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  1. The curious humanist :
    Siegfried Kracauer in America /
    Erschienen: [2016]; ©2016
    Verlag:  University of California Press,, Berkeley, CA :

    During the Weimar Republic, Siegfried Kracauer established himself as a trenchant theorist of film, culture, and modernity, and he is now considered one of the key thinkers of the twentieth century. When he arrived in Manhattan aboard a crowded... mehr

    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    During the Weimar Republic, Siegfried Kracauer established himself as a trenchant theorist of film, culture, and modernity, and he is now considered one of the key thinkers of the twentieth century. When he arrived in Manhattan aboard a crowded refugee ship in 1941, however, he was virtually unknown in the United States and had yet to write his best-known books, From Caligari to Hitler and Theory of Film. Johannes von Moltke details the intricate ways in which the American intellectual and political context shaped Kracauer's seminal contributions to film studies and shows how, in turn, Kracauer's American writings helped shape the emergent discipline. Using archival sources and detailed readings, von Moltke asks what it means to consider Kracauer as the New York Intellectual he became in the last quarter century of his life. Adopting a transatlantic perspective on Kracauer's work, von Moltke demonstrates how he pursued questions in conversation with contemporary critics from Theodor Adorno to Hannah Arendt, from Clement Greenberg to Robert Warshow: questions about the origins of totalitarianism and the authoritarian personality; about high and low culture; about liberalism, democracy, and what it means to be human. From these wide-flung debates, Kracauer's own voice emerges as that of an incisive cultural critic invested in a humanist understanding of the cinema.

     

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    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0-520-96485-3
    Weitere Identifier:
    Schlagworte: Motion pictures; Motion pictures; Motion pictures; Film critics
    Weitere Schlagworte: Kracauer, Siegfried, (1889-1966); 1940s.; 20th century.; academic.; american history.; authoritarian.; caligari.; clement greenberg.; contemporary philosopher.; contemporary thinker.; culture.; film making.; film studies.; film theory.; great thinkers.; hannah arendt.; hitler.; immigrant.; immigration.; intellectual.; manhattan.; modern thinker.; modern world.; modernity.; new york.; philosopher.; philosophy.; refugee.; research.; robert warshow.; siegfried kracauer.; theodor adorno.; theorist.; theory of film.; theory.; totalitarianism.; transatlantic.; united states.; weimar republic.; world history.
    Umfang: 1 online resource (333 p.)
    Bemerkung(en):

    Description based upon print version of record.

    Includes bibliographical references and index.

    Introduction: Siegfried Kracauer and the politics of film theory -- Metropolitan contact zones: Kracauer in New York -- Totalitarian propaganda -- Nazi cinema -- Freedom from fear? -- From Hitler to Caligari: spaces of Weimar cinema -- Authoritarian, totalitarian -- Reframing Caligari: the politics of cinema -- Theory of film and the subject of experience -- The curious humanist -- History and humanist subjectivity -- Epilogue: Siegfried Kracauer and the emergence of film studies.

  2. Sovereign Acts :
    Performing Race, Space, and Belonging in Panama and the Canal Zone /
    Erschienen: [2017]; ©2017
    Verlag:  Rutgers University Press,, New Brunswick, NJ :

    Sovereign Acts explores how artists, activists, and audiences performed and interpreted sovereignty struggles in the Panama Canal Zone, from the Canal Zone’s inception in 1903 to its dissolution in 1999. In popular entertainments and patriotic... mehr

    Zugang:
    Freie Universität Berlin, Universitätsbibliothek, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Sovereign Acts explores how artists, activists, and audiences performed and interpreted sovereignty struggles in the Panama Canal Zone, from the Canal Zone’s inception in 1903 to its dissolution in 1999. In popular entertainments and patriotic pageants, opera concerts and national theatre, white U.S. citizens, West Indian laborers, and Panamanian artists and activists used performance as a way to assert their right to the Canal Zone and challenge the Zone’s sovereignty, laying claim to the Zone’s physical space and imagined terrain. By demonstrating the place of performance in the U.S. Empire’s legal landscape, Katherine A. Zien transforms our understanding of U.S. imperialism and its aftermath in the Panama Canal Zone and the larger U.S.-Caribbean world.

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780813584256
    Weitere Identifier:
    Schriftenreihe: Critical Caribbean Studies
    Schlagworte: Literature and society; National characteristics, Panamanian, in literature.; Panamanian drama; Sovereignty.; Theater; 1903.; Caribbean.; West India.; activism.; canal zone.; imperialism.; panama canal.; panama.; united states.; us imperialism.; HISTORY / General.
    Umfang: 1 online resource :, 27 photographs, 2 maps