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  1. Staged Narrative
    Poetics and the Messenger in Greek Tragedy
    Autor*in: Barrett, James
    Erschienen: [2002]; ©2003
    Verlag:  University of California Press, Berkeley, CA

    The messenger who reports important action that has occurred offstage is a familiar inhabitant of Greek tragedy. A messenger informs us about the death of Jocasta and the blinding of Oedipus, the madness of Heracles, the slaughter of Aigisthos, and... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Fernleihe:
    keine Fernleihe

     

    The messenger who reports important action that has occurred offstage is a familiar inhabitant of Greek tragedy. A messenger informs us about the death of Jocasta and the blinding of Oedipus, the madness of Heracles, the slaughter of Aigisthos, and the death of Hippolytus, among other important events. Despite its prevalence, this conventional figure remains only little understood. Combining several critical approaches—narrative theory, genre study, and rhetorical analysis—this lucid study develops a synthetic view of the messenger of Greek tragedy, showing how this role illuminates some of the genre's most persistent concerns, especially those relating to language, knowledge, and the workings of tragic theater itself. James Barrett gives close readings of several plays including Aeschylus's Persians, Sophocles' Electra and Oedipus Tyrannus, and Euripides' Bacchae and Rhesos. He traces the literary ancestry of the tragic messenger, showing that the messenger's narrative constitutes an unexplored site of engagement with Homeric epic, and that the role illuminates fifth-century b.c. experimentation with modes of speech. Breaking new ground in the study of Athenian tragedy, Barrett deepens our understanding of many central texts and of a form of theater that highlights the fragility and limits of human knowledge, a theme explored by its use of the messenger

     
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  2. Medea
    Autor*in: Euripides
    Erschienen: [2019]
    Verlag:  University of California Press, Oakland, California

    The Medea of Euripides is one of the greatest of all Greek tragedies and arguably the one with the most significance today. A barbarian woman brought to Corinth and there abandoned by her Greek husband, Medea seeks vengeance on Jason and is willing... mehr

    Zugang:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitätsbibliothek Osnabrück
    Fernleihe:
    keine Fernleihe

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

     

    The Medea of Euripides is one of the greatest of all Greek tragedies and arguably the one with the most significance today. A barbarian woman brought to Corinth and there abandoned by her Greek husband, Medea seeks vengeance on Jason and is willing to strike out against his new wife and family—even slaughtering the sons she has born him. At its center is Medea herself, a character who refuses definition: Is she a hero, a witch, a psychopath, a goddess? All that can be said for certain is that she is a woman who has loved, has suffered, and will stop at nothing for vengeance. In this stunning translation, poet Charles Martin captures the rhythms of Euripides’ original text through contemporary rhyme and meter that speak directly to modern readers. An introduction by classicist and poet A.E. Stallings examines the complex and multifaceted Medea in patriarchal ancient Greece. Perfect in and out of the classroom as well as for theatrical performance, this faithful translation succeeds like no other Frontmatter -- Contents -- Introduction -- A Note on This Translation -- Dramatis Personae -- Medea -- Notes -- Acknowledgments

     
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    Quelle: Verbundkataloge
    Beteiligt: Martin, Charles (ÜbersetzerIn); Stallings, Alicia E. (VerfasserIn einer Einleitung)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780520973756
    Weitere Identifier:
    Schlagworte: POETRY / Ancient & Classical
    Weitere Schlagworte: abandoned by greek husband; against new wife and family; ancient greek tragedy; barbarian woman brought to corinth; contemporary rhyme and meter; escapes to athens; euripides; for theatrical performances; former princess; myth of jason and medea; patriarchal ancient greece; seeks vengeance on jason; slaughtering sons she bore; use in classrooms
    Umfang: 1 Online-Ressource (101 Seiten)
    Bemerkung(en):

    restricted access online access with authorization star

    Includes bibliographical references and index
  3. Medea
    Autor*in: Euripides
    Erschienen: [2019]
    Verlag:  University of California Press, Oakland, California

    The Medea of Euripides is one of the greatest of all Greek tragedies and arguably the one with the most significance today. A barbarian woman brought to Corinth and there abandoned by her Greek husband, Medea seeks vengeance on Jason and is willing... mehr

    Zugang:
    Verlag (lizenzpflichtig)
    Resolving-System (lizenzpflichtig)

    Standort:
    Universität Potsdam, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    The Medea of Euripides is one of the greatest of all Greek tragedies and arguably the one with the most significance today. A barbarian woman brought to Corinth and there abandoned by her Greek husband, Medea seeks vengeance on Jason and is willing to strike out against his new wife and family—even slaughtering the sons she has born him. At its center is Medea herself, a character who refuses definition: Is she a hero, a witch, a psychopath, a goddess? All that can be said for certain is that she is a woman who has loved, has suffered, and will stop at nothing for vengeance. In this stunning translation, poet Charles Martin captures the rhythms of Euripides’ original text through contemporary rhyme and meter that speak directly to modern readers. An introduction by classicist and poet A.E. Stallings examines the complex and multifaceted Medea in patriarchal ancient Greece. Perfect in and out of the classroom as well as for theatrical performance, this faithful translation succeeds like no other Frontmatter -- Contents -- Introduction -- A Note on This Translation -- Dramatis Personae -- Medea -- Notes -- Acknowledgments

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Martin, Charles (ÜbersetzerIn); Stallings, Alicia E. (VerfasserIn einer Einleitung)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780520973756
    Weitere Identifier:
    Schlagworte: POETRY / Ancient & Classical
    Weitere Schlagworte: abandoned by greek husband; against new wife and family; ancient greek tragedy; barbarian woman brought to corinth; contemporary rhyme and meter; escapes to athens; euripides; for theatrical performances; former princess; myth of jason and medea; patriarchal ancient greece; seeks vengeance on jason; slaughtering sons she bore; use in classrooms
    Umfang: 1 Online-Ressource (101 Seiten)
    Bemerkung(en):

    restricted access online access with authorization star

    Includes bibliographical references and index