible love and commodity culture in Emily Bronte's Wuthering heights.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315546582; 9781134778911; 9781134778980
    Weitere Identifier:
    Schlagworte: English literature; Women in literature; Love in literature; Capitalism and literature; Romanticisim
    Umfang: 1 online resource
  12. Working subjects in early modern English drama
    Beteiligt: Dowd, Michelle M. (MitwirkendeR); Korda, Natasha (MitwirkendeR)
    Erschienen: 2016
    Verlag:  Routledge,, Abingdon, Oxon

    1. Mythos of labor : The shoemaker's holiday and the origin of citizen history / Crystal Bartolovich -- 2. Citizens and aliens as working subjects in Dekker's The shoemaker's holiday / John Michael Archer -- 3. Staging alien women's work in civic... mehr

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    1. Mythos of labor : The shoemaker's holiday and the origin of citizen history / Crystal Bartolovich -- 2. Citizens and aliens as working subjects in Dekker's The shoemaker's holiday / John Michael Archer -- 3. Staging alien women's work in civic pageants / Natasha Korda -- 4. Osmologies of luxury and labor : entertaining perfumers in early English drama / Holly Dugan -- 5. Englishmen for my money : work and social conflict? / Tom Rutter -- 6. Will Kempe's work : performing the player's masculinity in Kempe's nine daies wonder / Ronda Arab -- 7. The rogue's paradox : redefining work in The alchemist / Elizabeth Rivlin -- 8. Desiring subjects : staging the female servant in early modern tragedy / Michelle M. Dowd -- 9. Domestic work in progress entertainments / Sara Mueller -- 10. "You take no labour" : women workers of magic in early modern England / Molly Hand -- 11. Raising mephistopheles : performative representation and alienated Labor in the tempest / David Hawkes -- 12. Custom, debt, and the valuation of service within and without early modern England / Amanda Bailey -- 13. The comic-tragedy of labor : a global story / Valerie Forman -- 14. Labor and travel on the early modern stage : representing the travail of travel in Dekker's Old fortunatus and Shakespeare's Pericles / Daniel Vitkus.

     
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Dowd, Michelle M. (MitwirkendeR); Korda, Natasha (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315546384; 9781134783113; 9781134783182
    Weitere Identifier:
    Schriftenreihe: Studies in performance and early modern drama
    Schlagworte: English drama; English drama; Work in literature; Labor in literature; Capitalism in literature; Capitalism and literature; Capitalism and literature; Theater; Theater; Theater and society
    Umfang: 1 online resource
  13. Exit capitalism
    literary culture, theory, and post-secular modernity
    Autor*in: During, Simon
    Erschienen: 2010
    Verlag:  Routledge,, London

    pt. I. Modernizing the English literary field -- pt. II. Towards endgame capitalism : literature, theory, culture. mehr

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    pt. I. Modernizing the English literary field -- pt. II. Towards endgame capitalism : literature, theory, culture.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780203872642; 9781135278649; 9781135278687; 9781135278694
    Weitere Identifier:
    Schlagworte: Capitalism and literature; Literature, Modern; Capitalism; Culture
    Umfang: 1 online resource (x, 197 pages)
  14. Writing at the origin of capitalism
    literary circulation and social change in early modern England
    Autor*in: Werlin, Julianne
    Erschienen: [2021]; © 2021
    Verlag:  Oxford University Press, New York

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  15. The Fictions of American Capitalism
    Working Fictions and the Economic Novel
    Autor*in: Coste, Jacques-Henri
    Erschienen: 2020; ©2020
    Verlag:  Springer International Publishing AG, Cham

    Intro -- Acknowledgments -- Contents -- Notes on Contributors -- List of Illustrations -- Chapter 1: The Fictions of American Capitalism: An Introduction -- The 2008 Crisis as Seen Through the Prism of Fiction -- Which Theory of Capitalism Informs... mehr

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    Intro -- Acknowledgments -- Contents -- Notes on Contributors -- List of Illustrations -- Chapter 1: The Fictions of American Capitalism: An Introduction -- The 2008 Crisis as Seen Through the Prism of Fiction -- Which Theory of Capitalism Informs This Collection? -- Why Focus on American Capitalism in Relation to Fiction? -- How Fictions Work Under "Uncertainty Regimes" -- Interrogations on Transfictionality: Axiological Issues -- A Fictional Turn to the Real -- To Conclude, Temporarily -- Facets of Fiction in American Capitalism: A Guided Tour of This Book -- Three Theoretical Insights -- Non-literary Fictions Bolstering American Capitalism -- Novelists and the Fictions of Capitalism -- Prospects -- Bibliography -- Part I: Theoretical Overviews -- Chapter 2: From Economics as Fiction to Fiction-Led Capitalism -- Introduction -- From British Political Economy to American Economics -- Comparing Two Epochs via Two Dictionaries -- The Aborted American Institutionalism -- The Two Founding Principles of Economics -- Physics Modeling in Economics -- Unrealistic Hypotheses, Generality of the Theory -- The Invisible Hand: An Unproved Fiction -- No Money, No Credit, No Banking -- A Static Theory, No Historical Time -- Fictional Literature: A More Relevant Representation of Capitalism? -- Contemporary Economists Create Fictional Worlds -- A Multiplicity of Ad Hoc Hypotheses -- Never Any Falsification: Anything Goes -- An Unexpected Ally of Economic Fictions: Rational Expectations -- Every Actor Becomes a Walrasian Auctioneer -- A Necessary Ingredient for Closing Economic Fiction Models -- Historical Processes Are Replaced by Stochastic Exogenous Shocks -- Storytelling vs. Mathematical Finance -- The Past Informs the Future -- The Future Against the Past -- Forecasting: The Need for Common References in an Uncertain and Complex World.

     
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    Quelle: Verbundkataloge
    Beteiligt: Dussol, Vincent (MitwirkendeR)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9783030365646
    Schriftenreihe: Palgrave Studies in Literature, Culture and Economics Ser.
    Schlagworte: American fiction-History and criticism; American fiction; Capitalism in literature; Capitalism and literature; Electronic books
    Umfang: 1 online resource (409 pages)
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    Description based on publisher supplied metadata and other sources
  16. Kathy Acker
    punk writer
    Autor*in: Henderson, Margaret A.
    Erschienen: 2020
    Verlag:  Routledge, Abingdon, Oxon ; Knowledge Unlatched, New York, NY

    Introduction: The fin-de-siècle punk writer : the sense and non-sense of revolt -- Contexts and configurations of Acker. Acker's punk times : the scenes and sounds of punk writing -- The punk writer emerges : from counterculture to punk culture --... mehr

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    Max-Planck-Institut für ethnologische Forschung, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Introduction: The fin-de-siècle punk writer : the sense and non-sense of revolt -- Contexts and configurations of Acker. Acker's punk times : the scenes and sounds of punk writing -- The punk writer emerges : from counterculture to punk culture -- The punk intellectual : repossessing the European avant-garde -- The punk feminist novelist : making the novel of cruelty and excess -- Acker's punk tropology. Heterosexual desire : Blood and guts in high school (1978) -- The family : Great expectations (1982) -- The polity : Don Quixote : which was a dream (1986) -- The economy : Empire of the senseless (1988) -- Conclusion: What Kathy did. "This project is a feminist study of the idiosyncratic oeuvre of Kathy Acker and how her unique art and politics, located at the explosive intersection of punk, postmodernism and feminism, critiques and exemplifies late twentieth-century capitalism. There is no female or feminist writer like Kathy Acker (and probably no male either). Her body of work-nine novels, novellas, essays, reviews, poetry, and film scripts, published in a period spanning the 1970s to the mid-1990s-is the most developed body of contemporary feminist postmodernist work and of the punk aesthetic in a literary form. Twenty years after her death, Kathy Acker: Punk Writer gives a detailed and comprehensive analysis of how Acker melds the philosophy and poetics of the European avant-garde with the vernacular and ethos of her punk subculture to voice an idiosyncratic feminist radical politics in literary form: a punk feminism. With its aesthetics of shock, transgression, parody, Debordian détournement, caricature, and montage, her oeuvre reimagines the fin-de-siècle United States as a schlock horror film for her punk girl protagonist: Acker's cipher for herself and other rebellious and nonconformist women. This approach will allow the reader to more fully understand Acker, as a writer who inhabits an explosive and creative nexus of contemporary women's writing, punk culture, and punk feminism's reimagining of late capitalism. This vital work will be an important text at both undergraduate and graduate levels in Gender and Women's Studies, Postmodern Studies and twentieth-century American literature. Margaret"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781315100098
    RVK Klassifikation: HU 9800
    Schriftenreihe: Interdisciplinary research in gender
    Schlagworte: Feminist fiction, American; Experimental fiction, American; Punk culture in literature; Capitalism and literature; Feminism in literature
    Weitere Schlagworte: Acker, Kathy (1948-1997)
    Umfang: 1 Online-Ressource (207 seiten)
    Bemerkung(en):

    Includes bibliographical references and index
  17. Kathy Acker
    punk writer
    Autor*in: Henderson, Margaret A.
    Erschienen: 2020
    Verlag:  Routledge, Abingdon, Oxon

    Introduction: The fin-de-siècle punk writer : the sense and non-sense of revolt -- Contexts and configurations of Acker. Acker's punk times : the scenes and sounds of punk writing -- The punk writer emerges : from counterculture to punk culture --... mehr

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    Introduction: The fin-de-siècle punk writer : the sense and non-sense of revolt -- Contexts and configurations of Acker. Acker's punk times : the scenes and sounds of punk writing -- The punk writer emerges : from counterculture to punk culture -- The punk intellectual : repossessing the European avant-garde -- The punk feminist novelist : making the novel of cruelty and excess -- Acker's punk tropology. Heterosexual desire : Blood and guts in high school (1978) -- The family : Great expectations (1982) -- The polity : Don Quixote : which was a dream (1986) -- The economy : Empire of the senseless (1988) -- Conclusion: What Kathy did. "This project is a feminist study of the idiosyncratic oeuvre of Kathy Acker and how her unique art and politics, located at the explosive intersection of punk, postmodernism and feminism, critiques and exemplifies late twentieth-century capitalism. There is no female or feminist writer like Kathy Acker (and probably no male either). Her body of work-nine novels, novellas, essays, reviews, poetry, and film scripts, published in a period spanning the 1970s to the mid-1990s-is the most developed body of contemporary feminist postmodernist work and of the punk aesthetic in a literary form. Twenty years after her death, Kathy Acker: Punk Writer gives a detailed and comprehensive analysis of how Acker melds the philosophy and poetics of the European avant-garde with the vernacular and ethos of her punk subculture to voice an idiosyncratic feminist radical politics in literary form: a punk feminism. With its aesthetics of shock, transgression, parody, Debordian détournement, caricature, and montage, her oeuvre reimagines the fin-de-siècle United States as a schlock horror film for her punk girl protagonist: Acker's cipher for herself and other rebellious and nonconformist women. This approach will allow the reader to more fully understand Acker, as a writer who inhabits an explosive and creative nexus of contemporary women's writing, punk culture, and punk feminism's reimagining of late capitalism. This vital work will be an important text at both undergraduate and graduate levels in Gender and Women's Studies, Postmodern Studies and twentieth-century American literature. Margaret"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781138296282; 9780367538217
    Schlagworte: Feminist fiction, American; Experimental fiction, American; Punk culture in literature; Capitalism and literature; Feminism in literature
    Weitere Schlagworte: Acker, Kathy (1948-1997)
    Umfang: viii, 196 Seiten
    Bemerkung(en):

    Includes bibliographical references and index
  18. Women, love, and commodity culture in British romanticism
    Autor*in: Garofalo, Daniela
    Erschienen: 2016
    Verlag:  Routledge, Taylor & Francis Group, London

    "The unfair sex" -- "The stock of love": unending desire in women's periodicals and in Letitia Landon's Improvisatrice -- "Take thy bliss": consumer culture and Oothoon's enjoyment in Blake's Visions of the daughters of Albion -- Beyond platonism:... mehr

     

    "The unfair sex" -- "The stock of love": unending desire in women's periodicals and in Letitia Landon's Improvisatrice -- "Take thy bliss": consumer culture and Oothoon's enjoyment in Blake's Visions of the daughters of Albion -- Beyond platonism: Byron's Don Juan and the critique of political economy -- "Give me that voice again, those looks immortal": gaze and voice in Keats's Eve of St Agnes -- Impossible things: Scott's Ivanhoe and the limits of exchange -- Impossible love and commodity culture in Emily Brontë's Wuthering heights.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781138279476; 1138279471; 1409441016; 9781409441014
    Auflage/Ausgabe: First issued in paperback
    Schlagworte: English literature; Women in literature; Love in literature; Capitalism and literature; Romanticism; Capitalism and literature; English literature; Love in literature; Romanticism; Women in literature; Criticism, interpretation, etc; History
    Umfang: 184 Seiten, 25 cm
    Bemerkung(en):

    Includes bibliographical references (pages 159-171) and index
  19. The fictions of American capitalism
    working fictions and the economic novel
    Beteiligt: Coste, Jacques-Henri (HerausgeberIn); Dussol, Vincent (HerausgeberIn)
    Erschienen: [2020]; © 2020
    Verlag:  Palgrave Macmillan, Cham, Switzerland

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Coste, Jacques-Henri (HerausgeberIn); Dussol, Vincent (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783030365639; 3030365638
    RVK Klassifikation: HR 1706
    Schriftenreihe: Palgrave studies in literature, culture and economics
    Schlagworte: American fiction; Capitalism in literature; Capitalism and literature
    Umfang: xv, 408 Seiten, Illustrationen, 22 cm
  20. Scandals and abstraction
    financial fiction of the long 1980s
    Autor*in: La Berge, Leigh Claire
    Erschienen: 2020
    Verlag:  Oxford University Press, New York, NY

    "The greed, excess, and decadence of the long 1980s has been famously chronicled, critiqued, and satirized in epochal works like White Noise by Don DeLillo, American Psycho by Bret Easton Ellis, and Tom Wolfe's The Bonfire of the Vanities. Leigh... mehr

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    "The greed, excess, and decadence of the long 1980s has been famously chronicled, critiqued, and satirized in epochal works like White Noise by Don DeLillo, American Psycho by Bret Easton Ellis, and Tom Wolfe's The Bonfire of the Vanities. Leigh Claire La Berge offers an in-depth study of these fictions alongside the key moments of financial history that inform them, contending that throughout the 1980s, novelists, journalists, and filmmakers began to reimagine the capitalist economy as one that was newly personal, masculine, and anxiety producing. The study's first half links the linguistic to the technological by exploring the arrival of ATMs and their ubiquity in postmodern American literature. In transformative readings of novels such as White Noise and American Psycho, La Berge traces how the ATM serves as a symbol of anxious isolation and the erosion of interpersonal communication. A subsequent chapter on Ellis' novel and Jane Smiley's Good Faith explores how male protagonists in each develop unique associations between money and masculinity. The second half of the monograph features chapters that attend to works-most notably Oliver Stone's Wall Street and Wolfe's The Bonfire of the Vanities-that capture aspects of the arrogance and recklessness that led to the savings-and-loan crisis and the 1987 stock market crash. Concluding with a coda on the recent Occupy Wall Street Movement and four short stories written in its wake, Scandals and Abstraction demonstrates how economic forces continue to remain a powerful presence in today's fiction"-- The Long 1980s could be summed up handily in the annals of U.S. cultural history with the enduring markers of Ronald Reagan's presidency, Oliver Stone's film Wall Street, and Dire Straits's hit single "Money for Nothing." Despite their vast differences, each serves to underscore the confidence, jingoism, and optimism that powered the U.S. economy throughout the decade. Mining a wide range of literature, film, and financial print journalism, Scandals and Abstraction chronicles how American society's increasing concern with finance found expression in a large array of cultural materials that ultimately became synonymous with postmodernism. Drawing on a diverse archive of novels, films, autobiographies, and journalism, Scandals and Abstraction provides a timely study of the economy's influence on fiction, and outlines a feedback loop whereby postmodernism became more canonical, realism became more postmodern, and finance became a distinct cultural object.

     
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9780190845988; 9780199372874
    RVK Klassifikation: HU 1691
    Auflage/Ausgabe: First issued as an Oxford University paperback
    Schlagworte: American fiction; Money in literature; Finance in literature; Capitalism and literature; Financial crises in literature; American fiction / History and criticism / 20th century
    Umfang: x, 230 Seiten
    Bemerkung(en):

    Includes bibliographical references and index

    Dissertation, New York University,
  21. The London Object
    Writing London at the End of Capitalism
    Autor*in: Hamilton, Grant
    Erschienen: 2021; ©2021
    Verlag:  Taylor & Francis Group, Milton

    Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Acknowledgements -- Introduction: Writing London at the End of Capitalism -- Chapter 1 Michael Moorcock's Mother London and the Viscous City --... mehr

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    Technische Universität Chemnitz, Universitätsbibliothek
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    Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Acknowledgements -- Introduction: Writing London at the End of Capitalism -- Chapter 1 Michael Moorcock's Mother London and the Viscous City -- Chapter 2 Iain Sinclair's Downriver and the Allure of the I-City -- Chapter 3 Penelope Lively's City of the Mind and the Simultaneous City -- Chapter 4 Peter Ackroyd's Hawksmoor and the Churches of Absolute Space -- Chapter 5 J. G. Ballard's Crash and the Seduction of Objects -- Conclusion: The Coordinates of an Altermodernity -- Bibliography -- Index.

     
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    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781000390551
    Schriftenreihe: Routledge Studies in Contemporary Literature Ser.
    Schlagworte: Capitalism and literature; Electronic books
    Umfang: 1 online resource (153 pages)
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    Description based on publisher supplied metadata and other sources
  22. Scenes of Sympathy
    Identity and Representation in Victorian Fiction
    Autor*in: Jaffe, Audrey
    Erschienen: 2000
    Verlag:  Cornell University Press, Ithaca

    In Scenes of Sympathy, Audrey Jaffe argues that representations of sympathy in Victorian fiction both reveal and unsettle Victorian ideologies of identity. Situating these representations within the context of Victorian visual culture, and offering... mehr

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    In Scenes of Sympathy, Audrey Jaffe argues that representations of sympathy in Victorian fiction both reveal and unsettle Victorian ideologies of identity. Situating these representations within the context of Victorian visual culture, and offering new readings of key works by Charles Dickens, Elizabeth Gaskell, Ellen Wood, George Eliot, Oscar Wilde, and Arthur Conan Doyle, Jaffe shows how mid-Victorian spectacles of social difference construct the middle-class self, and how late-Victorian narratives of feeling pave the way for the sympathetic affinities of contemporary identity politics. Perceptive and elegantly written, Scenes of Sympathy is the first detailed examination of the place of sympathy in Victorian fiction and ideology. It will redirect the current critical conversation about sympathy and refocus discussions of late-Victorian fictions of identity.

     
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  23. Hidden in plain sight
    slave capitalism in Poe, Hawthorne, and Joel Chandler Harris
    Autor*in: Matthews, John T.
    Erschienen: [2020]; © 2020
    Verlag:  The University of Georgia Press, Athens

    "For as long as the US owed its prosperity to a New World plantation complex, from colonial settlement until well into the twentieth century, the toxic practices associated with its permutations stimulated imaginary solutions to contradiction of the... mehr

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    "For as long as the US owed its prosperity to a New World plantation complex, from colonial settlement until well into the twentieth century, the toxic practices associated with its permutations stimulated imaginary solutions to contradiction of the nation's enlightenment ideals and republican ideology. Ideals of liberty, democracy, and individualism could not be separated from a history of forcible coercion, oligarchic power, and state-protected economic opportunism. While recent historical scholarship about what has been called "slavery's capitalism" explores the depths at which US ascension was indebted to global plantation slave economies, Hidden in Plain Sight probes how exemplary works of literature represented a society's determination to deny an open national sore. Difficult truths were hidden in plain sight, allowing beholders at once to recognize and disavow knowledge they would not act upon. What were the habits of mind that enabled free Americans to acknowledge what was intolerable yet act as if they did not? In what ways did non-slave-owning Americans imagine a relation to slavery that both admitted its iniquity and accepted its benefits? How did the reconfiguration of the plantation system after the Civil War, both at home and abroad, elicit new forms for dealing with its perpetuation of racial injustice, expropriation of labor, and exploitation for profit of the land? Hidden in Plain Sight examines exemplary nineteenth century works by Edgar Allen Poe, Nathaniel Hawthorne, Herman Melville, and Joel Chandler Harris to show how writers portrayed a nation founded on the unseen seen of slavery's capitalism"--

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780820356709
    Schriftenreihe: Mercer University Lamar memorial lectures ; no. 58
    Schlagworte: American fiction; Denial (Psychology) in literature; Ignorance (Theory of knowledge) in literature; Fetishism in literature; National characteristics, American, in literature; Literature and society; Slavery; Capitalism and literature
    Umfang: xiii, 137 Seiten
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  24. The commodification of identity in Victorian narrative
    autobiography, sensation, and the literary marketplace
    Autor*in: Grass, Sean
    Erschienen: 2019
    Verlag:  Cambridge University Press, Cambridge

    In the first half of the nineteenth century autobiography became, for the first time, an explicitly commercial genre. Drawing together quantitative data on the Victorian book market, insights from the business ledgers of Victorian publishers and... mehr

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    In the first half of the nineteenth century autobiography became, for the first time, an explicitly commercial genre. Drawing together quantitative data on the Victorian book market, insights from the business ledgers of Victorian publishers and close readings of mid-century novels, Sean Grass demonstrates the close links between these genres and broader Victorian textual and material cultures. This book offers fresh perspectives on major works by Charles Dickens, George Eliot, Mary Elizabeth Braddon, Wilkie Collins and Charles Reade, while also featuring archival research that reveals the volume, diversity, and marketability of Victorian autobiographical texts for the first time. Grass presents life-writing not as a stand-alone genre, but as an integral part of a broader movement of literary, cultural, legal and economic practices through which the Victorians transformed identity into a textual object of capitalist exchange.

     
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781108613347; 9781108484459; 9781108706209
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    Schriftenreihe: Cambridge studies in nineteenth-century literature and culture
    Schlagworte: English prose literature; Autobiography; Capitalism and literature; English prose literature ; 19th century ; History and criticism; Autobiography; Capitalism and literature
    Umfang: 1 online resource (xi, 279 pages), digital, PDF file(s).
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    Title from publisher's bibliographic system (viewed on 25 Oct 2019)
  25. Writing at the origin of capitalism
    literary circulation and social change in early modern England
    Autor*in: Werlin, Julianne
    Erschienen: 2021; © 2021
    Verlag:  Oxford University Press, New York

    Explores the relationship between the transition to capitalism in early modern England and the many literary innovations that emerged within the period. mehr

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    Technische Universität Chemnitz, Universitätsbibliothek
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    Explores the relationship between the transition to capitalism in early modern England and the many literary innovations that emerged within the period.

     
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