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  1. Jordan Peele's Get out
    political horror
    Beteiligt: Keetley, Dawn (Hrsg.)
    Erschienen: [2020]
    Verlag:  The Ohio State University Press, Columbus

    "Essays explore Get Out's cultural roots, including Shakespeare's Othello, the female gothic, Ira Levin's Rosemary's Baby, The Stepford Wives, and the zombie, rural, suburban, and body-swap subgenres of the modern horror film. Essays make connections... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Hochschule für Fernsehen und Film, Bibliothek
    Fernleihe:
    keine Ausleihe von Bänden, nur Papierkopien werden versandt

     

    "Essays explore Get Out's cultural roots, including Shakespeare's Othello, the female gothic, Ira Levin's Rosemary's Baby, The Stepford Wives, and the zombie, rural, suburban, and body-swap subgenres of the modern horror film. Essays make connections with Nat Turner, W. E. B. Du Bois, and James Baldwin"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Keetley, Dawn (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780814255803; 9780814214275
    Schriftenreihe: New suns: race, gender, and sexuality in the speculative
    Schlagworte: Horrorfilm; Schwarze <Motiv>; Rassismus <Motiv>; Ethnische Beziehungen <Motiv>
    Weitere Schlagworte: Peele, Jordan / 1979- / Criticism and interpretation; Get out (Motion picture : 2017); Horror films / History and criticism; Racism in motion pictures; United States / Race relations / 21st century; Horror films; Race relations; Racism in motion pictures; United States; 2000-2099; Criticism, interpretation, etc
    Umfang: vi, 253 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index.

    From Tragedy to Horror: Othello and Get Out / Jonathan Byron and Tony Perrello -- Burning Down the House: Get Out and the Female Gothic / Linnie Blake -- A Peaceful Place Denied: Horror Film’s "Whitopias" / Robin R. Means Coleman and Novotny Lawrence -- Get Out and the Zombie Film / Erin Casey-Williams -- Place, Space, and the Reconfiguration of "White Trash" Monstrosity / Bernice M. Murphy -- The Body Horror of White Second Chances in John Frankenheimer’s Seconds and Jordan Peele’s Get Out / Robyn Citizen -- Jordan Peele and Ira Levin Go to the Movies: The Black/Jewish Genealogy of Modern Horror’s Minority Vocabulary / Adam Lowenstein -- Racism that Grins: African American Gothic Realism and Systemic Critique / Sarah Ilott -- Reviewing Get Out’s Reviews: What Critics Said and How Their Race Mattered / Todd K. Platts and David L. Brunsma -- Specters of Slave Revolt / Sarah Juliet Lauro -- Staying Woke in Sunken Places, or The Wages of Double Consciousness / Mikal J. Gaines -- Holding onto Hulk Hogan: Contending with the Rape of the Black Male Psyche / Robert LaRue -- The Horror of the Photographic Eye / Kyle Brett -- The Fantasy of White Immortality and Black Male Corporeality in James Baldwin’s "Going to Meet the Man" and Get Out / Laura Thorp -- Scientific Racism and the Politics of Looking / Cayla McNally -- "Do You Belong in This Neighborhood?" Get Out’s Paratexts / Alex Svensson
  2. Black or right
    anti/racist campus rhetorics
    Autor*in: Maraj, Louis Maurice
    Erschienen: [2020]; © 2020
    Verlag:  Utah State University Press, Logan

    "Exploring notions of Blackness in white institutional-particularly educational-spaces. Theorizing how in the age of #BlackLivesMatter, Black identity operates with/against neoliberal ideas of difference. Centering Blackness in frameworks for... mehr

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Exploring notions of Blackness in white institutional-particularly educational-spaces. Theorizing how in the age of #BlackLivesMatter, Black identity operates with/against neoliberal ideas of difference. Centering Blackness in frameworks for antiracist agency through interdisciplinary Black feminist lenses and asks how those racially signifying 'diversity' in higher education (and beyond) create meaning."

     
    Export in Literaturverwaltung   RIS-Format
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  3. Jordan Peele's Get out
    political horror
    Beteiligt: Keetley, Dawn (Hrsg.)
    Erschienen: [2020]
    Verlag:  The Ohio State University Press, Columbus

    "Essays explore Get Out's cultural roots, including Shakespeare's Othello, the female gothic, Ira Levin's Rosemary's Baby, The Stepford Wives, and the zombie, rural, suburban, and body-swap subgenres of the modern horror film. Essays make connections... mehr

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "Essays explore Get Out's cultural roots, including Shakespeare's Othello, the female gothic, Ira Levin's Rosemary's Baby, The Stepford Wives, and the zombie, rural, suburban, and body-swap subgenres of the modern horror film. Essays make connections with Nat Turner, W. E. B. Du Bois, and James Baldwin"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Keetley, Dawn (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780814255803; 9780814214275
    Schriftenreihe: New suns: race, gender, and sexuality in the speculative
    Schlagworte: Horrorfilm; Schwarze <Motiv>; Rassismus <Motiv>; Ethnische Beziehungen <Motiv>
    Weitere Schlagworte: Peele, Jordan / 1979- / Criticism and interpretation; Get out (Motion picture : 2017); Horror films / History and criticism; Racism in motion pictures; United States / Race relations / 21st century; Horror films; Race relations; Racism in motion pictures; United States; 2000-2099; Criticism, interpretation, etc
    Umfang: vi, 253 Seiten, Illustrationen, 24 cm
    Bemerkung(en):

    Includes bibliographical references and index.

    From Tragedy to Horror: Othello and Get Out / Jonathan Byron and Tony Perrello -- Burning Down the House: Get Out and the Female Gothic / Linnie Blake -- A Peaceful Place Denied: Horror Film’s "Whitopias" / Robin R. Means Coleman and Novotny Lawrence -- Get Out and the Zombie Film / Erin Casey-Williams -- Place, Space, and the Reconfiguration of "White Trash" Monstrosity / Bernice M. Murphy -- The Body Horror of White Second Chances in John Frankenheimer’s Seconds and Jordan Peele’s Get Out / Robyn Citizen -- Jordan Peele and Ira Levin Go to the Movies: The Black/Jewish Genealogy of Modern Horror’s Minority Vocabulary / Adam Lowenstein -- Racism that Grins: African American Gothic Realism and Systemic Critique / Sarah Ilott -- Reviewing Get Out’s Reviews: What Critics Said and How Their Race Mattered / Todd K. Platts and David L. Brunsma -- Specters of Slave Revolt / Sarah Juliet Lauro -- Staying Woke in Sunken Places, or The Wages of Double Consciousness / Mikal J. Gaines -- Holding onto Hulk Hogan: Contending with the Rape of the Black Male Psyche / Robert LaRue -- The Horror of the Photographic Eye / Kyle Brett -- The Fantasy of White Immortality and Black Male Corporeality in James Baldwin’s "Going to Meet the Man" and Get Out / Laura Thorp -- Scientific Racism and the Politics of Looking / Cayla McNally -- "Do You Belong in This Neighborhood?" Get Out’s Paratexts / Alex Svensson