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  1. Screenwriting : Creative Labor and Professional Practice
    Autor*in: Conor, Bridget
    Erschienen: 2014
    Verlag:  Taylor & Francis

    Screenwriting: Creative Labor and Professional Practice analyses the histories, practices, identities and subject which form and shape the daily working lives of screenwriters. Author Bridget Conor considers the ways in which contemporary... mehr

     

    Screenwriting: Creative Labor and Professional Practice analyses the histories, practices, identities and subject which form and shape the daily working lives of screenwriters. Author Bridget Conor considers the ways in which contemporary screenwriters navigates and make sense of the labor markets in which they are immersed. Chapters explore areas including screenwriting as creative labor, screenwriters' working lives, the how-to genre, screenwriting inequalities, and myths of the profession.

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Schlagworte: Media studies
    Weitere Schlagworte: guru; scene; appendix; authors; bibliography; conclusion; creative; five; genre; good; histories; indicative; information; labor; lives; myths; one; out?; practice; profession; professional; publishing; screenwriters; screenwriting; setting; texts; titles; two; working
    Umfang: 1 electronic resource (164 p.)
  2. Backstory 5
    Interviews with Screenwriters of the 1990s
    Beteiligt: Brooks, Albert (MitwirkendeR); Carrière, Jean-Claude (MitwirkendeR); Ephron, Nora (MitwirkendeR); Harwood, Ronald (MitwirkendeR); Hughes, John (MitwirkendeR); Koepp, David (MitwirkendeR); Lagravenese, Richard (MitwirkendeR); Levinson, Barry (MitwirkendeR); McGilligan, Patrick (HerausgeberIn); Mcgilligan, Patrick (MitwirkendeR); Roth, Eric (MitwirkendeR); Sayles, John (MitwirkendeR); Stoppard, Tom (MitwirkendeR); Turner, Barbara (MitwirkendeR); Wurlitzer, Rudy (MitwirkendeR)
    Erschienen: [2009]; ©2009
    Verlag:  University of California Press, Berkeley, CA

    Patrick McGilligan continues his celebrated interviews with exceptional screenwriters in Backstory 5, focusing on the 1990s. The thirteen featured writers—Albert Brooks, Jean-Claude Carrière, Nora Ephron, Ronald Harwood, John Hughes, David Koepp,... mehr

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    Patrick McGilligan continues his celebrated interviews with exceptional screenwriters in Backstory 5, focusing on the 1990s. The thirteen featured writers—Albert Brooks, Jean-Claude Carrière, Nora Ephron, Ronald Harwood, John Hughes, David Koepp, Richard LaGravenese, Barry Levinson, Eric Roth, John Sayles, Tom Stoppard, Barbara Turner, and Rudy Wurlitzer—are not confined to the 1990s, but their engrossing, detailed, and richly personal stories create, in McGilligan’s words, "a snapshot of a profession in motion." Emphasizing the craft of writing and the process of collaboration, this new volume looks at how Hollywood is changing to meet new economic and creative challenges. Backstory 5 explores how these writers come up with their ideas, how they go about adapting a stage play or work of fiction, how they organize and structure their work, and much more

     

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  3. The Final Victim of the Blacklist
    John Howard Lawson, Dean of the Hollywood Ten
    Autor*in: Horne, Gerald
    Erschienen: [2006]; ©2006
    Verlag:  University of California Press, Berkeley, CA

    Before he attained notoriety as Dean of the Hollywood Ten—the blacklisted screenwriters and directors persecuted because of their varying ties to the Communist Party—John Howard Lawson had become one of the most brilliant, successful, and... mehr

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    Before he attained notoriety as Dean of the Hollywood Ten—the blacklisted screenwriters and directors persecuted because of their varying ties to the Communist Party—John Howard Lawson had become one of the most brilliant, successful, and intellectual screenwriters on the Hollywood scene in the 1930s and 1940s, with several hits to his credit including Blockade, Sahara, and Action in the North Atlantic. After his infamous, almost violent, 1947 hearing before the House Un-American Activities Committee, Lawson spent time in prison and his lucrative career was effectively over. Studded with anecdotes and based on previously untapped archives, this first biography of Lawson brings alive his era and features many of his prominent friends and associates, including John Dos Passos, Theodore Dreiser, F. Scott Fitzgerald, Charles Chaplin, Gene Kelly, Edmund Wilson, Ernest Hemingway, Humphrey Bogart, Dalton Trumbo, Ring Lardner, Jr., and many others. Lawson's life becomes a prism through which we gain a clearer perspective on the evolution and machinations of McCarthyism and anti-Semitism in the United States, on the influence of the left on Hollywood, and on a fascinating man whose radicalism served as a foil for launching the political careers of two Presidents: Richard Nixon and Ronald Reagan. In vivid, marvelously detailed prose, Final Victim of the Blacklist restores this major figure to his rightful place in history as it recounts one of the most captivating episodes in twentieth century cinema and politics

     

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