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  1. Lezioni di poesia
    Autor*in: Stefania, Pavan
    Erschienen: 2006
    Verlag:  Firenze University Press

    This book focuses upon an aspect which has been little investigated to date in the poetics of Iosif Brodskij: the rich intertextual network that links his verses to classical literature. Brodskij's intertext never appears as imitation but rather as... mehr

     

    This book focuses upon an aspect which has been little investigated to date in the poetics of Iosif Brodskij: the rich intertextual network that links his verses to classical literature. Brodskij's intertext never appears as imitation but rather as mimesis, like an inescapable mediation - at times concealed by the presence of cultures diachronically closer, the Russian in the first place - strongly impregnated with meaning and teaching: "(As for creation, the pen has created very little). / But how much light it casts in the night, / the ink, merging with the darkness!". This book proposes moments of reflection on the intense and nuanced relation that connects Brodskij's poetics with the poetics of Aristotle, and the subtle but equally strong links of Brodskij's idea of democracy with that of the organisation of government in Plato's Republic. Pursuing an historic approach, the book delineates the characteristics of Brodskij as a reader of the classics and, at the same time, as a person intimately involved, at an individual and collective level, in the events of Russian culture. In Brodskij's dialogical approach, in particular in relation to ancient classical culture, the lineaments of the poet emerge clearly. Considered in their globality, these reveal inspiration, thought (profound, and strongly impregnated with philosophy), moral rigour (ironic and self-ironising), the renunciation of the display of feelings, and the tension towards an autobiographical writing that is universalised and externalised, a strong and constant link with the narration of myths and, in a manner that is increasingly marked over the time of his life and work, a progressive prevalence of the signs of the classical authors. Lezioni di poesia mette in luce un aspetto finora poco indagato nella poetica di Iosif Brodskij, la ricca rete intertestuale che lega i suoi versi alle letterature classiche. L'intertesto brodskiano mai appare come "imitazione", piuttosto come "mimesis", come una mediazione, talvolta celata dalla presenza di culture diacronicamente più vicine, in primis quella russa ineludibile, fortemente impregnata di senso e insegnamento: «(Creando, ben poco la penna ha creato). / Ma quanta luce dà nella notte, / con il buio fondendosi, l'inchiostro!». Lezioni di poesia propone momenti di riflessioni sull'intenso e sfumato rapporto che lega poetica brodskiana e poetica aristotelica, e sui sottili ma altrettanto forti nessi dell'idea di democrazia in Brodskij con quella dell'organizzazione di governo nella Repubblica di Platone. Tramite un percorso storico il volume delinea i tratti di Brodskij, lettore dei classici e, contemporaneamente, persona intimamente coinvolta, sul piano individuale e collettivo, nelle vicende della cultura russa. Nel "porsi dialogico" di Brodskij, in particolare nei confronti dell'antica cultura classica, si fanno emergere chiari i lineamenti del poeta, che nel loro insieme evocano ispirazione, pensiero (profondo e fortemente impregnato di filosofia), rigore morale (ironico e autoironico), rinuncia all'esibizione dei sentimenti, tensione a una scrittura autobiografica "universalizzata" e "estraniata", forte e costante legame con la narrazione dei miti e, in maniera sempre più rimarcabile nel tempo dell'esistenza e dell'opera, un progressivo prevalere dei "segni" degli autori classici.

     

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    Quelle: OAPEN
    Sprache: Italienisch
    Medientyp: Ebook
    Format: Online
    ISBN: 978-88-6453-105-2
    Weitere Identifier:
    Schlagworte: Poetry; Literary essays
    Weitere Schlagworte: russia; literature; letteratura; iosif brodskij; poetry; poesia; platone
  2. Gli anni Sessanta a Leningrado
    Autor*in: Stefania, Pavan
    Erschienen: 2009
    Verlag:  Firenze University Press

    This book offers a portrait of Leningrad in the 1960s, of its cultural life in those years permeated by a great hope for change. Leningrad, now St. Petersburg, is the heir and witness of the rise and fall of the 'Soviet hope' for an authentic change,... mehr

     

    This book offers a portrait of Leningrad in the 1960s, of its cultural life in those years permeated by a great hope for change. Leningrad, now St. Petersburg, is the heir and witness of the rise and fall of the 'Soviet hope' for an authentic change, its evolution and its inevitable decline. Through an analysis of the poems of Iosif Brodskij, Stefania Pavan maps out the process that led the intelligencija of Leningrad to disclose their claims, to give shape to the intellectual conscience of the city, and that subsequently constrained them to adopt the opposite approach, concealing – in a semi-visible space and in the myriad modes of the 'samizdat' – the values, names and images of the hope of change. Through an analysis of the linguistic peculiarities of The dregs , one of the 'classic' short stories of Boris Ivanov, Simonetta Signorini proposes a micro-history of the Russian language in the 60s, to which the study carried out by Ljudmila Zubova on the poems of Viktor Sosnora makes a useful contribution. The essay by Irina Dvizova highlights an aspect of the culture of Leningrad that can be considered extremely topical, in terms both of argument and as a method of reading literary history: the relation between the city and the Dostoevskij museum. Il volume propone un ritratto di Leningrado degli anni Sessanta, della sua vita culturale nell'Unione Sovietica, in quegli anni attraversata da una forte speranza di cambiamento. Leningrado, oggi San Pietroburgo, è erede e testimone della parabola della 'speranza sovietica' di un mutamento autentico, del suo evolversi e inevitabile esaurirsi. Stefania Pavan, attraverso l'analisi dei versi di Iosif Brodskij, disegna il percorso che ha condotto l'intelligencija di Leningrado nel 'disvelare' le proprie istanze, nel dare forma alla coscienza intellettuale della Città, e che l'ha vista costretta ad adottare successivamente la via inversa, a 'celare' in uno spazio semivisibile e tramite infinite modalità del 'samizdat', i valori, i nomi e le immagini della speranza del cambiamento. Con l'analisi delle particolarità linguistiche di La feccia, uno dei racconti 'classici' di Boris Ivanov, Simonetta Signorini propone una micro-storia della lingua russa negli anni Sessanta, alla quale lo studio di Ljudmila Zubova condotto sui versi di Viktor Sosnora dà un utile contributo. Il saggio di Irina Dvizova mette in evidenza un aspetto della cultura di Leningrado che è da considerare molto attuale sia come argomento che come metodo di lettura della storia letteraria: il rapporto fra la città e il Museo Dostoevskij.

     

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    Quelle: OAPEN
    Sprache: Italienisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: linguistics; Literary essays; Social & cultural history
    Weitere Schlagworte: literature; russia; letteratura; poetry; poesia
  3. Die antike Konzeption des Liebesbegriffes in der deutschen und russischen Literatur und Musik im 19. Jahrhundert anhand der Werke von E. T. A. Hoffmann, A. Puschkin, R. Schumann und P. Tschaikowski
    Autor*in: Lukjanov, Julia
    Erschienen: 2010
    Verlag:  Humboldt-Universität zu Berlin

    This work examines the expression of Love in an interdisciplinary approach to literature and music in Germany and Russia during the Romantic Period. The starting point is Socrates’ classical discourse about Love and his definition of it, which Plato... mehr

     

    This work examines the expression of Love in an interdisciplinary approach to literature and music in Germany and Russia during the Romantic Period. The starting point is Socrates’ classical discourse about Love and his definition of it, which Plato recorded in his Symposium. This will be applied to and examined in the Romantic Period, first in German and Russian literature and later in Music. What changes occur in the reception of this term? What differences or possible parallels can be determined in the two cultures and mentalities that are different at first sight? What is the influence of the respective artists on these changes? The results will be applied to the individual works of the writers A. Pushkin and E.T.A. Hoffmann as well as the musical settings of these works by the composers P. Tchaikovsky and R. Schumann. This examination, which is based primarily on literature and literary criticism, places the concept of Love in the foreground, even above the person or the work of the respective artist. Therefore, the primary goal of this work is to follow the reception of Plato’s “theory of love” during the Romantic Period. The concepts of one’s own inconstancy, the development of beauty, and the path of love correspond with the metacognitive philosophy of the Romantics. The subject of love has particular significance today because of the media’s frequent discussions about the crisis of moral values. Love is transmedial. It transcends the subjective lives of humans, the objective external conditions, culture and mentality, literature and music; and it remains a desire, an ambition, an idea. Love is active and bridges every boundary as a communicational code or as nature’s utmost attempt to lead an individual out of himself and to another. Diese Arbeit untersucht den Begriff der Liebe interdisziplinär in der Literatur und in der Musik in Deutschland und Russland in der Epoche der Romantik. Ausgegangen wird von der antiken Rede des Sokrates über Liebe und seiner Definition von ihr, welche Platon in seinem „Symposion“ nach Sokrates aufschreibt. Diese wird in die Zeit der Romantik zuerst in die deutsche und russische Literatur und später auf die Musik übertragen und untersucht. Welche Veränderungen treten im Verständnis des Begriffes auf? Welche Unterschiede oder möglichen Parallelen in den zwei auf den ersten Blick unterschiedlichen Kulturen und Mentalitäten sind vorhanden? Welchen Einfluss nehmen die Persönlichkeiten der Künstler auf diese Veränderungen? Die Ergebnisse werden auf einzelne Werke der Schriftsteller, A. Puschkin und E.T.A. Hoffmann, und auf die Vertonungen dieser Werke der Komponisten, P. Tschaikowski und R. Schumann, übertragen. Diese, in erster Linie literaturwissenschaftliche Untersuchung stellt den Begriff der Liebe in den Vordergrund, noch vor der Person oder dem Werk des Künstlers. Somit ist das vorrangige Ziel der Arbeit, der Rezeption der platonischen Liebestheorie während der Epoche der Romantik nachzugehen. Der Gedanke der eigenen Wandelbarkeit und der Entwicklung des Schönen und der Liebe als Stufenweg korrespondiert mit der Erkenntnisphilosophie der Romantiker. Das Thema der Liebe hat auch in der heutigen Zeit eine wichtige Bedeutung, vor allem weil die Medien immer öfter von einer Krise der moralischen Werte sprechen. Die Liebe ist transmedial, sie durchwandert das subjektive Leben des Menschen, die objektiven äußeren Voraussetzungen, die Kultur und die Mentalität, die Literatur und die Musik und sie bleibt eine Sehnsucht, ein Streben, eine Idee. Sie ist aktiv und überbrückt jegliche Schranken als Kommunikationscode oder als höchster Versuch, den die Natur macht, um das Individuum aus sich heraus und zu dem anderen hinzuführen. Abstract (eng):

     

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  4. Modernism and the Spiritual in Russian Art : New Perspectives
    Beteiligt: Kozicharow, Nicola (Hrsg.); Hardiman, Louise (Hrsg.)
    Erschienen: 2017
    Verlag:  Open Book Publishers

    "In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture... mehr

     

    "In 1911 Vasily Kandinsky published the first edition of ‘On the Spiritual in Art’, a landmark modernist treatise in which he sought to reframe the meaning of art and the true role of the artist. For many artists of late Imperial Russia – a culture deeply influenced by the regime’s adoption of Byzantine Orthodoxy centuries before – questions of religion and spirituality were of paramount importance. As artists and the wider art community experimented with new ideas and interpretations at the dawn of the twentieth century, their relationship with ‘the spiritual’ – broadly defined – was inextricably linked to their roles as pioneers of modernism. This diverse collection of essays introduces new and stimulating approaches to the ongoing debate as to how Russian artistic modernism engaged with questions of spirituality in the late nineteenth to mid-twentieth centuries. Ten chapters from emerging and established voices offer new perspectives on Kandinsky and other familiar names, such as Kazimir Malevich, Mikhail Larionov, and Natalia Goncharova, and introduce less well-known figures, such as the Georgian artists Ucha Japaridze and Lado Gudiashvili, and the craftswoman and art promoter Aleksandra Pogosskaia.

    Prefaced by a lively and informative introduction by Louise Hardiman and Nicola Kozicharow that sets these perspectives in their historical and critical context, Modernism and the Spiritual in Russian Art: New Perspectives enriches our understanding of the modernist period and breaks new ground in its re-examination of the role of religion and spirituality in the visual arts in late Imperial Russia. Of interest to historians and enthusiasts of Russian art, culture, and religion, and those of international modernism and the avant-garde, it offers innovative readings of a history only partially explored, revealing uncharted corners and challenging long-held assumptions."

     

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    Quelle: OAPEN
    Beteiligt: Kozicharow, Nicola (Hrsg.); Hardiman, Louise (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Theory of art; Painting & paintings; Art treatments & subjects
    Weitere Schlagworte: russia; art; spirituality; modernism; religion; history of art; Icon; Moscow; Wassily Kandinsky
    Umfang: 1 electronic resource (318 p.)
  5. Twentieth-Century Russian Poetry : Reinventing the Canon
    Beteiligt: Smith, Alexandra (Hrsg.); Shelton, Joanne (Hrsg.); Hodgson, Katharine (Hrsg.)
    Erschienen: 2017
    Verlag:  Open Book Publishers

    "The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia’s shifting relationship to its own literature in the face of... mehr

     

    "The canon of Russian poetry has been reshaped since the fall of the Soviet Union. A multi-authored study of changing cultural memory and identity, this revisionary work charts Russia’s shifting relationship to its own literature in the face of social upheaval. Literary canon and national identity are inextricably tied together, the composition of a canon being the attempt to single out those literary works that best express a nation’s culture. This process is, of course, fluid and subject to significant shifts, particularly at times of epochal change. This volume explores changes in the canon of twentieth-century Russian poetry from the 1991 collapse of the Soviet Union to the end of Putin’s second term as Russian President in 2008. In the wake of major institutional changes, such as the abolition of state censorship and the introduction of a market economy, the way was open for wholesale reinterpretation of twentieth-century poets such as Iosif Brodskii, Anna Akhmatova and Osip Mandel′shtam, their works and their lives. In the last twenty years many critics have discussed the possibility of various coexisting canons rooted in official and non-official literature and suggested replacing the term ""Soviet literature"" with a new definition – ""Russian literature of the Soviet period"".

    Contributions to this volume explore the multiple factors involved in reshaping the canon, understood as a body of literary texts given exemplary or representative status as ""classics"". Among factors which may influence the composition of the canon are educational institutions, competing views of scholars and critics, including figures outside Russia, and the self-canonising activity of poets themselves. Canon revision further reflects contemporary concerns with the destabilising effects of emigration and the internet, and the desire to reconnect with pre-revolutionary cultural traditions through a narrative of the past which foregrounds continuity. Despite persistent nostalgic yearnings in some quarters for a single canon, the current situation is defiantly diverse, balancing both the Soviet literary tradition and the parallel contemporaneous literary worlds of the emigration and the underground.

    Required reading for students, teachers and lovers of Russian literature, Twentieth-Century Russian Poetry brings our understanding of post-Soviet Russia up to date."

     

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    Quelle: OAPEN
    Beteiligt: Smith, Alexandra (Hrsg.); Shelton, Joanne (Hrsg.); Hodgson, Katharine (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Poetry
    Weitere Schlagworte: russia; twentieth-century; brodskii; mandel′shtam; literary canon; soviet union; poetry; akhmatova; Anna Akhmatova; Marina Tsvetaeva; Moscow
    Umfang: 1 electronic resource (512 p.)
  6. Nichego horoshego
    Ot nachala vojny do pohoron Naval'nogo
    Autor*in: Oleg, Kashin
    Erschienen: 2024
    Verlag:  ISIA Media Verlag, Leipzig

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    Quelle: Verbundkataloge
    Sprache: Russisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783689590055; 3689590051
    Weitere Identifier:
    9783689590055
    Auflage/Ausgabe: 1. Auflage
    Weitere Schlagworte: (Produktform)Paperback / softback; svoboda; emigrant; russia; (VLB-WN)1117: Hardcover, Softcover / Belletristik/Briefe, Tagebücher
    Umfang: 660 Seiten, 150 cm x 228 cm, 972 g
  7. Prison norms and society beyond bars
    Erschienen: July 2024
    Verlag:  IZA - Institute of Labor Economics, Bonn, Germany

    Inmates' informal code regulates their behavior and attitudes. We investigate whether prisons contribute to the spread of these norms to the general population using an exogenous shock of the Soviet amnesty of 1953, which released 1.2 million... mehr

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    Inmates' informal code regulates their behavior and attitudes. We investigate whether prisons contribute to the spread of these norms to the general population using an exogenous shock of the Soviet amnesty of 1953, which released 1.2 million prisoners. We document the spread of prison norms in localities exposed to the released ex-prisoners. As inmates' code also ascribes low status to persons perceived as passive homosexuals, in the long run, we find effects on anti-LGBTQ+ hate crimes, homophobic slurs on social media, and discriminatory attitudes.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Online
    Weitere Identifier:
    hdl: 10419/302655
    Schriftenreihe: Discussion paper series / IZA ; no. 17138
    Schlagworte: incarceration; prison culture; russia; homosexuals
    Umfang: 1 Online-Ressource (circa 97 Seiten), Illustrationen
  8. Nichego horoshego
    Ot nachala vojny do pohoron Naval'nogo
    Autor*in: Oleg, Kashin
    Erschienen: 2024
    Verlag:  ISIA Media Verlag, Leipzig

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    Quelle: Verbundkataloge
    Sprache: Russisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783689590000; 3689590000
    Weitere Identifier:
    9783689590000
    Auflage/Ausgabe: 1. Auflage
    Weitere Schlagworte: (Produktform)Hardback; svoboda; emigrant; russia; (VLB-WN)1117: Hardcover, Softcover / Belletristik/Briefe, Tagebücher
    Umfang: 660 Seiten, 150 cm x 228 cm, 1075 g
  9. Velikij Gopnik
    zapiski o živoj i mertvoj Rossii : roman
    Autor*in: Erofeev, Viktor
    Erschienen: 2024
    Verlag:  ISIA Media Verlag, Leipzig

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    Quelle: Verbundkataloge
    Sprache: Russisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9783689598884; 3689598885
    Weitere Identifier:
    9783689598884
    DDC Klassifikation: Literaturen germanischer Sprachen; Deutsche Literatur (830)
    Auflage/Ausgabe: 1. Auflage
    Weitere Schlagworte: gopnik; putin; russia; Hardcover, Softcover / Belletristik/Erzählende Literatur
    Umfang: 454 Seiten, 14.2 cm x 23 cm, 680 g