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  1. Shakespeare in succession
    translation and time
    Beteiligt: Costola, Sergio (HerausgeberIn); Saenger, Michael (HerausgeberIn)
    Erschienen: [2023]
    Verlag:  McGill-Queen's University Press, Montreal

    It may certainly be said that nothing can be assumed about Shakespeare: on the one hand, the Elizabethan poet seems to be thriving, with more editions, productions, studies, and translations appearing every year; on the other hand, in a time of... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    It may certainly be said that nothing can be assumed about Shakespeare: on the one hand, the Elizabethan poet seems to be thriving, with more editions, productions, studies, and translations appearing every year; on the other hand, in a time of global crisis and decolonization, the question of why Shakespeare is relevant at all is now more pertinent than ever. Shakespeare in Succession approaches the question of relevance by positioning Shakespeare as a participant as well as an object of adaptive translation, a labour that has always mediated between the foreign and the domestic, between the past and the present, between the arcane and the urgent. The volume situates Shakespeare on a continuum of transfers that can be understood from cultural, spatial, temporal, or linguistic points of view by studying how the text of Shakespeare is transformed into other languages and examining Shakespeare himself as a kind of translator of previous times, older stories, and prior theatrical and linguistic systems. Contending with the poet’s contemporary fate, Shakespeare in Succession asks how Shakespeare’s work can be offered to the multicultural present in which we live, and how we might relate our position to that of the iconic writer

     
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    Cover (lizenzpflichtig)
  2. Translating Kōl
    When “All” Does Not Mean “All”
    Autor*in: Schmidt, Peter
    Erschienen: 2020

    Hebrew kōl means “every,” “the whole,” “all.” However, a literal translation does not always make sense. I investigated cases where kōl does not express totality in the sense of “one hundred percent.” I present a collection of examples that show that... mehr

     

    Hebrew kōl means “every,” “the whole,” “all.” However, a literal translation does not always make sense. I investigated cases where kōl does not express totality in the sense of “one hundred percent.” I present a collection of examples that show that kōl can also be used (1) to express variety, (2) as hyperbole, (3) in a way defined by the context, and (4) for stylistic reasons. I argue that kōl sometimes needs to be translated with expressions such as “all kinds of,” “all other,” “in unity,” or in other context-sensitive ways; where it is perceived as redundant or misleading, it may remain untranslated.

     
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    Volltext (lizenzpflichtig)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Aufsatz aus einer Zeitschrift
    Format: Online
    Weitere Identifier:
    Übergeordneter Titel: Enthalten in: The Bible translator; London : Sage, 1950; 71(2020), 2, Seite 179-191

    Schlagworte: all; context; hyperbole; kōl; literal; redundant; style; totality; translate; variety
  3. Shakespeare in succession
    translation and time
    Beteiligt: Costola, Sergio (HerausgeberIn); Saenger, Michael (HerausgeberIn)
    Erschienen: [2023]
    Verlag:  McGill-Queen's University Press, Montreal

    It may certainly be said that nothing can be assumed about Shakespeare: on the one hand, the Elizabethan poet seems to be thriving, with more editions, productions, studies, and translations appearing every year; on the other hand, in a time of... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

     

    It may certainly be said that nothing can be assumed about Shakespeare: on the one hand, the Elizabethan poet seems to be thriving, with more editions, productions, studies, and translations appearing every year; on the other hand, in a time of global crisis and decolonization, the question of why Shakespeare is relevant at all is now more pertinent than ever. Shakespeare in Succession approaches the question of relevance by positioning Shakespeare as a participant as well as an object of adaptive translation, a labour that has always mediated between the foreign and the domestic, between the past and the present, between the arcane and the urgent. The volume situates Shakespeare on a continuum of transfers that can be understood from cultural, spatial, temporal, or linguistic points of view by studying how the text of Shakespeare is transformed into other languages and examining Shakespeare himself as a kind of translator of previous times, older stories, and prior theatrical and linguistic systems. Contending with the poet’s contemporary fate, Shakespeare in Succession asks how Shakespeare’s work can be offered to the multicultural present in which we live, and how we might relate our position to that of the iconic writer

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt